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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB81DACE it is the complementary color #047E25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB81DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB81DACE shade: #FF81D5CE, #FF93E8CE, #FFA5FBCE, #FFB7FFCE and #FFC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB81DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB81DACE shade: #FB81DACE, #EA6FC7CE, #D95DB4CE, #C84BA1CE and #B7398ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB81DACE shade: #FB83DB, #FB83BA, #FB839A and #FB8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB81DACE shade: #FB83DB, #FB83FB, #DB83FB, #BB83FB and #9A83FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB81DACE shade matches the following richer shades: #FB83DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB81DACE shade: #FB83DB, #F18ED6, #E798D1, #DCA2CD and #D2ADC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB81DACE shade: #DB83FB, #FB83FB, #FB83DB, #FB83BB and #FB839B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB81DACE shade: #F933C3, #FA5BCF, #FB83DB, #FCABE6 and #FED3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB81DACE shade: #FB81DA, #FBBB83 and #83FBEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB81DACE shade: #FB81DA, #DBFB83 and #83DBFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB81DACE shade: #FB81DA, #FBBB83, #83FBA3 and #83C3FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB81DACE shade: #FB81DA, #FBDF83, #83FBA3 and #839FFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 11 / 1

HEX #FB81DACE

RGBA 251 129 218 0.81

HSLA 316.23, 0.94%, 0.75%, 0.81

LABA 70.37, 57.34, -24.62, 0.81

 

Complementary color

CMYK 78 / 0 / 57 / 41

HEX #047E25CE

RGBA 4 126 37 0.81

HSLA 136.23, 0.94%, 0.25%, 0.81

LABA 45.75, -48.45, 38.63, 0.81

 

CMYK 0 / 40 / 13 / 0

HEX #FF81D5CE

RGBA 255 129 213 0.81

HSLA 320, 1%, 0.75%, 0.81

LABA 70.71, 57.78, -21.28, 0.81

 

CMYK 0 / 34 / 7 / 0

HEX #FF93E8CE

RGBA 255 147 232 0.81

HSLA 312.78, 1%, 0.79%, 0.81

LABA 74.8, 51.94, -25.5, 0.81

 

CMYK 0 / 29 / 1 / 0

HEX #FFA5FBCE

RGBA 255 165 251 0.81

HSLA 302.67, 1%, 0.82%, 0.81

LABA 79.12, 46.02, -29.17, 0.81

 

CMYK 0 / 23 / 0 / 0

HEX #FFB7FFCE

RGBA 255 183 255 0.81

HSLA 300, 1%, 0.86%, 0.81

LABA 83.1, 37.39, -25.23, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFC9FFCE

RGBA 255 201 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 87.12, 27.95, -19.13, 0.81

 

CMYK 0 / 39 / 11 / 1

HEX #FB81DACE

RGBA 251 129 218 0.81

HSLA 316.23, 0.94%, 0.75%, 0.81

LABA 70.37, 57.34, -24.62, 0.81

 

CMYK 0 / 43 / 12 / 7

HEX #EA6FC7CE

RGBA 234 111 199 0.81

HSLA 317.07, 0.75%, 0.68%, 0.81

LABA 64.15, 57.96, -23.72, 0.81

 

CMYK 0 / 46 / 14 / 12

HEX #D95DB4CE

RGBA 217 93 180 0.81

HSLA 317.9, 0.62%, 0.61%, 0.81

LABA 57.92, 58.46, -22.65, 0.81

 

CMYK 0 / 51 / 16 / 17

HEX #C84BA1CE

RGBA 200 75 161 0.81

HSLA 318.72, 0.53%, 0.54%, 0.81

LABA 51.71, 58.76, -21.34, 0.81

 

CMYK 0 / 56 / 18 / 23

HEX #B7398ECE

RGBA 183 57 142 0.81

HSLA 319.52, 0.53%, 0.47%, 0.81

LABA 45.56, 58.7, -19.69, 0.81

 

CMYK 0 / 48 / 13 / 2

HEX #FB83DB

RGB 251 131 219

HSL 316, 0.94%, 0.75%

LAB 70.77, 56.53, -24.55

 

CMYK 0 / 48 / 26 / 2

HEX #FB83BA

RGB 251 131 186

HSL 332.5, 0.94%, 0.75%

LAB 69.67, 51.78, -7.85

 

CMYK 0 / 48 / 39 / 2

HEX #FB839A

RGB 251 131 154

HSL 348.5, 0.94%, 0.75%

LAB 68.81, 47.89, 8.85

 

CMYK 0 / 48 / 48 / 2

HEX #FB8383

RGB 251 131 131

HSL 0, 0.94%, 0.75%

LAB 68.3, 45.57, 21.04

 

CMYK 0 / 48 / 13 / 2

HEX #FB83DB

RGB 251 131 219

HSL 316, 0.94%, 0.75%

LAB 70.77, 56.53, -24.55

 

CMYK 0 / 48 / 0 / 2

HEX #FB83FB

RGB 251 131 251

HSL 300, 0.94%, 0.75%

LAB 72.03, 61.77, -40.17

 

CMYK 13 / 48 / 0 / 2

HEX #DB83FB

RGB 219 131 251

HSL 284, 0.94%, 0.75%

LAB 68.21, 53.03, -46.43

 

CMYK 25 / 48 / 0 / 2

HEX #BB83FB

RGB 187 131 251

HSL 268, 0.94%, 0.75%

LAB 64.77, 44.47, -52.09

 

CMYK 39 / 48 / 0 / 2

HEX #9A83FB

RGB 154 131 251

HSL 251.5, 0.94%, 0.75%

LAB 61.71, 36.12, -57.14

 

CMYK 0 / 48 / 13 / 2

HEX #FB83DB

RGB 251 131 219

HSL 316, 0.94%, 0.75%

LAB 70.77, 56.53, -24.55

 

CMYK 0 / 48 / 13 / 2

HEX #FB83DB

RGB 251 131 219

HSL 316, 0.94%, 0.75%

LAB 70.77, 56.53, -24.55

 

CMYK 0 / 41 / 11 / 5

HEX #F18ED6

RGB 241 142 214

HSL 316.36, 0.78%, 0.75%

LAB 71.49, 47.2, -20.81

 

CMYK 0 / 34 / 10 / 9

HEX #E798D1

RGB 231 152 209

HSL 316.71, 0.62%, 0.75%

LAB 72.26, 37.96, -16.99

 

CMYK 0 / 26 / 7 / 14

HEX #DCA2CD

RGB 220 162 205

HSL 315.52, 0.45%, 0.75%

LAB 73.2, 28.25, -13.5

 

CMYK 0 / 18 / 5 / 18

HEX #D2ADC8

RGB 210 173 200

HSL 316.22, 0.29%, 0.75%

LAB 74.67, 17.97, -8.65

 

CMYK 13 / 48 / 0 / 2

HEX #DB83FB

RGB 219 131 251

HSL 284, 0.94%, 0.75%

LAB 68.21, 53.03, -46.43

 

CMYK 0 / 48 / 0 / 2

HEX #FB83FB

RGB 251 131 251

HSL 300, 0.94%, 0.75%

LAB 72.03, 61.77, -40.17

 

CMYK 0 / 48 / 13 / 2

HEX #FB83DB

RGB 251 131 219

HSL 316, 0.94%, 0.75%

LAB 70.77, 56.53, -24.55

 

CMYK 0 / 48 / 25 / 2

HEX #FB83BB

RGB 251 131 187

HSL 332, 0.94%, 0.75%

LAB 69.7, 51.91, -8.37

 

CMYK 0 / 48 / 38 / 2

HEX #FB839B

RGB 251 131 155

HSL 348, 0.94%, 0.75%

LAB 68.83, 48, 8.32

 

CMYK 0 / 80 / 22 / 2

HEX #F933C3

RGB 249 51 195

HSL 316.36, 0.94%, 0.59%

LAB 58.46, 82.95, -30.02

 

CMYK 0 / 64 / 17 / 2

HEX #FA5BCF

RGB 250 91 207

HSL 316.23, 0.94%, 0.67%

LAB 63.6, 72.11, -28.89

 

CMYK 0 / 48 / 13 / 2

HEX #FB83DB

RGB 251 131 219

HSL 316, 0.94%, 0.75%

LAB 70.77, 56.53, -24.55

 

CMYK 0 / 32 / 9 / 1

HEX #FCABE6

RGB 252 171 230

HSL 316.3, 0.93%, 0.83%

LAB 79.35, 38.37, -17.53

 

CMYK 0 / 17 / 5 / 0

HEX #FED3F2

RGB 254 211 242

HSL 316.74, 0.96%, 0.91%

LAB 88.96, 20.07, -9.53

 

CMYK 0 / 49 / 13 / 2

HEX #FB81DA

RGB 251 129 218

HSL 316.23, 0.94%, 0.75%

LAB 70.37, 57.34, -24.62

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 48 / 0 / 6 / 2

HEX #83FBEB

RGB 131 251 235

HSL 172, 0.94%, 0.75%

LAB 91.6, -37.64, -2.8

 

CMYK 0 / 49 / 13 / 2

HEX #FB81DA

RGB 251 129 218

HSL 316.23, 0.94%, 0.75%

LAB 70.37, 57.34, -24.62

 

CMYK 13 / 0 / 48 / 2

HEX #DBFB83

RGB 219 251 131

HSL 76, 0.94%, 0.75%

LAB 94.18, -28.15, 53.7

 

CMYK 48 / 13 / 0 / 2

HEX #83DBFB

RGB 131 219 251

HSL 196, 0.94%, 0.75%

LAB 83.15, -18.18, -23.82

 

CMYK 0 / 49 / 13 / 2

HEX #FB81DA

RGB 251 129 218

HSL 316.23, 0.94%, 0.75%

LAB 70.37, 57.34, -24.62

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 48 / 0 / 35 / 2

HEX #83FBA3

RGB 131 251 163

HSL 136, 0.94%, 0.75%

LAB 90.07, -52.33, 32.01

 

CMYK 48 / 22 / 0 / 2

HEX #83C3FB

RGB 131 195 251

HSL 208, 0.94%, 0.75%

LAB 76.57, -5.63, -33.91

 

CMYK 0 / 49 / 13 / 2

HEX #FB81DA

RGB 251 129 218

HSL 316.23, 0.94%, 0.75%

LAB 70.37, 57.34, -24.62

 

CMYK 0 / 11 / 48 / 2

HEX #FBDF83

RGB 251 223 131

HSL 46, 0.94%, 0.75%

LAB 89.36, -2.02, 48.36

 

CMYK 48 / 0 / 35 / 2

HEX #83FBA3

RGB 131 251 163

HSL 136, 0.94%, 0.75%

LAB 90.07, -52.33, 32.01

 

CMYK 48 / 37 / 0 / 2

HEX #839FFB

RGB 131 159 251

HSL 226, 0.94%, 0.75%

LAB 66.97, 14.48, -48.91

 

Description

Color code: HEX #FB81DACE | qconv.com Color code: HEX #FB81DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 129 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 129 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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