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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8C7E it is the complementary color #047381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB8C7E shade: #FF8C79, #FF9E8C, #FFB09F, #FFC2B2 and #FFD4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB8C7E shade: #FB8C7E, #EA7A6B, #D96858, #C85645 and #B74432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB8C7E shade: #FB8C7E and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB8C7E shade: #FB8C7E, #FBAE7E, #FBD07E, #FBF17E and #E3FB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB8C7E shade matches the following richer shades: #FB8C7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB8C7E shade: #FB8C7E, #F09589, #E69D94, #DBA59F and #D0AEA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB8C7E shade: #FB7EB4, #FB7E93, #FB8B7E, #FBAC7E and #FBCD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB8C7E shade: #F9452E, #FA6956, #FB8C7E, #FCB0A6 and #FDD4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB8C7E shade: #FB8C7E, #D6FB7E and #7EA4FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB8C7E shade: #FB8C7E, #7EFB8B and #8B7EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB8C7E shade: #FB8C7E, #D6FB7E, #7EEFFB and #A47EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB8C7E shade: #FB8C7E, #B0FB7E, #7EEFFB and #C97EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

Complementary color

CMYK 97 / 11 / 0 / 49

HEX #047381

RGB 4 115 129

HSL 186.72, 0.94%, 0.26%

LAB 44.05, -21.67, -15.43

 

CMYK 0 / 45 / 53 / 0

HEX #FF8C79

RGB 255 140 121

HSL 8.51, 1%, 0.74%

LAB 70.45, 41.65, 29.55

 

CMYK 0 / 38 / 45 / 0

HEX #FF9E8C

RGB 255 158 140

HSL 9.39, 1%, 0.77%

LAB 74.58, 34.17, 24.69

 

CMYK 0 / 31 / 38 / 0

HEX #FFB09F

RGB 255 176 159

HSL 10.63, 1%, 0.81%

LAB 78.93, 26.81, 20.37

 

CMYK 0 / 24 / 30 / 0

HEX #FFC2B2

RGB 255 194 178

HSL 12.47, 1%, 0.85%

LAB 83.47, 19.67, 16.51

 

CMYK 0 / 17 / 23 / 0

HEX #FFD4C5

RGB 255 212 197

HSL 15.52, 1%, 0.89%

LAB 88.15, 12.83, 13.05

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 0 / 48 / 54 / 8

HEX #EA7A6B

RGB 234 122 107

HSL 7.09, 0.75%, 0.67%

LAB 63.73, 41.78, 27.94

 

CMYK 0 / 52 / 59 / 15

HEX #D96858

RGB 217 104 88

HSL 7.44, 0.63%, 0.6%

LAB 57.42, 43.02, 30

 

CMYK 0 / 57 / 66 / 22

HEX #C85645

RGB 200 86 69

HSL 7.79, 0.54%, 0.53%

LAB 51.11, 44.3, 32.36

 

CMYK 0 / 63 / 73 / 28

HEX #B74432

RGB 183 68 50

HSL 8.12, 0.57%, 0.46%

LAB 44.85, 45.52, 35.08

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 0 / 31 / 50 / 2

HEX #FBAE7E

RGB 251 174 126

HSL 23.04, 0.94%, 0.74%

LAB 77.45, 22.95, 35.88

 

CMYK 0 / 17 / 50 / 2

HEX #FBD07E

RGB 251 208 126

HSL 39.36, 0.94%, 0.74%

LAB 85.57, 5.21, 46.13

 

CMYK 0 / 4 / 50 / 2

HEX #FBF17E

RGB 251 241 126

HSL 55.2, 0.94%, 0.74%

LAB 93.85, -11.45, 56.18

 

CMYK 10 / 0 / 50 / 2

HEX #E3FB7E

RGB 227 251 126

HSL 71.52, 0.94%, 0.74%

LAB 94.67, -25.6, 56.72

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 0 / 38 / 43 / 6

HEX #F09589

RGB 240 149 137

HSL 6.99, 0.77%, 0.74%

LAB 70.75, 32.9, 20.83

 

CMYK 0 / 32 / 36 / 10

HEX #E69D94

RGB 230 157 148

HSL 6.59, 0.62%, 0.74%

LAB 71.61, 26.11, 15.77

 

CMYK 0 / 25 / 27 / 14

HEX #DBA59F

RGB 219 165 159

HSL 6, 0.45%, 0.74%

LAB 72.54, 19.06, 10.86

 

CMYK 0 / 16 / 19 / 18

HEX #D0AEA9

RGB 208 174 169

HSL 7.69, 0.29%, 0.74%

LAB 73.9, 11.53, 7.16

 

CMYK 0 / 50 / 28 / 2

HEX #FB7EB4

RGB 251 126 180

HSL 334.08, 0.94%, 0.74%

LAB 68.55, 53.42, -6.15

 

CMYK 0 / 50 / 41 / 2

HEX #FB7E93

RGB 251 126 147

HSL 349.92, 0.94%, 0.74%

LAB 67.68, 49.59, 11.19

 

CMYK 0 / 45 / 50 / 2

HEX #FB8B7E

RGB 251 139 126

HSL 6.24, 0.94%, 0.74%

LAB 69.81, 41.11, 25.86

 

CMYK 0 / 31 / 50 / 2

HEX #FBAC7E

RGB 251 172 126

HSL 22.08, 0.94%, 0.74%

LAB 76.99, 24, 35.29

 

CMYK 0 / 18 / 50 / 2

HEX #FBCD7E

RGB 251 205 126

HSL 37.92, 0.94%, 0.74%

LAB 84.83, 6.75, 45.21

 

CMYK 0 / 72 / 82 / 2

HEX #F9452E

RGB 249 69 46

HSL 6.8, 0.94%, 0.58%

LAB 56.68, 66.63, 53.05

 

CMYK 0 / 58 / 66 / 2

HEX #FA6956

RGB 250 105 86

HSL 6.95, 0.94%, 0.66%

LAB 62.59, 54.25, 38.63

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 0 / 30 / 34 / 1

HEX #FCB0A6

RGB 252 176 166

HSL 6.98, 0.93%, 0.82%

LAB 78.75, 26.5, 16.29

 

CMYK 0 / 16 / 19 / 1

HEX #FDD4CE

RGB 253 212 206

HSL 7.66, 0.92%, 0.9%

LAB 88.17, 13.41, 8.31

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 15 / 0 / 50 / 2

HEX #D6FB7E

RGB 214 251 126

HSL 77.76, 0.94%, 0.74%

LAB 93.8, -30.5, 55.47

 

CMYK 50 / 35 / 0 / 2

HEX #7EA4FB

RGB 126 164 251

HSL 221.76, 0.94%, 0.74%

LAB 67.98, 10.47, -47.32

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 50 / 0 / 45 / 2

HEX #7EFB8B

RGB 126 251 139

HSL 126.24, 0.94%, 0.74%

LAB 89.53, -57.36, 43.09

 

CMYK 45 / 50 / 0 / 2

HEX #8B7EFB

RGB 139 126 251

HSL 246.24, 0.94%, 0.74%

LAB 59.32, 35.49, -61.03

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 15 / 0 / 50 / 2

HEX #D6FB7E

RGB 214 251 126

HSL 77.76, 0.94%, 0.74%

LAB 93.8, -30.5, 55.47

 

CMYK 50 / 5 / 0 / 2

HEX #7EEFFB

RGB 126 239 251

HSL 185.76, 0.94%, 0.74%

LAB 88.51, -29.12, -15.75

 

CMYK 35 / 50 / 0 / 2

HEX #A47EFB

RGB 164 126 251

HSL 258.24, 0.94%, 0.74%

LAB 61.46, 41.37, -57.48

 

CMYK 0 / 44 / 50 / 2

HEX #FB8C7E

RGB 251 140 126

HSL 6.72, 0.94%, 0.74%

LAB 70.02, 40.6, 26.13

 

CMYK 30 / 0 / 50 / 2

HEX #B0FB7E

RGB 176 251 126

HSL 96, 0.94%, 0.74%

LAB 91.56, -44.05, 52.25

 

CMYK 50 / 5 / 0 / 2

HEX #7EEFFB

RGB 126 239 251

HSL 185.76, 0.94%, 0.74%

LAB 88.51, -29.12, -15.75

 

CMYK 20 / 50 / 0 / 2

HEX #C97EFB

RGB 201 126 251

HSL 276, 0.94%, 0.74%

LAB 65.2, 50.8, -51.31

 

Description

Color code: HEX #FB8C7E | qconv.com Color code: HEX #FB8C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 140 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 140 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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