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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB63AC it is the complementary color #049C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB63AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB63AC shade: #FF63A7, #FF75BA, #FF87CD, #FF99E0 and #FFABF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB63AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB63AC shade: #FB63AC, #EA5199, #D93F86, #C82D73 and #B71B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB63AC shade: #FB65AD, #FB6584 and #FB6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB63AC shade: #FB65AD, #FB65D5, #F865FB, #D065FB and #A765FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB63AC shade matches the following richer shades: #FB65AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB63AC shade: #FB65AD, #EE72AD, #E17EAE, #D58BAF and #C898AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB63AC shade: #F965FB, #FB65D5, #FB65AD, #FB6585 and #FB6C65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB63AC shade: #F91482, #FA3D98, #FB65AD, #FC8DC2 and #FDB5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB63AC shade: #FB63AC, #FBD065 and #65EAFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB63AC shade: #FB63AC, #ADFB65 and #65ADFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB63AC shade: #FB63AC, #FBD065, #65FBB2 and #658FFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB63AC shade: #FB63AC, #F9FB65, #65FBB2 and #6765FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 31 / 2

HEX #FB63AC

RGB 251 99 172

HSL 331.18, 0.95%, 0.69%

LAB 63.68, 64.67, -8.85

 

Complementary color

CMYK 97 / 0 / 47 / 39

HEX #049C53

RGB 4 156 83

HSL 151.18, 0.95%, 0.31%

LAB 56.51, -51.68, 28.64

 

CMYK 0 / 61 / 35 / 0

HEX #FF63A7

RGB 255 99 167

HSL 333.85, 1%, 0.69%

LAB 64.14, 65.28, -5.24

 

CMYK 0 / 54 / 27 / 0

HEX #FF75BA

RGB 255 117 186

HSL 330, 1%, 0.73%

LAB 67.67, 59.67, -10.78

 

CMYK 0 / 47 / 20 / 0

HEX #FF87CD

RGB 255 135 205

HSL 325, 1%, 0.76%

LAB 71.55, 53.73, -15.57

 

CMYK 0 / 40 / 12 / 0

HEX #FF99E0

RGB 255 153 224

HSL 318.24, 1%, 0.8%

LAB 75.71, 47.63, -19.73

 

CMYK 0 / 33 / 5 / 0

HEX #FFABF3

RGB 255 171 243

HSL 308.57, 1%, 0.84%

LAB 80.1, 41.53, -23.37

 

CMYK 0 / 61 / 31 / 2

HEX #FB63AC

RGB 251 99 172

HSL 331.18, 0.95%, 0.69%

LAB 63.68, 64.67, -8.85

 

CMYK 0 / 65 / 35 / 8

HEX #EA5199

RGB 234 81 153

HSL 331.76, 0.78%, 0.62%

LAB 57.73, 64.92, -7.01

 

CMYK 0 / 71 / 38 / 15

HEX #D93F86

RGB 217 63 134

HSL 332.34, 0.67%, 0.55%

LAB 51.87, 64.8, -4.78

 

CMYK 0 / 78 / 43 / 22

HEX #C82D73

RGB 200 45 115

HSL 332.9, 0.63%, 0.48%

LAB 46.17, 64.14, -2.01

 

CMYK 0 / 85 / 48 / 28

HEX #B71B60

RGB 183 27 96

HSL 333.46, 0.74%, 0.41%

LAB 40.73, 62.62, 1.49

 

CMYK 0 / 60 / 31 / 2

HEX #FB65AD

RGB 251 101 173

HSL 331.2, 0.95%, 0.69%

LAB 64.03, 63.95, -8.91

 

CMYK 0 / 60 / 47 / 2

HEX #FB6584

RGB 251 101 132

HSL 347.6, 0.95%, 0.69%

LAB 62.91, 59.69, 13.03

 

CMYK 0 / 60 / 60 / 2

HEX #FB6565

RGB 251 101 101

HSL 0, 0.95%, 0.69%

LAB 62.3, 57.28, 29.94

 

CMYK 0 / 60 / 31 / 2

HEX #FB65AD

RGB 251 101 173

HSL 331.2, 0.95%, 0.69%

LAB 64.03, 63.95, -8.91

 

CMYK 0 / 60 / 15 / 2

HEX #FB65D5

RGB 251 101 213

HSL 315.2, 0.95%, 0.69%

LAB 65.45, 69.19, -29.39

 

CMYK 1 / 60 / 0 / 2

HEX #F865FB

RGB 248 101 251

HSL 298.8, 0.95%, 0.69%

LAB 66.69, 74.32, -48.57

 

CMYK 17 / 60 / 0 / 2

HEX #D065FB

RGB 208 101 251

HSL 282.8, 0.95%, 0.69%

LAB 61.38, 64.86, -57.34

 

CMYK 33 / 60 / 0 / 2

HEX #A765FB

RGB 167 101 251

HSL 266.4, 0.95%, 0.69%

LAB 56.57, 55.54, -65.31

 

CMYK 0 / 60 / 31 / 2

HEX #FB65AD

RGB 251 101 173

HSL 331.2, 0.95%, 0.69%

LAB 64.03, 63.95, -8.91

 

CMYK 0 / 60 / 31 / 2

HEX #FB65AD

RGB 251 101 173

HSL 331.2, 0.95%, 0.69%

LAB 64.03, 63.95, -8.91

 

CMYK 0 / 52 / 27 / 7

HEX #EE72AD

RGB 238 114 173

HSL 331.45, 0.78%, 0.69%

LAB 64.35, 54.11, -8.63

 

CMYK 0 / 44 / 23 / 12

HEX #E17EAE

RGB 225 126 174

HSL 330.91, 0.62%, 0.69%

LAB 64.95, 44.07, -8.49

 

CMYK 0 / 35 / 18 / 16

HEX #D58BAF

RGB 213 139 175

HSL 330.81, 0.47%, 0.69%

LAB 66.3, 33.27, -7.21

 

CMYK 0 / 24 / 13 / 22

HEX #C898AF

RGB 200 152 175

HSL 331.25, 0.3%, 0.69%

LAB 67.9, 21.58, -4.99

 

CMYK 1 / 60 / 0 / 2

HEX #F965FB

RGB 249 101 251

HSL 299.2, 0.95%, 0.69%

LAB 66.83, 74.56, -48.34

 

CMYK 0 / 60 / 15 / 2

HEX #FB65D5

RGB 251 101 213

HSL 315.2, 0.95%, 0.69%

LAB 65.45, 69.19, -29.39

 

CMYK 0 / 60 / 31 / 2

HEX #FB65AD

RGB 251 101 173

HSL 331.2, 0.95%, 0.69%

LAB 64.03, 63.95, -8.91

 

CMYK 0 / 60 / 47 / 2

HEX #FB6585

RGB 251 101 133

HSL 347.2, 0.95%, 0.69%

LAB 62.94, 59.78, 12.48

 

CMYK 0 / 57 / 60 / 2

HEX #FB6C65

RGB 251 108 101

HSL 2.8, 0.95%, 0.69%

LAB 63.49, 54.16, 31.46

 

CMYK 0 / 92 / 48 / 2

HEX #F91482

RGB 249 20 130

HSL 331.18, 0.95%, 0.53%

LAB 54.29, 81.88, 1.86

 

CMYK 0 / 76 / 39 / 2

HEX #FA3D98

RGB 250 61 152

HSL 331.11, 0.95%, 0.61%

LAB 57.97, 75.88, -5.78

 

CMYK 0 / 60 / 31 / 2

HEX #FB65AD

RGB 251 101 173

HSL 331.2, 0.95%, 0.69%

LAB 64.03, 63.95, -8.91

 

CMYK 0 / 44 / 23 / 1

HEX #FC8DC2

RGB 252 141 194

HSL 331.35, 0.95%, 0.77%

LAB 71.99, 48.25, -8.85

 

CMYK 0 / 28 / 15 / 1

HEX #FDB5D8

RGB 253 181 216

HSL 330.83, 0.95%, 0.85%

LAB 81.23, 31.2, -7.15

 

CMYK 0 / 61 / 31 / 2

HEX #FB63AC

RGB 251 99 172

HSL 331.18, 0.95%, 0.69%

LAB 63.68, 64.67, -8.85

 

CMYK 0 / 17 / 60 / 2

HEX #FBD065

RGB 251 208 101

HSL 42.8, 0.95%, 0.69%

LAB 85.28, 3.25, 57.71

 

CMYK 60 / 7 / 0 / 2

HEX #65EAFB

RGB 101 234 251

HSL 186.8, 0.95%, 0.69%

LAB 86.29, -31.46, -19.17

 

CMYK 0 / 61 / 31 / 2

HEX #FB63AC

RGB 251 99 172

HSL 331.18, 0.95%, 0.69%

LAB 63.68, 64.67, -8.85

 

CMYK 31 / 0 / 60 / 2

HEX #ADFB65

RGB 173 251 101

HSL 91.2, 0.95%, 0.69%

LAB 91.15, -47.54, 62.81

 

CMYK 60 / 31 / 0 / 2

HEX #65ADFB

RGB 101 173 251

HSL 211.2, 0.95%, 0.69%

LAB 69.2, 0.22, -45.5

 

CMYK 0 / 61 / 31 / 2

HEX #FB63AC

RGB 251 99 172

HSL 331.18, 0.95%, 0.69%

LAB 63.68, 64.67, -8.85

 

CMYK 0 / 17 / 60 / 2

HEX #FBD065

RGB 251 208 101

HSL 42.8, 0.95%, 0.69%

LAB 85.28, 3.25, 57.71

 

CMYK 60 / 0 / 29 / 2

HEX #65FBB2

RGB 101 251 178

HSL 150.8, 0.95%, 0.69%

LAB 89.38, -56.34, 23.32

 

CMYK 60 / 43 / 0 / 2

HEX #658FFB

RGB 101 143 251

HSL 223.2, 0.95%, 0.69%

LAB 61.11, 17.62, -58.3

 

CMYK 0 / 61 / 31 / 2

HEX #FB63AC

RGB 251 99 172

HSL 331.18, 0.95%, 0.69%

LAB 63.68, 64.67, -8.85

 

CMYK 1 / 0 / 60 / 2

HEX #F9FB65

RGB 249 251 101

HSL 60.8, 0.95%, 0.69%

LAB 96.03, -18.97, 69.55

 

CMYK 60 / 0 / 29 / 2

HEX #65FBB2

RGB 101 251 178

HSL 150.8, 0.95%, 0.69%

LAB 89.38, -56.34, 23.32

 

CMYK 59 / 60 / 0 / 2

HEX #6765FB

RGB 103 101 251

HSL 240.8, 0.95%, 0.69%

LAB 50.87, 43.11, -74.81

 

Description

Color code: HEX #FB63AC | qconv.com Color code: HEX #FB63AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 99 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 99 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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