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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4C7E it is the complementary color #04B381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB4C7E shade: #FF4C79, #FF5E8C, #FF709F, #FF82B2 and #FF94C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB4C7E shade: #FB4C7E, #EA3A6B, #D92858, #C81645 and #B70432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB4C7E shade: #FB4B7D, #FB4B4E and #FB4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB4C7E shade: #FB4B7D, #FB4BAD, #FB4BDC, #EB4BFB and #BB4BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB4C7E shade matches the following richer shades: #FB4B7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB4C7E shade: #FB4B7D, #EC5A84, #DE698A, #CF7891 and #C08697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB4C7E shade: #FB4BDE, #FB4BAF, #FB4B80, #FB4B51 and #FB744B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB4C7E shade: #EF0548, #FB2360, #FB4B7D, #FC749B and #FD9CB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB4C7E shade: #FB4C7E, #FBEA4B and #4BC6FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB4C7E shade: #FB4C7E, #80FB4B and #4B80FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB4C7E shade: #FB4C7E, #FBEA4B, #4BFBC6 and #4B5DFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB4C7E shade: #FB4C7E, #D8FB4B, #4BFBC6 and #6E4BFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 50 / 2

HEX #FB4C7E

RGB 251 76 126

HSL 342.86, 0.96%, 0.64%

LAB 59.14, 69.04, 11.22

 

Complementary color

CMYK 98 / 0 / 28 / 30

HEX #04B381

RGB 4 179 129

HSL 162.86, 0.96%, 0.36%

LAB 64.84, -50.42, 14.92

 

CMYK 0 / 70 / 53 / 0

HEX #FF4C79

RGB 255 76 121

HSL 344.92, 1%, 0.65%

LAB 59.72, 69.8, 15.06

 

CMYK 0 / 63 / 45 / 0

HEX #FF5E8C

RGB 255 94 140

HSL 342.86, 1%, 0.68%

LAB 62.64, 64.59, 8.12

 

CMYK 0 / 56 / 38 / 0

HEX #FF709F

RGB 255 112 159

HSL 340.28, 1%, 0.72%

LAB 66.02, 58.76, 2.08

 

CMYK 0 / 49 / 30 / 0

HEX #FF82B2

RGB 255 130 178

HSL 336.96, 1%, 0.75%

LAB 69.78, 52.54, -3.15

 

CMYK 0 / 42 / 23 / 0

HEX #FF94C5

RGB 255 148 197

HSL 332.52, 1%, 0.79%

LAB 73.85, 46.13, -7.7

 

CMYK 0 / 70 / 50 / 2

HEX #FB4C7E

RGB 251 76 126

HSL 342.86, 0.96%, 0.64%

LAB 59.14, 69.04, 11.22

 

CMYK 0 / 75 / 54 / 8

HEX #EA3A6B

RGB 234 58 107

HSL 343.3, 0.81%, 0.57%

LAB 53.58, 68.75, 14.28

 

CMYK 0 / 82 / 59 / 15

HEX #D92858

RGB 217 40 88

HSL 343.73, 0.7%, 0.5%

LAB 48.23, 67.83, 17.96

 

CMYK 0 / 89 / 66 / 22

HEX #C81645

RGB 200 22 69

HSL 344.16, 0.8%, 0.44%

LAB 43.19, 66.01, 22.44

 

CMYK 0 / 98 / 73 / 28

HEX #B70432

RGB 183 4 50

HSL 344.58, 0.96%, 0.37%

LAB 38.52, 63.11, 27.74

 

CMYK 0 / 70 / 50 / 2

HEX #FB4B7D

RGB 251 75 125

HSL 342.95, 0.96%, 0.64%

LAB 58.99, 69.31, 11.6

 

CMYK 0 / 70 / 69 / 2

HEX #FB4B4E

RGB 251 75 78

HSL 358.98, 0.96%, 0.64%

LAB 58.12, 66.34, 37.74

 

CMYK 0 / 70 / 70 / 2

HEX #FB4B4B

RGB 251 75 75

HSL 0, 0.96%, 0.64%

LAB 58.08, 66.2, 39.37

 

CMYK 0 / 70 / 50 / 2

HEX #FB4B7D

RGB 251 75 125

HSL 342.95, 0.96%, 0.64%

LAB 58.99, 69.31, 11.6

 

CMYK 0 / 70 / 31 / 2

HEX #FB4BAD

RGB 251 75 173

HSL 326.59, 0.96%, 0.64%

LAB 60.39, 73.94, -14.37

 

CMYK 0 / 70 / 12 / 2

HEX #FB4BDC

RGB 251 75 220

HSL 310.57, 0.96%, 0.64%

LAB 62.26, 79.87, -38.28

 

CMYK 6 / 70 / 0 / 2

HEX #EB4BFB

RGB 235 75 251

HSL 294.55, 0.96%, 0.64%

LAB 61.36, 81.16, -57.15

 

CMYK 25 / 70 / 0 / 2

HEX #BB4BFB

RGB 187 75 251

HSL 278.18, 0.96%, 0.64%

LAB 54.62, 71.62, -68.34

 

CMYK 0 / 70 / 50 / 2

HEX #FB4B7D

RGB 251 75 125

HSL 342.95, 0.96%, 0.64%

LAB 58.99, 69.31, 11.6

 

CMYK 0 / 70 / 50 / 2

HEX #FB4B7D

RGB 251 75 125

HSL 342.95, 0.96%, 0.64%

LAB 58.99, 69.31, 11.6

 

CMYK 0 / 62 / 44 / 7

HEX #EC5A84

RGB 236 90 132

HSL 342.74, 0.79%, 0.64%

LAB 58.8, 59.67, 6.87

 

CMYK 0 / 53 / 38 / 13

HEX #DE698A

RGB 222 105 138

HSL 343.08, 0.64%, 0.64%

LAB 59.4, 48.93, 3.97

 

CMYK 0 / 42 / 30 / 19

HEX #CF7891

RGB 207 120 145

HSL 342.76, 0.48%, 0.64%

LAB 60.55, 36.94, 1.33

 

CMYK 0 / 30 / 21 / 25

HEX #C08697

RGB 192 134 151

HSL 342.41, 0.32%, 0.64%

LAB 62.08, 24.72, -0.1

 

CMYK 0 / 70 / 12 / 2

HEX #FB4BDE

RGB 251 75 222

HSL 309.89, 0.96%, 0.64%

LAB 62.35, 80.15, -39.26

 

CMYK 0 / 70 / 30 / 2

HEX #FB4BAF

RGB 251 75 175

HSL 325.91, 0.96%, 0.64%

LAB 60.46, 74.16, -15.42

 

CMYK 0 / 70 / 49 / 2

HEX #FB4B80

RGB 251 75 128

HSL 341.93, 0.96%, 0.64%

LAB 59.07, 69.56, 9.94

 

CMYK 0 / 70 / 68 / 2

HEX #FB4B51

RGB 251 75 81

HSL 357.95, 0.96%, 0.64%

LAB 58.17, 66.48, 36.09

 

CMYK 0 / 54 / 70 / 2

HEX #FB744B

RGB 251 116 75

HSL 13.98, 0.96%, 0.64%

LAB 64.57, 48.94, 46.82

 

CMYK 0 / 98 / 70 / 6

HEX #EF0548

RGB 239 5 72

HSL 342.82, 0.96%, 0.48%

LAB 50.6, 77.41, 31.61

 

CMYK 0 / 86 / 62 / 2

HEX #FB2360

RGB 251 35 96

HSL 343.06, 0.96%, 0.56%

LAB 54.61, 77.97, 22.81

 

CMYK 0 / 70 / 50 / 2

HEX #FB4B7D

RGB 251 75 125

HSL 342.95, 0.96%, 0.64%

LAB 58.99, 69.31, 11.6

 

CMYK 0 / 54 / 38 / 1

HEX #FC749B

RGB 252 116 155

HSL 342.79, 0.96%, 0.72%

LAB 66.18, 55.53, 4.53

 

CMYK 0 / 38 / 27 / 1

HEX #FD9CB8

RGB 253 156 184

HSL 342.68, 0.96%, 0.8%

LAB 74.9, 39.59, 0.98

 

CMYK 0 / 70 / 50 / 2

HEX #FB4C7E

RGB 251 76 126

HSL 342.86, 0.96%, 0.64%

LAB 59.14, 69.04, 11.22

 

CMYK 0 / 7 / 70 / 2

HEX #FBEA4B

RGB 251 234 75

HSL 54.2, 0.96%, 0.64%

LAB 91.62, -11.34, 75.07

 

CMYK 70 / 21 / 0 / 2

HEX #4BC6FB

RGB 75 198 251

HSL 198.07, 0.96%, 0.64%

LAB 75.36, -17.51, -35.96

 

CMYK 0 / 70 / 50 / 2

HEX #FB4C7E

RGB 251 76 126

HSL 342.86, 0.96%, 0.64%

LAB 59.14, 69.04, 11.22

 

CMYK 49 / 0 / 70 / 2

HEX #80FB4B

RGB 128 251 75

HSL 101.93, 0.96%, 0.64%

LAB 88.97, -63.7, 70

 

CMYK 70 / 49 / 0 / 2

HEX #4B80FB

RGB 75 128 251

HSL 221.93, 0.96%, 0.64%

LAB 55.99, 22.54, -66.59

 

CMYK 0 / 70 / 50 / 2

HEX #FB4C7E

RGB 251 76 126

HSL 342.86, 0.96%, 0.64%

LAB 59.14, 69.04, 11.22

 

CMYK 0 / 7 / 70 / 2

HEX #FBEA4B

RGB 251 234 75

HSL 54.2, 0.96%, 0.64%

LAB 91.62, -11.34, 75.07

 

CMYK 70 / 0 / 21 / 2

HEX #4BFBC6

RGB 75 251 198

HSL 161.93, 0.96%, 0.64%

LAB 89.19, -56.36, 12.69

 

CMYK 70 / 63 / 0 / 2

HEX #4B5DFB

RGB 75 93 251

HSL 233.86, 0.96%, 0.64%

LAB 47.35, 43.96, -80.62

 

CMYK 0 / 70 / 50 / 2

HEX #FB4C7E

RGB 251 76 126

HSL 342.86, 0.96%, 0.64%

LAB 59.14, 69.04, 11.22

 

CMYK 14 / 0 / 70 / 2

HEX #D8FB4B

RGB 216 251 75

HSL 71.93, 0.96%, 0.64%

LAB 93.49, -33.52, 76.03

 

CMYK 70 / 0 / 21 / 2

HEX #4BFBC6

RGB 75 251 198

HSL 161.93, 0.96%, 0.64%

LAB 89.19, -56.36, 12.69

 

CMYK 56 / 70 / 0 / 2

HEX #6E4BFB

RGB 110 75 251

HSL 251.93, 0.96%, 0.64%

LAB 46.06, 58.57, -82.65

 

Description

Color code: HEX #FB4C7E | qconv.com Color code: HEX #FB4C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 76 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 76 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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