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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB7A3C it is the complementary color #0485C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB7A3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB7A3C shade: #FF7A37, #FF8C4A, #FF9E5D, #FFB070 and #FFC283

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB7A3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB7A3C shade: #FB7A3C, #EA6829, #D95616, #C84403 and #B73200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB7A3C shade: #FB7A3C, #FB473C and #FB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB7A3C shade: #FB7A3C, #FBAE3C, #FBE13C, #E1FB3C and #AEFB3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB7A3C shade matches the following richer shades: #FB7A3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB7A3C shade: #FB7A3C, #EB804C, #DB855C, #CB8B6C and #BB917C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB7A3C shade: #FB3C65, #FB463C, #FB793C, #FBAB3C and #FBDE3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB7A3C shade: #E04C05, #FA5E14, #FB7A3C, #FC9665 and #FDB18D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB7A3C shade: #FB7A3C, #98FB3C and #3C4CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB7A3C shade: #FB7A3C, #3CFB79 and #793CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB7A3C shade: #FB7A3C, #98FB3C, #3CBFFB and #9F3CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB7A3C shade: #FB7A3C, #5FFB3C, #3CBFFB and #D83CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

Complementary color

CMYK 98 / 32 / 0 / 24

HEX #0485C3

RGB 4 133 195

HSL 199.48, 0.96%, 0.39%

LAB 52.66, -7.31, -40.57

 

CMYK 0 / 52 / 78 / 0

HEX #FF7A37

RGB 255 122 55

HSL 20.1, 1%, 0.61%

LAB 66.1, 46.73, 58.2

 

CMYK 0 / 45 / 71 / 0

HEX #FF8C4A

RGB 255 140 74

HSL 21.88, 1%, 0.65%

LAB 69.83, 38.59, 53.27

 

CMYK 0 / 38 / 64 / 0

HEX #FF9E5D

RGB 255 158 93

HSL 24.07, 1%, 0.68%

LAB 73.87, 30.39, 48.52

 

CMYK 0 / 31 / 56 / 0

HEX #FFB070

RGB 255 176 112

HSL 26.85, 1%, 0.72%

LAB 78.16, 22.33, 44.09

 

CMYK 0 / 24 / 49 / 0

HEX #FFC283

RGB 255 194 131

HSL 30.48, 1%, 0.76%

LAB 82.64, 14.51, 40.02

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 0 / 56 / 82 / 8

HEX #EA6829

RGB 234 104 41

HSL 19.59, 0.82%, 0.54%

LAB 59.48, 47.08, 56.91

 

CMYK 0 / 60 / 90 / 15

HEX #D95616

RGB 217 86 22

HSL 19.69, 0.82%, 0.47%

LAB 53.45, 48.78, 57.96

 

CMYK 0 / 66 / 99 / 22

HEX #C84403

RGB 200 68 3

HSL 19.8, 0.97%, 0.4%

LAB 47.52, 50.37, 57.73

 

CMYK 0 / 73 / 100 / 28

HEX #B73200

RGB 183 50 0

HSL 16.39, 1%, 0.36%

LAB 41.76, 51.69, 53.95

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 0 / 72 / 76 / 2

HEX #FB473C

RGB 251 71 60

HSL 3.46, 0.96%, 0.61%

LAB 57.41, 66.99, 46.8

 

CMYK 0 / 76 / 76 / 2

HEX #FB3C3C

RGB 251 60 60

HSL 0, 0.96%, 0.61%

LAB 56.16, 70.47, 45.46

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 0 / 31 / 76 / 2

HEX #FBAE3C

RGB 251 174 60

HSL 35.81, 0.96%, 0.61%

LAB 76.74, 18.75, 66.19

 

CMYK 0 / 10 / 76 / 2

HEX #FBE13C

RGB 251 225 60

HSL 51.83, 0.96%, 0.61%

LAB 89.25, -7.5, 77.86

 

CMYK 10 / 0 / 76 / 2

HEX #E1FB3C

RGB 225 251 60

HSL 68.17, 0.96%, 0.61%

LAB 94.02, -30.67, 81.48

 

CMYK 31 / 0 / 76 / 2

HEX #AEFB3C

RGB 174 251 60

HSL 84.19, 0.96%, 0.61%

LAB 90.93, -49.94, 77.49

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 0 / 46 / 68 / 8

HEX #EB804C

RGB 235 128 76

HSL 19.62, 0.8%, 0.61%

LAB 64.66, 37, 45.79

 

CMYK 0 / 39 / 58 / 14

HEX #DB855C

RGB 219 133 92

HSL 19.37, 0.64%, 0.61%

LAB 63.84, 29.08, 35.91

 

CMYK 0 / 32 / 47 / 20

HEX #CB8B6C

RGB 203 139 108

HSL 19.58, 0.48%, 0.61%

LAB 63.54, 20.79, 26.4

 

CMYK 0 / 22 / 34 / 27

HEX #BB917C

RGB 187 145 124

HSL 20, 0.32%, 0.61%

LAB 63.57, 12.87, 17.23

 

CMYK 0 / 76 / 60 / 2

HEX #FB3C65

RGB 251 60 101

HSL 347.12, 0.96%, 0.61%

LAB 56.76, 72.42, 22.69

 

CMYK 0 / 72 / 76 / 2

HEX #FB463C

RGB 251 70 60

HSL 3.14, 0.96%, 0.61%

LAB 57.29, 67.33, 46.67

 

CMYK 0 / 52 / 76 / 2

HEX #FB793C

RGB 251 121 60

HSL 19.16, 0.96%, 0.61%

LAB 65.37, 45.89, 55.02

 

CMYK 0 / 32 / 76 / 2

HEX #FBAB3C

RGB 251 171 60

HSL 34.87, 0.96%, 0.61%

LAB 76.05, 20.32, 65.52

 

CMYK 0 / 12 / 76 / 2

HEX #FBDE3C

RGB 251 222 60

HSL 50.89, 0.96%, 0.61%

LAB 88.48, -6, 77.17

 

CMYK 0 / 66 / 98 / 12

HEX #E04C05

RGB 224 76 5

HSL 19.45, 0.96%, 0.45%

LAB 52.98, 55.34, 62.51

 

CMYK 0 / 62 / 92 / 2

HEX #FA5E14

RGB 250 94 20

HSL 19.3, 0.96%, 0.53%

LAB 60.23, 56.9, 65.82

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 0 / 40 / 60 / 1

HEX #FC9665

RGB 252 150 101

HSL 19.47, 0.96%, 0.69%

LAB 71.86, 33.88, 41.95

 

CMYK 0 / 30 / 44 / 1

HEX #FDB18D

RGB 253 177 141

HSL 19.29, 0.97%, 0.77%

LAB 78.61, 23.59, 29.52

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 39 / 0 / 76 / 2

HEX #98FB3C

RGB 152 251 60

HSL 91.1, 0.96%, 0.61%

LAB 89.86, -57.39, 76.1

 

CMYK 76 / 70 / 0 / 2

HEX #3C4CFB

RGB 60 76 251

HSL 234.97, 0.96%, 0.61%

LAB 42.91, 52.44, -87.96

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 76 / 0 / 52 / 2

HEX #3CFB79

RGB 60 251 121

HSL 139.16, 0.96%, 0.61%

LAB 87.65, -72.65, 48.91

 

CMYK 52 / 76 / 0 / 2

HEX #793CFB

RGB 121 60 251

HSL 259.16, 0.96%, 0.61%

LAB 44.61, 67.1, -85

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 39 / 0 / 76 / 2

HEX #98FB3C

RGB 152 251 60

HSL 91.1, 0.96%, 0.61%

LAB 89.86, -57.39, 76.1

 

CMYK 76 / 24 / 0 / 2

HEX #3CBFFB

RGB 60 191 251

HSL 198.85, 0.96%, 0.61%

LAB 73.02, -15.64, -39.62

 

CMYK 37 / 76 / 0 / 2

HEX #9F3CFB

RGB 159 60 251

HSL 271.1, 0.96%, 0.61%

LAB 48.97, 72.54, -77.68

 

CMYK 0 / 51 / 76 / 2

HEX #FB7A3C

RGB 251 122 60

HSL 19.48, 0.96%, 0.61%

LAB 65.56, 45.41, 55.22

 

CMYK 62 / 0 / 76 / 2

HEX #5FFB3C

RGB 95 251 60

HSL 109.01, 0.96%, 0.61%

LAB 87.85, -72.83, 73.48

 

CMYK 76 / 24 / 0 / 2

HEX #3CBFFB

RGB 60 191 251

HSL 198.85, 0.96%, 0.61%

LAB 73.02, -15.64, -39.62

 

CMYK 14 / 76 / 0 / 2

HEX #D83CFB

RGB 216 60 251

HSL 289.01, 0.96%, 0.61%

LAB 56.88, 82.24, -64.49

 

Description

Color code: HEX #FB7A3C | qconv.com Color code: HEX #FB7A3C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 122 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 122 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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