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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB0F77 it is the complementary color #04F088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB0F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB0F77 shade: #FF0F72, #FF2185, #FF3398, #FF45AB and #FF57BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB0F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB0F77 shade: #FB0F77, #EA0064, #D90051, #C8003E and #B7002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB0F77 shade: #FB0E77, #FB0E36 and #FB0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB0F77 shade: #FB0E77, #FB0EB7, #FB0EF7, #C00EFB and #800EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB0F77 shade matches the following richer shades: #FB0E77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB0F77 shade: #FB0E77, #E82279, #D4357B, #C0497E and #AC5D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB0F77 shade: #FB0EF7, #FB0EB8, #FB0E79, #FB0E39 and #FB220E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB0F77 shade: #B40351, #DD0363, #FB0E77, #FC378E and #FD5FA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB0F77 shade: #FB0F77, #FBC00E and #0ED8FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB0F77 shade: #FB0F77, #79FB0E and #0E79FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB0F77 shade: #FB0F77, #FBC00E, #0EFB90 and #0E49FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB0F77 shade: #FB0F77, #EFFB0E, #0EFB90 and #1A0EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 53 / 2

HEX #FB0F77

RGB 251 15 119

HSL 333.56, 0.97%, 0.52%

LAB 54.22, 82.01, 8.43

 

Complementary color

CMYK 98 / 0 / 43 / 6

HEX #04F088

RGB 4 240 136

HSL 153.56, 0.97%, 0.48%

LAB 84.03, -70.56, 37.06

 

CMYK 0 / 94 / 55 / 0

HEX #FF0F72

RGB 255 15 114

HSL 335.25, 1%, 0.53%

LAB 54.88, 82.57, 12.48

 

CMYK 0 / 87 / 48 / 0

HEX #FF2185

RGB 255 33 133

HSL 332.97, 1%, 0.56%

LAB 56.13, 81.71, 2.87

 

CMYK 0 / 80 / 40 / 0

HEX #FF3398

RGB 255 51 152

HSL 330.29, 1%, 0.6%

LAB 57.94, 79.73, -5.73

 

CMYK 0 / 73 / 33 / 0

HEX #FF45AB

RGB 255 69 171

HSL 327.1, 1%, 0.64%

LAB 60.3, 76.68, -13.28

 

CMYK 0 / 66 / 25 / 0

HEX #FF57BE

RGB 255 87 190

HSL 323.21, 1%, 0.67%

LAB 63.17, 72.71, -19.84

 

CMYK 0 / 94 / 53 / 2

HEX #FB0F77

RGB 251 15 119

HSL 333.56, 0.97%, 0.52%

LAB 54.22, 82.01, 8.43

 

CMYK 0 / 100 / 57 / 8

HEX #EA0064

RGB 234 0 100

HSL 334.36, 1%, 0.46%

LAB 49.99, 78.09, 13.56

 

CMYK 0 / 100 / 63 / 15

HEX #D90051

RGB 217 0 81

HSL 337.6, 1%, 0.43%

LAB 46.1, 73.12, 19.44

 

CMYK 0 / 100 / 69 / 22

HEX #C8003E

RGB 200 0 62

HSL 341.4, 1%, 0.39%

LAB 42.2, 68.18, 25.55

 

CMYK 0 / 100 / 77 / 28

HEX #B7002B

RGB 183 0 43

HSL 345.9, 1%, 0.36%

LAB 38.27, 63.28, 31.79

 

CMYK 0 / 94 / 53 / 2

HEX #FB0E77

RGB 251 14 119

HSL 333.42, 0.97%, 0.52%

LAB 54.19, 82.09, 8.38

 

CMYK 0 / 94 / 78 / 2

HEX #FB0E36

RGB 251 14 54

HSL 349.87, 0.97%, 0.52%

LAB 53.05, 78.96, 45.47

 

CMYK 0 / 94 / 94 / 2

HEX #FB0E0E

RGB 251 14 14

HSL 0, 0.97%, 0.52%

LAB 52.79, 78.25, 63.07

 

CMYK 0 / 94 / 53 / 2

HEX #FB0E77

RGB 251 14 119

HSL 333.42, 0.97%, 0.52%

LAB 54.19, 82.09, 8.38

 

CMYK 0 / 94 / 27 / 2

HEX #FB0EB7

RGB 251 14 183

HSL 317.22, 0.97%, 0.52%

LAB 56.33, 87.75, -26.36

 

CMYK 0 / 94 / 2 / 2

HEX #FB0EF7

RGB 251 14 247

HSL 301.01, 0.97%, 0.52%

LAB 59.47, 95.68, -57.8

 

CMYK 24 / 94 / 0 / 2

HEX #C00EFB

RGB 192 14 251

HSL 285.06, 0.97%, 0.52%

LAB 50.08, 87.69, -75.67

 

CMYK 49 / 94 / 0 / 2

HEX #800EFB

RGB 128 14 251

HSL 268.86, 0.97%, 0.52%

LAB 41.01, 80.81, -90.9

 

CMYK 0 / 94 / 53 / 2

HEX #FB0E77

RGB 251 14 119

HSL 333.42, 0.97%, 0.52%

LAB 54.19, 82.09, 8.38

 

CMYK 0 / 94 / 53 / 2

HEX #FB0E77

RGB 251 14 119

HSL 333.42, 0.97%, 0.52%

LAB 54.19, 82.09, 8.38

 

CMYK 0 / 85 / 48 / 9

HEX #E82279

RGB 232 34 121

HSL 333.64, 0.81%, 0.52%

LAB 51.47, 75.24, 2.79

 

CMYK 0 / 75 / 42 / 17

HEX #D4357B

RGB 212 53 123

HSL 333.58, 0.65%, 0.52%

LAB 49.46, 65.66, -1.8

 

CMYK 0 / 62 / 34 / 25

HEX #C0497E

RGB 192 73 126

HSL 333.28, 0.49%, 0.52%

LAB 48.86, 52.69, -4.9

 

CMYK 0 / 46 / 26 / 33

HEX #AC5D80

RGB 172 93 128

HSL 333.42, 0.32%, 0.52%

LAB 49.69, 36.47, -5.2

 

CMYK 0 / 94 / 2 / 2

HEX #FB0EF7

RGB 251 14 247

HSL 301.01, 0.97%, 0.52%

LAB 59.47, 95.68, -57.8

 

CMYK 0 / 94 / 27 / 2

HEX #FB0EB8

RGB 251 14 184

HSL 316.96, 0.97%, 0.52%

LAB 56.37, 87.86, -26.88

 

CMYK 0 / 94 / 52 / 2

HEX #FB0E79

RGB 251 14 121

HSL 332.91, 0.97%, 0.52%

LAB 54.24, 82.23, 7.25

 

CMYK 0 / 94 / 77 / 2

HEX #FB0E39

RGB 251 14 57

HSL 349.11, 0.97%, 0.52%

LAB 53.08, 79.05, 43.84

 

CMYK 0 / 86 / 94 / 2

HEX #FB220E

RGB 251 34 14

HSL 5.06, 0.97%, 0.52%

LAB 53.69, 75.65, 63.54

 

CMYK 0 / 98 / 55 / 29

HEX #B40351

RGB 180 3 81

HSL 333.56, 0.97%, 0.36%

LAB 38.49, 64.22, 7.76

 

CMYK 0 / 99 / 55 / 13

HEX #DD0363

RGB 221 3 99

HSL 333.58, 0.97%, 0.44%

LAB 47.42, 74.87, 10.19

 

CMYK 0 / 94 / 53 / 2

HEX #FB0E77

RGB 251 14 119

HSL 333.42, 0.97%, 0.52%

LAB 54.19, 82.09, 8.38

 

CMYK 0 / 78 / 44 / 1

HEX #FC378E

RGB 252 55 142

HSL 333.5, 0.97%, 0.6%

LAB 57.44, 77.11, -0.62

 

CMYK 0 / 62 / 35 / 1

HEX #FD5FA5

RGB 253 95 165

HSL 333.42, 0.98%, 0.68%

LAB 63.16, 66.12, -5.58

 

CMYK 0 / 94 / 53 / 2

HEX #FB0F77

RGB 251 15 119

HSL 333.56, 0.97%, 0.52%

LAB 54.22, 82.01, 8.43

 

CMYK 0 / 24 / 94 / 2

HEX #FBC00E

RGB 251 192 14

HSL 45.06, 0.97%, 0.52%

LAB 80.87, 8.28, 81.34

 

CMYK 94 / 14 / 0 / 2

HEX #0ED8FB

RGB 14 216 251

HSL 188.86, 0.97%, 0.52%

LAB 79.71, -31.26, -29.31

 

CMYK 0 / 94 / 53 / 2

HEX #FB0F77

RGB 251 15 119

HSL 333.56, 0.97%, 0.52%

LAB 54.22, 82.01, 8.43

 

CMYK 52 / 0 / 94 / 2

HEX #79FB0E

RGB 121 251 14

HSL 92.91, 0.97%, 0.52%

LAB 88.49, -68.16, 83.51

 

CMYK 94 / 52 / 0 / 2

HEX #0E79FB

RGB 14 121 251

HSL 212.91, 0.97%, 0.52%

LAB 52.66, 21.98, -72.05

 

CMYK 0 / 94 / 53 / 2

HEX #FB0F77

RGB 251 15 119

HSL 333.56, 0.97%, 0.52%

LAB 54.22, 82.01, 8.43

 

CMYK 0 / 24 / 94 / 2

HEX #FBC00E

RGB 251 192 14

HSL 45.06, 0.97%, 0.52%

LAB 80.87, 8.28, 81.34

 

CMYK 94 / 0 / 43 / 2

HEX #0EFB90

RGB 14 251 144

HSL 152.91, 0.97%, 0.52%

LAB 87.53, -72.47, 37.68

 

CMYK 94 / 71 / 0 / 2

HEX #0E49FB

RGB 14 73 251

HSL 225.06, 0.97%, 0.52%

LAB 40.93, 51.87, -91.25

 

CMYK 0 / 94 / 53 / 2

HEX #FB0F77

RGB 251 15 119

HSL 333.56, 0.97%, 0.52%

LAB 54.22, 82.01, 8.43

 

CMYK 5 / 0 / 94 / 2

HEX #EFFB0E

RGB 239 251 14

HSL 63.04, 0.97%, 0.52%

LAB 94.9, -26.1, 91.27

 

CMYK 94 / 0 / 43 / 2

HEX #0EFB90

RGB 14 251 144

HSL 152.91, 0.97%, 0.52%

LAB 87.53, -72.47, 37.68

 

CMYK 90 / 94 / 0 / 2

HEX #1A0EFB

RGB 26 14 251

HSL 243.04, 0.97%, 0.52%

LAB 32.92, 76.26, -104.58

 

Description

Color code: HEX #FB0F77 | qconv.com Color code: HEX #FB0F77 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 15 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 15 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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