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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB1A8C it is the complementary color #04E573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB1A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB1A8C shade: #FF1A87, #FF2C9A, #FF3EAD, #FF50C0 and #FF62D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB1A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB1A8C shade: #FB1A8C, #EA0879, #D90066, #C80053 and #B70040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB1A8C shade: #FB188B, #FB184E and #FB1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB1A8C shade: #FB188B, #FB18C9, #F118FB, #B418FB and #7618FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB1A8C shade matches the following richer shades: #FB188B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB1A8C shade: #FB188B, #E92B8B, #D63E8B, #C3518A and #B0648A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB1A8C shade: #F018FB, #FB18CA, #FB188D, #FB1851 and #FB1C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB1A8C shade: #BE0362, #E70477, #FB188B, #FC41A0 and #FD69B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB1A8C shade: #FB1A8C, #FBB318 and #18E9FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB1A8C shade: #FB1A8C, #8DFB18 and #188DFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB1A8C shade: #FB1A8C, #FBB318, #18FB86 and #1860FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB1A8C shade: #FB1A8C, #FBF818, #18FB86 and #181CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 44 / 2

HEX #FB1A8C

RGB 251 26 140

HSL 329.6, 0.97%, 0.54%

LAB 55.22, 82.4, -2.72

 

Complementary color

CMYK 98 / 0 / 50 / 10

HEX #04E573

RGB 4 229 115

HSL 149.6, 0.97%, 0.46%

LAB 80.35, -70.52, 42.62

 

CMYK 0 / 90 / 47 / 0

HEX #FF1A87

RGB 255 26 135

HSL 331.44, 1%, 0.55%

LAB 55.83, 82.88, 1.25

 

CMYK 0 / 83 / 40 / 0

HEX #FF2C9A

RGB 255 44 154

HSL 328.72, 1%, 0.59%

LAB 57.46, 81.47, -7.62

 

CMYK 0 / 76 / 32 / 0

HEX #FF3EAD

RGB 255 62 173

HSL 325.49, 1%, 0.62%

LAB 59.64, 78.96, -15.44

 

CMYK 0 / 69 / 25 / 0

HEX #FF50C0

RGB 255 80 192

HSL 321.6, 1%, 0.66%

LAB 62.34, 75.47, -22.24

 

CMYK 0 / 62 / 17 / 0

HEX #FF62D3

RGB 255 98 211

HSL 316.82, 1%, 0.69%

LAB 65.51, 71.2, -28.12

 

CMYK 0 / 90 / 44 / 2

HEX #FB1A8C

RGB 251 26 140

HSL 329.6, 0.97%, 0.54%

LAB 55.22, 82.4, -2.72

 

CMYK 0 / 97 / 48 / 8

HEX #EA0879

RGB 234 8 121

HSL 330, 0.93%, 0.47%

LAB 50.74, 78.94, 1.78

 

CMYK 0 / 100 / 53 / 15

HEX #D90066

RGB 217 0 102

HSL 331.8, 1%, 0.43%

LAB 46.59, 74.43, 7.05

 

CMYK 0 / 100 / 59 / 22

HEX #C80053

RGB 200 0 83

HSL 335.1, 1%, 0.39%

LAB 42.62, 69.31, 12.87

 

CMYK 0 / 100 / 65 / 28

HEX #B70040

RGB 183 0 64

HSL 339.02, 1%, 0.36%

LAB 38.62, 64.21, 18.97

 

CMYK 0 / 90 / 45 / 2

HEX #FB188B

RGB 251 24 139

HSL 329.6, 0.97%, 0.54%

LAB 55.1, 82.57, -2.3

 

CMYK 0 / 90 / 69 / 2

HEX #FB184E

RGB 251 24 78

HSL 345.73, 0.97%, 0.54%

LAB 53.72, 78.76, 32.41

 

CMYK 0 / 90 / 90 / 2

HEX #FB1818

RGB 251 24 24

HSL 0, 0.97%, 0.54%

LAB 53.2, 77.28, 60

 

CMYK 0 / 90 / 45 / 2

HEX #FB188B

RGB 251 24 139

HSL 329.6, 0.97%, 0.54%

LAB 55.1, 82.57, -2.3

 

CMYK 0 / 90 / 20 / 2

HEX #FB18C9

RGB 251 24 201

HSL 313.22, 0.97%, 0.54%

LAB 57.44, 88.81, -35.02

 

CMYK 4 / 90 / 0 / 2

HEX #F118FB

RGB 241 24 251

HSL 297.36, 0.97%, 0.54%

LAB 58.34, 93.73, -61.93

 

CMYK 28 / 90 / 0 / 2

HEX #B418FB

RGB 180 24 251

HSL 281.23, 0.97%, 0.54%

LAB 48.66, 84.92, -78.06

 

CMYK 53 / 90 / 0 / 2

HEX #7618FB

RGB 118 24 251

HSL 264.85, 0.97%, 0.54%

LAB 40.36, 78.32, -92.01

 

CMYK 0 / 90 / 45 / 2

HEX #FB188B

RGB 251 24 139

HSL 329.6, 0.97%, 0.54%

LAB 55.1, 82.57, -2.3

 

CMYK 0 / 90 / 45 / 2

HEX #FB188B

RGB 251 24 139

HSL 329.6, 0.97%, 0.54%

LAB 55.1, 82.57, -2.3

 

CMYK 0 / 82 / 40 / 9

HEX #E92B8B

RGB 233 43 139

HSL 329.68, 0.81%, 0.54%

LAB 52.86, 75.16, -6

 

CMYK 0 / 71 / 35 / 16

HEX #D63E8B

RGB 214 62 139

HSL 329.61, 0.65%, 0.54%

LAB 51.39, 64.87, -8.55

 

CMYK 0 / 58 / 29 / 24

HEX #C3518A

RGB 195 81 138

HSL 330, 0.49%, 0.54%

LAB 51.06, 51.51, -8.76

 

CMYK 0 / 43 / 22 / 31

HEX #B0648A

RGB 176 100 138

HSL 330, 0.32%, 0.54%

LAB 52.04, 35.61, -7.58

 

CMYK 4 / 90 / 0 / 2

HEX #F018FB

RGB 240 24 251

HSL 297.09, 0.97%, 0.54%

LAB 58.17, 93.57, -62.2

 

CMYK 0 / 90 / 20 / 2

HEX #FB18CA

RGB 251 24 202

HSL 312.95, 0.97%, 0.54%

LAB 57.49, 88.93, -35.52

 

CMYK 0 / 90 / 44 / 2

HEX #FB188D

RGB 251 24 141

HSL 329.07, 0.97%, 0.54%

LAB 55.16, 82.74, -3.41

 

CMYK 0 / 90 / 68 / 2

HEX #FB1851

RGB 251 24 81

HSL 344.93, 0.97%, 0.54%

LAB 53.77, 78.89, 30.68

 

CMYK 0 / 89 / 90 / 2

HEX #FB1C18

RGB 251 28 24

HSL 1.06, 0.97%, 0.54%

LAB 53.39, 76.73, 60.13

 

CMYK 0 / 98 / 48 / 25

HEX #BE0362

RGB 190 3 98

HSL 329.52, 0.97%, 0.38%

LAB 41.05, 67.8, 0.86

 

CMYK 0 / 98 / 48 / 9

HEX #E70477

RGB 231 4 119

HSL 329.6, 0.97%, 0.46%

LAB 49.99, 78.43, 1.83

 

CMYK 0 / 90 / 45 / 2

HEX #FB188B

RGB 251 24 139

HSL 329.6, 0.97%, 0.54%

LAB 55.1, 82.57, -2.3

 

CMYK 0 / 74 / 37 / 1

HEX #FC41A0

RGB 252 65 160

HSL 329.52, 0.97%, 0.62%

LAB 58.99, 76, -8.91

 

CMYK 0 / 58 / 29 / 1

HEX #FD69B4

RGB 253 105 180

HSL 329.59, 0.97%, 0.7%

LAB 65.19, 63.66, -11.13

 

CMYK 0 / 90 / 44 / 2

HEX #FB1A8C

RGB 251 26 140

HSL 329.6, 0.97%, 0.54%

LAB 55.22, 82.4, -2.72

 

CMYK 0 / 29 / 90 / 2

HEX #FBB318

RGB 251 179 24

HSL 40.97, 0.97%, 0.54%

LAB 77.77, 15.17, 77.54

 

CMYK 90 / 7 / 0 / 2

HEX #18E9FB

RGB 24 233 251

HSL 184.76, 0.97%, 0.54%

LAB 84.71, -38.9, -21.69

 

CMYK 0 / 90 / 44 / 2

HEX #FB1A8C

RGB 251 26 140

HSL 329.6, 0.97%, 0.54%

LAB 55.22, 82.4, -2.72

 

CMYK 44 / 0 / 90 / 2

HEX #8DFB18

RGB 141 251 24

HSL 89.07, 0.97%, 0.54%

LAB 89.26, -62.16, 83.31

 

CMYK 90 / 44 / 0 / 2

HEX #188DFB

RGB 24 141 251

HSL 209.07, 0.97%, 0.54%

LAB 58.23, 9.98, -63.04

 

CMYK 0 / 90 / 44 / 2

HEX #FB1A8C

RGB 251 26 140

HSL 329.6, 0.97%, 0.54%

LAB 55.22, 82.4, -2.72

 

CMYK 0 / 29 / 90 / 2

HEX #FBB318

RGB 251 179 24

HSL 40.97, 0.97%, 0.54%

LAB 77.77, 15.17, 77.54

 

CMYK 90 / 0 / 47 / 2

HEX #18FB86

RGB 24 251 134

HSL 149.07, 0.97%, 0.54%

LAB 87.44, -73.76, 42.43

 

CMYK 90 / 62 / 0 / 2

HEX #1860FB

RGB 24 96 251

HSL 220.97, 0.97%, 0.54%

LAB 46.34, 38.14, -82.34

 

CMYK 0 / 90 / 44 / 2

HEX #FB1A8C

RGB 251 26 140

HSL 329.6, 0.97%, 0.54%

LAB 55.22, 82.4, -2.72

 

CMYK 0 / 1 / 90 / 2

HEX #FBF818

RGB 251 248 24

HSL 59.21, 0.97%, 0.54%

LAB 95.04, -19.64, 90.7

 

CMYK 90 / 0 / 47 / 2

HEX #18FB86

RGB 24 251 134

HSL 149.07, 0.97%, 0.54%

LAB 87.44, -73.76, 42.43

 

CMYK 90 / 89 / 0 / 2

HEX #181CFB

RGB 24 28 251

HSL 238.94, 0.97%, 0.54%

LAB 33.96, 72.86, -102.83

 

Description

Color code: HEX #FB1A8C | qconv.com Color code: HEX #FB1A8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 26 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 26 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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