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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB6CE5 it is the complementary color #04931A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB6CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB6CE5 shade: #FF6CE0, #FF7EF3, #FF90FF, #FFA2FF and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB6CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB6CE5 shade: #FB6CE5, #EA5AD2, #D948BF, #C836AC and #B72499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB6CE5 shade: #FB6AE5, #FB6ABE, #FB6A96, #FB6A6F and #FB6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB6CE5 shade: #FB6AE5, #EA6AFB, #C36AFB, #9C6AFB and #756AFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB6CE5 shade matches the following richer shades: #FB6AE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB6CE5 shade: #FB6AE5, #EF76DC, #E283D4, #D68FCB and #CA9BC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB6CE5 shade: #C36AFB, #EA6AFB, #FB6AE5, #FB6ABF and #FB6A98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB6CE5 shade: #F919D7, #FA42DE, #FB6AE5, #FC92EC and #FDBAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB6CE5 shade: #FB6CE5, #FB9D6A and #6AFBD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB6CE5 shade: #FB6CE5, #E5FB6A and #6AE5FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB6CE5 shade: #FB6CE5, #FB9D6A, #6AFB80 and #6AC8FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB6CE5 shade: #FB6CE5, #FBC86A, #6AFB80 and #6A9DFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 9 / 2

HEX #FB6CE5

RGB 251 108 229

HSL 309.23, 0.95%, 0.7%

LAB 67.2, 68.62, -35.61

 

Complementary color

CMYK 97 / 0 / 82 / 42

HEX #04931A

RGB 4 147 26

HSL 129.23, 0.95%, 0.3%

LAB 52.91, -55.84, 49.86

 

CMYK 0 / 58 / 12 / 0

HEX #FF6CE0

RGB 255 108 224

HSL 312.65, 1%, 0.71%

LAB 67.55, 68.92, -32.24

 

CMYK 0 / 51 / 5 / 0

HEX #FF7EF3

RGB 255 126 243

HSL 305.58, 1%, 0.75%

LAB 71.32, 63.87, -36.87

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 57 / 9 / 2

HEX #FB6CE5

RGB 251 108 229

HSL 309.23, 0.95%, 0.7%

LAB 67.2, 68.62, -35.61

 

CMYK 0 / 62 / 10 / 8

HEX #EA5AD2

RGB 234 90 210

HSL 310, 0.77%, 0.64%

LAB 61.18, 68.83, -34.52

 

CMYK 0 / 67 / 12 / 15

HEX #D948BF

RGB 217 72 191

HSL 310.76, 0.66%, 0.57%

LAB 55.22, 68.74, -33.16

 

CMYK 0 / 73 / 14 / 22

HEX #C836AC

RGB 200 54 172

HSL 311.51, 0.57%, 0.5%

LAB 49.37, 68.17, -31.44

 

CMYK 0 / 80 / 16 / 28

HEX #B72499

RGB 183 36 153

HSL 312.24, 0.67%, 0.43%

LAB 43.7, 66.89, -29.21

 

CMYK 0 / 58 / 9 / 2

HEX #FB6AE5

RGB 251 106 229

HSL 309.1, 0.95%, 0.7%

LAB 66.88, 69.47, -36.1

 

CMYK 0 / 58 / 24 / 2

HEX #FB6ABE

RGB 251 106 190

HSL 325.24, 0.95%, 0.7%

LAB 65.39, 63.91, -16.53

 

CMYK 0 / 58 / 40 / 2

HEX #FB6A96

RGB 251 106 150

HSL 341.79, 0.95%, 0.7%

LAB 64.18, 59.23, 4.48

 

CMYK 0 / 58 / 56 / 2

HEX #FB6A6F

RGB 251 106 111

HSL 357.93, 0.95%, 0.7%

LAB 63.31, 55.77, 25.6

 

CMYK 0 / 58 / 58 / 2

HEX #FB6A6A

RGB 251 106 106

HSL 0, 0.95%, 0.7%

LAB 63.23, 55.41, 28.31

 

CMYK 0 / 58 / 9 / 2

HEX #FB6AE5

RGB 251 106 229

HSL 309.1, 0.95%, 0.7%

LAB 66.88, 69.47, -36.1

 

CMYK 7 / 58 / 0 / 2

HEX #EA6AFB

RGB 234 106 251

HSL 292.97, 0.95%, 0.7%

LAB 65.57, 68.83, -50.48

 

CMYK 22 / 58 / 0 / 2

HEX #C36AFB

RGB 195 106 251

HSL 276.83, 0.95%, 0.7%

LAB 60.67, 59.43, -58.56

 

CMYK 38 / 58 / 0 / 2

HEX #9C6AFB

RGB 156 106 251

HSL 260.69, 0.95%, 0.7%

LAB 56.43, 50.5, -65.6

 

CMYK 53 / 58 / 0 / 2

HEX #756AFB

RGB 117 106 251

HSL 244.55, 0.95%, 0.7%

LAB 53.01, 42.61, -71.29

 

CMYK 0 / 58 / 9 / 2

HEX #FB6AE5

RGB 251 106 229

HSL 309.1, 0.95%, 0.7%

LAB 66.88, 69.47, -36.1

 

CMYK 0 / 58 / 9 / 2

HEX #FB6AE5

RGB 251 106 229

HSL 309.1, 0.95%, 0.7%

LAB 66.88, 69.47, -36.1

 

CMYK 0 / 51 / 8 / 6

HEX #EF76DC

RGB 239 118 220

HSL 309.42, 0.79%, 0.7%

LAB 66.88, 59.39, -31.22

 

CMYK 0 / 42 / 6 / 11

HEX #E283D4

RGB 226 131 212

HSL 308.84, 0.62%, 0.7%

LAB 67.39, 47.81, -26.12

 

CMYK 0 / 33 / 5 / 16

HEX #D68FCB

RGB 214 143 203

HSL 309.3, 0.46%, 0.7%

LAB 68.21, 36.13, -19.99

 

CMYK 0 / 23 / 3 / 21

HEX #CA9BC3

RGB 202 155 195

HSL 308.94, 0.31%, 0.7%

LAB 69.43, 24.14, -13.82

 

CMYK 22 / 58 / 0 / 2

HEX #C36AFB

RGB 195 106 251

HSL 276.83, 0.95%, 0.7%

LAB 60.67, 59.43, -58.56

 

CMYK 7 / 58 / 0 / 2

HEX #EA6AFB

RGB 234 106 251

HSL 292.97, 0.95%, 0.7%

LAB 65.57, 68.83, -50.48

 

CMYK 0 / 58 / 9 / 2

HEX #FB6AE5

RGB 251 106 229

HSL 309.1, 0.95%, 0.7%

LAB 66.88, 69.47, -36.1

 

CMYK 0 / 58 / 24 / 2

HEX #FB6ABF

RGB 251 106 191

HSL 324.83, 0.95%, 0.7%

LAB 65.42, 64.04, -17.05

 

CMYK 0 / 58 / 39 / 2

HEX #FB6A98

RGB 251 106 152

HSL 340.97, 0.95%, 0.7%

LAB 64.23, 59.43, 3.41

 

CMYK 0 / 90 / 14 / 2

HEX #F919D7

RGB 249 25 215

HSL 309.11, 0.95%, 0.54%

LAB 57.79, 90.04, -42.49

 

CMYK 0 / 74 / 11 / 2

HEX #FA42DE

RGB 250 66 222

HSL 309.13, 0.95%, 0.62%

LAB 61.22, 82.71, -41.05

 

CMYK 0 / 58 / 9 / 2

HEX #FB6AE5

RGB 251 106 229

HSL 309.1, 0.95%, 0.7%

LAB 66.88, 69.47, -36.1

 

CMYK 0 / 42 / 6 / 1

HEX #FC92EC

RGB 252 146 236

HSL 309.06, 0.95%, 0.78%

LAB 74.39, 52.19, -28.34

 

CMYK 0 / 26 / 4 / 1

HEX #FDBAF3

RGB 253 186 243

HSL 308.96, 0.94%, 0.86%

LAB 83.16, 33.05, -18.75

 

CMYK 0 / 57 / 9 / 2

HEX #FB6CE5

RGB 251 108 229

HSL 309.23, 0.95%, 0.7%

LAB 67.2, 68.62, -35.61

 

CMYK 0 / 37 / 58 / 2

HEX #FB9D6A

RGB 251 157 106

HSL 21.1, 0.95%, 0.7%

LAB 73.33, 30.21, 41.12

 

CMYK 58 / 0 / 14 / 2

HEX #6AFBD7

RGB 106 251 215

HSL 165.1, 0.95%, 0.7%

LAB 90.31, -47.43, 5.59

 

CMYK 0 / 57 / 9 / 2

HEX #FB6CE5

RGB 251 108 229

HSL 309.23, 0.95%, 0.7%

LAB 67.2, 68.62, -35.61

 

CMYK 9 / 0 / 58 / 2

HEX #E5FB6A

RGB 229 251 106

HSL 69.1, 0.95%, 0.7%

LAB 94.61, -26.49, 65.5

 

CMYK 58 / 9 / 0 / 2

HEX #6AE5FB

RGB 106 229 251

HSL 189.1, 0.95%, 0.7%

LAB 85.03, -28.18, -21.06

 

CMYK 0 / 57 / 9 / 2

HEX #FB6CE5

RGB 251 108 229

HSL 309.23, 0.95%, 0.7%

LAB 67.2, 68.62, -35.61

 

CMYK 0 / 37 / 58 / 2

HEX #FB9D6A

RGB 251 157 106

HSL 21.1, 0.95%, 0.7%

LAB 73.33, 30.21, 41.12

 

CMYK 58 / 0 / 49 / 2

HEX #6AFB80

RGB 106 251 128

HSL 129.1, 0.95%, 0.7%

LAB 88.74, -63.7, 47.21

 

CMYK 58 / 20 / 0 / 2

HEX #6AC8FB

RGB 106 200 251

HSL 201.1, 0.95%, 0.7%

LAB 76.88, -13.54, -33.52

 

CMYK 0 / 57 / 9 / 2

HEX #FB6CE5

RGB 251 108 229

HSL 309.23, 0.95%, 0.7%

LAB 67.2, 68.62, -35.61

 

CMYK 0 / 20 / 58 / 2

HEX #FBC86A

RGB 251 200 106

HSL 38.9, 0.95%, 0.7%

LAB 83.37, 7.73, 53.18

 

CMYK 58 / 0 / 49 / 2

HEX #6AFB80

RGB 106 251 128

HSL 129.1, 0.95%, 0.7%

LAB 88.74, -63.7, 47.21

 

CMYK 58 / 37 / 0 / 2

HEX #6A9DFB

RGB 106 157 251

HSL 218.9, 0.95%, 0.7%

LAB 65.08, 10.32, -51.99

 

Description

Color code: HEX #FB6CE5 | qconv.com Color code: HEX #FB6CE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 108 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 108 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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