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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB6D7C it is the complementary color #049283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB6D7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB6D7C shade: #FF6D77, #FF7F8A, #FF919D, #FFA3B0 and #FFB5C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB6D7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB6D7C shade: #FB6D7C, #EA5B69, #D94956, #C83743 and #B72530

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB6D7C shade: #FB6F7E and #FB6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB6D7C shade: #FB6F7E, #FB6FA4, #FB6FC9, #FB6FEF and #E16FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB6D7C shade matches the following richer shades: #FB6F7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB6D7C shade: #FB6F7E, #EF7B87, #E38791, #D7939A and #CB9FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB6D7C shade: #FB6FCA, #FB6FA5, #FB6F7F, #FB846F and #FBA96F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB6D7C shade: #F91E35, #FA475A, #FB6F7E, #FC97A2 and #FDBFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB6D7C shade: #FB6D7C, #F0FB6F and #6FB7FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB6D7C shade: #FB6D7C, #7FFB6F and #6F7FFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB6D7C shade: #FB6D7C, #F0FB6F, #6FFBEB and #7B6FFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB6D7C shade: #FB6D7C, #C5FB6F, #6FFBEB and #A56FFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 51 / 2

HEX #FB6D7C

RGB 251 109 124

HSL 353.66, 0.95%, 0.71%

LAB 64.08, 55.44, 19.23

 

Complementary color

CMYK 97 / 0 / 10 / 43

HEX #049283

RGB 4 146 131

HSL 173.66, 0.95%, 0.29%

LAB 54.26, -36.15, -1.33

 

CMYK 0 / 57 / 53 / 0

HEX #FF6D77

RGB 255 109 119

HSL 355.89, 1%, 0.71%

LAB 64.59, 56.37, 22.87

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 43 / 38 / 0

HEX #FF919D

RGB 255 145 157

HSL 353.45, 1%, 0.78%

LAB 72.19, 42.62, 12.05

 

CMYK 0 / 36 / 31 / 0

HEX #FFA3B0

RGB 255 163 176

HSL 351.52, 1%, 0.82%

LAB 76.43, 35.63, 7.61

 

CMYK 0 / 29 / 24 / 0

HEX #FFB5C3

RGB 255 181 195

HSL 348.65, 1%, 0.85%

LAB 80.88, 28.77, 3.69

 

CMYK 0 / 57 / 51 / 2

HEX #FB6D7C

RGB 251 109 124

HSL 353.66, 0.95%, 0.71%

LAB 64.08, 55.44, 19.23

 

CMYK 0 / 61 / 55 / 8

HEX #EA5B69

RGB 234 91 105

HSL 354.13, 0.77%, 0.64%

LAB 58.03, 56.29, 21.53

 

CMYK 0 / 66 / 60 / 15

HEX #D94956

RGB 217 73 86

HSL 354.58, 0.65%, 0.57%

LAB 52.05, 56.95, 24.24

 

CMYK 0 / 73 / 67 / 22

HEX #C83743

RGB 200 55 67

HSL 355.03, 0.57%, 0.5%

LAB 46.2, 57.3, 27.48

 

CMYK 0 / 80 / 74 / 28

HEX #B72530

RGB 183 37 48

HSL 355.48, 0.66%, 0.43%

LAB 40.58, 57.06, 31.38

 

CMYK 0 / 56 / 50 / 2

HEX #FB6F7E

RGB 251 111 126

HSL 353.57, 0.95%, 0.71%

LAB 64.47, 54.7, 18.63

 

CMYK 0 / 56 / 56 / 2

HEX #FB6F6F

RGB 251 111 111

HSL 0, 0.95%, 0.71%

LAB 64.18, 53.49, 26.75

 

CMYK 0 / 56 / 50 / 2

HEX #FB6F7E

RGB 251 111 126

HSL 353.57, 0.95%, 0.71%

LAB 64.47, 54.7, 18.63

 

CMYK 0 / 56 / 35 / 2

HEX #FB6FA4

RGB 251 111 164

HSL 337.29, 0.95%, 0.71%

LAB 65.4, 58.5, -1.74

 

CMYK 0 / 56 / 20 / 2

HEX #FB6FC9

RGB 251 111 201

HSL 321.43, 0.95%, 0.71%

LAB 66.59, 63.19, -20.9

 

CMYK 0 / 56 / 5 / 2

HEX #FB6FEF

RGB 251 111 239

HSL 305.14, 0.95%, 0.71%

LAB 68.1, 68.89, -39.73

 

CMYK 10 / 56 / 0 / 2

HEX #E16FFB

RGB 225 111 251

HSL 288.86, 0.95%, 0.71%

LAB 65.23, 64.35, -51.08

 

CMYK 0 / 56 / 50 / 2

HEX #FB6F7E

RGB 251 111 126

HSL 353.57, 0.95%, 0.71%

LAB 64.47, 54.7, 18.63

 

CMYK 0 / 56 / 50 / 2

HEX #FB6F7E

RGB 251 111 126

HSL 353.57, 0.95%, 0.71%

LAB 64.47, 54.7, 18.63

 

CMYK 0 / 49 / 44 / 6

HEX #EF7B87

RGB 239 123 135

HSL 353.79, 0.78%, 0.71%

LAB 65.17, 45.65, 14.22

 

CMYK 0 / 41 / 36 / 11

HEX #E38791

RGB 227 135 145

HSL 353.48, 0.62%, 0.71%

LAB 66.29, 36.29, 9.91

 

CMYK 0 / 32 / 28 / 16

HEX #D7939A

RGB 215 147 154

HSL 353.82, 0.46%, 0.71%

LAB 67.76, 26.6, 6.76

 

CMYK 0 / 22 / 20 / 20

HEX #CB9FA3

RGB 203 159 163

HSL 354.55, 0.3%, 0.71%

LAB 69.57, 16.9, 4.17

 

CMYK 0 / 56 / 20 / 2

HEX #FB6FCA

RGB 251 111 202

HSL 321, 0.95%, 0.71%

LAB 66.63, 63.33, -21.41

 

CMYK 0 / 56 / 34 / 2

HEX #FB6FA5

RGB 251 111 165

HSL 336.86, 0.95%, 0.71%

LAB 65.43, 58.62, -2.27

 

CMYK 0 / 56 / 49 / 2

HEX #FB6F7F

RGB 251 111 127

HSL 353.14, 0.95%, 0.71%

LAB 64.49, 54.78, 18.08

 

CMYK 0 / 47 / 56 / 2

HEX #FB846F

RGB 251 132 111

HSL 9, 0.95%, 0.71%

LAB 68.14, 43.38, 31.91

 

CMYK 0 / 33 / 56 / 2

HEX #FBA96F

RGB 251 169 111

HSL 24.86, 0.95%, 0.71%

LAB 76.09, 24.32, 41.95

 

CMYK 0 / 88 / 79 / 2

HEX #F91E35

RGB 249 30 53

HSL 353.7, 0.95%, 0.55%

LAB 53.3, 76.51, 46.16

 

CMYK 0 / 72 / 64 / 2

HEX #FA475A

RGB 250 71 90

HSL 353.63, 0.95%, 0.63%

LAB 57.63, 68.04, 30.22

 

CMYK 0 / 56 / 50 / 2

HEX #FB6F7E

RGB 251 111 126

HSL 353.57, 0.95%, 0.71%

LAB 64.47, 54.7, 18.63

 

CMYK 0 / 40 / 36 / 1

HEX #FC97A2

RGB 252 151 162

HSL 353.47, 0.94%, 0.79%

LAB 73.18, 39.05, 10.62

 

CMYK 0 / 25 / 22 / 1

HEX #FDBFC6

RGB 253 191 198

HSL 353.23, 0.94%, 0.87%

LAB 83.03, 23.23, 5.17

 

CMYK 0 / 57 / 51 / 2

HEX #FB6D7C

RGB 251 109 124

HSL 353.66, 0.95%, 0.71%

LAB 64.08, 55.44, 19.23

 

CMYK 4 / 0 / 56 / 2

HEX #F0FB6F

RGB 240 251 111

HSL 64.71, 0.95%, 0.71%

LAB 95.44, -21.83, 64.52

 

CMYK 56 / 27 / 0 / 2

HEX #6FB7FB

RGB 111 183 251

HSL 209.14, 0.95%, 0.71%

LAB 72.37, -3.41, -40.51

 

CMYK 0 / 57 / 51 / 2

HEX #FB6D7C

RGB 251 109 124

HSL 353.66, 0.95%, 0.71%

LAB 64.08, 55.44, 19.23

 

CMYK 49 / 0 / 56 / 2

HEX #7FFB6F

RGB 127 251 111

HSL 113.14, 0.95%, 0.71%

LAB 89.23, -60.68, 55.75

 

CMYK 56 / 49 / 0 / 2

HEX #6F7FFB

RGB 111 127 251

HSL 233.14, 0.95%, 0.71%

LAB 57.58, 29.06, -63.93

 

CMYK 0 / 57 / 51 / 2

HEX #FB6D7C

RGB 251 109 124

HSL 353.66, 0.95%, 0.71%

LAB 64.08, 55.44, 19.23

 

CMYK 4 / 0 / 56 / 2

HEX #F0FB6F

RGB 240 251 111

HSL 64.71, 0.95%, 0.71%

LAB 95.44, -21.83, 64.52

 

CMYK 56 / 0 / 6 / 2

HEX #6FFBEB

RGB 111 251 235

HSL 173.14, 0.95%, 0.71%

LAB 90.95, -41.7, -3.84

 

CMYK 51 / 56 / 0 / 2

HEX #7B6FFB

RGB 123 111 251

HSL 245.14, 0.95%, 0.71%

LAB 54.6, 40.84, -68.69

 

CMYK 0 / 57 / 51 / 2

HEX #FB6D7C

RGB 251 109 124

HSL 353.66, 0.95%, 0.71%

LAB 64.08, 55.44, 19.23

 

CMYK 22 / 0 / 56 / 2

HEX #C5FB6F

RGB 197 251 111

HSL 83.14, 0.95%, 0.71%

LAB 92.58, -38.17, 60.5

 

CMYK 56 / 0 / 6 / 2

HEX #6FFBEB

RGB 111 251 235

HSL 173.14, 0.95%, 0.71%

LAB 90.95, -41.7, -3.84

 

CMYK 34 / 56 / 0 / 2

HEX #A56FFB

RGB 165 111 251

HSL 263.14, 0.95%, 0.71%

LAB 58.35, 49.83, -62.46

 

Description

Color code: HEX #FB6D7C | qconv.com Color code: HEX #FB6D7C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 109 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 109 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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