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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB7DA9 it is the complementary color #048256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB7DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB7DA9 shade: #FF7DA4, #FF8FB7, #FFA1CA, #FFB3DD and #FFC5F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB7DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB7DA9 shade: #FB7DA9, #EA6B96, #D95983, #C84770 and #B7355D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB7DA9 shade: #FB7EA9, #FB7E88 and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB7DA9 shade: #FB7EA9, #FB7ECB, #FB7EED, #E77EFB and #C57EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB7DA9 shade matches the following richer shades: #FB7EA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB7DA9 shade: #FB7EA9, #F089AD, #E593B0, #DA9EB3 and #D0A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB7DA9 shade: #FB7EEC, #FB7ECB, #FB7EAA, #FB7E88 and #FB957E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB7DA9 shade: #F82E74, #F9568F, #FB7EA9, #FCA6C4 and #FDCEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB7DA9 shade: #FB7DA9, #FBE87E and #7EDBFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB7DA9 shade: #FB7DA9, #AAFB7E and #7EAAFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB7DA9 shade: #FB7DA9, #FBE87E, #7EFBCF and #7E91FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB7DA9 shade: #FB7DA9, #E8FB7E, #7EFBCF and #917EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 33 / 2

HEX #FB7DA9

RGB 251 125 169

HSL 339.05, 0.94%, 0.74%

LAB 68.05, 52.54, -0.69

 

Complementary color

CMYK 97 / 0 / 34 / 49

HEX #048256

RGB 4 130 86

HSL 159.05, 0.94%, 0.26%

LAB 47.83, -41.38, 15.49

 

CMYK 0 / 51 / 36 / 0

HEX #FF7DA4

RGB 255 125 164

HSL 342, 1%, 0.75%

LAB 68.47, 53.27, 2.8

 

CMYK 0 / 44 / 28 / 0

HEX #FF8FB7

RGB 255 143 183

HSL 338.57, 1%, 0.78%

LAB 72.44, 46.76, -2.03

 

CMYK 0 / 37 / 21 / 0

HEX #FFA1CA

RGB 255 161 202

HSL 333.83, 1%, 0.82%

LAB 76.69, 40.2, -6.25

 

CMYK 0 / 30 / 13 / 0

HEX #FFB3DD

RGB 255 179 221

HSL 326.84, 1%, 0.85%

LAB 81.14, 33.72, -9.96

 

CMYK 0 / 23 / 6 / 0

HEX #FFC5F0

RGB 255 197 240

HSL 315.52, 1%, 0.89%

LAB 85.75, 27.41, -13.24

 

CMYK 0 / 50 / 33 / 2

HEX #FB7DA9

RGB 251 125 169

HSL 339.05, 0.94%, 0.74%

LAB 68.05, 52.54, -0.69

 

CMYK 0 / 54 / 36 / 8

HEX #EA6B96

RGB 234 107 150

HSL 339.69, 0.75%, 0.67%

LAB 61.83, 53.32, 0.77

 

CMYK 0 / 59 / 40 / 15

HEX #D95983

RGB 217 89 131

HSL 340.31, 0.63%, 0.6%

LAB 55.62, 54.01, 2.5

 

CMYK 0 / 65 / 44 / 22

HEX #C84770

RGB 200 71 112

HSL 340.93, 0.54%, 0.53%

LAB 49.44, 54.52, 4.58

 

CMYK 0 / 71 / 49 / 28

HEX #B7355D

RGB 183 53 93

HSL 341.54, 0.55%, 0.46%

LAB 43.37, 54.68, 7.16

 

CMYK 0 / 50 / 33 / 2

HEX #FB7EA9

RGB 251 126 169

HSL 339.36, 0.94%, 0.74%

LAB 68.24, 52.06, -0.42

 

CMYK 0 / 50 / 46 / 2

HEX #FB7E88

RGB 251 126 136

HSL 355.2, 0.94%, 0.74%

LAB 67.43, 48.49, 17.05

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 50 / 33 / 2

HEX #FB7EA9

RGB 251 126 169

HSL 339.36, 0.94%, 0.74%

LAB 68.24, 52.06, -0.42

 

CMYK 0 / 50 / 19 / 2

HEX #FB7ECB

RGB 251 126 203

HSL 323.04, 0.94%, 0.74%

LAB 69.29, 56.55, -17.93

 

CMYK 0 / 50 / 6 / 2

HEX #FB7EED

RGB 251 126 237

HSL 306.72, 0.94%, 0.74%

LAB 70.56, 61.78, -34.81

 

CMYK 8 / 50 / 0 / 2

HEX #E77EFB

RGB 231 126 251

HSL 290.4, 0.94%, 0.74%

LAB 68.66, 58.76, -45.63

 

CMYK 22 / 50 / 0 / 2

HEX #C57EFB

RGB 197 126 251

HSL 274.08, 0.94%, 0.74%

LAB 64.77, 49.75, -52.03

 

CMYK 0 / 50 / 33 / 2

HEX #FB7EA9

RGB 251 126 169

HSL 339.36, 0.94%, 0.74%

LAB 68.24, 52.06, -0.42

 

CMYK 0 / 50 / 33 / 2

HEX #FB7EA9

RGB 251 126 169

HSL 339.36, 0.94%, 0.74%

LAB 68.24, 52.06, -0.42

 

CMYK 0 / 43 / 28 / 6

HEX #F089AD

RGB 240 137 173

HSL 339.03, 0.77%, 0.74%

LAB 69.06, 43.39, -1.63

 

CMYK 0 / 36 / 23 / 10

HEX #E593B0

RGB 229 147 176

HSL 338.78, 0.61%, 0.74%

LAB 69.94, 34.77, -2.18

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB3

RGB 218 158 179

HSL 339, 0.45%, 0.74%

LAB 71.29, 25.41, -2

 

CMYK 0 / 19 / 13 / 18

HEX #D0A9B6

RGB 208 169 182

HSL 340, 0.29%, 0.74%

LAB 73, 16.33, -1.27

 

CMYK 0 / 50 / 6 / 2

HEX #FB7EEC

RGB 251 126 236

HSL 307.2, 0.94%, 0.74%

LAB 70.52, 61.61, -34.32

 

CMYK 0 / 50 / 19 / 2

HEX #FB7ECB

RGB 251 126 203

HSL 323.04, 0.94%, 0.74%

LAB 69.29, 56.55, -17.93

 

CMYK 0 / 50 / 32 / 2

HEX #FB7EAA

RGB 251 126 170

HSL 338.88, 0.94%, 0.74%

LAB 68.27, 52.18, -0.94

 

CMYK 0 / 50 / 46 / 2

HEX #FB7E88

RGB 251 126 136

HSL 355.2, 0.94%, 0.74%

LAB 67.43, 48.49, 17.05

 

CMYK 0 / 41 / 50 / 2

HEX #FB957E

RGB 251 149 126

HSL 11.04, 0.94%, 0.74%

LAB 71.9, 35.99, 28.64

 

CMYK 0 / 81 / 53 / 3

HEX #F82E74

RGB 248 46 116

HSL 339.21, 0.94%, 0.58%

LAB 55.25, 76.26, 11.6

 

CMYK 0 / 65 / 43 / 2

HEX #F9568F

RGB 249 86 143

HSL 339.02, 0.93%, 0.66%

LAB 60.59, 66.26, 3.3

 

CMYK 0 / 50 / 33 / 2

HEX #FB7EA9

RGB 251 126 169

HSL 339.36, 0.94%, 0.74%

LAB 68.24, 52.06, -0.42

 

CMYK 0 / 34 / 22 / 1

HEX #FCA6C4

RGB 252 166 196

HSL 339.07, 0.93%, 0.82%

LAB 77.25, 35.71, -2.17

 

CMYK 0 / 19 / 12 / 1

HEX #FDCEDE

RGB 253 206 222

HSL 339.57, 0.92%, 0.9%

LAB 87.14, 19.02, -1.64

 

CMYK 0 / 50 / 33 / 2

HEX #FB7DA9

RGB 251 125 169

HSL 339.05, 0.94%, 0.74%

LAB 68.05, 52.54, -0.69

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 50 / 13 / 0 / 2

HEX #7EDBFB

RGB 126 219 251

HSL 195.36, 0.94%, 0.74%

LAB 82.95, -19.27, -24.16

 

CMYK 0 / 50 / 33 / 2

HEX #FB7DA9

RGB 251 125 169

HSL 339.05, 0.94%, 0.74%

LAB 68.05, 52.54, -0.69

 

CMYK 32 / 0 / 50 / 2

HEX #AAFB7E

RGB 170 251 126

HSL 98.88, 0.94%, 0.74%

LAB 91.26, -46.05, 51.8

 

CMYK 50 / 32 / 0 / 2

HEX #7EAAFB

RGB 126 170 251

HSL 218.88, 0.94%, 0.74%

LAB 69.58, 7.05, -44.82

 

CMYK 0 / 50 / 33 / 2

HEX #FB7DA9

RGB 251 125 169

HSL 339.05, 0.94%, 0.74%

LAB 68.05, 52.54, -0.69

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 50 / 0 / 18 / 2

HEX #7EFBCF

RGB 126 251 207

HSL 158.88, 0.94%, 0.74%

LAB 90.75, -45.09, 10.45

 

CMYK 50 / 42 / 0 / 2

HEX #7E91FB

RGB 126 145 251

HSL 230.88, 0.94%, 0.74%

LAB 63.05, 21.49, -55.13

 

CMYK 0 / 50 / 33 / 2

HEX #FB7DA9

RGB 251 125 169

HSL 339.05, 0.94%, 0.74%

LAB 68.05, 52.54, -0.69

 

CMYK 8 / 0 / 50 / 2

HEX #E8FB7E

RGB 232 251 126

HSL 69.12, 0.94%, 0.74%

LAB 95.02, -23.69, 57.22

 

CMYK 50 / 0 / 18 / 2

HEX #7EFBCF

RGB 126 251 207

HSL 158.88, 0.94%, 0.74%

LAB 90.75, -45.09, 10.45

 

CMYK 42 / 50 / 0 / 2

HEX #917EFB

RGB 145 126 251

HSL 249.12, 0.94%, 0.74%

LAB 59.8, 36.86, -60.23

 

Description

Color code: HEX #FB7DA9 | qconv.com Color code: HEX #FB7DA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 125 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 125 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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