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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB2FF5 it is the complementary color #04D00A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB2FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB2FF5 shade: #FF2FF0, #FF41FF, #FF53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB2FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB2FF5 shade: #FB2FF5, #EA1DE2, #D90BCF, #C800BC and #B700A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB2FF5 shade: #FA2DF4, #FA2DBD, #FA2D85, #FA2D4E and #FA2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB2FF5 shade: #FA2DF4, #C92DFA, #912DFA, #5A2DFA and #2D2DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB2FF5 shade matches the following richer shades: #FA2DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB2FF5 shade: #FA2DF4, #E93EE4, #D84FD4, #C661C3 and #B572B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB2FF5 shade: #902DFA, #C72DFA, #FA2DF7, #FA2DC0 and #FA2D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB2FF5 shade: #D104CB, #F905F2, #FA2DF4, #FB55F6 and #FC7DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB2FF5 shade: #FB2FF5, #FA592D and #2DFAAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB2FF5 shade: #FB2FF5, #F7FA2D and #2DF7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB2FF5 shade: #FB2FF5, #FA592D, #2DFA30 and #2DCEFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB2FF5 shade: #FB2FF5, #FA972D, #2DFA30 and #2D90FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 2 / 2

HEX #FB2FF5

RGB 251 47 245

HSL 301.76, 0.96%, 0.58%

LAB 60.9, 90.87, -54.41

 

Complementary color

CMYK 98 / 0 / 95 / 18

HEX #04D00A

RGB 4 208 10

HSL 121.76, 0.96%, 0.42%

LAB 73, -73.57, 70.35

 

CMYK 0 / 82 / 6 / 0

HEX #FF2FF0

RGB 255 47 240

HSL 304.33, 1%, 0.59%

LAB 61.29, 90.9, -50.96

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 81 / 2 / 2

HEX #FB2FF5

RGB 251 47 245

HSL 301.76, 0.96%, 0.58%

LAB 60.9, 90.87, -54.41

 

CMYK 0 / 88 / 3 / 8

HEX #EA1DE2

RGB 234 29 226

HSL 302.34, 0.83%, 0.52%

LAB 55.95, 88.32, -51.81

 

CMYK 0 / 95 / 5 / 15

HEX #D90BCF

RGB 217 11 207

HSL 302.91, 0.9%, 0.45%

LAB 51.26, 84.76, -48.62

 

CMYK 0 / 100 / 6 / 22

HEX #C800BC

RGB 200 0 188

HSL 303.6, 1%, 0.39%

LAB 46.86, 80.12, -44.8

 

CMYK 0 / 100 / 8 / 28

HEX #B700A9

RGB 183 0 169

HSL 304.59, 1%, 0.36%

LAB 42.66, 74.57, -40.44

 

CMYK 0 / 82 / 2 / 2

HEX #FA2DF4

RGB 250 45 244

HSL 301.76, 0.95%, 0.58%

LAB 60.54, 90.95, -54.43

 

CMYK 0 / 82 / 24 / 2

HEX #FA2DBD

RGB 250 45 189

HSL 317.85, 0.95%, 0.58%

LAB 57.92, 83.79, -27.4

 

CMYK 0 / 82 / 47 / 2

HEX #FA2D85

RGB 250 45 133

HSL 334.24, 0.95%, 0.58%

LAB 55.98, 78.26, 2.54

 

CMYK 0 / 82 / 69 / 2

HEX #FA2D4E

RGB 250 45 78

HSL 350.34, 0.95%, 0.58%

LAB 54.81, 74.81, 33.7

 

CMYK 0 / 82 / 82 / 2

HEX #FA2D2D

RGB 250 45 45

HSL 0, 0.95%, 0.58%

LAB 54.44, 73.67, 51.53

 

CMYK 0 / 82 / 2 / 2

HEX #FA2DF4

RGB 250 45 244

HSL 301.76, 0.95%, 0.58%

LAB 60.54, 90.95, -54.43

 

CMYK 20 / 82 / 0 / 2

HEX #C92DFA

RGB 201 45 250

HSL 285.66, 0.95%, 0.58%

LAB 53.16, 83.57, -70.04

 

CMYK 42 / 82 / 0 / 2

HEX #912DFA

RGB 145 45 250

HSL 269.27, 0.95%, 0.58%

LAB 45.36, 75.47, -83.1

 

CMYK 64 / 82 / 0 / 2

HEX #5A2DFA

RGB 90 45 250

HSL 253.17, 0.95%, 0.58%

LAB 39.5, 69.67, -92.96

 

CMYK 82 / 82 / 0 / 2

HEX #2D2DFA

RGB 45 45 250

HSL 240, 0.95%, 0.58%

LAB 36.62, 66.93, -97.81

 

CMYK 0 / 82 / 2 / 2

HEX #FA2DF4

RGB 250 45 244

HSL 301.76, 0.95%, 0.58%

LAB 60.54, 90.95, -54.43

 

CMYK 0 / 82 / 2 / 2

HEX #FA2DF4

RGB 250 45 244

HSL 301.76, 0.95%, 0.58%

LAB 60.54, 90.95, -54.43

 

CMYK 0 / 73 / 2 / 9

HEX #E93EE4

RGB 233 62 228

HSL 301.75, 0.8%, 0.58%

LAB 58.39, 81.18, -49.07

 

CMYK 0 / 63 / 2 / 15

HEX #D84FD4

RGB 216 79 212

HSL 301.75, 0.64%, 0.58%

LAB 57.02, 69.09, -42.36

 

CMYK 0 / 51 / 2 / 22

HEX #C661C3

RGB 198 97 195

HSL 301.78, 0.47%, 0.58%

LAB 56.58, 53.59, -33.55

 

CMYK 0 / 37 / 1 / 29

HEX #B572B3

RGB 181 114 179

HSL 301.79, 0.31%, 0.58%

LAB 57.19, 36.71, -23.61

 

CMYK 42 / 82 / 0 / 2

HEX #902DFA

RGB 144 45 250

HSL 268.98, 0.95%, 0.58%

LAB 45.23, 75.35, -83.31

 

CMYK 20 / 82 / 0 / 2

HEX #C72DFA

RGB 199 45 250

HSL 285.07, 0.95%, 0.58%

LAB 52.86, 83.25, -70.54

 

CMYK 0 / 82 / 1 / 2

HEX #FA2DF7

RGB 250 45 247

HSL 300.88, 0.95%, 0.58%

LAB 60.71, 91.38, -55.83

 

CMYK 0 / 82 / 23 / 2

HEX #FA2DC0

RGB 250 45 192

HSL 316.98, 0.95%, 0.58%

LAB 58.04, 84.14, -28.93

 

CMYK 0 / 82 / 45 / 2

HEX #FA2D89

RGB 250 45 137

HSL 333.07, 0.95%, 0.58%

LAB 56.09, 78.59, 0.32

 

CMYK 0 / 98 / 3 / 18

HEX #D104CB

RGB 209 4 203

HSL 301.76, 0.96%, 0.42%

LAB 49.44, 83.4, -49.31

 

CMYK 0 / 98 / 3 / 2

HEX #F905F2

RGB 249 5 242

HSL 301.72, 0.96%, 0.5%

LAB 58.66, 95.23, -56.33

 

CMYK 0 / 82 / 2 / 2

HEX #FA2DF4

RGB 250 45 244

HSL 301.76, 0.95%, 0.58%

LAB 60.54, 90.95, -54.43

 

CMYK 0 / 66 / 2 / 2

HEX #FB55F6

RGB 251 85 246

HSL 301.81, 0.95%, 0.66%

LAB 64.69, 80.31, -48.95

 

CMYK 0 / 50 / 2 / 1

HEX #FC7DF8

RGB 252 125 248

HSL 301.89, 0.95%, 0.74%

LAB 70.97, 64.35, -40.19

 

CMYK 0 / 81 / 2 / 2

HEX #FB2FF5

RGB 251 47 245

HSL 301.76, 0.96%, 0.58%

LAB 60.9, 90.87, -54.41

 

CMYK 0 / 64 / 82 / 2

HEX #FA592D

RGB 250 89 45

HSL 12.88, 0.95%, 0.58%

LAB 59.58, 59.46, 56.24

 

CMYK 82 / 0 / 32 / 2

HEX #2DFAAB

RGB 45 250 171

HSL 156.88, 0.95%, 0.58%

LAB 87.91, -65.17, 24.69

 

CMYK 0 / 81 / 2 / 2

HEX #FB2FF5

RGB 251 47 245

HSL 301.76, 0.96%, 0.58%

LAB 60.9, 90.87, -54.41

 

CMYK 1 / 0 / 82 / 2

HEX #F7FA2D

RGB 247 250 45

HSL 60.88, 0.95%, 0.58%

LAB 95.3, -21.82, 87.06

 

CMYK 82 / 1 / 0 / 2

HEX #2DF7FA

RGB 45 247 250

HSL 180.88, 0.95%, 0.58%

LAB 88.91, -44.33, -14.81

 

CMYK 0 / 81 / 2 / 2

HEX #FB2FF5

RGB 251 47 245

HSL 301.76, 0.96%, 0.58%

LAB 60.9, 90.87, -54.41

 

CMYK 0 / 64 / 82 / 2

HEX #FA592D

RGB 250 89 45

HSL 12.88, 0.95%, 0.58%

LAB 59.58, 59.46, 56.24

 

CMYK 82 / 0 / 81 / 2

HEX #2DFA30

RGB 45 250 48

HSL 120.88, 0.95%, 0.58%

LAB 86.57, -81.04, 75.3

 

CMYK 82 / 18 / 0 / 2

HEX #2DCEFA

RGB 45 206 250

HSL 192.88, 0.95%, 0.58%

LAB 77.04, -25.08, -32.86

 

CMYK 0 / 81 / 2 / 2

HEX #FB2FF5

RGB 251 47 245

HSL 301.76, 0.96%, 0.58%

LAB 60.9, 90.87, -54.41

 

CMYK 0 / 40 / 82 / 2

HEX #FA972D

RGB 250 151 45

HSL 31.02, 0.95%, 0.58%

LAB 71.31, 29.85, 66.68

 

CMYK 82 / 0 / 81 / 2

HEX #2DFA30

RGB 45 250 48

HSL 120.88, 0.95%, 0.58%

LAB 86.57, -81.04, 75.3

 

CMYK 82 / 42 / 0 / 2

HEX #2D90FA

RGB 45 144 250

HSL 211.02, 0.95%, 0.58%

LAB 59.35, 9.14, -60.69

 

Description

Color code: HEX #FB2FF5 | qconv.com Color code: HEX #FB2FF5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 47 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 47 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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