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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB75D5 it is the complementary color #048A2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB75D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB75D5 shade: #FF75D0, #FF87E3, #FF99F6, #FFABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB75D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB75D5 shade: #FB75D5, #EA63C2, #D951AF, #C83F9C and #B72D89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB75D5 shade: #FB74D5, #FB74B0, #FB748C and #FB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB75D5 shade: #FB74D5, #FB74F9, #D874FB, #B474FB and #9074FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB75D5 shade matches the following richer shades: #FB74D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB75D5 shade: #FB74D5, #EF80D0, #E48CCB, #D897C6 and #CDA3C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB75D5 shade: #D974FB, #FB74F8, #FB74D5, #FB74B1 and #FB748D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB75D5 shade: #F824BC, #F94CC8, #FB74D5, #FC9DE1 and #FDC5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB75D5 shade: #FB75D5, #FBB574 and #74FBEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB75D5 shade: #FB75D5, #D5FB74 and #74D5FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB75D5 shade: #FB75D5, #FBB574, #74FB9B and #74BAFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB75D5 shade: #FB75D5, #FBDE74, #74FB9B and #7492FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 15 / 2

HEX #FB75D5

RGB 251 117 213

HSL 317.01, 0.94%, 0.72%

LAB 68.05, 62.2, -25.4

 

Complementary color

CMYK 97 / 0 / 70 / 46

HEX #048A2A

RGB 4 138 42

HSL 137.01, 0.94%, 0.28%

LAB 49.94, -51.73, 40.98

 

CMYK 0 / 54 / 18 / 0

HEX #FF75D0

RGB 255 117 208

HSL 320.43, 1%, 0.73%

LAB 68.41, 62.63, -22

 

CMYK 0 / 47 / 11 / 0

HEX #FF87E3

RGB 255 135 227

HSL 314, 1%, 0.76%

LAB 72.32, 57.04, -26.55

 

CMYK 0 / 40 / 4 / 0

HEX #FF99F6

RGB 255 153 246

HSL 305.29, 1%, 0.8%

LAB 76.49, 51.27, -30.51

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 53 / 15 / 2

HEX #FB75D5

RGB 251 117 213

HSL 317.01, 0.94%, 0.72%

LAB 68.05, 62.2, -25.4

 

CMYK 0 / 58 / 17 / 8

HEX #EA63C2

RGB 234 99 194

HSL 317.78, 0.76%, 0.65%

LAB 61.92, 62.66, -24.31

 

CMYK 0 / 63 / 19 / 15

HEX #D951AF

RGB 217 81 175

HSL 318.53, 0.64%, 0.58%

LAB 55.82, 62.92, -22.99

 

CMYK 0 / 69 / 22 / 22

HEX #C83F9C

RGB 200 63 156

HSL 319.27, 0.55%, 0.52%

LAB 49.78, 62.84, -21.34

 

CMYK 0 / 75 / 25 / 28

HEX #B72D89

RGB 183 45 137

HSL 320, 0.61%, 0.45%

LAB 43.87, 62.21, -19.25

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D5

RGB 251 116 213

HSL 316.89, 0.94%, 0.72%

LAB 67.88, 62.66, -25.66

 

CMYK 0 / 54 / 30 / 2

HEX #FB74B0

RGB 251 116 176

HSL 333.33, 0.94%, 0.72%

LAB 66.62, 57.64, -6.75

 

CMYK 0 / 54 / 44 / 2

HEX #FB748C

RGB 251 116 140

HSL 349.33, 0.94%, 0.72%

LAB 65.67, 53.66, 12.32

 

CMYK 0 / 54 / 54 / 2

HEX #FB7474

RGB 251 116 116

HSL 0, 0.94%, 0.72%

LAB 65.17, 51.55, 25.24

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D5

RGB 251 116 213

HSL 316.89, 0.94%, 0.72%

LAB 67.88, 62.66, -25.66

 

CMYK 0 / 54 / 1 / 2

HEX #FB74F9

RGB 251 116 249

HSL 300.89, 0.94%, 0.72%

LAB 69.36, 68.34, -43.26

 

CMYK 14 / 54 / 0 / 2

HEX #D874FB

RGB 216 116 251

HSL 284.44, 0.94%, 0.72%

LAB 65.01, 59.71, -51.51

 

CMYK 28 / 54 / 0 / 2

HEX #B474FB

RGB 180 116 251

HSL 268.44, 0.94%, 0.72%

LAB 60.92, 50.72, -58.26

 

CMYK 43 / 54 / 0 / 2

HEX #9074FB

RGB 144 116 251

HSL 252.44, 0.94%, 0.72%

LAB 57.45, 42.34, -64.01

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D5

RGB 251 116 213

HSL 316.89, 0.94%, 0.72%

LAB 67.88, 62.66, -25.66

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D5

RGB 251 116 213

HSL 316.89, 0.94%, 0.72%

LAB 67.88, 62.66, -25.66

 

CMYK 0 / 46 / 13 / 6

HEX #EF80D0

RGB 239 128 208

HSL 316.76, 0.78%, 0.72%

LAB 68.27, 52.66, -22.4

 

CMYK 0 / 39 / 11 / 11

HEX #E48CCB

RGB 228 140 203

HSL 317.05, 0.62%, 0.72%

LAB 69.16, 42.28, -18.4

 

CMYK 0 / 30 / 8 / 15

HEX #D897C6

RGB 216 151 198

HSL 316.62, 0.45%, 0.72%

LAB 70.04, 31.62, -14.42

 

CMYK 0 / 20 / 6 / 20

HEX #CDA3C1

RGB 205 163 193

HSL 317.14, 0.3%, 0.72%

LAB 71.57, 20.43, -9.48

 

CMYK 14 / 54 / 0 / 2

HEX #D974FB

RGB 217 116 251

HSL 284.89, 0.94%, 0.72%

LAB 65.13, 59.97, -51.31

 

CMYK 0 / 54 / 1 / 2

HEX #FB74F8

RGB 251 116 248

HSL 301.33, 0.94%, 0.72%

LAB 69.31, 68.17, -42.79

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D5

RGB 251 116 213

HSL 316.89, 0.94%, 0.72%

LAB 67.88, 62.66, -25.66

 

CMYK 0 / 54 / 29 / 2

HEX #FB74B1

RGB 251 116 177

HSL 332.89, 0.94%, 0.72%

LAB 66.65, 57.76, -7.27

 

CMYK 0 / 54 / 44 / 2

HEX #FB748D

RGB 251 116 141

HSL 348.89, 0.94%, 0.72%

LAB 65.69, 53.76, 11.78

 

CMYK 0 / 85 / 24 / 3

HEX #F824BC

RGB 248 36 188

HSL 316.98, 0.94%, 0.56%

LAB 56.93, 84.98, -28.38

 

CMYK 0 / 69 / 20 / 2

HEX #F94CC8

RGB 249 76 200

HSL 316.99, 0.94%, 0.64%

LAB 61.2, 76.37, -28.64

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D5

RGB 251 116 213

HSL 316.89, 0.94%, 0.72%

LAB 67.88, 62.66, -25.66

 

CMYK 0 / 38 / 11 / 1

HEX #FC9DE1

RGB 252 157 225

HSL 317.05, 0.94%, 0.8%

LAB 76.22, 44.8, -19.54

 

CMYK 0 / 22 / 6 / 1

HEX #FDC5ED

RGB 253 197 237

HSL 317.14, 0.93%, 0.88%

LAB 85.47, 26.23, -12.09

 

CMYK 0 / 53 / 15 / 2

HEX #FB75D5

RGB 251 117 213

HSL 317.01, 0.94%, 0.72%

LAB 68.05, 62.2, -25.4

 

CMYK 0 / 28 / 54 / 2

HEX #FBB574

RGB 251 181 116

HSL 28.89, 0.94%, 0.72%

LAB 78.94, 18.42, 42.92

 

CMYK 54 / 0 / 6 / 2

HEX #74FBEB

RGB 116 251 235

HSL 172.89, 0.94%, 0.72%

LAB 91.1, -40.75, -3.6

 

CMYK 0 / 53 / 15 / 2

HEX #FB75D5

RGB 251 117 213

HSL 317.01, 0.94%, 0.72%

LAB 68.05, 62.2, -25.4

 

CMYK 15 / 0 / 54 / 2

HEX #D5FB74

RGB 213 251 116

HSL 76.89, 0.94%, 0.72%

LAB 93.62, -31.8, 59.76

 

CMYK 54 / 15 / 0 / 2

HEX #74D5FB

RGB 116 213 251

HSL 196.89, 0.94%, 0.72%

LAB 80.89, -18.31, -27.34

 

CMYK 0 / 53 / 15 / 2

HEX #FB75D5

RGB 251 117 213

HSL 317.01, 0.94%, 0.72%

LAB 68.05, 62.2, -25.4

 

CMYK 0 / 28 / 54 / 2

HEX #FBB574

RGB 251 181 116

HSL 28.89, 0.94%, 0.72%

LAB 78.94, 18.42, 42.92

 

CMYK 54 / 0 / 38 / 2

HEX #74FB9B

RGB 116 251 155

HSL 137.33, 0.94%, 0.72%

LAB 89.43, -57.32, 35.05

 

CMYK 54 / 26 / 0 / 2

HEX #74BAFB

RGB 116 186 251

HSL 208.89, 0.94%, 0.72%

LAB 73.41, -4.04, -38.86

 

CMYK 0 / 53 / 15 / 2

HEX #FB75D5

RGB 251 117 213

HSL 317.01, 0.94%, 0.72%

LAB 68.05, 62.2, -25.4

 

CMYK 0 / 12 / 54 / 2

HEX #FBDE74

RGB 251 222 116

HSL 47.11, 0.94%, 0.72%

LAB 88.93, -2.78, 55

 

CMYK 54 / 0 / 38 / 2

HEX #74FB9B

RGB 116 251 155

HSL 137.33, 0.94%, 0.72%

LAB 89.43, -57.32, 35.05

 

CMYK 54 / 42 / 0 / 2

HEX #7492FB

RGB 116 146 251

HSL 226.67, 0.94%, 0.72%

LAB 62.71, 18.77, -55.72

 

Description

Color code: HEX #FB75D5 | qconv.com Color code: HEX #FB75D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 117 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 117 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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