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Color name
HEX #FB217D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB217D it is the complementary color #04DE82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB217D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB217D shade: #FF2178, #FF338B, #FF459E, #FF57B1 and #FF69C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB217D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB217D shade: #FB217D, #EA0F6A, #D90057, #C80044 and #B70031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB217D shade: #FB237E, #FB2344 and #FB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB217D shade: #FB237E, #FB23B8, #FB23F2, #C923FB and #8F23FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB217D shade matches the following richer shades: #FB237E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB217D shade: #FB237E, #E83581, #D64784, #C45A86 and #B26C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB217D shade: #FB23F3, #FB23BA, #FB2380, #FB2347 and #FB3923

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB217D shade: #C70456, #EF0568, #FB237E, #FB4C96 and #FC74AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB217D shade: #FB217D, #FBC823 and #23D7FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB217D shade: #FB217D, #80FB23 and #2380FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB217D shade: #FB217D, #FBC823, #23FB9D and #2355FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB217D shade: #FB217D, #ECFB23, #23FB9D and #3123FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 50 / 2

HEX #FB217D

RGB 251 33 125

HSL 334.68, 0.96%, 0.56%

LAB 55.15, 80.18, 6.15

 

Complementary color

CMYK 98 / 0 / 41 / 13

HEX #04DE82

RGB 4 222 130

HSL 154.68, 0.96%, 0.44%

LAB 78.39, -65.67, 32.71

 

CMYK 0 / 87 / 53 / 0

HEX #FF2178

RGB 255 33 120

HSL 336.49, 1%, 0.56%

LAB 55.79, 80.76, 10.16

 

CMYK 0 / 80 / 45 / 0

HEX #FF338B

RGB 255 51 139

HSL 334.12, 1%, 0.6%

LAB 57.55, 78.59, 1.37

 

CMYK 0 / 73 / 38 / 0

HEX #FF459E

RGB 255 69 158

HSL 331.29, 1%, 0.64%

LAB 59.88, 75.34, -6.37

 

CMYK 0 / 66 / 31 / 0

HEX #FF57B1

RGB 255 87 177

HSL 327.86, 1%, 0.67%

LAB 62.72, 71.16, -13.09

 

CMYK 0 / 59 / 23 / 0

HEX #FF69C4

RGB 255 105 196

HSL 323.6, 1%, 0.71%

LAB 66.02, 66.27, -18.91

 

CMYK 0 / 87 / 50 / 2

HEX #FB217D

RGB 251 33 125

HSL 334.68, 0.96%, 0.56%

LAB 55.15, 80.18, 6.15

 

CMYK 0 / 94 / 55 / 8

HEX #EA0F6A

RGB 234 15 106

HSL 335.07, 0.88%, 0.49%

LAB 50.54, 77.3, 10.65

 

CMYK 0 / 100 / 60 / 15

HEX #D90057

RGB 217 0 87

HSL 335.94, 1%, 0.43%

LAB 46.23, 73.46, 15.88

 

CMYK 0 / 100 / 66 / 22

HEX #C80044

RGB 200 0 68

HSL 339.6, 1%, 0.39%

LAB 42.3, 68.47, 21.92

 

CMYK 0 / 100 / 73 / 28

HEX #B70031

RGB 183 0 49

HSL 343.93, 1%, 0.36%

LAB 38.36, 63.51, 28.17

 

CMYK 0 / 86 / 50 / 2

HEX #FB237E

RGB 251 35 126

HSL 334.72, 0.96%, 0.56%

LAB 55.3, 79.92, 5.75

 

CMYK 0 / 86 / 73 / 2

HEX #FB2344

RGB 251 35 68

HSL 350.83, 0.96%, 0.56%

LAB 54.16, 76.67, 38.78

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 86 / 50 / 2

HEX #FB237E

RGB 251 35 126

HSL 334.72, 0.96%, 0.56%

LAB 55.3, 79.92, 5.75

 

CMYK 0 / 86 / 27 / 2

HEX #FB23B8

RGB 251 35 184

HSL 318.61, 0.96%, 0.56%

LAB 57.24, 85.32, -25.53

 

CMYK 0 / 86 / 4 / 2

HEX #FB23F2

RGB 251 35 242

HSL 302.5, 0.96%, 0.56%

LAB 60, 92.61, -54.17

 

CMYK 20 / 86 / 0 / 2

HEX #C923FB

RGB 201 35 251

HSL 286.11, 0.96%, 0.56%

LAB 52.49, 85.92, -71.68

 

CMYK 43 / 86 / 0 / 2

HEX #8F23FB

RGB 143 35 251

HSL 270, 0.96%, 0.56%

LAB 44.24, 78.26, -85.5

 

CMYK 0 / 86 / 50 / 2

HEX #FB237E

RGB 251 35 126

HSL 334.72, 0.96%, 0.56%

LAB 55.3, 79.92, 5.75

 

CMYK 0 / 86 / 50 / 2

HEX #FB237E

RGB 251 35 126

HSL 334.72, 0.96%, 0.56%

LAB 55.3, 79.92, 5.75

 

CMYK 0 / 77 / 44 / 9

HEX #E83581

RGB 232 53 129

HSL 334.53, 0.8%, 0.56%

LAB 53.26, 71.45, 0.57

 

CMYK 0 / 67 / 38 / 16

HEX #D64784

RGB 214 71 132

HSL 334.41, 0.64%, 0.56%

LAB 52.36, 60.79, -2.91

 

CMYK 0 / 54 / 32 / 23

HEX #C45A86

RGB 196 90 134

HSL 335.09, 0.47%, 0.56%

LAB 52.7, 47.05, -3.93

 

CMYK 0 / 39 / 23 / 30

HEX #B26C89

RGB 178 108 137

HSL 335.14, 0.31%, 0.56%

LAB 54.02, 31.81, -4.02

 

CMYK 0 / 86 / 3 / 2

HEX #FB23F3

RGB 251 35 243

HSL 302.22, 0.96%, 0.56%

LAB 60.05, 92.75, -54.64

 

CMYK 0 / 86 / 26 / 2

HEX #FB23BA

RGB 251 35 186

HSL 318.06, 0.96%, 0.56%

LAB 57.32, 85.54, -26.57

 

CMYK 0 / 86 / 49 / 2

HEX #FB2380

RGB 251 35 128

HSL 334.17, 0.96%, 0.56%

LAB 55.35, 80.07, 4.63

 

CMYK 0 / 86 / 72 / 2

HEX #FB2347

RGB 251 35 71

HSL 350, 0.96%, 0.56%

LAB 54.2, 76.79, 37.09

 

CMYK 0 / 77 / 86 / 2

HEX #FB3923

RGB 251 57 35

HSL 6.11, 0.96%, 0.56%

LAB 55.64, 70.67, 57.33

 

CMYK 0 / 98 / 57 / 22

HEX #C70456

RGB 199 4 86

HSL 334.77, 0.96%, 0.4%

LAB 42.61, 68.89, 10.94

 

CMYK 0 / 98 / 56 / 6

HEX #EF0568

RGB 239 5 104

HSL 334.62, 0.96%, 0.48%

LAB 51.22, 79.09, 12.97

 

CMYK 0 / 86 / 50 / 2

HEX #FB237E

RGB 251 35 126

HSL 334.72, 0.96%, 0.56%

LAB 55.3, 79.92, 5.75

 

CMYK 0 / 70 / 40 / 2

HEX #FB4C96

RGB 251 76 150

HSL 334.63, 0.96%, 0.64%

LAB 59.78, 71.18, -1.92

 

CMYK 0 / 54 / 31 / 1

HEX #FC74AD

RGB 252 116 173

HSL 334.85, 0.96%, 0.72%

LAB 66.68, 57.59, -4.96

 

CMYK 0 / 87 / 50 / 2

HEX #FB217D

RGB 251 33 125

HSL 334.68, 0.96%, 0.56%

LAB 55.15, 80.18, 6.15

 

CMYK 0 / 20 / 86 / 2

HEX #FBC823

RGB 251 200 35

HSL 45.83, 0.96%, 0.56%

LAB 82.88, 4.47, 79.23

 

CMYK 86 / 14 / 0 / 2

HEX #23D7FB

RGB 35 215 251

HSL 190, 0.96%, 0.56%

LAB 79.57, -29.88, -29.52

 

CMYK 0 / 87 / 50 / 2

HEX #FB217D

RGB 251 33 125

HSL 334.68, 0.96%, 0.56%

LAB 55.15, 80.18, 6.15

 

CMYK 49 / 0 / 86 / 2

HEX #80FB23

RGB 128 251 35

HSL 94.17, 0.96%, 0.56%

LAB 88.78, -65.73, 80.9

 

CMYK 86 / 49 / 0 / 2

HEX #2380FB

RGB 35 128 251

HSL 214.17, 0.96%, 0.56%

LAB 54.82, 18.56, -68.53

 

CMYK 0 / 87 / 50 / 2

HEX #FB217D

RGB 251 33 125

HSL 334.68, 0.96%, 0.56%

LAB 55.15, 80.18, 6.15

 

CMYK 0 / 20 / 86 / 2

HEX #FBC823

RGB 251 200 35

HSL 45.83, 0.96%, 0.56%

LAB 82.88, 4.47, 79.23

 

CMYK 86 / 0 / 37 / 2

HEX #23FB9D

RGB 35 251 157

HSL 153.89, 0.96%, 0.56%

LAB 87.87, -69.06, 31.69

 

CMYK 86 / 66 / 0 / 2

HEX #2355FB

RGB 35 85 251

HSL 226.11, 0.96%, 0.56%

LAB 43.97, 45.46, -86.23

 

CMYK 0 / 87 / 50 / 2

HEX #FB217D

RGB 251 33 125

HSL 334.68, 0.96%, 0.56%

LAB 55.15, 80.18, 6.15

 

CMYK 6 / 0 / 86 / 2

HEX #ECFB23

RGB 236 251 35

HSL 64.17, 0.96%, 0.56%

LAB 94.72, -27, 88.25

 

CMYK 86 / 0 / 37 / 2

HEX #23FB9D

RGB 35 251 157

HSL 153.89, 0.96%, 0.56%

LAB 87.87, -69.06, 31.69

 

CMYK 80 / 86 / 0 / 2

HEX #3123FB

RGB 49 35 251

HSL 243.89, 0.96%, 0.56%

LAB 35.64, 71.22, -100.02

 

Description

Color code: HEX #FB217D | qconv.com Color code: HEX #FB217D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 33 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 33 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 50% 2% C M Y K

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Provide designers and agencies with accurate color values.

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