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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB60C1 it is the complementary color #049F3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB60C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB60C1 shade: #FF60BC, #FF72CF, #FF84E2, #FF96F5 and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB60C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB60C1 shade: #FB60C1, #EA4EAE, #D93C9B, #C82A88 and #B71875

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB60C1 shade: #FB60C1, #FB6097, #FB606D and #FB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB60C1 shade: #FB60C1, #FB60EB, #E160FB, #B860FB and #8E60FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB60C1 shade matches the following richer shades: #FB60C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB60C1 shade: #FB60C1, #EE6DBE, #E17ABA, #D387B7 and #C695B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB60C1 shade: #E160FB, #FB60EB, #FB60C2, #FB6099 and #FB606F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB60C1 shade: #F90FA2, #FA38B1, #FB60C1, #FC88D1 and #FDB0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB60C1 shade: #FB60C1, #FBB860 and #60FBF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB60C1 shade: #FB60C1, #C2FB60 and #60C2FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB60C1 shade: #FB60C1, #FBB860, #60FB99 and #60A3FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB60C1 shade: #FB60C1, #FBE660, #60FB99 and #6075FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

Complementary color

CMYK 97 / 0 / 61 / 38

HEX #049F3E

RGB 4 159 62

HSL 142.45, 0.95%, 0.32%

LAB 57.24, -56, 40.09

 

CMYK 0 / 62 / 26 / 0

HEX #FF60BC

RGB 255 96 188

HSL 325.28, 1%, 0.69%

LAB 64.37, 68.98, -16.88

 

CMYK 0 / 55 / 19 / 0

HEX #FF72CF

RGB 255 114 207

HSL 320.43, 1%, 0.72%

LAB 67.87, 63.84, -22.26

 

CMYK 0 / 48 / 11 / 0

HEX #FF84E2

RGB 255 132 226

HSL 314.15, 1%, 0.76%

LAB 71.73, 58.32, -26.91

 

CMYK 0 / 41 / 4 / 0

HEX #FF96F5

RGB 255 150 245

HSL 305.71, 1%, 0.79%

LAB 75.86, 52.6, -30.94

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 67 / 26 / 8

HEX #EA4EAE

RGB 234 78 174

HSL 323.08, 0.79%, 0.61%

LAB 58.03, 68.54, -18.78

 

CMYK 0 / 72 / 29 / 15

HEX #D93C9B

RGB 217 60 155

HSL 323.69, 0.67%, 0.54%

LAB 52.23, 68.16, -16.75

 

CMYK 0 / 79 / 32 / 22

HEX #C82A88

RGB 200 42 136

HSL 324.3, 0.65%, 0.47%

LAB 46.6, 67.15, -14.2

 

CMYK 0 / 87 / 36 / 28

HEX #B71875

RGB 183 24 117

HSL 324.91, 0.77%, 0.41%

LAB 41.22, 65.22, -10.96

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 62 / 40 / 2

HEX #FB6097

RGB 251 96 151

HSL 338.71, 0.95%, 0.68%

LAB 62.6, 63.63, 1.62

 

CMYK 0 / 62 / 57 / 2

HEX #FB606D

RGB 251 96 109

HSL 354.97, 0.95%, 0.68%

LAB 61.64, 59.98, 24.51

 

CMYK 0 / 62 / 62 / 2

HEX #FB6060

RGB 251 96 96

HSL 0, 0.95%, 0.68%

LAB 61.41, 59.11, 31.63

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 62 / 6 / 2

HEX #FB60EB

RGB 251 96 235

HSL 306.19, 0.95%, 0.68%

LAB 65.65, 74.49, -41.35

 

CMYK 10 / 62 / 0 / 2

HEX #E160FB

RGB 225 96 251

HSL 289.94, 0.95%, 0.68%

LAB 62.79, 71.01, -54.95

 

CMYK 27 / 62 / 0 / 2

HEX #B860FB

RGB 184 96 251

HSL 274.06, 0.95%, 0.68%

LAB 57.58, 61.75, -63.58

 

CMYK 43 / 62 / 0 / 2

HEX #8E60FB

RGB 142 96 251

HSL 257.81, 0.95%, 0.68%

LAB 53.04, 52.95, -71.14

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 54 / 20 / 7

HEX #EE6DBE

RGB 238 109 190

HSL 322.33, 0.79%, 0.68%

LAB 64.02, 58.75, -18.77

 

CMYK 0 / 46 / 17 / 12

HEX #E17ABA

RGB 225 122 186

HSL 322.72, 0.63%, 0.68%

LAB 64.54, 47.87, -15.89

 

CMYK 0 / 36 / 13 / 17

HEX #D387B7

RGB 211 135 183

HSL 322.11, 0.46%, 0.68%

LAB 65.43, 36.01, -13.02

 

CMYK 0 / 25 / 9 / 22

HEX #C695B4

RGB 198 149 180

HSL 322.04, 0.3%, 0.68%

LAB 67.12, 23.37, -8.96

 

CMYK 10 / 62 / 0 / 2

HEX #E160FB

RGB 225 96 251

HSL 289.94, 0.95%, 0.68%

LAB 62.79, 71.01, -54.95

 

CMYK 0 / 62 / 6 / 2

HEX #FB60EB

RGB 251 96 235

HSL 306.19, 0.95%, 0.68%

LAB 65.65, 74.49, -41.35

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C2

RGB 251 96 194

HSL 322.06, 0.95%, 0.68%

LAB 63.97, 68.64, -20.94

 

CMYK 0 / 62 / 39 / 2

HEX #FB6099

RGB 251 96 153

HSL 337.94, 0.95%, 0.68%

LAB 62.65, 63.83, 0.55

 

CMYK 0 / 62 / 56 / 2

HEX #FB606F

RGB 251 96 111

HSL 354.19, 0.95%, 0.68%

LAB 61.67, 60.13, 23.42

 

CMYK 0 / 94 / 35 / 2

HEX #F90FA2

RGB 249 15 162

HSL 322.31, 0.95%, 0.52%

LAB 55.16, 85.13, -15.89

 

CMYK 0 / 78 / 29 / 2

HEX #FA38B1

RGB 250 56 177

HSL 322.58, 0.95%, 0.6%

LAB 58.35, 79.85, -19.8

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 46 / 17 / 1

HEX #FC88D1

RGB 252 136 209

HSL 322.24, 0.95%, 0.76%

LAB 71.49, 52.89, -17.91

 

CMYK 0 / 30 / 11 / 1

HEX #FDB0E0

RGB 253 176 224

HSL 322.6, 0.95%, 0.84%

LAB 80.36, 35.1, -12.76

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 27 / 62 / 2

HEX #FBB860

RGB 251 184 96

HSL 34.06, 0.95%, 0.68%

LAB 79.41, 15.38, 53.33

 

CMYK 62 / 0 / 2 / 2

HEX #60FBF6

RGB 96 251 246

HSL 178.06, 0.95%, 0.68%

LAB 90.84, -41.47, -9.76

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 23 / 0 / 62 / 2

HEX #C2FB60

RGB 194 251 96

HSL 82.06, 0.95%, 0.68%

LAB 92.27, -40.5, 66.43

 

CMYK 62 / 23 / 0 / 2

HEX #60C2FB

RGB 96 194 251

HSL 202.06, 0.95%, 0.68%

LAB 74.85, -12.18, -36.7

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 27 / 62 / 2

HEX #FBB860

RGB 251 184 96

HSL 34.06, 0.95%, 0.68%

LAB 79.41, 15.38, 53.33

 

CMYK 62 / 0 / 39 / 2

HEX #60FB99

RGB 96 251 153

HSL 142.06, 0.95%, 0.68%

LAB 88.82, -61.9, 35.13

 

CMYK 62 / 35 / 0 / 2

HEX #60A3FB

RGB 96 163 251

HSL 214.06, 0.95%, 0.68%

LAB 66.25, 5, -50.16

 

CMYK 0 / 62 / 23 / 2

HEX #FB60C1

RGB 251 96 193

HSL 322.45, 0.95%, 0.68%

LAB 63.94, 68.51, -20.43

 

CMYK 0 / 8 / 62 / 2

HEX #FBE660

RGB 251 230 96

HSL 51.87, 0.95%, 0.68%

LAB 90.76, -8.21, 65.97

 

CMYK 62 / 0 / 39 / 2

HEX #60FB99

RGB 96 251 153

HSL 142.06, 0.95%, 0.68%

LAB 88.82, -61.9, 35.13

 

CMYK 62 / 53 / 0 / 2

HEX #6075FB

RGB 96 117 251

HSL 231.87, 0.95%, 0.68%

LAB 54.21, 32.41, -69.41

 

Description

Color code: HEX #FB60C1 | qconv.com Color code: HEX #FB60C1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 96 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 96 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 23 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 23% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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