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Color name
HEX #FB32DC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB32DC it is the complementary color #04CD23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB32DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB32DC shade: #FF32D7, #FF44EA, #FF56FD, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB32DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB32DC shade: #FB32DC, #EA20C9, #D90EB6, #C800A3 and #B70090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB32DC shade: #FB32DC, #FB32A6, #FB3270, #FB3239 and #FB3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB32DC shade: #FB32DC, #E432FB, #AE32FB, #7732FB and #4132FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB32DC shade matches the following richer shades: #FB32DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB32DC shade: #FB32DC, #EA43D0, #D954C4, #C865B9 and #B776AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB32DC shade: #AE32FB, #E332FB, #FB32DD, #FB32A7 and #FB3272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB32DC shade: #D604B6, #FA0AD5, #FB32DC, #FC5BE3 and #FC83EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB32DC shade: #FB32DC, #FB7832 and #32FBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB32DC shade: #FB32DC, #DDFB32 and #32DDFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB32DC shade: #FB32DC, #FB7832, #32FB50 and #32B5FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB32DC shade: #FB32DC, #FBB532, #32FB50 and #3278FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

Complementary color

CMYK 98 / 0 / 83 / 20

HEX #04CD23

RGB 4 205 35

HSL 129.25, 0.96%, 0.41%

LAB 72.1, -71.89, 65.18

 

CMYK 0 / 80 / 16 / 0

HEX #FF32D7

RGB 255 50 215

HSL 311.71, 1%, 0.6%

LAB 60.29, 86.92, -38.49

 

CMYK 0 / 73 / 8 / 0

HEX #FF44EA

RGB 255 68 234

HSL 306.74, 1%, 0.63%

LAB 62.79, 84.88, -45.25

 

CMYK 0 / 66 / 1 / 0

HEX #FF56FD

RGB 255 86 253

HSL 300.71, 1%, 0.67%

LAB 65.75, 81.93, -51.09

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 86 / 14 / 8

HEX #EA20C9

RGB 234 32 201

HSL 309.8, 0.83%, 0.52%

LAB 54.81, 84.47, -39.37

 

CMYK 0 / 94 / 16 / 15

HEX #D90EB6

RGB 217 14 182

HSL 310.34, 0.88%, 0.45%

LAB 50.03, 81.18, -36.07

 

CMYK 0 / 100 / 19 / 22

HEX #C800A3

RGB 200 0 163

HSL 311.1, 1%, 0.39%

LAB 45.53, 76.84, -32.12

 

CMYK 0 / 100 / 21 / 28

HEX #B70090

RGB 183 0 144

HSL 312.79, 1%, 0.36%

LAB 41.34, 71.31, -27.43

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 80 / 34 / 2

HEX #FB32A6

RGB 251 50 166

HSL 325.37, 0.96%, 0.59%

LAB 57.6, 80.39, -14.51

 

CMYK 0 / 80 / 55 / 2

HEX #FB3270

RGB 251 50 112

HSL 341.49, 0.96%, 0.59%

LAB 56.05, 75.79, 15.19

 

CMYK 0 / 80 / 77 / 2

HEX #FB3239

RGB 251 50 57

HSL 357.91, 0.96%, 0.59%

LAB 55.16, 73.09, 46.03

 

CMYK 0 / 80 / 80 / 2

HEX #FB3232

RGB 251 50 50

HSL 0, 0.96%, 0.59%

LAB 55.09, 72.88, 49.67

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 9 / 80 / 0 / 2

HEX #E432FB

RGB 228 50 251

HSL 293.13, 0.96%, 0.59%

LAB 57.79, 87.04, -62.92

 

CMYK 31 / 80 / 0 / 2

HEX #AE32FB

RGB 174 50 251

HSL 277.01, 0.96%, 0.59%

LAB 49.79, 78.21, -76.25

 

CMYK 53 / 80 / 0 / 2

HEX #7732FB

RGB 119 50 251

HSL 260.6, 0.96%, 0.59%

LAB 43.02, 70.87, -87.62

 

CMYK 74 / 80 / 0 / 2

HEX #4132FB

RGB 65 50 251

HSL 244.48, 0.96%, 0.59%

LAB 38.5, 66.08, -95.23

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 71 / 11 / 8

HEX #EA43D0

RGB 234 67 208

HSL 309.34, 0.8%, 0.59%

LAB 58.09, 76.92, -38.21

 

CMYK 0 / 61 / 10 / 15

HEX #D954C4

RGB 217 84 196

HSL 309.47, 0.64%, 0.59%

LAB 57.15, 64.77, -33.03

 

CMYK 0 / 50 / 8 / 22

HEX #C865B9

RGB 200 101 185

HSL 309.09, 0.47%, 0.59%

LAB 57.16, 50.48, -26.89

 

CMYK 0 / 36 / 5 / 28

HEX #B776AD

RGB 183 118 173

HSL 309.23, 0.31%, 0.59%

LAB 58.08, 34.07, -18.78

 

CMYK 31 / 80 / 0 / 2

HEX #AE32FB

RGB 174 50 251

HSL 277.01, 0.96%, 0.59%

LAB 49.79, 78.21, -76.25

 

CMYK 10 / 80 / 0 / 2

HEX #E332FB

RGB 227 50 251

HSL 292.84, 0.96%, 0.59%

LAB 57.63, 86.86, -63.18

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DD

RGB 251 50 221

HSL 308.96, 0.96%, 0.59%

LAB 59.9, 86.9, -42.55

 

CMYK 0 / 80 / 33 / 2

HEX #FB32A7

RGB 251 50 167

HSL 325.07, 0.96%, 0.59%

LAB 57.64, 80.49, -15.04

 

CMYK 0 / 80 / 55 / 2

HEX #FB3272

RGB 251 50 114

HSL 340.9, 0.96%, 0.59%

LAB 56.09, 75.93, 14.05

 

CMYK 0 / 98 / 15 / 16

HEX #D604B6

RGB 214 4 182

HSL 309.14, 0.96%, 0.43%

LAB 49.2, 81.44, -37.4

 

CMYK 0 / 96 / 15 / 2

HEX #FA0AD5

RGB 250 10 213

HSL 309.25, 0.96%, 0.51%

LAB 57.41, 91.31, -41.94

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 64 / 10 / 1

HEX #FC5BE3

RGB 252 91 227

HSL 309.32, 0.96%, 0.67%

LAB 64.74, 75.46, -38.31

 

CMYK 0 / 48 / 7 / 1

HEX #FC83EA

RGB 252 131 234

HSL 308.93, 0.95%, 0.75%

LAB 71.47, 59.2, -31.74

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 52 / 80 / 2

HEX #FB7832

RGB 251 120 50

HSL 20.9, 0.96%, 0.59%

LAB 65.1, 46.03, 59.2

 

CMYK 80 / 0 / 20 / 2

HEX #32FBC9

RGB 50 251 201

HSL 165.07, 0.96%, 0.59%

LAB 88.87, -58.46, 10.63

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 12 / 0 / 80 / 2

HEX #DDFB32

RGB 221 251 50

HSL 68.96, 0.96%, 0.59%

LAB 93.71, -32.61, 83.78

 

CMYK 80 / 12 / 0 / 2

HEX #32DDFB

RGB 50 221 251

HSL 188.96, 0.96%, 0.59%

LAB 81.49, -31.71, -26.57

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 52 / 80 / 2

HEX #FB7832

RGB 251 120 50

HSL 20.9, 0.96%, 0.59%

LAB 65.1, 46.03, 59.2

 

CMYK 80 / 0 / 68 / 2

HEX #32FB50

RGB 50 251 80

HSL 128.96, 0.96%, 0.59%

LAB 87.12, -78.55, 65.67

 

CMYK 80 / 28 / 0 / 2

HEX #32B5FB

RGB 50 181 251

HSL 200.9, 0.96%, 0.59%

LAB 69.96, -11.27, -44.41

 

CMYK 0 / 80 / 12 / 2

HEX #FB32DC

RGB 251 50 220

HSL 309.25, 0.96%, 0.59%

LAB 59.85, 86.77, -42.06

 

CMYK 0 / 28 / 80 / 2

HEX #FBB532

RGB 251 181 50

HSL 39.1, 0.96%, 0.59%

LAB 78.34, 14.73, 71.22

 

CMYK 80 / 0 / 68 / 2

HEX #32FB50

RGB 50 251 80

HSL 128.96, 0.96%, 0.59%

LAB 87.12, -78.55, 65.67

 

CMYK 80 / 52 / 0 / 2

HEX #3278FB

RGB 50 120 251

HSL 219.1, 0.96%, 0.59%

LAB 53.03, 24.69, -71.41

 

Description

Color code: HEX #FB32DC | qconv.com Color code: HEX #FB32DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 50 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 50 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 12 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 12% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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