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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB679E it is the complementary color #049861. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB679E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB679E shade: #FF6799, #FF79AC, #FF8BBF, #FF9DD2 and #FFAFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB679E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB679E shade: #FB679E, #EA558B, #D94378, #C83165 and #B71F52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB679E shade: #FB659D, #FB6574 and #FB6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB679E shade: #FB659D, #FB65C5, #FB65EE, #E065FB and #B765FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB679E shade matches the following richer shades: #FB659D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB679E shade: #FB659D, #EE72A0, #E17EA3, #D58BA7 and #C898AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB679E shade: #FB65EF, #FB65C6, #FB659E, #FB6576 and #FB7B65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB679E shade: #F91469, #FA3D83, #FB659D, #FC8DB6 and #FDB5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB679E shade: #FB679E, #FBE065 and #65DBFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB679E shade: #FB679E, #9EFB65 and #659EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB679E shade: #FB679E, #FBE065, #65FBC1 and #6580FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB679E shade: #FB679E, #EAFB65, #65FBC1 and #7665FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 37 / 2

HEX #FB679E

RGB 251 103 158

HSL 337.7, 0.95%, 0.69%

LAB 63.9, 61.39, -0.51

 

Complementary color

CMYK 97 / 0 / 36 / 40

HEX #049861

RGB 4 152 97

HSL 157.7, 0.95%, 0.31%

LAB 55.43, -47.41, 19.61

 

CMYK 0 / 60 / 40 / 0

HEX #FF6799

RGB 255 103 153

HSL 340.26, 1%, 0.7%

LAB 64.37, 62.09, 3.12

 

CMYK 0 / 53 / 33 / 0

HEX #FF79AC

RGB 255 121 172

HSL 337.16, 1%, 0.74%

LAB 67.96, 56.09, -2.46

 

CMYK 0 / 45 / 25 / 0

HEX #FF8BBF

RGB 255 139 191

HSL 333.1, 1%, 0.77%

LAB 71.88, 49.81, -7.3

 

CMYK 0 / 38 / 18 / 0

HEX #FF9DD2

RGB 255 157 210

HSL 327.55, 1%, 0.81%

LAB 76.09, 43.44, -11.52

 

CMYK 0 / 31 / 10 / 0

HEX #FFAFE5

RGB 255 175 229

HSL 319.5, 1%, 0.84%

LAB 80.5, 37.1, -15.22

 

CMYK 0 / 59 / 37 / 2

HEX #FB679E

RGB 251 103 158

HSL 337.7, 0.95%, 0.69%

LAB 63.9, 61.39, -0.51

 

CMYK 0 / 64 / 41 / 8

HEX #EA558B

RGB 234 85 139

HSL 338.26, 0.78%, 0.63%

LAB 57.9, 61.83, 1.43

 

CMYK 0 / 69 / 45 / 15

HEX #D94378

RGB 217 67 120

HSL 338.8, 0.66%, 0.56%

LAB 51.97, 61.98, 3.77

 

CMYK 0 / 76 / 50 / 22

HEX #C83165

RGB 200 49 101

HSL 339.34, 0.61%, 0.49%

LAB 46.2, 61.67, 6.65

 

CMYK 0 / 83 / 55 / 28

HEX #B71F52

RGB 183 31 82

HSL 339.87, 0.71%, 0.42%

LAB 40.66, 60.6, 10.26

 

CMYK 0 / 60 / 37 / 2

HEX #FB659D

RGB 251 101 157

HSL 337.6, 0.95%, 0.69%

LAB 63.55, 62.14, -0.45

 

CMYK 0 / 60 / 54 / 2

HEX #FB6574

RGB 251 101 116

HSL 354, 0.95%, 0.69%

LAB 62.57, 58.36, 21.76

 

CMYK 0 / 60 / 60 / 2

HEX #FB6565

RGB 251 101 101

HSL 0, 0.95%, 0.69%

LAB 62.3, 57.28, 29.94

 

CMYK 0 / 60 / 37 / 2

HEX #FB659D

RGB 251 101 157

HSL 337.6, 0.95%, 0.69%

LAB 63.55, 62.14, -0.45

 

CMYK 0 / 60 / 22 / 2

HEX #FB65C5

RGB 251 101 197

HSL 321.6, 0.95%, 0.69%

LAB 64.84, 66.97, -21.32

 

CMYK 0 / 60 / 5 / 2

HEX #FB65EE

RGB 251 101 238

HSL 305.2, 0.95%, 0.69%

LAB 66.51, 72.95, -41.66

 

CMYK 11 / 60 / 0 / 2

HEX #E065FB

RGB 224 101 251

HSL 289.2, 0.95%, 0.69%

LAB 63.44, 68.62, -53.93

 

CMYK 27 / 60 / 0 / 2

HEX #B765FB

RGB 183 101 251

HSL 272.8, 0.95%, 0.69%

LAB 58.36, 59.1, -62.34

 

CMYK 0 / 60 / 37 / 2

HEX #FB659D

RGB 251 101 157

HSL 337.6, 0.95%, 0.69%

LAB 63.55, 62.14, -0.45

 

CMYK 0 / 60 / 37 / 2

HEX #FB659D

RGB 251 101 157

HSL 337.6, 0.95%, 0.69%

LAB 63.55, 62.14, -0.45

 

CMYK 0 / 52 / 33 / 7

HEX #EE72A0

RGB 238 114 160

HSL 337.74, 0.78%, 0.69%

LAB 63.96, 52.48, -1.79

 

CMYK 0 / 44 / 28 / 12

HEX #E17EA3

RGB 225 126 163

HSL 337.58, 0.62%, 0.69%

LAB 64.62, 42.54, -2.73

 

CMYK 0 / 35 / 22 / 16

HEX #D58BA7

RGB 213 139 167

HSL 337.3, 0.47%, 0.69%

LAB 66.06, 32.05, -3.05

 

CMYK 0 / 24 / 15 / 22

HEX #C898AA

RGB 200 152 170

HSL 337.5, 0.3%, 0.69%

LAB 67.75, 20.75, -2.41

 

CMYK 0 / 60 / 5 / 2

HEX #FB65EF

RGB 251 101 239

HSL 304.8, 0.95%, 0.69%

LAB 66.56, 73.11, -42.14

 

CMYK 0 / 60 / 21 / 2

HEX #FB65C6

RGB 251 101 198

HSL 321.2, 0.95%, 0.69%

LAB 64.88, 67.11, -21.83

 

CMYK 0 / 60 / 37 / 2

HEX #FB659E

RGB 251 101 158

HSL 337.2, 0.95%, 0.69%

LAB 63.58, 62.25, -0.98

 

CMYK 0 / 60 / 53 / 2

HEX #FB6576

RGB 251 101 118

HSL 353.2, 0.95%, 0.69%

LAB 62.61, 58.51, 20.66

 

CMYK 0 / 51 / 60 / 2

HEX #FB7B65

RGB 251 123 101

HSL 8.8, 0.95%, 0.69%

LAB 66.22, 47.09, 34.94

 

CMYK 0 / 92 / 58 / 2

HEX #F91469

RGB 249 20 105

HSL 337.73, 0.95%, 0.53%

LAB 53.66, 80.16, 16.05

 

CMYK 0 / 76 / 48 / 2

HEX #FA3D83

RGB 250 61 131

HSL 337.78, 0.95%, 0.61%

LAB 57.37, 74.01, 5.72

 

CMYK 0 / 60 / 37 / 2

HEX #FB659D

RGB 251 101 157

HSL 337.6, 0.95%, 0.69%

LAB 63.55, 62.14, -0.45

 

CMYK 0 / 44 / 28 / 1

HEX #FC8DB6

RGB 252 141 182

HSL 337.84, 0.95%, 0.77%

LAB 71.64, 46.62, -2.7

 

CMYK 0 / 28 / 18 / 1

HEX #FDB5D0

RGB 253 181 208

HSL 337.5, 0.95%, 0.85%

LAB 81.01, 29.97, -3.16

 

CMYK 0 / 59 / 37 / 2

HEX #FB679E

RGB 251 103 158

HSL 337.7, 0.95%, 0.69%

LAB 63.9, 61.39, -0.51

 

CMYK 0 / 11 / 60 / 2

HEX #FBE065

RGB 251 224 101

HSL 49.2, 0.95%, 0.69%

LAB 89.28, -4.88, 62.21

 

CMYK 60 / 13 / 0 / 2

HEX #65DBFB

RGB 101 219 251

HSL 192.8, 0.95%, 0.69%

LAB 82.05, -24.16, -25.6

 

CMYK 0 / 59 / 37 / 2

HEX #FB679E

RGB 251 103 158

HSL 337.7, 0.95%, 0.69%

LAB 63.9, 61.39, -0.51

 

CMYK 37 / 0 / 60 / 2

HEX #9EFB65

RGB 158 251 101

HSL 97.2, 0.95%, 0.69%

LAB 90.41, -52.53, 61.78

 

CMYK 60 / 37 / 0 / 2

HEX #659EFB

RGB 101 158 251

HSL 217.2, 0.95%, 0.69%

LAB 65.11, 8.79, -51.95

 

CMYK 0 / 59 / 37 / 2

HEX #FB679E

RGB 251 103 158

HSL 337.7, 0.95%, 0.69%

LAB 63.9, 61.39, -0.51

 

CMYK 0 / 11 / 60 / 2

HEX #FBE065

RGB 251 224 101

HSL 49.2, 0.95%, 0.69%

LAB 89.28, -4.88, 62.21

 

CMYK 60 / 0 / 23 / 2

HEX #65FBC1

RGB 101 251 193

HSL 156.8, 0.95%, 0.69%

LAB 89.68, -53.26, 16.04

 

CMYK 60 / 49 / 0 / 2

HEX #6580FB

RGB 101 128 251

HSL 229.2, 0.95%, 0.69%

LAB 57.24, 26.62, -64.51

 

CMYK 0 / 59 / 37 / 2

HEX #FB679E

RGB 251 103 158

HSL 337.7, 0.95%, 0.69%

LAB 63.9, 61.39, -0.51

 

CMYK 7 / 0 / 60 / 2

HEX #EAFB65

RGB 234 251 101

HSL 66.8, 0.95%, 0.69%

LAB 94.92, -24.9, 68.03

 

CMYK 60 / 0 / 23 / 2

HEX #65FBC1

RGB 101 251 193

HSL 156.8, 0.95%, 0.69%

LAB 89.68, -53.26, 16.04

 

CMYK 53 / 60 / 0 / 2

HEX #7665FB

RGB 118 101 251

HSL 246.8, 0.95%, 0.69%

LAB 51.98, 45.67, -72.96

 

Description

Color code: HEX #FB679E | qconv.com Color code: HEX #FB679E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 103 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 103 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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