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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB3939CE it is the complementary color #04C6C6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB3939CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB3939CE shade: #FF3934CE, #FF4B47CE, #FF5D5ACE, #FF6F6DCE and #FF8180CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB3939CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB3939CE shade: #FB3939CE, #EA2726CE, #D91513CE, #C80300CE and #B70000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB3939CE shade: #FB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB3939CE shade: #FB3737, #FB6C37, #FBA137, #FBD637 and #ECFB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB3939CE shade matches the following richer shades: #FB3737

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB3939CE shade: #FB3737, #EA4848, #DA5858, #C96969 and #B97979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB3939CE shade: #FB37A0, #FB376B, #FB3737, #FB6B37 and #FBA037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB3939CE shade: #DB0404, #FA0F0F, #FB3737, #FC6060 and #FD8888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB3939CE shade: #FB3939, #D4FB37 and #3785FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB3939CE shade: #FB3939, #37FB37 and #3737FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB3939CE shade: #FB3939, #D4FB37, #37FBFB and #5E37FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB3939CE shade: #FB3939, #99FB37, #37FBFB and #9937FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 63 / 1

HEX #FB3939CE

RGBA 251 57 57 0.81

HSLA 0, 0.96%, 0.6%, 0.81

LABA 55.82, 71.24, 46.72, 0.81

 

Complementary color

CMYK 79 / 0 / 0 / 18

HEX #04C6C6CE

RGBA 4 198 198 0.81

HSLA 180, 0.96%, 0.4%, 0.81

LABA 72.56, -39.63, -11.66, 0.81

 

CMYK 0 / 63 / 64 / 0

HEX #FF3934CE

RGBA 255 57 52 0.81

HSLA 1.48, 1%, 0.6%, 0.81

LABA 56.52, 72.21, 50.3, 0.81

 

CMYK 0 / 57 / 58 / 0

HEX #FF4B47CE

RGBA 255 75 71 0.81

HSLA 1.3, 1%, 0.64%, 0.81

LABA 58.74, 67.24, 42.53, 0.81

 

CMYK 0 / 51 / 52 / 0

HEX #FF5D5ACE

RGBA 255 93 90 0.81

HSLA 1.09, 1%, 0.68%, 0.81

LABA 61.5, 61.32, 35.27, 0.81

 

CMYK 0 / 46 / 46 / 0

HEX #FF6F6DCE

RGBA 255 111 109 0.81

HSLA 0.82, 1%, 0.71%, 0.81

LABA 64.75, 54.72, 28.73, 0.81

 

CMYK 0 / 40 / 40 / 0

HEX #FF8180CE

RGBA 255 129 128 0.81

HSLA 0.47, 1%, 0.75%, 0.81

LABA 68.4, 47.71, 22.95, 0.81

 

CMYK 0 / 63 / 63 / 1

HEX #FB3939CE

RGBA 251 57 57 0.81

HSLA 0, 0.96%, 0.6%, 0.81

LABA 55.82, 71.24, 46.72, 0.81

 

CMYK 0 / 68 / 68 / 7

HEX #EA2726CE

RGBA 234 39 38 0.81

HSLA 0.31, 0.82%, 0.53%, 0.81

LABA 50.78, 70.54, 50.53, 0.81

 

CMYK 0 / 73 / 74 / 12

HEX #D91513CE

RGBA 217 21 19 0.81

HSLA 0.61, 0.84%, 0.46%, 0.81

LABA 46.09, 68.98, 53.87, 0.81

 

CMYK 0 / 80 / 81 / 17

HEX #C80300CE

RGBA 200 3 0 0.81

HSLA 0.9, 1%, 0.39%, 0.81

LABA 41.76, 66.42, 56.02, 0.81

 

CMYK 0 / 81 / 81 / 23

HEX #B70000CE

RGBA 183 0 0 0.81

HSLA 0, 1%, 0.36%, 0.81

LABA 37.96, 62.44, 52.38, 0.81

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 0 / 57 / 78 / 2

HEX #FB6C37

RGB 251 108 55

HSL 16.22, 0.96%, 0.6%

LAB 62.94, 51.85, 54.92

 

CMYK 0 / 36 / 78 / 2

HEX #FBA137

RGB 251 161 55

HSL 32.45, 0.96%, 0.6%

LAB 73.72, 25.37, 65.24

 

CMYK 0 / 15 / 78 / 2

HEX #FBD637

RGB 251 214 55

HSL 48.67, 0.96%, 0.6%

LAB 86.44, -2.14, 76.88

 

CMYK 6 / 0 / 78 / 2

HEX #ECFB37

RGB 236 251 55

HSL 64.59, 0.96%, 0.6%

LAB 94.78, -26.45, 83.84

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 0 / 69 / 69 / 8

HEX #EA4848

RGB 234 72 72

HSL 0, 0.79%, 0.6%

LAB 54.65, 61.92, 36.27

 

CMYK 0 / 60 / 60 / 15

HEX #DA5858

RGB 218 88 88

HSL 0, 0.64%, 0.6%

LAB 54.65, 51, 26.47

 

CMYK 0 / 48 / 48 / 21

HEX #C96969

RGB 201 105 105

HSL 0, 0.47%, 0.6%

LAB 55.62, 37.98, 17.43

 

CMYK 0 / 35 / 35 / 27

HEX #B97979

RGB 185 121 121

HSL 0, 0.31%, 0.6%

LAB 57.43, 25.02, 10.35

 

CMYK 0 / 78 / 36 / 2

HEX #FB37A0

RGB 251 55 160

HSL 327.86, 0.96%, 0.6%

LAB 57.83, 78.55, -10.66

 

CMYK 0 / 78 / 57 / 2

HEX #FB376B

RGB 251 55 107

HSL 344.08, 0.96%, 0.6%

LAB 56.39, 74.19, 18.63

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 0 / 57 / 78 / 2

HEX #FB6B37

RGB 251 107 55

HSL 15.92, 0.96%, 0.6%

LAB 62.76, 52.31, 54.75

 

CMYK 0 / 36 / 78 / 2

HEX #FBA037

RGB 251 160 55

HSL 32.14, 0.96%, 0.6%

LAB 73.5, 25.89, 65.03

 

CMYK 0 / 98 / 98 / 14

HEX #DB0404

RGB 219 4 4

HSL 0, 0.96%, 0.44%

LAB 45.85, 71.1, 58.72

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 0 / 78 / 78 / 2

HEX #FB3737

RGB 251 55 55

HSL 0, 0.96%, 0.6%

LAB 55.6, 71.73, 47.56

 

CMYK 0 / 62 / 62 / 1

HEX #FC6060

RGB 252 96 96

HSL 0, 0.96%, 0.68%

LAB 61.57, 59.44, 31.87

 

CMYK 0 / 46 / 46 / 1

HEX #FD8888

RGB 253 136 136

HSL 0, 0.97%, 0.76%

LAB 69.66, 44.27, 20.16

 

Description

Color code: HEX #FB3939CE | qconv.com Color code: HEX #FB3939CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 57 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 57 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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