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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB2B9F it is the complementary color #04D460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB2B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB2B9F shade: #FF2B9A, #FF3DAD, #FF4FC0, #FF61D3 and #FF73E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB2B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB2B9F shade: #FB2B9F, #EA198C, #D90779, #C80066 and #B70053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB2B9F shade: #FA2D9F, #FA2D68, #FA2D30 and #FA2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB2B9F shade: #FA2D9F, #FA2DD7, #E62DFA, #AF2DFA and #772DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB2B9F shade matches the following richer shades: #FA2D9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB2B9F shade: #FA2D9F, #E93E9D, #D84F9B, #C66199 and #B57297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB2B9F shade: #E62DFA, #FA2DD8, #FA2DA1, #FA2D6A and #FA2D33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB2B9F shade: #D10476, #F9058D, #FA2D9F, #FB55B2 and #FC7DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB2B9F shade: #FB2B9F, #FAAF2D and #2DF3FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB2B9F shade: #FB2B9F, #A1FA2D and #2DA1FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB2B9F shade: #FB2B9F, #FAAF2D, #2DFA86 and #2D78FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB2B9F shade: #FB2B9F, #FAED2D, #2DFA86 and #2D3AFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 37 / 2

HEX #FB2B9F

RGB 251 43 159

HSL 326.54, 0.96%, 0.58%

LAB 56.82, 81.24, -11.59

 

Complementary color

CMYK 98 / 0 / 55 / 17

HEX #04D460

RGB 4 212 96

HSL 146.54, 0.96%, 0.42%

LAB 74.8, -68.03, 44.85

 

CMYK 0 / 83 / 40 / 0

HEX #FF2B9A

RGB 255 43 154

HSL 328.58, 1%, 0.58%

LAB 57.39, 81.67, -7.72

 

CMYK 0 / 76 / 32 / 0

HEX #FF3DAD

RGB 255 61 173

HSL 325.36, 1%, 0.62%

LAB 59.54, 79.24, -15.59

 

CMYK 0 / 69 / 25 / 0

HEX #FF4FC0

RGB 255 79 192

HSL 321.48, 1%, 0.65%

LAB 62.22, 75.82, -22.43

 

CMYK 0 / 62 / 17 / 0

HEX #FF61D3

RGB 255 97 211

HSL 316.71, 1%, 0.69%

LAB 65.37, 71.6, -28.35

 

CMYK 0 / 55 / 10 / 0

HEX #FF73E6

RGB 255 115 230

HSL 310.71, 1%, 0.73%

LAB 68.92, 66.78, -33.44

 

CMYK 0 / 83 / 37 / 2

HEX #FB2B9F

RGB 251 43 159

HSL 326.54, 0.96%, 0.58%

LAB 56.82, 81.24, -11.59

 

CMYK 0 / 89 / 40 / 8

HEX #EA198C

RGB 234 25 140

HSL 326.99, 0.83%, 0.51%

LAB 51.93, 78.79, -7.96

 

CMYK 0 / 97 / 44 / 15

HEX #D90779

RGB 217 7 121

HSL 327.43, 0.94%, 0.44%

LAB 47.35, 75.31, -3.59

 

CMYK 0 / 100 / 49 / 22

HEX #C80066

RGB 200 0 102

HSL 329.4, 1%, 0.39%

LAB 43.12, 70.65, 1.61

 

CMYK 0 / 100 / 55 / 28

HEX #B70053

RGB 183 0 83

HSL 332.79, 1%, 0.36%

LAB 39.06, 65.39, 7.37

 

CMYK 0 / 82 / 36 / 2

HEX #FA2D9F

RGB 250 45 159

HSL 326.63, 0.95%, 0.58%

LAB 56.79, 80.59, -11.66

 

CMYK 0 / 82 / 58 / 2

HEX #FA2D68

RGB 250 45 104

HSL 342.73, 0.95%, 0.58%

LAB 55.28, 76.19, 18.88

 

CMYK 0 / 82 / 81 / 2

HEX #FA2D30

RGB 250 45 48

HSL 359.12, 0.95%, 0.58%

LAB 54.46, 73.75, 50.03

 

CMYK 0 / 82 / 82 / 2

HEX #FA2D2D

RGB 250 45 45

HSL 0, 0.95%, 0.58%

LAB 54.44, 73.67, 51.53

 

CMYK 0 / 82 / 36 / 2

HEX #FA2D9F

RGB 250 45 159

HSL 326.63, 0.95%, 0.58%

LAB 56.79, 80.59, -11.66

 

CMYK 0 / 82 / 14 / 2

HEX #FA2DD7

RGB 250 45 215

HSL 310.24, 0.95%, 0.58%

LAB 59.07, 86.99, -40.46

 

CMYK 8 / 82 / 0 / 2

HEX #E62DFA

RGB 230 45 250

HSL 294.15, 0.95%, 0.58%

LAB 57.66, 88.35, -62.56

 

CMYK 30 / 82 / 0 / 2

HEX #AF2DFA

RGB 175 45 250

HSL 278.05, 0.95%, 0.58%

LAB 49.37, 79.59, -76.38

 

CMYK 52 / 82 / 0 / 2

HEX #772DFA

RGB 119 45 250

HSL 261.66, 0.95%, 0.58%

LAB 42.31, 72.41, -88.22

 

CMYK 0 / 82 / 36 / 2

HEX #FA2D9F

RGB 250 45 159

HSL 326.63, 0.95%, 0.58%

LAB 56.79, 80.59, -11.66

 

CMYK 0 / 82 / 36 / 2

HEX #FA2D9F

RGB 250 45 159

HSL 326.63, 0.95%, 0.58%

LAB 56.79, 80.59, -11.66

 

CMYK 0 / 73 / 33 / 9

HEX #E93E9D

RGB 233 62 157

HSL 326.67, 0.8%, 0.58%

LAB 55.28, 71.81, -13.05

 

CMYK 0 / 63 / 28 / 15

HEX #D84F9B

RGB 216 79 155

HSL 326.72, 0.64%, 0.58%

LAB 54.61, 60.82, -13.15

 

CMYK 0 / 51 / 23 / 22

HEX #C66199

RGB 198 97 153

HSL 326.73, 0.47%, 0.58%

LAB 54.92, 46.83, -11.78

 

CMYK 0 / 37 / 17 / 29

HEX #B57297

RGB 181 114 151

HSL 326.87, 0.31%, 0.58%

LAB 56.18, 31.79, -8.95

 

CMYK 8 / 82 / 0 / 2

HEX #E62DFA

RGB 230 45 250

HSL 294.15, 0.95%, 0.58%

LAB 57.66, 88.35, -62.56

 

CMYK 0 / 82 / 14 / 2

HEX #FA2DD8

RGB 250 45 216

HSL 309.95, 0.95%, 0.58%

LAB 59.12, 87.12, -40.95

 

CMYK 0 / 82 / 36 / 2

HEX #FA2DA1

RGB 250 45 161

HSL 326.05, 0.95%, 0.58%

LAB 56.85, 80.79, -12.73

 

CMYK 0 / 82 / 58 / 2

HEX #FA2D6A

RGB 250 45 106

HSL 342.15, 0.95%, 0.58%

LAB 55.32, 76.32, 17.74

 

CMYK 0 / 82 / 80 / 2

HEX #FA2D33

RGB 250 45 51

HSL 358.24, 0.95%, 0.58%

LAB 54.49, 73.83, 48.49

 

CMYK 0 / 98 / 44 / 18

HEX #D10476

RGB 209 4 118

HSL 326.63, 0.96%, 0.42%

LAB 45.57, 73.57, -4.55

 

CMYK 0 / 98 / 43 / 2

HEX #F9058D

RGB 249 5 141

HSL 326.56, 0.96%, 0.5%

LAB 54.21, 83.96, -4.85

 

CMYK 0 / 82 / 36 / 2

HEX #FA2D9F

RGB 250 45 159

HSL 326.63, 0.95%, 0.58%

LAB 56.79, 80.59, -11.66

 

CMYK 0 / 66 / 29 / 2

HEX #FB55B2

RGB 251 85 178

HSL 326.39, 0.95%, 0.66%

LAB 61.84, 70.95, -15.05

 

CMYK 0 / 50 / 22 / 1

HEX #FC7DC4

RGB 252 125 196

HSL 326.46, 0.95%, 0.74%

LAB 69, 56.34, -14.44

 

CMYK 0 / 83 / 37 / 2

HEX #FB2B9F

RGB 251 43 159

HSL 326.54, 0.96%, 0.58%

LAB 56.82, 81.24, -11.59

 

CMYK 0 / 30 / 82 / 2

HEX #FAAF2D

RGB 250 175 45

HSL 38.05, 0.95%, 0.58%

LAB 76.78, 17.3, 71.42

 

CMYK 82 / 3 / 0 / 2

HEX #2DF3FA

RGB 45 243 250

HSL 182.05, 0.95%, 0.58%

LAB 87.76, -42.56, -16.55

 

CMYK 0 / 83 / 37 / 2

HEX #FB2B9F

RGB 251 43 159

HSL 326.54, 0.96%, 0.58%

LAB 56.82, 81.24, -11.59

 

CMYK 36 / 0 / 82 / 2

HEX #A1FA2D

RGB 161 250 45

HSL 86.05, 0.95%, 0.58%

LAB 89.92, -54.68, 80.31

 

CMYK 82 / 36 / 0 / 2

HEX #2DA1FA

RGB 45 161 250

HSL 206.05, 0.95%, 0.58%

LAB 64.12, -0.87, -53.08

 

CMYK 0 / 83 / 37 / 2

HEX #FB2B9F

RGB 251 43 159

HSL 326.54, 0.96%, 0.58%

LAB 56.82, 81.24, -11.59

 

CMYK 0 / 30 / 82 / 2

HEX #FAAF2D

RGB 250 175 45

HSL 38.05, 0.95%, 0.58%

LAB 76.78, 17.3, 71.42

 

CMYK 82 / 0 / 46 / 2

HEX #2DFA86

RGB 45 250 134

HSL 146.05, 0.95%, 0.58%

LAB 87.31, -71.97, 42.3

 

CMYK 82 / 52 / 0 / 2

HEX #2D78FA

RGB 45 120 250

HSL 218.05, 0.95%, 0.58%

LAB 52.83, 23.9, -71.19

 

CMYK 0 / 83 / 37 / 2

HEX #FB2B9F

RGB 251 43 159

HSL 326.54, 0.96%, 0.58%

LAB 56.82, 81.24, -11.59

 

CMYK 0 / 5 / 82 / 2

HEX #FAED2D

RGB 250 237 45

HSL 56.2, 0.95%, 0.58%

LAB 92.17, -14.32, 84.52

 

CMYK 82 / 0 / 46 / 2

HEX #2DFA86

RGB 45 250 134

HSL 146.05, 0.95%, 0.58%

LAB 87.31, -71.97, 42.3

 

CMYK 82 / 77 / 0 / 2

HEX #2D3AFA

RGB 45 58 250

HSL 236.2, 0.95%, 0.58%

LAB 38.7, 60.87, -94.37

 

Description

Color code: HEX #FB2B9F | qconv.com Color code: HEX #FB2B9F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 43 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 43 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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