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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB88B5 it is the complementary color #04774A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB88B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB88B5 shade: #FF88B0, #FF9AC3, #FFACD6, #FFBEE9 and #FFD0FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB88B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB88B5 shade: #FB88B5, #EA76A2, #D9648F, #C8527C and #B74069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB88B5 shade: #FA88B5, #FA8896 and #FA8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB88B5 shade: #FA88B5, #FA88D4, #FA88F2, #E388FA and #C588FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB88B5 shade matches the following richer shades: #FA88B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB88B5 shade: #FA88B5, #F092B7, #E69CB9, #DDA6BB and #D3B0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB88B5 shade: #FA88F3, #FA88D4, #FA88B6, #FA8898 and #FA9888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB88B5 shade: #F73983, #F9619C, #FA88B5, #FCB0CE and #FDD8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB88B5 shade: #FB88B5, #FAE388 and #88E3FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB88B5 shade: #FB88B5, #B6FA88 and #88B6FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB88B5 shade: #FB88B5, #FAE388, #88FACD and #889FFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB88B5 shade: #FB88B5, #EFFA88, #88FACD and #9488FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 28 / 2

HEX #FB88B5

RGB 251 136 181

HSL 336.52, 0.93%, 0.76%

LAB 70.49, 48.66, -3.84

 

Complementary color

CMYK 97 / 0 / 38 / 53

HEX #04774A

RGB 4 119 74

HSL 156.52, 0.93%, 0.24%

LAB 43.82, -39.8, 16.96

 

CMYK 0 / 47 / 31 / 0

HEX #FF88B0

RGB 255 136 176

HSL 339.83, 1%, 0.77%

LAB 70.87, 49.35, -0.43

 

CMYK 0 / 40 / 24 / 0

HEX #FF9AC3

RGB 255 154 195

HSL 335.64, 1%, 0.8%

LAB 75.02, 42.8, -4.87

 

CMYK 0 / 33 / 16 / 0

HEX #FFACD6

RGB 255 172 214

HSL 329.64, 1%, 0.84%

LAB 79.4, 36.28, -8.76

 

CMYK 0 / 25 / 9 / 0

HEX #FFBEE9

RGB 255 190 233

HSL 320.31, 1%, 0.87%

LAB 83.95, 29.9, -12.2

 

CMYK 0 / 18 / 1 / 0

HEX #FFD0FC

RGB 255 208 252

HSL 303.83, 1%, 0.91%

LAB 88.64, 23.73, -15.27

 

CMYK 0 / 46 / 28 / 2

HEX #FB88B5

RGB 251 136 181

HSL 336.52, 0.93%, 0.76%

LAB 70.49, 48.66, -3.84

 

CMYK 0 / 50 / 31 / 8

HEX #EA76A2

RGB 234 118 162

HSL 337.24, 0.73%, 0.69%

LAB 64.21, 49.47, -2.63

 

CMYK 0 / 54 / 34 / 15

HEX #D9648F

RGB 217 100 143

HSL 337.95, 0.61%, 0.62%

LAB 57.89, 50.26, -1.23

 

CMYK 0 / 59 / 38 / 22

HEX #C8527C

RGB 200 82 124

HSL 338.64, 0.52%, 0.55%

LAB 51.58, 50.95, 0.45

 

CMYK 0 / 65 / 43 / 28

HEX #B74069

RGB 183 64 105

HSL 339.33, 0.48%, 0.48%

LAB 45.3, 51.44, 2.5

 

CMYK 0 / 46 / 28 / 2

HEX #FA88B5

RGB 250 136 181

HSL 336.32, 0.92%, 0.76%

LAB 70.36, 48.32, -4.05

 

CMYK 0 / 46 / 40 / 2

HEX #FA8896

RGB 250 136 150

HSL 352.63, 0.92%, 0.76%

LAB 69.57, 44.62, 12.15

 

CMYK 0 / 46 / 46 / 2

HEX #FA8888

RGB 250 136 136

HSL 0, 0.92%, 0.76%

LAB 69.26, 43.18, 19.55

 

CMYK 0 / 46 / 28 / 2

HEX #FA88B5

RGB 250 136 181

HSL 336.32, 0.92%, 0.76%

LAB 70.36, 48.32, -4.05

 

CMYK 0 / 46 / 15 / 2

HEX #FA88D4

RGB 250 136 212

HSL 320, 0.92%, 0.76%

LAB 71.34, 52.71, -19.83

 

CMYK 0 / 46 / 3 / 2

HEX #FA88F2

RGB 250 136 242

HSL 304.21, 0.92%, 0.76%

LAB 72.46, 57.55, -34.61

 

CMYK 9 / 46 / 0 / 2

HEX #E388FA

RGB 227 136 250

HSL 287.89, 0.92%, 0.76%

LAB 70.06, 52.49, -42.91

 

CMYK 21 / 46 / 0 / 2

HEX #C588FA

RGB 197 136 250

HSL 272.11, 0.92%, 0.76%

LAB 66.81, 44.21, -48.25

 

CMYK 0 / 46 / 28 / 2

HEX #FA88B5

RGB 250 136 181

HSL 336.32, 0.92%, 0.76%

LAB 70.36, 48.32, -4.05

 

CMYK 0 / 46 / 28 / 2

HEX #FA88B5

RGB 250 136 181

HSL 336.32, 0.92%, 0.76%

LAB 70.36, 48.32, -4.05

 

CMYK 0 / 39 / 24 / 6

HEX #F092B7

RGB 240 146 183

HSL 336.38, 0.76%, 0.76%

LAB 71.22, 40.12, -4.05

 

CMYK 0 / 32 / 20 / 10

HEX #E69CB9

RGB 230 156 185

HSL 336.49, 0.6%, 0.76%

LAB 72.3, 31.67, -3.7

 

CMYK 0 / 25 / 15 / 13

HEX #DDA6BB

RGB 221 166 187

HSL 337.09, 0.45%, 0.76%

LAB 73.7, 23.43, -2.85

 

CMYK 0 / 17 / 10 / 17

HEX #D3B0BE

RGB 211 176 190

HSL 336, 0.28%, 0.76%

LAB 75.21, 14.95, -2.38

 

CMYK 0 / 46 / 3 / 2

HEX #FA88F3

RGB 250 136 243

HSL 303.68, 0.92%, 0.76%

LAB 72.5, 57.72, -35.09

 

CMYK 0 / 46 / 15 / 2

HEX #FA88D4

RGB 250 136 212

HSL 320, 0.92%, 0.76%

LAB 71.34, 52.71, -19.83

 

CMYK 0 / 46 / 27 / 2

HEX #FA88B6

RGB 250 136 182

HSL 335.79, 0.92%, 0.76%

LAB 70.39, 48.46, -4.56

 

CMYK 0 / 46 / 39 / 2

HEX #FA8898

RGB 250 136 152

HSL 351.58, 0.92%, 0.76%

LAB 69.61, 44.84, 11.09

 

CMYK 0 / 39 / 46 / 2

HEX #FA9888

RGB 250 152 136

HSL 8.42, 0.92%, 0.76%

LAB 72.6, 35, 24.09

 

CMYK 0 / 77 / 47 / 3

HEX #F73983

RGB 247 57 131

HSL 336.63, 0.92%, 0.6%

LAB 56.43, 74.37, 4.3

 

CMYK 0 / 61 / 37 / 2

HEX #F9619C

RGB 249 97 156

HSL 336.71, 0.93%, 0.68%

LAB 62.58, 63.13, -1.32

 

CMYK 0 / 46 / 28 / 2

HEX #FA88B5

RGB 250 136 181

HSL 336.32, 0.92%, 0.76%

LAB 70.36, 48.32, -4.05

 

CMYK 0 / 30 / 18 / 1

HEX #FCB0CE

RGB 252 176 206

HSL 336.32, 0.93%, 0.84%

LAB 79.73, 31.94, -3.97

 

CMYK 0 / 15 / 9 / 1

HEX #FDD8E7

RGB 253 216 231

HSL 335.68, 0.9%, 0.92%

LAB 89.75, 15.26, -2.57

 

CMYK 0 / 46 / 28 / 2

HEX #FB88B5

RGB 251 136 181

HSL 336.52, 0.93%, 0.76%

LAB 70.49, 48.66, -3.84

 

CMYK 0 / 9 / 46 / 2

HEX #FAE388

RGB 250 227 136

HSL 47.89, 0.92%, 0.76%

LAB 90.34, -3.97, 47.12

 

CMYK 46 / 9 / 0 / 2

HEX #88E3FA

RGB 136 227 250

HSL 192.11, 0.92%, 0.76%

LAB 85.54, -21.33, -19.66

 

CMYK 0 / 46 / 28 / 2

HEX #FB88B5

RGB 251 136 181

HSL 336.52, 0.93%, 0.76%

LAB 70.49, 48.66, -3.84

 

CMYK 27 / 0 / 46 / 2

HEX #B6FA88

RGB 182 250 136

HSL 95.79, 0.92%, 0.76%

LAB 91.73, -40.43, 47.83

 

CMYK 46 / 27 / 0 / 2

HEX #88B6FA

RGB 136 182 250

HSL 215.79, 0.92%, 0.76%

LAB 73.28, 2.36, -38.46

 

CMYK 0 / 46 / 28 / 2

HEX #FB88B5

RGB 251 136 181

HSL 336.52, 0.93%, 0.76%

LAB 70.49, 48.66, -3.84

 

CMYK 0 / 9 / 46 / 2

HEX #FAE388

RGB 250 227 136

HSL 47.89, 0.92%, 0.76%

LAB 90.34, -3.97, 47.12

 

CMYK 46 / 0 / 18 / 2

HEX #88FACD

RGB 136 250 205

HSL 156.32, 0.92%, 0.76%

LAB 90.79, -42.72, 11.58

 

CMYK 46 / 36 / 0 / 2

HEX #889FFA

RGB 136 159 250

HSL 227.89, 0.92%, 0.76%

LAB 67.23, 15.36, -47.93

 

CMYK 0 / 46 / 28 / 2

HEX #FB88B5

RGB 251 136 181

HSL 336.52, 0.93%, 0.76%

LAB 70.49, 48.66, -3.84

 

CMYK 4 / 0 / 46 / 2

HEX #EFFA88

RGB 239 250 136

HSL 65.79, 0.92%, 0.76%

LAB 95.37, -19.6, 53.13

 

CMYK 46 / 0 / 18 / 2

HEX #88FACD

RGB 136 250 205

HSL 156.32, 0.92%, 0.76%

LAB 90.79, -42.72, 11.58

 

CMYK 41 / 46 / 0 / 2

HEX #9488FA

RGB 148 136 250

HSL 246.32, 0.92%, 0.76%

LAB 62.34, 31.53, -55.61

 

Description

Color code: HEX #FB88B5 | qconv.com Color code: HEX #FB88B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 136 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 136 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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