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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB70D8 it is the complementary color #048F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB70D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB70D8 shade: #FF70D3, #FF82E6, #FF94F9, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB70D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB70D8 shade: #FB70D8, #EA5EC5, #D94CB2, #C83A9F and #B7288C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB70D8 shade: #FB6FD8, #FB6FB2, #FB6F8C and #FB6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB70D8 shade: #FB6FD8, #F96FFB, #D36FFB, #AD6FFB and #876FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB70D8 shade matches the following richer shades: #FB6FD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB70D8 shade: #FB6FD8, #EF7BD2, #E387CC, #D793C6 and #CB9FC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB70D8 shade: #D36FFB, #F96FFB, #FB6FD8, #FB6FB3 and #FB6F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB70D8 shade: #F91EC2, #FA47CD, #FB6FD8, #FC97E3 and #FDBFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB70D8 shade: #FB70D8, #FBAE6F and #6FFBE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB70D8 shade: #FB70D8, #D8FB6F and #6FD8FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB70D8 shade: #FB70D8, #FBAE6F, #6FFB92 and #6FBCFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB70D8 shade: #FB70D8, #FBD86F, #6FFB92 and #6F92FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 14 / 2

HEX #FB70D8

RGB 251 112 216

HSL 315.11, 0.95%, 0.71%

LAB 67.32, 64.9, -28.19

 

Complementary color

CMYK 97 / 0 / 73 / 44

HEX #048F27

RGB 4 143 39

HSL 135.11, 0.95%, 0.29%

LAB 51.63, -53.6, 44.02

 

CMYK 0 / 56 / 17 / 0

HEX #FF70D3

RGB 255 112 211

HSL 318.46, 1%, 0.72%

LAB 67.69, 65.29, -24.78

 

CMYK 0 / 49 / 10 / 0

HEX #FF82E6

RGB 255 130 230

HSL 312, 1%, 0.75%

LAB 71.51, 59.9, -29.44

 

CMYK 0 / 42 / 2 / 0

HEX #FF94F9

RGB 255 148 249

HSL 303.36, 1%, 0.79%

LAB 75.62, 54.28, -33.47

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 55 / 14 / 2

HEX #FB70D8

RGB 251 112 216

HSL 315.11, 0.95%, 0.71%

LAB 67.32, 64.9, -28.19

 

CMYK 0 / 60 / 16 / 8

HEX #EA5EC5

RGB 234 94 197

HSL 315.86, 0.77%, 0.64%

LAB 61.25, 65.25, -27.05

 

CMYK 0 / 65 / 18 / 15

HEX #D94CB2

RGB 217 76 178

HSL 316.6, 0.65%, 0.57%

LAB 55.21, 65.35, -25.66

 

CMYK 0 / 71 / 21 / 22

HEX #C83A9F

RGB 200 58 159

HSL 317.32, 0.56%, 0.51%

LAB 49.26, 65.04, -23.92

 

CMYK 0 / 78 / 23 / 28

HEX #B7288C

RGB 183 40 140

HSL 318.04, 0.64%, 0.44%

LAB 43.48, 64.09, -21.69

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 0 / 56 / 29 / 2

HEX #FB6FB2

RGB 251 111 178

HSL 331.29, 0.95%, 0.71%

LAB 65.82, 60.17, -9.08

 

CMYK 0 / 56 / 44 / 2

HEX #FB6F8C

RGB 251 111 140

HSL 347.57, 0.95%, 0.71%

LAB 64.78, 55.98, 11.07

 

CMYK 0 / 56 / 56 / 2

HEX #FB6F6F

RGB 251 111 111

HSL 0, 0.95%, 0.71%

LAB 64.18, 53.49, 26.75

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 1 / 56 / 0 / 2

HEX #F96FFB

RGB 249 111 251

HSL 299.14, 0.95%, 0.71%

LAB 68.37, 70.36, -45.93

 

CMYK 16 / 56 / 0 / 2

HEX #D36FFB

RGB 211 111 251

HSL 282.86, 0.95%, 0.71%

LAB 63.49, 60.88, -53.95

 

CMYK 31 / 56 / 0 / 2

HEX #AD6FFB

RGB 173 111 251

HSL 266.57, 0.95%, 0.71%

LAB 59.18, 51.69, -61.09

 

CMYK 46 / 56 / 0 / 2

HEX #876FFB

RGB 135 111 251

HSL 250.29, 0.95%, 0.71%

LAB 55.57, 43.25, -67.08

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 0 / 49 / 12 / 6

HEX #EF7BD2

RGB 239 123 210

HSL 315, 0.78%, 0.71%

LAB 67.4, 55.41, -24.85

 

CMYK 0 / 41 / 10 / 11

HEX #E387CC

RGB 227 135 204

HSL 315, 0.62%, 0.71%

LAB 68.03, 44.72, -20.67

 

CMYK 0 / 32 / 8 / 16

HEX #D793C6

RGB 215 147 198

HSL 315, 0.46%, 0.71%

LAB 69.03, 33.44, -15.95

 

CMYK 0 / 22 / 5 / 20

HEX #CB9FC0

RGB 203 159 192

HSL 315, 0.3%, 0.71%

LAB 70.38, 21.75, -10.72

 

CMYK 16 / 56 / 0 / 2

HEX #D36FFB

RGB 211 111 251

HSL 282.86, 0.95%, 0.71%

LAB 63.49, 60.88, -53.95

 

CMYK 1 / 56 / 0 / 2

HEX #F96FFB

RGB 249 111 251

HSL 299.14, 0.95%, 0.71%

LAB 68.37, 70.36, -45.93

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 0 / 56 / 29 / 2

HEX #FB6FB3

RGB 251 111 179

HSL 330.86, 0.95%, 0.71%

LAB 65.85, 60.29, -9.6

 

CMYK 0 / 56 / 44 / 2

HEX #FB6F8D

RGB 251 111 141

HSL 347.14, 0.95%, 0.71%

LAB 64.8, 56.07, 10.53

 

CMYK 0 / 88 / 22 / 2

HEX #F91EC2

RGB 249 30 194

HSL 315.07, 0.95%, 0.55%

LAB 57.04, 86.82, -31.65

 

CMYK 0 / 72 / 18 / 2

HEX #FA47CD

RGB 250 71 205

HSL 315.08, 0.95%, 0.63%

LAB 60.99, 78.9, -31.79

 

CMYK 0 / 56 / 14 / 2

HEX #FB6FD8

RGB 251 111 216

HSL 315, 0.95%, 0.71%

LAB 67.15, 65.34, -28.44

 

CMYK 0 / 40 / 10 / 1

HEX #FC97E3

RGB 252 151 227

HSL 314.85, 0.94%, 0.79%

LAB 75.06, 48.19, -22.4

 

CMYK 0 / 25 / 6 / 1

HEX #FDBFEE

RGB 253 191 238

HSL 314.52, 0.94%, 0.87%

LAB 84.13, 29.56, -14.62

 

CMYK 0 / 55 / 14 / 2

HEX #FB70D8

RGB 251 112 216

HSL 315.11, 0.95%, 0.71%

LAB 67.32, 64.9, -28.19

 

CMYK 0 / 31 / 56 / 2

HEX #FBAE6F

RGB 251 174 111

HSL 27, 0.95%, 0.71%

LAB 77.24, 21.69, 43.37

 

CMYK 56 / 0 / 8 / 2

HEX #6FFBE6

RGB 111 251 230

HSL 171, 0.95%, 0.71%

LAB 90.82, -42.93, -1.43

 

CMYK 0 / 55 / 14 / 2

HEX #FB70D8

RGB 251 112 216

HSL 315.11, 0.95%, 0.71%

LAB 67.32, 64.9, -28.19

 

CMYK 14 / 0 / 56 / 2

HEX #D8FB6F

RGB 216 251 111

HSL 75, 0.95%, 0.71%

LAB 93.77, -31.09, 62.18

 

CMYK 56 / 14 / 0 / 2

HEX #6FD8FB

RGB 111 216 251

HSL 195, 0.95%, 0.71%

LAB 81.54, -20.82, -26.35

 

CMYK 0 / 55 / 14 / 2

HEX #FB70D8

RGB 251 112 216

HSL 315.11, 0.95%, 0.71%

LAB 67.32, 64.9, -28.19

 

CMYK 0 / 31 / 56 / 2

HEX #FBAE6F

RGB 251 174 111

HSL 27, 0.95%, 0.71%

LAB 77.24, 21.69, 43.37

 

CMYK 56 / 0 / 42 / 2

HEX #6FFB92

RGB 111 251 146

HSL 135, 0.95%, 0.71%

LAB 89.13, -59.92, 39.08

 

CMYK 56 / 25 / 0 / 2

HEX #6FBCFB

RGB 111 188 251

HSL 207, 0.95%, 0.71%

LAB 73.75, -6.15, -38.36

 

CMYK 0 / 55 / 14 / 2

HEX #FB70D8

RGB 251 112 216

HSL 315.11, 0.95%, 0.71%

LAB 67.32, 64.9, -28.19

 

CMYK 0 / 14 / 56 / 2

HEX #FBD86F

RGB 251 216 111

HSL 45, 0.95%, 0.71%

LAB 87.37, -0.12, 55.51

 

CMYK 56 / 0 / 42 / 2

HEX #6FFB92

RGB 111 251 146

HSL 135, 0.95%, 0.71%

LAB 89.13, -59.92, 39.08

 

CMYK 56 / 42 / 0 / 2

HEX #6F92FB

RGB 111 146 251

HSL 225, 0.95%, 0.71%

LAB 62.43, 17.75, -56.18

 

Description

Color code: HEX #FB70D8 | qconv.com Color code: HEX #FB70D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 112 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 112 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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