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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB637E it is the complementary color #049C81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB637E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB637E shade: #FF6379, #FF758C, #FF879F, #FF99B2 and #FFABC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB637E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB637E shade: #FB637E, #EA516B, #D93F58, #C82D45 and #B71B32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB637E shade: #FB647F and #FB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB637E shade: #FB647F, #FB64A8, #FB64D0, #FB64F9 and #D464FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB637E shade matches the following richer shades: #FB647F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB637E shade: #FB647F, #EE7187, #E17E90, #D48B98 and #C798A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB637E shade: #FB64D0, #FB64A8, #FB6480, #FB7164 and #FB9964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB637E shade: #F8143D, #FA3C5E, #FB647F, #FC8DA0 and #FDB5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB637E shade: #FB637E, #F8FB64 and #64BCFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB637E shade: #FB637E, #80FB64 and #6480FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB637E shade: #FB637E, #F8FB64, #64FBDF and #6764FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB637E shade: #FB637E, #CBFB64, #64FBDF and #9464FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 50 / 2

HEX #FB637E

RGB 251 99 126

HSL 349.34, 0.95%, 0.69%

LAB 62.46, 60.03, 15.85

Complementary color

CMYK 97 / 0 / 17 / 39

HEX #049C81

RGB 4 156 129

HSL 169.34, 0.95%, 0.31%

LAB 57.45, -41.09, 4.45

 

CMYK 0 / 61 / 53 / 0

HEX #FF6379

RGB 255 99 121

HSL 351.54, 1%, 0.69%

LAB 62.98, 60.9, 19.55

 

CMYK 0 / 54 / 45 / 0

HEX #FF758C

RGB 255 117 140

HSL 350, 1%, 0.73%

LAB 66.43, 54.53, 13.47

 

CMYK 0 / 47 / 38 / 0

HEX #FF879F

RGB 255 135 159

HSL 348, 1%, 0.76%

LAB 70.24, 47.85, 8.16

 

CMYK 0 / 40 / 30 / 0

HEX #FF99B2

RGB 255 153 178

HSL 345.29, 1%, 0.8%

LAB 74.35, 41.05, 3.52

 

CMYK 0 / 33 / 23 / 0

HEX #FFABC5

RGB 255 171 197

HSL 341.43, 1%, 0.84%

LAB 78.7, 34.29, -0.55

 

CMYK 0 / 61 / 50 / 2

HEX #FB637E

RGB 251 99 126

HSL 349.34, 0.95%, 0.69%

LAB 62.46, 60.03, 15.85

HEX #FB637E

CMYK 0 / 65 / 54 / 8

HEX #EA516B

RGB 234 81 107

HSL 349.8, 0.78%, 0.62%

LAB 56.52, 60.61, 18.32

HEX #EA516B

CMYK 0 / 71 / 59 / 15

HEX #D93F58

RGB 217 63 88

HSL 350.26, 0.67%, 0.55%

LAB 50.7, 60.89, 21.27

HEX #D93F58

CMYK 0 / 78 / 66 / 22

HEX #C82D45

RGB 200 45 69

HSL 350.71, 0.63%, 0.48%

LAB 45.06, 60.68, 24.84

HEX #C82D45

CMYK 0 / 85 / 73 / 28

HEX #B71B32

RGB 183 27 50

HSL 351.15, 0.74%, 0.41%

LAB 39.72, 59.67, 29.16

HEX #B71B32

CMYK 0 / 60 / 49 / 2

HEX #FB647F

RGB 251 100 127

HSL 349.27, 0.95%, 0.69%

LAB 62.64, 59.68, 15.53

 

CMYK 0 / 60 / 60 / 2

HEX #FB6464

RGB 251 100 100

HSL 0, 0.95%, 0.69%

LAB 62.12, 57.65, 30.28

 

CMYK 0 / 60 / 49 / 2

HEX #FB647F

RGB 251 100 127

HSL 349.27, 0.95%, 0.69%

LAB 62.64, 59.68, 15.53

 

CMYK 0 / 60 / 33 / 2

HEX #FB64A8

RGB 251 100 168

HSL 332.98, 0.95%, 0.69%

LAB 63.71, 63.79, -6.51

 

CMYK 0 / 60 / 17 / 2

HEX #FB64D0

RGB 251 100 208

HSL 317.09, 0.95%, 0.69%

LAB 65.1, 68.9, -27.12

 

CMYK 0 / 60 / 1 / 2

HEX #FB64F9

RGB 251 100 249

HSL 300.79, 0.95%, 0.69%

LAB 66.87, 75.11, -47.16

 

CMYK 16 / 60 / 0 / 2

HEX #D464FB

RGB 212 100 251

HSL 284.5, 0.95%, 0.69%

LAB 61.72, 66.25, -56.76

 

CMYK 0 / 60 / 49 / 2

HEX #FB647F

RGB 251 100 127

HSL 349.27, 0.95%, 0.69%

LAB 62.64, 59.68, 15.53

 

CMYK 0 / 60 / 49 / 2

HEX #FB647F

RGB 251 100 127

HSL 349.27, 0.95%, 0.69%

LAB 62.64, 59.68, 15.53

 

CMYK 0 / 53 / 43 / 7

HEX #EE7187

RGB 238 113 135

HSL 349.44, 0.79%, 0.69%

LAB 63.12, 50.19, 11.32

 

CMYK 0 / 44 / 36 / 12

HEX #E17E90

RGB 225 126 144

HSL 349.09, 0.62%, 0.69%

LAB 64.11, 40.13, 7.34

 

CMYK 0 / 34 / 28 / 17

HEX #D48B98

RGB 212 139 152

HSL 349.32, 0.46%, 0.69%

LAB 65.54, 29.54, 4.64

 

CMYK 0 / 24 / 20 / 22

HEX #C798A0

RGB 199 152 160

HSL 349.79, 0.3%, 0.69%

LAB 67.38, 18.79, 2.63

 

CMYK 0 / 60 / 17 / 2

HEX #FB64D0

RGB 251 100 208

HSL 317.09, 0.95%, 0.69%

LAB 65.1, 68.9, -27.12

 

CMYK 0 / 60 / 33 / 2

HEX #FB64A8

RGB 251 100 168

HSL 332.98, 0.95%, 0.69%

LAB 63.71, 63.79, -6.51

 

CMYK 0 / 60 / 49 / 2

HEX #FB6480

RGB 251 100 128

HSL 348.87, 0.95%, 0.69%

LAB 62.66, 59.77, 14.98

 

CMYK 0 / 55 / 60 / 2

HEX #FB7164

RGB 251 113 100

HSL 5.17, 0.95%, 0.69%

LAB 64.35, 51.79, 33.13

 

CMYK 0 / 39 / 60 / 2

HEX #FB9964

RGB 251 153 100

HSL 21.06, 0.95%, 0.69%

LAB 72.37, 31.87, 43.06

 

CMYK 0 / 92 / 75 / 3

HEX #F8143D

RGB 248 20 61

HSL 349.21, 0.94%, 0.53%

LAB 52.72, 77.86, 41.01

 

CMYK 0 / 76 / 62 / 2

HEX #FA3C5E

RGB 250 60 94

HSL 349.26, 0.95%, 0.61%

LAB 56.45, 71.73, 26.37

 

CMYK 0 / 60 / 49 / 2

HEX #FB647F

RGB 251 100 127

HSL 349.27, 0.95%, 0.69%

LAB 62.64, 59.68, 15.53

 

CMYK 0 / 44 / 37 / 1

HEX #FC8DA0

RGB 252 141 160

HSL 349.73, 0.95%, 0.77%

LAB 71.07, 43.92, 8.73

 

CMYK 0 / 28 / 23 / 1

HEX #FDB5C2

RGB 253 181 194

HSL 349.17, 0.95%, 0.85%

LAB 80.64, 27.92, 3.87

 

CMYK 0 / 61 / 50 / 2

HEX #FB637E

RGB 251 99 126

HSL 349.34, 0.95%, 0.69%

LAB 62.46, 60.03, 15.85

HEX #FB637E

CMYK 1 / 0 / 60 / 2

HEX #F8FB64

RGB 248 251 100

HSL 61.19, 0.95%, 0.69%

LAB 95.94, -19.43, 69.85

HEX #F8FB64

CMYK 60 / 25 / 0 / 2

HEX #64BCFB

RGB 100 188 251

HSL 205.03, 0.95%, 0.69%

LAB 73.31, -8.25, -39.07

HEX #64BCFB

CMYK 0 / 61 / 50 / 2

HEX #FB637E

RGB 251 99 126

HSL 349.34, 0.95%, 0.69%

LAB 62.46, 60.03, 15.85

HEX #FB637E

CMYK 49 / 0 / 60 / 2

HEX #80FB64

RGB 128 251 100

HSL 108.87, 0.95%, 0.69%

LAB 89.16, -61.57, 60.45

HEX #80FB64

CMYK 60 / 49 / 0 / 2

HEX #6480FB

RGB 100 128 251

HSL 228.87, 0.95%, 0.69%

LAB 57.19, 26.44, -64.6

HEX #6480FB

CMYK 0 / 61 / 50 / 2

HEX #FB637E

RGB 251 99 126

HSL 349.34, 0.95%, 0.69%

LAB 62.46, 60.03, 15.85

HEX #FB637E

CMYK 1 / 0 / 60 / 2

HEX #F8FB64

RGB 248 251 100

HSL 61.19, 0.95%, 0.69%

LAB 95.94, -19.43, 69.85

HEX #F8FB64

CMYK 60 / 0 / 11 / 2

HEX #64FBDF

RGB 100 251 223

HSL 168.87, 0.95%, 0.69%

LAB 90.34, -46.62, 1.46

HEX #64FBDF

CMYK 59 / 60 / 0 / 2

HEX #6764FB

RGB 103 100 251

HSL 241.19, 0.95%, 0.69%

LAB 50.64, 43.7, -75.18

HEX #6764FB

CMYK 0 / 61 / 50 / 2

HEX #FB637E

RGB 251 99 126

HSL 349.34, 0.95%, 0.69%

LAB 62.46, 60.03, 15.85

HEX #FB637E

CMYK 19 / 0 / 60 / 2

HEX #CBFB64

RGB 203 251 100

HSL 79.07, 0.95%, 0.69%

LAB 92.84, -36.87, 65.58

HEX #CBFB64

CMYK 60 / 0 / 11 / 2

HEX #64FBDF

RGB 100 251 223

HSL 168.87, 0.95%, 0.69%

LAB 90.34, -46.62, 1.46

HEX #64FBDF

CMYK 41 / 60 / 0 / 2

HEX #9464FB

RGB 148 100 251

HSL 259.07, 0.95%, 0.69%

LAB 54.42, 52.02, -68.87

HEX #9464FB

Description

Color code: HEX #FB637E | qconv.com Color code: HEX #FB637E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 99 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 99 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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