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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4A85 it is the complementary color #04B57A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB4A85 shade: #FF4A80, #FF5C93, #FF6EA6, #FF80B9 and #FF92CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB4A85 shade: #FB4A85, #EA3872, #D9265F, #C8144C and #B70239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB4A85 shade: #FB4B86, #FB4B56 and #FB4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB4A85 shade: #FB4B86, #FB4BB5, #FB4BE5, #E24BFB and #B34BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB4A85 shade matches the following richer shades: #FB4B86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB4A85 shade: #FB4B86, #EC5A8B, #DE6990, #CF7895 and #C0869A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB4A85 shade: #FB4BE4, #FB4BB5, #FB4B86, #FB4B57 and #FB6E4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB4A85 shade: #EF0553, #FB236B, #FB4B86, #FC74A1 and #FD9CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB4A85 shade: #FB4A85, #FBE44B and #4BCCFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB4A85 shade: #FB4A85, #86FB4B and #4B86FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB4A85 shade: #FB4A85, #FBE44B, #4BFBC1 and #4B63FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB4A85 shade: #FB4A85, #DEFB4B, #4BFBC1 and #684BFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 47 / 2

HEX #FB4A85

RGB 251 74 133

HSL 340, 0.96%, 0.64%

LAB 59.07, 70.32, 7

 

Complementary color

CMYK 98 / 0 / 33 / 29

HEX #04B57A

RGB 4 181 122

HSL 160, 0.96%, 0.36%

LAB 65.34, -52.78, 19.42

 

CMYK 0 / 71 / 50 / 0

HEX #FF4A80

RGB 255 74 128

HSL 342.1, 1%, 0.65%

LAB 59.63, 71.02, 10.83

 

CMYK 0 / 64 / 42 / 0

HEX #FF5C93

RGB 255 92 147

HSL 339.75, 1%, 0.68%

LAB 62.53, 66.05, 3.9

 

CMYK 0 / 57 / 35 / 0

HEX #FF6EA6

RGB 255 110 166

HSL 336.83, 1%, 0.72%

LAB 65.88, 60.43, -2.11

 

CMYK 0 / 50 / 27 / 0

HEX #FF80B9

RGB 255 128 185

HSL 333.07, 1%, 0.75%

LAB 69.61, 54.39, -7.32

 

CMYK 0 / 43 / 20 / 0

HEX #FF92CC

RGB 255 146 204

HSL 328.07, 1%, 0.79%

LAB 73.66, 48.14, -11.85

 

CMYK 0 / 71 / 47 / 2

HEX #FB4A85

RGB 251 74 133

HSL 340, 0.96%, 0.64%

LAB 59.07, 70.32, 7

 

CMYK 0 / 76 / 51 / 8

HEX #EA3872

RGB 234 56 114

HSL 340.45, 0.81%, 0.57%

LAB 53.53, 69.87, 10.01

 

CMYK 0 / 82 / 56 / 15

HEX #D9265F

RGB 217 38 95

HSL 340.89, 0.7%, 0.5%

LAB 48.21, 68.76, 13.65

 

CMYK 0 / 90 / 62 / 22

HEX #C8144C

RGB 200 20 76

HSL 341.33, 0.82%, 0.43%

LAB 43.21, 66.72, 18.09

 

CMYK 0 / 99 / 69 / 28

HEX #B70239

RGB 183 2 57

HSL 341.77, 0.98%, 0.36%

LAB 38.56, 63.64, 23.37

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 70 / 66 / 2

HEX #FB4B56

RGB 251 75 86

HSL 356.25, 0.96%, 0.64%

LAB 58.24, 66.73, 33.33

 

CMYK 0 / 70 / 70 / 2

HEX #FB4B4B

RGB 251 75 75

HSL 0, 0.96%, 0.64%

LAB 58.08, 66.2, 39.37

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 70 / 28 / 2

HEX #FB4BB5

RGB 251 75 181

HSL 323.86, 0.96%, 0.64%

LAB 60.67, 74.85, -18.55

 

CMYK 0 / 70 / 9 / 2

HEX #FB4BE5

RGB 251 75 229

HSL 307.5, 0.96%, 0.64%

LAB 62.67, 81.15, -42.68

 

CMYK 10 / 70 / 0 / 2

HEX #E24BFB

RGB 226 75 251

HSL 291.48, 0.96%, 0.64%

LAB 60.04, 79.32, -59.34

 

CMYK 29 / 70 / 0 / 2

HEX #B34BFB

RGB 179 75 251

HSL 275.45, 0.96%, 0.64%

LAB 53.58, 70.1, -70.07

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 62 / 41 / 7

HEX #EC5A8B

RGB 236 90 139

HSL 339.86, 0.79%, 0.64%

LAB 58.98, 60.36, 3.05

 

CMYK 0 / 53 / 35 / 13

HEX #DE6990

RGB 222 105 144

HSL 340, 0.64%, 0.64%

LAB 59.57, 49.62, 0.72

 

CMYK 0 / 42 / 28 / 19

HEX #CF7895

RGB 207 120 149

HSL 340, 0.48%, 0.64%

LAB 60.67, 37.48, -0.8

 

CMYK 0 / 30 / 20 / 25

HEX #C0869A

RGB 192 134 154

HSL 339.31, 0.32%, 0.64%

LAB 62.16, 25.19, -1.69

 

CMYK 0 / 70 / 9 / 2

HEX #FB4BE4

RGB 251 75 228

HSL 307.84, 0.96%, 0.64%

LAB 62.63, 81.01, -42.19

 

CMYK 0 / 70 / 28 / 2

HEX #FB4BB5

RGB 251 75 181

HSL 323.86, 0.96%, 0.64%

LAB 60.67, 74.85, -18.55

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 70 / 65 / 2

HEX #FB4B57

RGB 251 75 87

HSL 355.91, 0.96%, 0.64%

LAB 58.25, 66.79, 32.78

 

CMYK 0 / 56 / 70 / 2

HEX #FB6E4B

RGB 251 110 75

HSL 11.93, 0.96%, 0.64%

LAB 63.48, 51.75, 45.59

 

CMYK 0 / 98 / 65 / 6

HEX #EF0553

RGB 239 5 83

HSL 340, 0.96%, 0.48%

LAB 50.79, 77.91, 25.2

 

CMYK 0 / 86 / 57 / 2

HEX #FB236B

RGB 251 35 107

HSL 340, 0.96%, 0.56%

LAB 54.84, 78.62, 16.51

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 54 / 36 / 1

HEX #FC74A1

RGB 252 116 161

HSL 340.15, 0.96%, 0.72%

LAB 66.34, 56.19, 1.35

 

CMYK 0 / 38 / 26 / 1

HEX #FD9CBC

RGB 253 156 188

HSL 340.21, 0.96%, 0.8%

LAB 75.01, 40.13, -1.06

 

CMYK 0 / 71 / 47 / 2

HEX #FB4A85

RGB 251 74 133

HSL 340, 0.96%, 0.64%

LAB 59.07, 70.32, 7

 

CMYK 0 / 9 / 70 / 2

HEX #FBE44B

RGB 251 228 75

HSL 52.16, 0.96%, 0.64%

LAB 90.09, -8.36, 73.57

 

CMYK 70 / 19 / 0 / 2

HEX #4BCCFB

RGB 75 204 251

HSL 196.02, 0.96%, 0.64%

LAB 77.07, -20.6, -33.31

 

CMYK 0 / 71 / 47 / 2

HEX #FB4A85

RGB 251 74 133

HSL 340, 0.96%, 0.64%

LAB 59.07, 70.32, 7

 

CMYK 47 / 0 / 70 / 2

HEX #86FB4B

RGB 134 251 75

HSL 99.89, 0.96%, 0.64%

LAB 89.19, -61.99, 70.3

 

CMYK 70 / 47 / 0 / 2

HEX #4B86FB

RGB 75 134 251

HSL 219.89, 0.96%, 0.64%

LAB 57.57, 18.87, -64.04

 

CMYK 0 / 71 / 47 / 2

HEX #FB4A85

RGB 251 74 133

HSL 340, 0.96%, 0.64%

LAB 59.07, 70.32, 7

 

CMYK 0 / 9 / 70 / 2

HEX #FBE44B

RGB 251 228 75

HSL 52.16, 0.96%, 0.64%

LAB 90.09, -8.36, 73.57

 

CMYK 70 / 0 / 23 / 2

HEX #4BFBC1

RGB 75 251 193

HSL 160.23, 0.96%, 0.64%

LAB 89.08, -57.49, 15.12

 

CMYK 70 / 61 / 0 / 2

HEX #4B63FB

RGB 75 99 251

HSL 231.82, 0.96%, 0.64%

LAB 48.74, 40.34, -78.35

 

CMYK 0 / 71 / 47 / 2

HEX #FB4A85

RGB 251 74 133

HSL 340, 0.96%, 0.64%

LAB 59.07, 70.32, 7

 

CMYK 12 / 0 / 70 / 2

HEX #DEFB4B

RGB 222 251 75

HSL 69.89, 0.96%, 0.64%

LAB 93.9, -31.17, 76.56

 

CMYK 70 / 0 / 23 / 2

HEX #4BFBC1

RGB 75 251 193

HSL 160.23, 0.96%, 0.64%

LAB 89.08, -57.49, 15.12

 

CMYK 59 / 70 / 0 / 2

HEX #684BFB

RGB 104 75 251

HSL 249.89, 0.96%, 0.64%

LAB 45.55, 57.75, -83.5

 

Description

Color code: HEX #FB4A85 | qconv.com Color code: HEX #FB4A85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 74 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 74 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 47 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 47% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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