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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB7EB6 it is the complementary color #048149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB7EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB7EB6 shade: #FF7EB1, #FF90C4, #FFA2D7, #FFB4EA and #FFC6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB7EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB7EB6 shade: #FB7EB6, #EA6CA3, #D95A90, #C8487D and #B7366A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB7EB6 shade: #FB7EB6, #FB7E95 and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB7EB6 shade: #FB7EB6, #FB7ED8, #FB7EF9, #DB7EFB and #B97EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB7EB6 shade matches the following richer shades: #FB7EB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB7EB6 shade: #FB7EB6, #F089B7, #E694B8, #DB9FBA and #D0A9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB7EB6 shade: #FB7EF9, #FB7ED8, #FB7EB6, #FB7E95 and #FB897E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB7EB6 shade: #F92E89, #FA56A0, #FB7EB6, #FCA6CD and #FDCEE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB7EB6 shade: #FB7EB6, #FBDC7E and #7EE8FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB7EB6 shade: #FB7EB6, #B6FB7E and #7EB6FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB7EB6 shade: #FB7EB6, #FBDC7E, #7EFBC3 and #7E9EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB7EB6 shade: #FB7EB6, #F5FB7E, #7EFBC3 and #857EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

Complementary color

CMYK 97 / 0 / 43 / 49

HEX #048149

RGB 4 129 73

HSL 153.12, 0.94%, 0.26%

LAB 47.25, -43.85, 22.08

 

CMYK 0 / 51 / 31 / 0

HEX #FF7EB1

RGB 255 126 177

HSL 336.28, 1%, 0.75%

LAB 69.01, 54.33, -3.73

 

CMYK 0 / 44 / 23 / 0

HEX #FF90C4

RGB 255 144 196

HSL 331.89, 1%, 0.78%

LAB 73.02, 48.01, -8.39

 

CMYK 0 / 36 / 16 / 0

HEX #FFA2D7

RGB 255 162 215

HSL 325.81, 1%, 0.82%

LAB 77.28, 41.62, -12.46

 

CMYK 0 / 29 / 8 / 0

HEX #FFB4EA

RGB 255 180 234

HSL 316.8, 1%, 0.85%

LAB 81.75, 35.31, -16.03

 

CMYK 0 / 22 / 1 / 0

HEX #FFC6FD

RGB 255 198 253

HSL 302.11, 1%, 0.89%

LAB 86.38, 29.16, -19.2

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 54 / 30 / 8

HEX #EA6CA3

RGB 234 108 163

HSL 333.81, 0.75%, 0.67%

LAB 62.39, 54.4, -5.89

 

CMYK 0 / 59 / 34 / 15

HEX #D95A90

RGB 217 90 144

HSL 334.49, 0.63%, 0.6%

LAB 56.17, 55.03, -4.35

 

CMYK 0 / 64 / 38 / 22

HEX #C8487D

RGB 200 72 125

HSL 335.16, 0.54%, 0.53%

LAB 49.97, 55.46, -2.5

 

CMYK 0 / 70 / 42 / 28

HEX #B7366A

RGB 183 54 106

HSL 335.81, 0.54%, 0.46%

LAB 43.87, 55.55, -0.2

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 50 / 41 / 2

HEX #FB7E95

RGB 251 126 149

HSL 348.96, 0.94%, 0.74%

LAB 67.73, 49.8, 10.13

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 50 / 14 / 2

HEX #FB7ED8

RGB 251 126 216

HSL 316.8, 0.94%, 0.74%

LAB 69.75, 58.46, -24.46

 

CMYK 0 / 50 / 1 / 2

HEX #FB7EF9

RGB 251 126 249

HSL 300.96, 0.94%, 0.74%

LAB 71.06, 63.78, -40.6

 

CMYK 13 / 50 / 0 / 2

HEX #DB7EFB

RGB 219 126 251

HSL 284.64, 0.94%, 0.74%

LAB 67.24, 55.56, -47.96

 

CMYK 26 / 50 / 0 / 2

HEX #B97EFB

RGB 185 126 251

HSL 268.32, 0.94%, 0.74%

LAB 63.51, 46.64, -54.1

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 43 / 24 / 6

HEX #F089B7

RGB 240 137 183

HSL 333.2, 0.77%, 0.74%

LAB 69.35, 44.75, -6.8

 

CMYK 0 / 36 / 20 / 10

HEX #E694B8

RGB 230 148 184

HSL 333.66, 0.62%, 0.74%

LAB 70.5, 35.77, -5.79

 

CMYK 0 / 27 / 15 / 14

HEX #DB9FBA

RGB 219 159 186

HSL 333, 0.45%, 0.74%

LAB 71.83, 26.34, -5.08

 

CMYK 0 / 19 / 10 / 18

HEX #D0A9BB

RGB 208 169 187

HSL 332.31, 0.29%, 0.74%

LAB 73.14, 17.17, -3.82

 

CMYK 0 / 50 / 1 / 2

HEX #FB7EF9

RGB 251 126 249

HSL 300.96, 0.94%, 0.74%

LAB 71.06, 63.78, -40.6

 

CMYK 0 / 50 / 14 / 2

HEX #FB7ED8

RGB 251 126 216

HSL 316.8, 0.94%, 0.74%

LAB 69.75, 58.46, -24.46

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 50 / 41 / 2

HEX #FB7E95

RGB 251 126 149

HSL 348.96, 0.94%, 0.74%

LAB 67.73, 49.8, 10.13

 

CMYK 0 / 45 / 50 / 2

HEX #FB897E

RGB 251 137 126

HSL 5.28, 0.94%, 0.74%

LAB 69.4, 42.12, 25.31

 

CMYK 0 / 82 / 45 / 2

HEX #F92E89

RGB 249 46 137

HSL 333.1, 0.94%, 0.58%

LAB 55.99, 78.13, 0.15

 

CMYK 0 / 66 / 36 / 2

HEX #FA56A0

RGB 250 86 160

HSL 332.93, 0.94%, 0.66%

LAB 61.24, 68.27, -5.6

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 34 / 19 / 1

HEX #FCA6CD

RGB 252 166 205

HSL 332.79, 0.93%, 0.82%

LAB 77.5, 37.03, -6.71

 

CMYK 0 / 19 / 10 / 1

HEX #FDCEE4

RGB 253 206 228

HSL 331.91, 0.92%, 0.9%

LAB 87.3, 19.99, -4.59

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 12 / 50 / 2

HEX #FBDC7E

RGB 251 220 126

HSL 45.12, 0.94%, 0.74%

LAB 88.54, -0.94, 49.78

 

CMYK 50 / 8 / 0 / 2

HEX #7EE8FB

RGB 126 232 251

HSL 189.12, 0.94%, 0.74%

LAB 86.56, -25.73, -18.68

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 27 / 0 / 50 / 2

HEX #B6FB7E

RGB 182 251 126

HSL 93.12, 0.94%, 0.74%

LAB 91.88, -42.01, 52.71

 

CMYK 50 / 27 / 0 / 2

HEX #7EB6FB

RGB 126 182 251

HSL 213.12, 0.94%, 0.74%

LAB 72.8, 0.33, -39.79

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 0 / 12 / 50 / 2

HEX #FBDC7E

RGB 251 220 126

HSL 45.12, 0.94%, 0.74%

LAB 88.54, -0.94, 49.78

 

CMYK 50 / 0 / 22 / 2

HEX #7EFBC3

RGB 126 251 195

HSL 153.12, 0.94%, 0.74%

LAB 90.49, -47.6, 16.27

 

CMYK 50 / 37 / 0 / 2

HEX #7E9EFB

RGB 126 158 251

HSL 224.64, 0.94%, 0.74%

LAB 66.41, 13.92, -49.81

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB6

RGB 251 126 182

HSL 333.12, 0.94%, 0.74%

LAB 68.61, 53.68, -7.18

 

CMYK 2 / 0 / 50 / 2

HEX #F5FB7E

RGB 245 251 126

HSL 62.88, 0.94%, 0.74%

LAB 95.96, -18.67, 58.57

 

CMYK 50 / 0 / 22 / 2

HEX #7EFBC3

RGB 126 251 195

HSL 153.12, 0.94%, 0.74%

LAB 90.49, -47.6, 16.27

 

CMYK 47 / 50 / 0 / 2

HEX #857EFB

RGB 133 126 251

HSL 243.36, 0.94%, 0.74%

LAB 58.86, 34.17, -61.8

 

Description

Color code: HEX #FB7EB6 | qconv.com Color code: HEX #FB7EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 126 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 126 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 27 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 27% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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