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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB6267 it is the complementary color #049D98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB6267. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB6267 shade: #FF6262, #FF7475, #FF8688, #FF989B and #FFAAAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB6267. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB6267 shade: #FB6267, #EA5054, #D93E41, #C82C2E and #B71A1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB6267 shade: #FB6065 and #FB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB6267 shade: #FB6065, #FB608F, #FB60B9, #FB60E2 and #EA60FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB6267 shade matches the following richer shades: #FB6065

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB6267 shade: #FB6065, #EE6D71, #E17A7E, #D3878A and #C69596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB6267 shade: #FB60B8, #FB608E, #FB6065, #FB8460 and #FBAD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB6267 shade: #F90F17, #FA383E, #FB6065, #FC888C and #FDB0B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB6267 shade: #FB6267, #E1FB60 and #60A3FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB6267 shade: #FB6267, #65FB60 and #6065FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB6267 shade: #FB6267, #E1FB60, #60FBF6 and #7A60FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB6267 shade: #FB6267, #B3FB60, #60FBF6 and #A860FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 59 / 2

HEX #FB6267

RGB 251 98 103

HSL 358.04, 0.95%, 0.68%

LAB 61.85, 58.71, 28.22

 

Complementary color

CMYK 97 / 0 / 3 / 38

HEX #049D98

RGB 4 157 152

HSL 178.04, 0.95%, 0.32%

LAB 58.42, -34.85, -7.2

 

CMYK 0 / 62 / 62 / 0

HEX #FF6262

RGB 255 98 98

HSL 0, 1%, 0.69%

LAB 62.4, 59.7, 31.9

 

CMYK 0 / 55 / 54 / 0

HEX #FF7475

RGB 255 116 117

HSL 359.57, 1%, 0.73%

LAB 65.78, 53.01, 25.59

 

CMYK 0 / 47 / 47 / 0

HEX #FF8688

RGB 255 134 136

HSL 359.01, 1%, 0.76%

LAB 69.53, 45.98, 20.02

 

CMYK 0 / 40 / 39 / 0

HEX #FF989B

RGB 255 152 155

HSL 358.25, 1%, 0.8%

LAB 73.6, 38.83, 15.13

 

CMYK 0 / 33 / 32 / 0

HEX #FFAAAE

RGB 255 170 174

HSL 357.18, 1%, 0.83%

LAB 77.91, 31.74, 10.82

 

CMYK 0 / 61 / 59 / 2

HEX #FB6267

RGB 251 98 103

HSL 358.04, 0.95%, 0.68%

LAB 61.85, 58.71, 28.22

 

CMYK 0 / 66 / 64 / 8

HEX #EA5054

RGB 234 80 84

HSL 358.44, 0.79%, 0.62%

LAB 55.96, 59.47, 31

 

CMYK 0 / 71 / 70 / 15

HEX #D93E41

RGB 217 62 65

HSL 358.84, 0.67%, 0.55%

LAB 50.19, 59.95, 34.24

 

CMYK 0 / 78 / 77 / 22

HEX #C82C2E

RGB 200 44 46

HSL 359.23, 0.64%, 0.48%

LAB 44.63, 59.94, 37.98

 

CMYK 0 / 86 / 85 / 28

HEX #B71A1B

RGB 183 26 27

HSL 359.62, 0.75%, 0.41%

LAB 39.39, 59.13, 42.04

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 0 / 62 / 62 / 2

HEX #FB6060

RGB 251 96 96

HSL 0, 0.95%, 0.68%

LAB 61.41, 59.11, 31.63

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 0 / 62 / 43 / 2

HEX #FB608F

RGB 251 96 143

HSL 341.81, 0.95%, 0.68%

LAB 62.39, 62.83, 5.94

 

CMYK 0 / 62 / 26 / 2

HEX #FB60B9

RGB 251 96 185

HSL 325.55, 0.95%, 0.68%

LAB 63.65, 67.49, -16.31

 

CMYK 0 / 62 / 10 / 2

HEX #FB60E2

RGB 251 96 226

HSL 309.68, 0.95%, 0.68%

LAB 65.25, 73.13, -36.97

 

CMYK 7 / 62 / 0 / 2

HEX #EA60FB

RGB 234 96 251

HSL 293.42, 0.95%, 0.68%

LAB 64.02, 73.08, -52.93

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 0 / 54 / 53 / 7

HEX #EE6D71

RGB 238 109 113

HSL 358.14, 0.79%, 0.68%

LAB 61.92, 50.08, 22.25

 

CMYK 0 / 46 / 44 / 12

HEX #E17A7E

RGB 225 122 126

HSL 357.67, 0.63%, 0.68%

LAB 62.87, 40.2, 15.84

 

CMYK 0 / 36 / 35 / 17

HEX #D3878A

RGB 211 135 138

HSL 357.63, 0.46%, 0.68%

LAB 64.17, 29.49, 10.59

 

CMYK 0 / 25 / 24 / 22

HEX #C69596

RGB 198 149 150

HSL 358.78, 0.3%, 0.68%

LAB 66.29, 18.55, 6.65

 

CMYK 0 / 62 / 27 / 2

HEX #FB60B8

RGB 251 96 184

HSL 325.94, 0.95%, 0.68%

LAB 63.62, 67.37, -15.8

 

CMYK 0 / 62 / 43 / 2

HEX #FB608E

RGB 251 96 142

HSL 342.19, 0.95%, 0.68%

LAB 62.36, 62.74, 6.48

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 0 / 47 / 62 / 2

HEX #FB8460

RGB 251 132 96

HSL 13.94, 0.95%, 0.68%

LAB 67.91, 42.32, 39.74

 

CMYK 0 / 31 / 62 / 2

HEX #FBAD60

RGB 251 173 96

HSL 29.81, 0.95%, 0.68%

LAB 76.82, 21.14, 50.36

 

CMYK 0 / 94 / 91 / 2

HEX #F90F17

RGB 249 15 23

HSL 357.95, 0.95%, 0.52%

LAB 52.45, 77.76, 59.69

 

CMYK 0 / 78 / 75 / 2

HEX #FA383E

RGB 250 56 62

HSL 358.14, 0.95%, 0.6%

LAB 55.58, 71.4, 43.7

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 0 / 46 / 44 / 1

HEX #FC888C

RGB 252 136 140

HSL 357.93, 0.95%, 0.76%

LAB 69.61, 44.3, 17.84

 

CMYK 0 / 30 / 29 / 1

HEX #FDB0B3

RGB 253 176 179

HSL 357.66, 0.95%, 0.84%

LAB 79.15, 28.51, 9.83

 

CMYK 0 / 61 / 59 / 2

HEX #FB6267

RGB 251 98 103

HSL 358.04, 0.95%, 0.68%

LAB 61.85, 58.71, 28.22

 

CMYK 10 / 0 / 62 / 2

HEX #E1FB60

RGB 225 251 96

HSL 70.06, 0.95%, 0.68%

LAB 94.25, -28.76, 69.15

 

CMYK 62 / 35 / 0 / 2

HEX #60A3FB

RGB 96 163 251

HSL 214.06, 0.95%, 0.68%

LAB 66.25, 5, -50.16

 

CMYK 0 / 61 / 59 / 2

HEX #FB6267

RGB 251 98 103

HSL 358.04, 0.95%, 0.68%

LAB 61.85, 58.71, 28.22

 

CMYK 60 / 0 / 62 / 2

HEX #65FB60

RGB 101 251 96

HSL 118.06, 0.95%, 0.68%

LAB 88.26, -68.63, 60.87

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 0 / 61 / 59 / 2

HEX #FB6267

RGB 251 98 103

HSL 358.04, 0.95%, 0.68%

LAB 61.85, 58.71, 28.22

 

CMYK 10 / 0 / 62 / 2

HEX #E1FB60

RGB 225 251 96

HSL 70.06, 0.95%, 0.68%

LAB 94.25, -28.76, 69.15

 

CMYK 62 / 0 / 2 / 2

HEX #60FBF6

RGB 96 251 246

HSL 178.06, 0.95%, 0.68%

LAB 90.84, -41.47, -9.76

 

CMYK 51 / 62 / 0 / 2

HEX #7A60FB

RGB 122 96 251

HSL 250.06, 0.95%, 0.68%

LAB 51.23, 49.21, -74.16

 

CMYK 0 / 61 / 59 / 2

HEX #FB6267

RGB 251 98 103

HSL 358.04, 0.95%, 0.68%

LAB 61.85, 58.71, 28.22

 

CMYK 29 / 0 / 62 / 2

HEX #B3FB60

RGB 179 251 96

HSL 87.87, 0.95%, 0.68%

LAB 91.43, -45.88, 65.27

 

CMYK 62 / 0 / 2 / 2

HEX #60FBF6

RGB 96 251 246

HSL 178.06, 0.95%, 0.68%

LAB 90.84, -41.47, -9.76

 

CMYK 33 / 62 / 0 / 2

HEX #A860FB

RGB 168 96 251

HSL 267.87, 0.95%, 0.68%

LAB 55.74, 58.28, -66.64

 

Description

Color code: HEX #FB6267 | qconv.com Color code: HEX #FB6267 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 98 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 98 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 59 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 59% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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