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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB3AA9 it is the complementary color #04C556. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB3AA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB3AA9 shade: #FF3AA4, #FF4CB7, #FF5ECA, #FF70DD and #FF82F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB3AA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB3AA9 shade: #FB3AA9, #EA2896, #D91683, #C80470 and #B7005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB3AA9 shade: #FB3CAA, #FB3C76, #FB3C43 and #FB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB3AA9 shade: #FB3CAA, #FB3CDD, #E53CFB, #B23CFB and #7E3CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB3AA9 shade matches the following richer shades: #FB3CAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB3AA9 shade: #FB3CAA, #EB4CA7, #DB5CA5, #CB6CA3 and #BB7CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB3AA9 shade: #E53CFB, #FB3CDE, #FB3CAB, #FB3C79 and #FB3C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB3AA9 shade: #E00583, #FA1498, #FB3CAA, #FC65BC and #FD8DCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB3AA9 shade: #FB3AA9, #FBB23C and #3CF8FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB3AA9 shade: #FB3AA9, #ABFB3C and #3CABFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB3AA9 shade: #FB3AA9, #FBB23C, #3CFB8C and #3C85FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB3AA9 shade: #FB3AA9, #FBEB3C, #3CFB8C and #3C4CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 33 / 2

HEX #FB3AA9

RGB 251 58 169

HSL 325.49, 0.96%, 0.61%

LAB 58.41, 78.68, -15.03

 

Complementary color

CMYK 98 / 0 / 56 / 23

HEX #04C556

RGB 4 197 86

HSL 145.49, 0.96%, 0.39%

LAB 69.92, -64.75, 43.7

 

CMYK 0 / 77 / 36 / 0

HEX #FF3AA4

RGB 255 58 164

HSL 327.72, 1%, 0.61%

LAB 58.94, 79.12, -11.25

 

CMYK 0 / 70 / 28 / 0

HEX #FF4CB7

RGB 255 76 183

HSL 324.13, 1%, 0.65%

LAB 61.52, 75.76, -18.34

 

CMYK 0 / 63 / 21 / 0

HEX #FF5ECA

RGB 255 94 202

HSL 319.75, 1%, 0.68%

LAB 64.59, 71.57, -24.48

 

CMYK 0 / 56 / 13 / 0

HEX #FF70DD

RGB 255 112 221

HSL 314.27, 1%, 0.72%

LAB 68.07, 66.74, -29.76

 

CMYK 0 / 49 / 6 / 0

HEX #FF82F0

RGB 255 130 240

HSL 307.2, 1%, 0.75%

LAB 71.9, 61.51, -34.32

 

CMYK 0 / 77 / 33 / 2

HEX #FB3AA9

RGB 251 58 169

HSL 325.49, 0.96%, 0.61%

LAB 58.41, 78.68, -15.03

 

CMYK 0 / 83 / 36 / 8

HEX #EA2896

RGB 234 40 150

HSL 325.98, 0.82%, 0.54%

LAB 53.18, 77.11, -12.05

 

CMYK 0 / 90 / 40 / 15

HEX #D91683

RGB 217 22 131

HSL 326.46, 0.82%, 0.47%

LAB 48.21, 74.63, -8.41

 

CMYK 0 / 98 / 44 / 22

HEX #C80470

RGB 200 4 112

HSL 326.94, 0.96%, 0.4%

LAB 43.56, 71.09, -4

 

CMYK 0 / 100 / 49 / 28

HEX #B7005D

RGB 183 0 93

HSL 329.51, 1%, 0.36%

LAB 39.34, 66.14, 1.38

 

CMYK 0 / 76 / 32 / 2

HEX #FB3CAA

RGB 251 60 170

HSL 325.45, 0.96%, 0.61%

LAB 58.64, 78.24, -15.27

 

CMYK 0 / 76 / 53 / 2

HEX #FB3C76

RGB 251 60 118

HSL 341.78, 0.96%, 0.61%

LAB 57.12, 73.56, 13.11

 

CMYK 0 / 76 / 73 / 2

HEX #FB3C43

RGB 251 60 67

HSL 357.8, 0.96%, 0.61%

LAB 56.23, 70.73, 41.71

 

CMYK 0 / 76 / 76 / 2

HEX #FB3C3C

RGB 251 60 60

HSL 0, 0.96%, 0.61%

LAB 56.16, 70.47, 45.46

 

CMYK 0 / 76 / 32 / 2

HEX #FB3CAA

RGB 251 60 170

HSL 325.45, 0.96%, 0.61%

LAB 58.64, 78.24, -15.27

 

CMYK 0 / 76 / 12 / 2

HEX #FB3CDD

RGB 251 60 221

HSL 309.42, 0.96%, 0.61%

LAB 60.75, 84.46, -41.21

 

CMYK 9 / 76 / 0 / 2

HEX #E53CFB

RGB 229 60 251

HSL 293.09, 0.96%, 0.61%

LAB 58.84, 84.62, -61.23

 

CMYK 29 / 76 / 0 / 2

HEX #B23CFB

RGB 178 60 251

HSL 277.07, 0.96%, 0.61%

LAB 51.45, 75.61, -73.52

 

CMYK 50 / 76 / 0 / 2

HEX #7E3CFB

RGB 126 60 251

HSL 260.73, 0.96%, 0.61%

LAB 45.13, 67.75, -84.12

 

CMYK 0 / 76 / 32 / 2

HEX #FB3CAA

RGB 251 60 170

HSL 325.45, 0.96%, 0.61%

LAB 58.64, 78.24, -15.27

 

CMYK 0 / 76 / 32 / 2

HEX #FB3CAA

RGB 251 60 170

HSL 325.45, 0.96%, 0.61%

LAB 58.64, 78.24, -15.27

 

CMYK 0 / 68 / 29 / 8

HEX #EB4CA7

RGB 235 76 167

HSL 325.66, 0.8%, 0.61%

LAB 57.68, 68.7, -15.25

 

CMYK 0 / 58 / 25 / 14

HEX #DB5CA5

RGB 219 92 165

HSL 325.51, 0.64%, 0.61%

LAB 57.49, 57.39, -14.6

 

CMYK 0 / 47 / 20 / 20

HEX #CB6CA3

RGB 203 108 163

HSL 325.26, 0.48%, 0.61%

LAB 58.1, 44.37, -12.75

 

CMYK 0 / 34 / 14 / 27

HEX #BB7CA0

RGB 187 124 160

HSL 325.71, 0.32%, 0.61%

LAB 59.45, 29.88, -9.19

 

CMYK 9 / 76 / 0 / 2

HEX #E53CFB

RGB 229 60 251

HSL 293.09, 0.96%, 0.61%

LAB 58.84, 84.62, -61.23

 

CMYK 0 / 76 / 12 / 2

HEX #FB3CDE

RGB 251 60 222

HSL 309.11, 0.96%, 0.61%

LAB 60.79, 84.59, -41.7

 

CMYK 0 / 76 / 32 / 2

HEX #FB3CAB

RGB 251 60 171

HSL 325.13, 0.96%, 0.61%

LAB 58.68, 78.35, -15.8

 

CMYK 0 / 76 / 52 / 2

HEX #FB3C79

RGB 251 60 121

HSL 340.84, 0.96%, 0.61%

LAB 57.19, 73.78, 11.43

 

CMYK 0 / 76 / 72 / 2

HEX #FB3C46

RGB 251 60 70

HSL 356.86, 0.96%, 0.61%

LAB 56.27, 70.85, 40.07

 

CMYK 0 / 98 / 42 / 12

HEX #E00583

RGB 224 5 131

HSL 325.48, 0.96%, 0.45%

LAB 49, 77.84, -7.09

 

CMYK 0 / 92 / 39 / 2

HEX #FA1498

RGB 250 20 152

HSL 325.57, 0.96%, 0.53%

LAB 55.17, 83.93, -9.96

 

CMYK 0 / 76 / 32 / 2

HEX #FB3CAA

RGB 251 60 170

HSL 325.45, 0.96%, 0.61%

LAB 58.64, 78.24, -15.27

 

CMYK 0 / 60 / 25 / 1

HEX #FC65BC

RGB 252 101 188

HSL 325.43, 0.96%, 0.69%

LAB 64.67, 66.08, -16.47

 

CMYK 0 / 44 / 19 / 1

HEX #FD8DCD

RGB 253 141 205

HSL 325.71, 0.97%, 0.77%

LAB 72.46, 50.14, -14.23

 

CMYK 0 / 77 / 33 / 2

HEX #FB3AA9

RGB 251 58 169

HSL 325.49, 0.96%, 0.61%

LAB 58.41, 78.68, -15.03

 

CMYK 0 / 29 / 76 / 2

HEX #FBB23C

RGB 251 178 60

HSL 37.07, 0.96%, 0.61%

LAB 77.68, 16.65, 67.08

 

CMYK 76 / 1 / 0 / 2

HEX #3CF8FB

RGB 60 248 251

HSL 180.94, 0.96%, 0.61%

LAB 89.42, -43.26, -14.55

 

CMYK 0 / 77 / 33 / 2

HEX #FB3AA9

RGB 251 58 169

HSL 325.49, 0.96%, 0.61%

LAB 58.41, 78.68, -15.03

 

CMYK 32 / 0 / 76 / 2

HEX #ABFB3C

RGB 171 251 60

HSL 85.13, 0.96%, 0.61%

LAB 90.77, -51, 77.29

 

CMYK 76 / 32 / 0 / 2

HEX #3CABFB

RGB 60 171 251

HSL 205.13, 0.96%, 0.61%

LAB 67.32, -4.74, -48.55

 

CMYK 0 / 77 / 33 / 2

HEX #FB3AA9

RGB 251 58 169

HSL 325.49, 0.96%, 0.61%

LAB 58.41, 78.68, -15.03

 

CMYK 0 / 29 / 76 / 2

HEX #FBB23C

RGB 251 178 60

HSL 37.07, 0.96%, 0.61%

LAB 77.68, 16.65, 67.08

 

CMYK 76 / 0 / 44 / 2

HEX #3CFB8C

RGB 60 251 140

HSL 145.13, 0.96%, 0.61%

LAB 87.9, -69.75, 40.18

 

CMYK 76 / 47 / 0 / 2

HEX #3C85FB

RGB 60 133 251

HSL 217.07, 0.96%, 0.61%

LAB 56.78, 17.64, -65.34

 

CMYK 0 / 77 / 33 / 2

HEX #FB3AA9

RGB 251 58 169

HSL 325.49, 0.96%, 0.61%

LAB 58.41, 78.68, -15.03

 

CMYK 0 / 6 / 76 / 2

HEX #FBEB3C

RGB 251 235 60

HSL 54.97, 0.96%, 0.61%

LAB 91.8, -12.45, 80.19

 

CMYK 76 / 0 / 44 / 2

HEX #3CFB8C

RGB 60 251 140

HSL 145.13, 0.96%, 0.61%

LAB 87.9, -69.75, 40.18

 

CMYK 76 / 70 / 0 / 2

HEX #3C4CFB

RGB 60 76 251

HSL 234.97, 0.96%, 0.61%

LAB 42.91, 52.44, -87.96

 

Description

Color code: HEX #FB3AA9 | qconv.com Color code: HEX #FB3AA9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 58 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 58 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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