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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB6DD5 it is the complementary color #04922A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB6DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB6DD5 shade: #FF6DD0, #FF7FE3, #FF91F6, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB6DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB6DD5 shade: #FB6DD5, #EA5BC2, #D949AF, #C8379C and #B72589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB6DD5 shade: #FB6FD6, #FB6FB0, #FB6F8A and #FB6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB6DD5 shade: #FB6FD6, #FB6FFB, #D56FFB, #AF6FFB and #896FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB6DD5 shade matches the following richer shades: #FB6FD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB6DD5 shade: #FB6FD6, #EF7BD0, #E387CB, #D793C5 and #CB9FBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB6DD5 shade: #D66FFB, #FB6FFB, #FB6FD6, #FB6FB0 and #FB6F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB6DD5 shade: #F91EBF, #FA47CA, #FB6FD6, #FC97E1 and #FDBFED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB6DD5 shade: #FB6DD5, #FBB06F and #6FFBE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB6DD5 shade: #FB6DD5, #D6FB6F and #6FD6FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB6DD5 shade: #FB6DD5, #FBB06F, #6FFB94 and #6FBAFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB6DD5 shade: #FB6DD5, #FBDB6F, #6FFB94 and #6F90FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 15 / 2

HEX #FB6DD5

RGB 251 109 213

HSL 316.06, 0.95%, 0.71%

LAB 66.71, 65.78, -27.45

 

Complementary color

CMYK 97 / 0 / 71 / 43

HEX #04922A

RGB 4 146 42

HSL 136.06, 0.95%, 0.29%

LAB 52.68, -54.24, 43.9

 

CMYK 0 / 57 / 18 / 0

HEX #FF6DD0

RGB 255 109 208

HSL 319.32, 1%, 0.71%

LAB 67.09, 66.18, -24.02

 

CMYK 0 / 50 / 11 / 0

HEX #FF7FE3

RGB 255 127 227

HSL 313.13, 1%, 0.75%

LAB 70.86, 60.85, -28.79

 

CMYK 0 / 43 / 4 / 0

HEX #FF91F6

RGB 255 145 246

HSL 304.91, 1%, 0.78%

LAB 74.93, 55.26, -32.92

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 57 / 15 / 2

HEX #FB6DD5

RGB 251 109 213

HSL 316.06, 0.95%, 0.71%

LAB 66.71, 65.78, -27.45

 

CMYK 0 / 61 / 17 / 8

HEX #EA5BC2

RGB 234 91 194

HSL 316.78, 0.77%, 0.64%

LAB 60.67, 66.08, -26.24

 

CMYK 0 / 66 / 19 / 15

HEX #D949AF

RGB 217 73 175

HSL 317.5, 0.65%, 0.57%

LAB 54.67, 66.09, -24.75

 

CMYK 0 / 73 / 22 / 22

HEX #C8379C

RGB 200 55 156

HSL 318.21, 0.57%, 0.5%

LAB 48.78, 65.66, -22.89

 

CMYK 0 / 80 / 25 / 28

HEX #B72589

RGB 183 37 137

HSL 318.9, 0.66%, 0.43%

LAB 43.06, 64.54, -20.5

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 56 / 30 / 2

HEX #FB6FB0

RGB 251 111 176

HSL 332.14, 0.95%, 0.71%

LAB 65.76, 59.92, -8.04

 

CMYK 0 / 56 / 45 / 2

HEX #FB6F8A

RGB 251 111 138

HSL 348.43, 0.95%, 0.71%

LAB 64.73, 55.78, 12.14

 

CMYK 0 / 56 / 56 / 2

HEX #FB6F6F

RGB 251 111 111

HSL 0, 0.95%, 0.71%

LAB 64.18, 53.49, 26.75

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 56 / 0 / 2

HEX #FB6FFB

RGB 251 111 251

HSL 300, 0.95%, 0.71%

LAB 68.64, 70.86, -45.49

 

CMYK 15 / 56 / 0 / 2

HEX #D56FFB

RGB 213 111 251

HSL 283.71, 0.95%, 0.71%

LAB 63.74, 61.37, -53.55

 

CMYK 30 / 56 / 0 / 2

HEX #AF6FFB

RGB 175 111 251

HSL 267.43, 0.95%, 0.71%

LAB 59.39, 52.16, -60.74

 

CMYK 45 / 56 / 0 / 2

HEX #896FFB

RGB 137 111 251

HSL 251.14, 0.95%, 0.71%

LAB 55.74, 43.67, -66.8

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 49 / 13 / 6

HEX #EF7BD0

RGB 239 123 208

HSL 316.03, 0.78%, 0.71%

LAB 67.33, 55.1, -23.84

 

CMYK 0 / 41 / 11 / 11

HEX #E387CB

RGB 227 135 203

HSL 315.65, 0.62%, 0.71%

LAB 68, 44.56, -20.17

 

CMYK 0 / 32 / 8 / 16

HEX #D793C5

RGB 215 147 197

HSL 315.88, 0.46%, 0.71%

LAB 69, 33.27, -15.44

 

CMYK 0 / 22 / 6 / 20

HEX #CB9FBF

RGB 203 159 191

HSL 316.36, 0.3%, 0.71%

LAB 70.35, 21.57, -10.21

 

CMYK 15 / 56 / 0 / 2

HEX #D66FFB

RGB 214 111 251

HSL 284.14, 0.95%, 0.71%

LAB 63.86, 61.62, -53.34

 

CMYK 0 / 56 / 0 / 2

HEX #FB6FFB

RGB 251 111 251

HSL 300, 0.95%, 0.71%

LAB 68.64, 70.86, -45.49

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 56 / 30 / 2

HEX #FB6FB0

RGB 251 111 176

HSL 332.14, 0.95%, 0.71%

LAB 65.76, 59.92, -8.04

 

CMYK 0 / 56 / 45 / 2

HEX #FB6F8B

RGB 251 111 139

HSL 348, 0.95%, 0.71%

LAB 64.76, 55.88, 11.61

 

CMYK 0 / 88 / 23 / 2

HEX #F91EBF

RGB 249 30 191

HSL 315.89, 0.95%, 0.55%

LAB 56.91, 86.48, -30.13

 

CMYK 0 / 72 / 19 / 2

HEX #FA47CA

RGB 250 71 202

HSL 316.09, 0.95%, 0.63%

LAB 60.87, 78.51, -30.28

 

CMYK 0 / 56 / 15 / 2

HEX #FB6FD6

RGB 251 111 214

HSL 315.86, 0.95%, 0.71%

LAB 67.08, 65.05, -27.44

 

CMYK 0 / 40 / 11 / 1

HEX #FC97E1

RGB 252 151 225

HSL 316.04, 0.94%, 0.79%

LAB 74.99, 47.86, -21.41

 

CMYK 0 / 25 / 6 / 1

HEX #FDBFED

RGB 253 191 237

HSL 315.48, 0.94%, 0.87%

LAB 84.1, 29.39, -14.13

 

CMYK 0 / 57 / 15 / 2

HEX #FB6DD5

RGB 251 109 213

HSL 316.06, 0.95%, 0.71%

LAB 66.71, 65.78, -27.45

 

CMYK 0 / 30 / 56 / 2

HEX #FBB06F

RGB 251 176 111

HSL 27.86, 0.95%, 0.71%

LAB 77.7, 20.64, 43.94

 

CMYK 56 / 0 / 7 / 2

HEX #6FFBE9

RGB 111 251 233

HSL 172.29, 0.95%, 0.71%

LAB 90.9, -42.19, -2.87

 

CMYK 0 / 57 / 15 / 2

HEX #FB6DD5

RGB 251 109 213

HSL 316.06, 0.95%, 0.71%

LAB 66.71, 65.78, -27.45

 

CMYK 15 / 0 / 56 / 2

HEX #D6FB6F

RGB 214 251 111

HSL 75.86, 0.95%, 0.71%

LAB 93.64, -31.85, 61.99

 

CMYK 56 / 15 / 0 / 2

HEX #6FD6FB

RGB 111 214 251

HSL 195.86, 0.95%, 0.71%

LAB 80.98, -19.81, -27.21

 

CMYK 0 / 57 / 15 / 2

HEX #FB6DD5

RGB 251 109 213

HSL 316.06, 0.95%, 0.71%

LAB 66.71, 65.78, -27.45

 

CMYK 0 / 30 / 56 / 2

HEX #FBB06F

RGB 251 176 111

HSL 27.86, 0.95%, 0.71%

LAB 77.7, 20.64, 43.94

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB94

RGB 111 251 148

HSL 135.86, 0.95%, 0.71%

LAB 89.16, -59.6, 38.13

 

CMYK 56 / 26 / 0 / 2

HEX #6FBAFB

RGB 111 186 251

HSL 207.86, 0.95%, 0.71%

LAB 73.2, -5.06, -39.22

 

CMYK 0 / 57 / 15 / 2

HEX #FB6DD5

RGB 251 109 213

HSL 316.06, 0.95%, 0.71%

LAB 66.71, 65.78, -27.45

 

CMYK 0 / 13 / 56 / 2

HEX #FBDB6F

RGB 251 219 111

HSL 46.29, 0.95%, 0.71%

LAB 88.12, -1.65, 56.38

 

CMYK 56 / 0 / 41 / 2

HEX #6FFB94

RGB 111 251 148

HSL 135.86, 0.95%, 0.71%

LAB 89.16, -59.6, 38.13

 

CMYK 56 / 43 / 0 / 2

HEX #6F90FB

RGB 111 144 251

HSL 225.86, 0.95%, 0.71%

LAB 61.9, 18.94, -57.01

 

Description

Color code: HEX #FB6DD5 | qconv.com Color code: HEX #FB6DD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 109 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 109 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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