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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAFB7ACE it is the complementary color #050485CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAFB7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAFB7ACE shade: #FFFB75CE, #FFFF88CE, #FFFF9BCE, #FFFFAECE and #FFFFC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAFB7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAFB7ACE shade: #FAFB7ACE, #E9E967CE, #D8D754CE, #C7C541CE and #B6B32ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAFB7ACE shade: #FAFB79, #FBD979, #FBB679, #FB9379 and #FB7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAFB7ACE shade: #FAFB79, #D7FB79, #B4FB79, #91FB79 and #79FB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAFB7ACE shade matches the following richer shades: #FAFB79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAFB7ACE shade: #FAFB79, #EFF085, #E4E590, #D9D99B and #CECEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAFB7ACE shade: #FBB679, #FBD879, #FBFB79, #D8FB79 and #B6FB79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAFB7ACE shade: #F7F829, #F8FA51, #FAFB79, #FBFCA1 and #FDFDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAFB7ACE shade: #FAFB7A, #79FB93 and #C779FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAFB7ACE shade: #FAFB7A, #79FBFB and #FB79FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAFB7ACE shade: #FAFB7A, #79FB93, #7979FB and #FB79E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAFB7ACE shade: #FAFB7A, #79FBBA, #7979FB and #FB79BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 42 / 1

HEX #FAFB7ACE

RGBA 250 251 122 0.81

HSLA 60.47, 0.94%, 0.73%, 0.81

LABA 96.3, -17.05, 60.86, 0.81

 

Complementary color

CMYK 78 / 79 / 0 / 39

HEX #050485CE

RGBA 5 4 133 0.81

HSLA 240.47, 0.94%, 0.27%, 0.81

LABA 14.47, 47.37, -65.37, 0.81

 

CMYK 0 / 1 / 44 / 0

HEX #FFFB75CE

RGBA 255 251 117 0.81

HSLA 58.26, 1%, 0.73%, 0.81

LABA 96.63, -15.47, 63.56, 0.81

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF88CE

RGBA 255 255 136 0.81

HSLA 60, 1%, 0.77%, 0.81

LABA 97.86, -15.85, 56.42, 0.81

 

CMYK 0 / 0 / 32 / 0

HEX #FFFF9BCE

RGBA 255 255 155 0.81

HSLA 60, 1%, 0.8%, 0.81

LABA 98.09, -14.02, 47.73, 0.81

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFAECE

RGBA 255 255 174 0.81

HSLA 60, 1%, 0.84%, 0.81

LABA 98.37, -11.92, 38.8, 0.81

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFC1CE

RGBA 255 255 193 0.81

HSLA 60, 1%, 0.88%, 0.81

LABA 98.68, -9.55, 29.73, 0.81

 

CMYK 0 / 0 / 42 / 1

HEX #FAFB7ACE

RGBA 250 251 122 0.81

HSLA 60.47, 0.94%, 0.73%, 0.81

LABA 96.3, -17.05, 60.86, 0.81

 

CMYK 0 / 0 / 45 / 7

HEX #E9E967CE

RGBA 233 233 103 0.81

HSLA 60, 0.75%, 0.66%, 0.81

LABA 90.13, -16.5, 61.87, 0.81

 

CMYK 0 / 0 / 50 / 12

HEX #D8D754CE

RGBA 216 215 84 0.81

HSLA 59.55, 0.63%, 0.59%, 0.81

LABA 83.88, -15.85, 62.75, 0.81

 

CMYK 0 / 1 / 55 / 18

HEX #C7C541CE

RGBA 199 197 65 0.81

HSLA 59.1, 0.54%, 0.52%, 0.81

LABA 77.55, -15.07, 63.37, 0.81

 

CMYK 0 / 1 / 61 / 23

HEX #B6B32ECE

RGBA 182 179 46 0.81

HSLA 58.68, 0.6%, 0.45%, 0.81

LABA 71.13, -14.13, 63.52, 0.81

 

CMYK 0 / 0 / 52 / 2

HEX #FAFB79

RGB 250 251 121

HSL 60.46, 0.94%, 0.73%

LAB 96.29, -17.13, 61.3

 

CMYK 0 / 14 / 52 / 2

HEX #FBD979

RGB 251 217 121

HSL 44.31, 0.94%, 0.73%

LAB 87.73, 0.16, 51.21

 

CMYK 0 / 27 / 52 / 2

HEX #FBB679

RGB 251 182 121

HSL 28.15, 0.94%, 0.73%

LAB 79.24, 18.31, 40.75

 

CMYK 0 / 41 / 52 / 2

HEX #FB9379

RGB 251 147 121

HSL 12, 0.94%, 0.73%

LAB 71.39, 36.59, 30.68

 

CMYK 0 / 52 / 52 / 2

HEX #FB7979

RGB 251 121 121

HSL 0, 0.94%, 0.73%

LAB 66.19, 49.57, 23.78

 

CMYK 0 / 0 / 52 / 2

HEX #FAFB79

RGB 250 251 121

HSL 60.46, 0.94%, 0.73%

LAB 96.29, -17.13, 61.3

 

CMYK 14 / 0 / 52 / 2

HEX #D7FB79

RGB 215 251 121

HSL 76.62, 0.94%, 0.73%

LAB 93.81, -30.6, 57.77

 

CMYK 28 / 0 / 52 / 2

HEX #B4FB79

RGB 180 251 121

HSL 92.77, 0.94%, 0.73%

LAB 91.72, -43.23, 54.79

 

CMYK 42 / 0 / 52 / 2

HEX #91FB79

RGB 145 251 121

HSL 108.92, 0.94%, 0.73%

LAB 90.04, -54.46, 52.37

 

CMYK 52 / 0 / 47 / 2

HEX #79FB85

RGB 121 251 133

HSL 125.54, 0.94%, 0.73%

LAB 89.28, -59.47, 45.61

 

CMYK 0 / 0 / 52 / 2

HEX #FAFB79

RGB 250 251 121

HSL 60.46, 0.94%, 0.73%

LAB 96.29, -17.13, 61.3

 

CMYK 0 / 0 / 52 / 2

HEX #FAFB79

RGB 250 251 121

HSL 60.46, 0.94%, 0.73%

LAB 96.29, -17.13, 61.3

 

CMYK 0 / 0 / 45 / 6

HEX #EFF085

RGB 239 240 133

HSL 60.56, 0.78%, 0.73%

LAB 92.74, -15.03, 51.33

 

CMYK 0 / 0 / 37 / 10

HEX #E4E590

RGB 228 229 144

HSL 60.71, 0.62%, 0.73%

LAB 89.18, -12.74, 41.35

 

CMYK 0 / 0 / 29 / 15

HEX #D9D99B

RGB 217 217 155

HSL 60, 0.45%, 0.73%

LAB 85.37, -9.61, 30.64

 

CMYK 0 / 0 / 19 / 19

HEX #CECEA6

RGB 206 206 166

HSL 60, 0.29%, 0.73%

LAB 81.85, -6.6, 19.96

 

CMYK 0 / 27 / 52 / 2

HEX #FBB679

RGB 251 182 121

HSL 28.15, 0.94%, 0.73%

LAB 79.24, 18.31, 40.75

 

CMYK 0 / 14 / 52 / 2

HEX #FBD879

RGB 251 216 121

HSL 43.85, 0.94%, 0.73%

LAB 87.49, 0.67, 50.91

 

CMYK 0 / 0 / 52 / 2

HEX #FBFB79

RGB 251 251 121

HSL 60, 0.94%, 0.73%

LAB 96.36, -16.74, 61.4

 

CMYK 14 / 0 / 52 / 2

HEX #D8FB79

RGB 216 251 121

HSL 76.15, 0.94%, 0.73%

LAB 93.87, -30.22, 57.86

 

CMYK 27 / 0 / 52 / 2

HEX #B6FB79

RGB 182 251 121

HSL 91.85, 0.94%, 0.73%

LAB 91.83, -42.54, 54.94

 

CMYK 0 / 0 / 83 / 3

HEX #F7F829

RGB 247 248 41

HSL 60.29, 0.94%, 0.57%

LAB 94.77, -20.97, 87.47

 

CMYK 1 / 0 / 68 / 2

HEX #F8FA51

RGB 248 250 81

HSL 60.71, 0.94%, 0.65%

LAB 95.55, -20.04, 76.72

 

CMYK 0 / 0 / 52 / 2

HEX #FAFB79

RGB 250 251 121

HSL 60.46, 0.94%, 0.73%

LAB 96.29, -17.13, 61.3

 

CMYK 0 / 0 / 36 / 1

HEX #FBFCA1

RGB 251 252 161

HSL 60.66, 0.94%, 0.81%

LAB 97.11, -13.43, 43.5

 

CMYK 0 / 0 / 21 / 1

HEX #FDFDC9

RGB 253 253 201

HSL 60, 0.93%, 0.89%

LAB 98.17, -8.19, 24.96

 

CMYK 0 / 0 / 51 / 2

HEX #FAFB7A

RGB 250 251 122

HSL 60.47, 0.94%, 0.73%

LAB 96.3, -17.05, 60.86

 

CMYK 52 / 0 / 41 / 2

HEX #79FB93

RGB 121 251 147

HSL 132, 0.94%, 0.73%

LAB 89.47, -57.42, 39.08

 

CMYK 21 / 52 / 0 / 2

HEX #C779FB

RGB 199 121 251

HSL 276, 0.94%, 0.73%

LAB 63.98, 52.87, -53.26

 

CMYK 0 / 0 / 51 / 2

HEX #FAFB7A

RGB 250 251 122

HSL 60.47, 0.94%, 0.73%

LAB 96.3, -17.05, 60.86

 

CMYK 52 / 0 / 0 / 2

HEX #79FBFB

RGB 121 251 251

HSL 180, 0.94%, 0.73%

LAB 91.7, -35.78, -11

 

CMYK 0 / 52 / 0 / 2

HEX #FB79FB

RGB 251 121 251

HSL 300, 0.94%, 0.73%

LAB 70.28, 66.42, -42.91

 

CMYK 0 / 0 / 51 / 2

HEX #FAFB7A

RGB 250 251 122

HSL 60.47, 0.94%, 0.73%

LAB 96.3, -17.05, 60.86

 

CMYK 52 / 0 / 41 / 2

HEX #79FB93

RGB 121 251 147

HSL 132, 0.94%, 0.73%

LAB 89.47, -57.42, 39.08

 

CMYK 52 / 52 / 0 / 2

HEX #7979FB

RGB 121 121 251

HSL 240, 0.94%, 0.73%

LAB 56.79, 34.59, -65.17

 

CMYK 0 / 52 / 10 / 2

HEX #FB79E1

RGB 251 121 225

HSL 312, 0.94%, 0.73%

LAB 69.2, 62.19, -30.29

 

CMYK 0 / 0 / 51 / 2

HEX #FAFB7A

RGB 250 251 122

HSL 60.47, 0.94%, 0.73%

LAB 96.3, -17.05, 60.86

 

CMYK 52 / 0 / 26 / 2

HEX #79FBBA

RGB 121 251 186

HSL 150, 0.94%, 0.73%

LAB 90.14, -50.55, 20.37

 

CMYK 52 / 52 / 0 / 2

HEX #7979FB

RGB 121 121 251

HSL 240, 0.94%, 0.73%

LAB 56.79, 34.59, -65.17

 

CMYK 0 / 52 / 26 / 2

HEX #FB79BA

RGB 251 121 186

HSL 330, 0.94%, 0.73%

LAB 67.82, 56.58, -10.61

 

Description

Color code: HEX #FAFB7ACE | qconv.com Color code: HEX #FAFB7ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 251 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 251 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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