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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8627 it is the complementary color #0479D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB8627 shade: #FF8622, #FF9835, #FFAA48, #FFBC5B and #FFCE6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB8627 shade: #FB8627, #EA7414, #D96201, #C85000 and #B73E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB8627 shade: #FB8628, #FB4E28 and #FB2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB8627 shade: #FB8628, #FBBF28, #FBF828, #C4FB28 and #8CFB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB8627 shade matches the following richer shades: #FB8628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB8627 shade: #FB8628, #E9883A, #D78A4C, #C58C5D and #B48E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB8627 shade: #FB283D, #FB4B28, #FB8328, #FBBB28 and #FBF428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB8627 shade: #CC5E04, #F47005, #FB8628, #FB9D51 and #FCB479

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB8627 shade: #FB8627, #75FB28 and #2F28FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB8627 shade: #FB8627, #28FB83 and #8328FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB8627 shade: #FB8627, #75FB28, #289FFB and #AD28FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB8627 shade: #FB8627, #36FB28, #289FFB and #ED28FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 84 / 2

HEX #FB8627

RGB 251 134 39

HSL 26.89, 0.96%, 0.57%

LAB 67.8, 38.81, 65.8

 

Complementary color

CMYK 98 / 44 / 0 / 15

HEX #0479D8

RGB 4 121 216

HSL 206.89, 0.96%, 0.43%

LAB 50.29, 8.08, -56.29

 

CMYK 0 / 47 / 87 / 0

HEX #FF8622

RGB 255 134 34

HSL 27.15, 1%, 0.57%

LAB 68.33, 40.27, 68.08

 

CMYK 0 / 40 / 79 / 0

HEX #FF9835

RGB 255 152 53

HSL 29.41, 1%, 0.6%

LAB 72.21, 31.61, 64.78

 

CMYK 0 / 33 / 72 / 0

HEX #FFAA48

RGB 255 170 72

HSL 32.13, 1%, 0.64%

LAB 76.36, 23.01, 61.06

 

CMYK 0 / 26 / 64 / 0

HEX #FFBC5B

RGB 255 188 91

HSL 35.49, 1%, 0.68%

LAB 80.73, 14.62, 57.28

 

CMYK 0 / 19 / 57 / 0

HEX #FFCE6E

RGB 255 206 110

HSL 39.72, 1%, 0.72%

LAB 85.27, 6.56, 53.6

 

CMYK 0 / 47 / 84 / 2

HEX #FB8627

RGB 251 134 39

HSL 26.89, 0.96%, 0.57%

LAB 67.8, 38.81, 65.8

 

CMYK 0 / 50 / 91 / 8

HEX #EA7414

RGB 234 116 20

HSL 26.92, 0.84%, 0.5%

LAB 61.68, 40.8, 65.65

 

CMYK 0 / 55 / 100 / 15

HEX #D96201

RGB 217 98 1

HSL 26.94, 0.99%, 0.43%

LAB 55.57, 42.88, 64.2

 

CMYK 0 / 60 / 100 / 22

HEX #C85000

RGB 200 80 0

HSL 24, 1%, 0.39%

LAB 49.52, 45.02, 59.57

 

CMYK 0 / 66 / 100 / 28

HEX #B73E00

RGB 183 62 0

HSL 20.33, 1%, 0.36%

LAB 43.53, 46.9, 54.81

 

CMYK 0 / 47 / 84 / 2

HEX #FB8628

RGB 251 134 40

HSL 26.73, 0.96%, 0.57%

LAB 67.81, 38.83, 65.46

 

CMYK 0 / 69 / 84 / 2

HEX #FB4E28

RGB 251 78 40

HSL 10.81, 0.96%, 0.57%

LAB 58.14, 63.93, 57.24

 

CMYK 0 / 84 / 84 / 2

HEX #FB2828

RGB 251 40 40

HSL 0, 0.96%, 0.57%

LAB 54.22, 74.9, 53.86

 

CMYK 0 / 47 / 84 / 2

HEX #FB8628

RGB 251 134 40

HSL 26.73, 0.96%, 0.57%

LAB 67.81, 38.83, 65.46

 

CMYK 0 / 24 / 84 / 2

HEX #FBBF28

RGB 251 191 40

HSL 42.94, 0.96%, 0.57%

LAB 80.7, 9.24, 76.22

 

CMYK 0 / 1 / 84 / 2

HEX #FBF828

RGB 251 248 40

HSL 59.15, 0.96%, 0.57%

LAB 95.08, -19.35, 88.06

 

CMYK 22 / 0 / 84 / 2

HEX #C4FB28

RGB 196 251 40

HSL 75.64, 0.96%, 0.57%

LAB 92.08, -42.63, 84.02

 

CMYK 44 / 0 / 84 / 2

HEX #8CFB28

RGB 140 251 40

HSL 91.56, 0.96%, 0.57%

LAB 89.26, -62.03, 80.49

 

CMYK 0 / 47 / 84 / 2

HEX #FB8628

RGB 251 134 40

HSL 26.73, 0.96%, 0.57%

LAB 67.81, 38.83, 65.46

 

CMYK 0 / 47 / 84 / 2

HEX #FB8628

RGB 251 134 40

HSL 26.73, 0.96%, 0.57%

LAB 67.81, 38.83, 65.46

 

CMYK 0 / 42 / 75 / 9

HEX #E9883A

RGB 233 136 58

HSL 26.74, 0.8%, 0.57%

LAB 65.93, 31.19, 55.69

 

CMYK 0 / 36 / 65 / 16

HEX #D78A4C

RGB 215 138 76

HSL 26.76, 0.63%, 0.57%

LAB 64.28, 23.66, 44.67

 

CMYK 0 / 29 / 53 / 23

HEX #C58C5D

RGB 197 140 93

HSL 27.12, 0.47%, 0.57%

LAB 62.86, 16.35, 33.58

 

CMYK 0 / 21 / 38 / 29

HEX #B48E6F

RGB 180 142 111

HSL 26.96, 0.32%, 0.57%

LAB 61.82, 10.07, 22

 

CMYK 0 / 84 / 76 / 2

HEX #FB283D

RGB 251 40 61

HSL 354.03, 0.96%, 0.57%

LAB 54.41, 75.47, 43.03

 

CMYK 0 / 70 / 84 / 2

HEX #FB4B28

RGB 251 75 40

HSL 9.95, 0.96%, 0.57%

LAB 57.75, 65.02, 56.9

 

CMYK 0 / 48 / 84 / 2

HEX #FB8328

RGB 251 131 40

HSL 25.88, 0.96%, 0.57%

LAB 67.2, 40.34, 64.94

 

CMYK 0 / 25 / 84 / 2

HEX #FBBB28

RGB 251 187 40

HSL 41.8, 0.96%, 0.57%

LAB 79.73, 11.32, 75.41

 

CMYK 0 / 3 / 84 / 2

HEX #FBF428

RGB 251 244 40

HSL 58.01, 0.96%, 0.57%

LAB 94.04, -17.43, 87.21

 

CMYK 0 / 54 / 98 / 20

HEX #CC5E04

RGB 204 94 4

HSL 27, 0.96%, 0.41%

LAB 52.79, 39.83, 60.89

 

CMYK 0 / 54 / 98 / 4

HEX #F47005

RGB 244 112 5

HSL 26.86, 0.96%, 0.49%

LAB 62.37, 46.44, 69.63

 

CMYK 0 / 47 / 84 / 2

HEX #FB8628

RGB 251 134 40

HSL 26.73, 0.96%, 0.57%

LAB 67.81, 38.83, 65.46

 

CMYK 0 / 37 / 68 / 2

HEX #FB9D51

RGB 251 157 81

HSL 26.82, 0.96%, 0.65%

LAB 73.03, 28.61, 53.28

 

CMYK 0 / 29 / 52 / 1

HEX #FCB479

RGB 252 180 121

HSL 27.02, 0.96%, 0.73%

LAB 78.88, 19.76, 40.32

 

CMYK 0 / 47 / 84 / 2

HEX #FB8627

RGB 251 134 39

HSL 26.89, 0.96%, 0.57%

LAB 67.8, 38.81, 65.8

 

CMYK 53 / 0 / 84 / 2

HEX #75FB28

RGB 117 251 40

HSL 98.1, 0.96%, 0.57%

LAB 88.41, -68.57, 79.42

 

CMYK 81 / 84 / 0 / 2

HEX #2F28FB

RGB 47 40 251

HSL 241.99, 0.96%, 0.57%

LAB 36.15, 69.32, -99.16

 

CMYK 0 / 47 / 84 / 2

HEX #FB8627

RGB 251 134 39

HSL 26.89, 0.96%, 0.57%

LAB 67.8, 38.81, 65.8

 

CMYK 84 / 0 / 48 / 2

HEX #28FB83

RGB 40 251 131

HSL 145.88, 0.96%, 0.57%

LAB 87.53, -73.2, 44

 

CMYK 48 / 84 / 0 / 2

HEX #8328FB

RGB 131 40 251

HSL 265.88, 0.96%, 0.57%

LAB 43.22, 75.55, -87.23

 

CMYK 0 / 47 / 84 / 2

HEX #FB8627

RGB 251 134 39

HSL 26.89, 0.96%, 0.57%

LAB 67.8, 38.81, 65.8

 

CMYK 53 / 0 / 84 / 2

HEX #75FB28

RGB 117 251 40

HSL 98.1, 0.96%, 0.57%

LAB 88.41, -68.57, 79.42

 

CMYK 84 / 37 / 0 / 2

HEX #289FFB

RGB 40 159 251

HSL 206.16, 0.96%, 0.57%

LAB 63.52, 0.26, -54.59

 

CMYK 31 / 84 / 0 / 2

HEX #AD28FB

RGB 173 40 251

HSL 277.82, 0.96%, 0.57%

LAB 48.72, 80.8, -78.01

 

CMYK 0 / 47 / 84 / 2

HEX #FB8627

RGB 251 134 39

HSL 26.89, 0.96%, 0.57%

LAB 67.8, 38.81, 65.8

 

CMYK 78 / 0 / 84 / 2

HEX #36FB28

RGB 54 251 40

HSL 116.02, 0.96%, 0.57%

LAB 86.96, -80.7, 77.58

 

CMYK 84 / 37 / 0 / 2

HEX #289FFB

RGB 40 159 251

HSL 206.16, 0.96%, 0.57%

LAB 63.52, 0.26, -54.59

 

CMYK 6 / 84 / 0 / 2

HEX #ED28FB

RGB 237 40 251

HSL 296.02, 0.96%, 0.57%

LAB 58.5, 90.69, -61.71

 

Description

Color code: HEX #FB8627 | qconv.com Color code: HEX #FB8627 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 134 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 134 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 84 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 84% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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