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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAFD8C it is the complementary color #050273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAFD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAFD8C shade: #FFFD87, #FFFF9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAFD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAFD8C shade: #FAFD8C, #E9EB79, #D8D966, #C7C753 and #B6B540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAFD8C shade: #FAFD8B, #FDE18B, #FDC28B, #FDA48B and #FD8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAFD8C shade: #FAFD8B, #DBFD8B, #BCFD8B, #9EFD8B and #8BFD97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAFD8C shade matches the following richer shades: #FAFD8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAFD8C shade: #FAFD8B, #F1F394, #E8EA9E, #DFE0A7 and #D6D7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAFD8C shade: #FDC28B, #FDE08B, #FBFD8B, #DDFD8B and #BEFD8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAFD8C shade: #F6FC3A, #F8FC62, #FAFD8B, #FBFDB4 and #FDFEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAFD8C shade: #FAFD8C, #8BFDA4 and #D18BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAFD8C shade: #FAFD8C, #8BFBFD and #FD8BFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAFD8C shade: #FAFD8C, #8BFDA4, #8D8BFD and #FD8BE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAFD8C shade: #FAFD8C, #8BFDC6, #8D8BFD and #FD8BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 45 / 1

HEX #FAFD8C

RGB 250 253 140

HSL 61.59, 0.97%, 0.77%

LAB 97.01, -16.45, 53.44

 

Complementary color

CMYK 96 / 98 / 0 / 55

HEX #050273

RGB 5 2 115

HSL 241.59, 0.97%, 0.23%

LAB 11.37, 43.12, -59.02

 

CMYK 0 / 1 / 47 / 0

HEX #FFFD87

RGB 255 253 135

HSL 59, 1%, 0.76%

LAB 97.33, -14.97, 56.26

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8C

RGB 250 253 140

HSL 61.59, 0.97%, 0.77%

LAB 97.01, -16.45, 53.44

 

CMYK 1 / 0 / 49 / 8

HEX #E9EB79

RGB 233 235 121

HSL 61.05, 0.74%, 0.7%

LAB 90.83, -16.03, 54.57

 

CMYK 0 / 0 / 53 / 15

HEX #D8D966

RGB 216 217 102

HSL 60.52, 0.6%, 0.63%

LAB 84.58, -15.54, 55.65

 

CMYK 0 / 0 / 58 / 22

HEX #C7C753

RGB 199 199 83

HSL 60, 0.51%, 0.55%

LAB 78.24, -14.94, 56.65

 

CMYK 0 / 1 / 65 / 29

HEX #B6B540

RGB 182 181 64

HSL 59.49, 0.48%, 0.48%

LAB 71.8, -14.22, 57.44

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8B

RGB 250 253 139

HSL 61.58, 0.97%, 0.77%

LAB 97, -16.54, 53.9

 

CMYK 0 / 11 / 45 / 1

HEX #FDE18B

RGB 253 225 139

HSL 45.26, 0.97%, 0.77%

LAB 90.14, -1.49, 45.45

 

CMYK 0 / 23 / 45 / 1

HEX #FDC28B

RGB 253 194 139

HSL 28.95, 0.97%, 0.77%

LAB 82.56, 14.48, 35.76

 

CMYK 0 / 35 / 45 / 1

HEX #FDA48B

RGB 253 164 139

HSL 13.16, 0.97%, 0.77%

LAB 75.64, 30.19, 26.62

 

CMYK 0 / 45 / 45 / 1

HEX #FD8B8B

RGB 253 139 139

HSL 0, 0.97%, 0.77%

LAB 70.32, 43.05, 19.4

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8B

RGB 250 253 139

HSL 61.58, 0.97%, 0.77%

LAB 97, -16.54, 53.9

 

CMYK 13 / 0 / 45 / 1

HEX #DBFD8B

RGB 219 253 139

HSL 77.89, 0.97%, 0.77%

LAB 94.81, -28.27, 50.72

 

CMYK 26 / 0 / 45 / 1

HEX #BCFD8B

RGB 188 253 139

HSL 94.21, 0.97%, 0.77%

LAB 92.93, -39.36, 47.97

 

CMYK 38 / 0 / 45 / 1

HEX #9EFD8B

RGB 158 253 139

HSL 110, 0.97%, 0.77%

LAB 91.41, -49.14, 45.74

 

CMYK 45 / 0 / 40 / 1

HEX #8BFD97

RGB 139 253 151

HSL 126.32, 0.97%, 0.77%

LAB 90.77, -52.96, 38.93

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8B

RGB 250 253 139

HSL 61.58, 0.97%, 0.77%

LAB 97, -16.54, 53.9

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8B

RGB 250 253 139

HSL 61.58, 0.97%, 0.77%

LAB 97, -16.54, 53.9

 

CMYK 1 / 0 / 39 / 5

HEX #F1F394

RGB 241 243 148

HSL 61.26, 0.8%, 0.77%

LAB 93.86, -14.23, 45.54

 

CMYK 1 / 0 / 32 / 8

HEX #E8EA9E

RGB 232 234 158

HSL 61.58, 0.64%, 0.77%

LAB 90.99, -12.08, 36.76

 

CMYK 0 / 0 / 25 / 12

HEX #DFE0A7

RGB 223 224 167

HSL 61.05, 0.48%, 0.77%

LAB 87.87, -9.32, 27.89

 

CMYK 0 / 0 / 18 / 16

HEX #D6D7B1

RGB 214 215 177

HSL 61.58, 0.32%, 0.77%

LAB 85.03, -6.64, 18.68

 

CMYK 0 / 23 / 45 / 1

HEX #FDC28B

RGB 253 194 139

HSL 28.95, 0.97%, 0.77%

LAB 82.56, 14.48, 35.76

 

CMYK 0 / 11 / 45 / 1

HEX #FDE08B

RGB 253 224 139

HSL 44.74, 0.97%, 0.77%

LAB 89.89, -0.98, 45.14

 

CMYK 1 / 0 / 45 / 1

HEX #FBFD8B

RGB 251 253 139

HSL 61.05, 0.97%, 0.77%

LAB 97.07, -16.15, 54.01

 

CMYK 13 / 0 / 45 / 1

HEX #DDFD8B

RGB 221 253 139

HSL 76.84, 0.97%, 0.77%

LAB 94.94, -27.53, 50.91

 

CMYK 25 / 0 / 45 / 1

HEX #BEFD8B

RGB 190 253 139

HSL 93.16, 0.97%, 0.77%

LAB 93.04, -38.67, 48.13

 

CMYK 2 / 0 / 77 / 1

HEX #F6FC3A

RGB 246 252 58

HSL 61.86, 0.97%, 0.61%

LAB 95.8, -22.78, 84.21

 

CMYK 2 / 0 / 61 / 1

HEX #F8FC62

RGB 248 252 98

HSL 61.56, 0.96%, 0.69%

LAB 96.19, -20.04, 70.92

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8B

RGB 250 253 139

HSL 61.58, 0.97%, 0.77%

LAB 97, -16.54, 53.9

 

CMYK 1 / 0 / 29 / 1

HEX #FBFDB4

RGB 251 253 180

HSL 61.64, 0.95%, 0.85%

LAB 97.65, -11.69, 34.81

 

CMYK 0 / 0 / 13 / 0

HEX #FDFEDC

RGB 253 254 220

HSL 61.76, 0.94%, 0.93%

LAB 98.8, -5.91, 16.17

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8C

RGB 250 253 140

HSL 61.59, 0.97%, 0.77%

LAB 97.01, -16.45, 53.44

 

CMYK 45 / 0 / 35 / 1

HEX #8BFDA4

RGB 139 253 164

HSL 133.16, 0.97%, 0.77%

LAB 90.97, -50.91, 32.76

 

CMYK 17 / 45 / 0 / 1

HEX #D18BFD

RGB 209 139 253

HSL 276.84, 0.97%, 0.77%

LAB 68.83, 46.55, -46.62

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8C

RGB 250 253 140

HSL 61.59, 0.97%, 0.77%

LAB 97.01, -16.45, 53.44

 

CMYK 45 / 1 / 0 / 1

HEX #8BFBFD

RGB 139 251 253

HSL 181.05, 0.97%, 0.77%

LAB 92.39, -31.53, -10.95

 

CMYK 0 / 45 / 1 / 1

HEX #FD8BFB

RGB 253 139 251

HSL 301.05, 0.97%, 0.77%

LAB 73.75, 58.48, -37.48

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8C

RGB 250 253 140

HSL 61.59, 0.97%, 0.77%

LAB 97.01, -16.45, 53.44

 

CMYK 45 / 0 / 35 / 1

HEX #8BFDA4

RGB 139 253 164

HSL 133.16, 0.97%, 0.77%

LAB 90.97, -50.91, 32.76

 

CMYK 44 / 45 / 0 / 1

HEX #8D8BFD

RGB 141 139 253

HSL 241.05, 0.97%, 0.77%

LAB 62.69, 28.98, -56.74

 

CMYK 0 / 45 / 10 / 1

HEX #FD8BE4

RGB 253 139 228

HSL 313.16, 0.97%, 0.77%

LAB 72.86, 54.65, -26.29

 

CMYK 1 / 0 / 45 / 1

HEX #FAFD8C

RGB 250 253 140

HSL 61.59, 0.97%, 0.77%

LAB 97.01, -16.45, 53.44

 

CMYK 45 / 0 / 22 / 1

HEX #8BFDC6

RGB 139 253 198

HSL 151.05, 0.97%, 0.77%

LAB 91.6, -44.72, 16.36

 

CMYK 44 / 45 / 0 / 1

HEX #8D8BFD

RGB 141 139 253

HSL 241.05, 0.97%, 0.77%

LAB 62.69, 28.98, -56.74

 

CMYK 0 / 45 / 23 / 1

HEX #FD8BC2

RGB 253 139 194

HSL 331.05, 0.97%, 0.77%

LAB 71.72, 49.57, -9.24

 

Description

Color code: HEX #FAFD8C | qconv.com Color code: HEX #FAFD8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 253 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 253 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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