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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB479F it is the complementary color #04B860. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB479F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB479F shade: #FF479A, #FF59AD, #FF6BC0, #FF7DD3 and #FF8FE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB479F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB479F shade: #FB479F, #EA358C, #D92379, #C81166 and #B70053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB479F shade: #FB469F, #FB466E and #FB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB479F shade: #FB469F, #FB46CF, #F646FB, #C546FB and #9446FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB479F shade matches the following richer shades: #FB469F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB479F shade: #FB469F, #EC559F, #DD659F, #CD74A0 and #BE83A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB479F shade: #F546FB, #FB46D1, #FB46A1, #FB4670 and #FB4C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB479F shade: #EA0575, #FA1E8A, #FB469F, #FC6FB4 and #FD97C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB479F shade: #FB479F, #FBC546 and #46E9FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB479F shade: #FB479F, #A1FB46 and #46A1FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB479F shade: #FB479F, #FBC546, #46FBA1 and #467CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB479F shade: #FB479F, #FBFB46, #46FBA1 and #4646FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 37 / 2

HEX #FB479F

RGB 251 71 159

HSL 330.67, 0.96%, 0.63%

LAB 59.45, 73.76, -7.65

 

Complementary color

CMYK 98 / 0 / 48 / 28

HEX #04B860

RGB 4 184 96

HSL 150.67, 0.96%, 0.37%

LAB 65.87, -58.98, 33.81

 

CMYK 0 / 72 / 40 / 0

HEX #FF479A

RGB 255 71 154

HSL 332.93, 1%, 0.64%

LAB 59.98, 74.31, -3.88

 

CMYK 0 / 65 / 32 / 0

HEX #FF59AD

RGB 255 89 173

HSL 329.64, 1%, 0.67%

LAB 62.86, 69.94, -10.58

 

CMYK 0 / 58 / 25 / 0

HEX #FF6BC0

RGB 255 107 192

HSL 325.54, 1%, 0.71%

LAB 66.2, 64.89, -16.38

 

CMYK 0 / 51 / 17 / 0

HEX #FF7DD3

RGB 255 125 211

HSL 320.31, 1%, 0.75%

LAB 69.92, 59.38, -21.38

 

CMYK 0 / 44 / 10 / 0

HEX #FF8FE6

RGB 255 143 230

HSL 313.39, 1%, 0.78%

LAB 73.94, 53.6, -25.71

 

CMYK 0 / 72 / 37 / 2

HEX #FB479F

RGB 251 71 159

HSL 330.67, 0.96%, 0.63%

LAB 59.45, 73.76, -7.65

 

CMYK 0 / 77 / 40 / 8

HEX #EA358C

RGB 234 53 140

HSL 331.16, 0.81%, 0.56%

LAB 53.95, 72.97, -4.94

 

CMYK 0 / 84 / 44 / 15

HEX #D92379

RGB 217 35 121

HSL 331.65, 0.72%, 0.49%

LAB 48.68, 71.45, -1.63

 

CMYK 0 / 92 / 49 / 22

HEX #C81166

RGB 200 17 102

HSL 332.13, 0.84%, 0.43%

LAB 43.71, 68.93, 2.46

 

CMYK 0 / 100 / 55 / 28

HEX #B70053

RGB 183 0 83

HSL 332.79, 1%, 0.36%

LAB 39.06, 65.39, 7.37

 

CMYK 0 / 72 / 37 / 2

HEX #FB469F

RGB 251 70 159

HSL 330.5, 0.96%, 0.63%

LAB 59.34, 74.09, -7.82

 

CMYK 0 / 72 / 56 / 2

HEX #FB466E

RGB 251 70 110

HSL 346.74, 0.96%, 0.63%

LAB 58.05, 69.9, 19.12

 

CMYK 0 / 72 / 72 / 2

HEX #FB4646

RGB 251 70 70

HSL 0, 0.96%, 0.63%

LAB 57.4, 67.71, 41.36

 

CMYK 0 / 72 / 37 / 2

HEX #FB469F

RGB 251 70 159

HSL 330.5, 0.96%, 0.63%

LAB 59.34, 74.09, -7.82

 

CMYK 0 / 72 / 18 / 2

HEX #FB46CF

RGB 251 70 207

HSL 314.59, 0.96%, 0.63%

LAB 61.13, 79.7, -32.7

 

CMYK 2 / 72 / 0 / 2

HEX #F646FB

RGB 246 70 251

HSL 298.34, 0.96%, 0.63%

LAB 62.46, 84.97, -55.31

 

CMYK 22 / 72 / 0 / 2

HEX #C546FB

RGB 197 70 251

HSL 282.1, 0.96%, 0.63%

LAB 55.29, 75.43, -67.18

 

CMYK 41 / 72 / 0 / 2

HEX #9446FB

RGB 148 70 251

HSL 265.86, 0.96%, 0.63%

LAB 49.06, 66.74, -77.59

 

CMYK 0 / 72 / 37 / 2

HEX #FB469F

RGB 251 70 159

HSL 330.5, 0.96%, 0.63%

LAB 59.34, 74.09, -7.82

 

CMYK 0 / 72 / 37 / 2

HEX #FB469F

RGB 251 70 159

HSL 330.5, 0.96%, 0.63%

LAB 59.34, 74.09, -7.82

 

CMYK 0 / 64 / 33 / 7

HEX #EC559F

RGB 236 85 159

HSL 330.6, 0.8%, 0.63%

LAB 58.82, 64.58, -8.86

 

CMYK 0 / 54 / 28 / 13

HEX #DD659F

RGB 221 101 159

HSL 331, 0.64%, 0.63%

LAB 59.14, 53.07, -8.61

 

CMYK 0 / 43 / 22 / 20

HEX #CD74A0

RGB 205 116 160

HSL 330.34, 0.47%, 0.63%

LAB 59.9, 40.45, -8.3

 

CMYK 0 / 31 / 16 / 25

HEX #BE83A0

RGB 190 131 160

HSL 330.51, 0.31%, 0.63%

LAB 61.41, 27.08, -6.24

 

CMYK 2 / 72 / 0 / 2

HEX #F546FB

RGB 245 70 251

HSL 298.01, 0.96%, 0.63%

LAB 62.3, 84.77, -55.56

 

CMYK 0 / 72 / 17 / 2

HEX #FB46D1

RGB 251 70 209

HSL 313.92, 0.96%, 0.63%

LAB 61.21, 79.97, -33.7

 

CMYK 0 / 72 / 36 / 2

HEX #FB46A1

RGB 251 70 161

HSL 329.83, 0.96%, 0.63%

LAB 59.4, 74.29, -8.89

 

CMYK 0 / 72 / 55 / 2

HEX #FB4670

RGB 251 70 112

HSL 346.08, 0.96%, 0.63%

LAB 58.09, 70.04, 18

 

CMYK 0 / 70 / 72 / 2

HEX #FB4C46

RGB 251 76 70

HSL 1.99, 0.96%, 0.63%

LAB 58.15, 65.62, 42.22

 

CMYK 0 / 98 / 50 / 8

HEX #EA0575

RGB 234 5 117

HSL 330.66, 0.96%, 0.47%

LAB 50.55, 78.86, 3.94

 

CMYK 0 / 88 / 45 / 2

HEX #FA1E8A

RGB 250 30 138

HSL 330.55, 0.96%, 0.55%

LAB 55.16, 81.45, -1.64

 

CMYK 0 / 72 / 37 / 2

HEX #FB469F

RGB 251 70 159

HSL 330.5, 0.96%, 0.63%

LAB 59.34, 74.09, -7.82

 

CMYK 0 / 56 / 29 / 1

HEX #FC6FB4

RGB 252 111 180

HSL 330.64, 0.96%, 0.71%

LAB 66.03, 60.72, -9.89

 

CMYK 0 / 40 / 21 / 1

HEX #FD97C9

RGB 253 151 201

HSL 330.59, 0.96%, 0.79%

LAB 74.34, 44.51, -9.21

 

CMYK 0 / 72 / 37 / 2

HEX #FB479F

RGB 251 71 159

HSL 330.67, 0.96%, 0.63%

LAB 59.45, 73.76, -7.65

 

CMYK 0 / 22 / 72 / 2

HEX #FBC546

RGB 251 197 70

HSL 42.1, 0.96%, 0.63%

LAB 82.32, 7.17, 67.76

 

CMYK 72 / 7 / 0 / 2

HEX #46E9FB

RGB 70 233 251

HSL 185.97, 0.96%, 0.63%

LAB 85.27, -35.4, -20.78

 

CMYK 0 / 72 / 37 / 2

HEX #FB479F

RGB 251 71 159

HSL 330.67, 0.96%, 0.63%

LAB 59.45, 73.76, -7.65

 

CMYK 36 / 0 / 72 / 2

HEX #A1FB46

RGB 161 251 70

HSL 89.83, 0.96%, 0.63%

LAB 90.33, -53.88, 73.54

 

CMYK 72 / 36 / 0 / 2

HEX #46A1FB

RGB 70 161 251

HSL 209.83, 0.96%, 0.63%

LAB 64.77, 2.15, -52.56

 

CMYK 0 / 72 / 37 / 2

HEX #FB479F

RGB 251 71 159

HSL 330.67, 0.96%, 0.63%

LAB 59.45, 73.76, -7.65

 

CMYK 0 / 22 / 72 / 2

HEX #FBC546

RGB 251 197 70

HSL 42.1, 0.96%, 0.63%

LAB 82.32, 7.17, 67.76

 

CMYK 72 / 0 / 36 / 2

HEX #46FBA1

RGB 70 251 161

HSL 150.17, 0.96%, 0.63%

LAB 88.39, -64.75, 30.46

 

CMYK 72 / 51 / 0 / 2

HEX #467CFB

RGB 70 124 251

HSL 222.1, 0.96%, 0.63%

LAB 54.74, 24.35, -68.61

 

CMYK 0 / 72 / 37 / 2

HEX #FB479F

RGB 251 71 159

HSL 330.67, 0.96%, 0.63%

LAB 59.45, 73.76, -7.65

 

CMYK 0 / 0 / 72 / 2

HEX #FBFB46

RGB 251 251 70

HSL 60, 0.96%, 0.63%

LAB 95.97, -19.82, 80.94

 

CMYK 72 / 0 / 36 / 2

HEX #46FBA1

RGB 70 251 161

HSL 150.17, 0.96%, 0.63%

LAB 88.39, -64.75, 30.46

 

CMYK 72 / 72 / 0 / 2

HEX #4646FB

RGB 70 70 251

HSL 240, 0.96%, 0.63%

LAB 42.23, 56.61, -89.06

 

Description

Color code: HEX #FB479F | qconv.com Color code: HEX #FB479F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 71 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 71 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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