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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAF8CC it is the complementary color #050733. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAF8CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAF8CC shade: #FFF8C7, #FFFFDA, #FFFFED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAF8CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAF8CC shade: #FAF8CC, #E9E6B9, #D8D4A6, #C7C293 and #B6B080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAF8CC shade: #FAF8CC, #FAECCC, #FADFCC, #FAD3CC and #FACCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAF8CC shade: #FAF8CC, #F0FACC, #E3FACC, #D7FACC and #CCFACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAF8CC shade matches the following richer shades: #FAF8CC and #FEFCC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAF8CC shade: #FAF8CC, #F5F4D0, #F1F0D5, #ECECDA and #E8E7DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAF8CC shade: #FADFCC, #FAEBCC, #FAF8CC, #F0FACC and #E4FACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAF8CC shade: #F3EE81, #F6F3A6, #FAF8CC, #FEFDF1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAF8CC shade: #FAF8CC, #CCFAD3 and #E5CCFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAF8CC shade: #FAF8CC, #CCFAF8 and #F8CCFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAF8CC shade: #FAF8CC, #CCFAD3, #CCCEFA and #FACCF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAF8CC shade: #FAF8CC, #CCFAE1, #CCCEFA and #FACCE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

Complementary color

CMYK 90 / 86 / 0 / 80

HEX #050733

RGB 5 7 51

HSL 237.39, 0.82%, 0.11%

LAB 3.82, 13.68, -27.38

 

CMYK 0 / 3 / 22 / 0

HEX #FFF8C7

RGB 255 248 199

HSL 52.5, 1%, 0.89%

LAB 97.03, -5.26, 24.43

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 0 / 1 / 21 / 9

HEX #E9E6B9

RGB 233 230 185

HSL 56.25, 0.52%, 0.82%

LAB 90.51, -6.17, 22.35

HEX #E9E6B9

CMYK 0 / 2 / 23 / 15

HEX #D8D4A6

RGB 216 212 166

HSL 55.2, 0.39%, 0.75%

LAB 84.19, -5.96, 23.31

HEX #D8D4A6

CMYK 0 / 3 / 26 / 22

HEX #C7C293

RGB 199 194 147

HSL 54.23, 0.32%, 0.68%

LAB 77.78, -5.73, 24.33

HEX #C7C293

CMYK 0 / 3 / 30 / 29

HEX #B6B080

RGB 182 176 128

HSL 53.33, 0.27%, 0.61%

LAB 71.25, -5.45, 25.41

HEX #B6B080

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 0 / 6 / 18 / 2

HEX #FAECCC

RGB 250 236 204

HSL 41.74, 0.82%, 0.89%

LAB 93.74, -0.32, 17.23

 

CMYK 0 / 11 / 18 / 2

HEX #FADFCC

RGB 250 223 204

HSL 24.78, 0.82%, 0.89%

LAB 90.53, 6.33, 12.69

 

CMYK 0 / 16 / 18 / 2

HEX #FAD3CC

RGB 250 211 204

HSL 9.13, 0.82%, 0.89%

LAB 87.62, 12.56, 8.54

 

CMYK 0 / 18 / 18 / 2

HEX #FACCCC

RGB 250 204 204

HSL 0, 0.82%, 0.89%

LAB 85.94, 16.22, 6.13

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 4 / 0 / 18 / 2

HEX #F0FACC

RGB 240 250 204

HSL 73.04, 0.82%, 0.89%

LAB 96.52, -10.9, 20.99

 

CMYK 9 / 0 / 18 / 2

HEX #E3FACC

RGB 227 250 204

HSL 90, 0.82%, 0.89%

LAB 95.61, -15.43, 19.59

 

CMYK 14 / 0 / 18 / 2

HEX #D7FACC

RGB 215 250 204

HSL 105.65, 0.82%, 0.89%

LAB 94.81, -19.52, 18.36

 

CMYK 18 / 0 / 18 / 2

HEX #CCFACE

RGB 204 250 206

HSL 122.61, 0.82%, 0.89%

LAB 94.17, -22.84, 16.33

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 0 / 1 / 22 / 0

HEX #FEFCC7

RGB 254 252 199

HSL 57.82, 0.96%, 0.89%

LAB 97.96, -7.62, 25.69

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 0 / 0 / 15 / 4

HEX #F5F4D0

RGB 245 244 208

HSL 58.38, 0.65%, 0.89%

LAB 95.44, -5.54, 17.5

 

CMYK 0 / 0 / 12 / 5

HEX #F1F0D5

RGB 241 240 213

HSL 57.86, 0.5%, 0.89%

LAB 94.24, -4.17, 13.18

 

CMYK 0 / 0 / 8 / 7

HEX #ECECDA

RGB 236 236 218

HSL 60, 0.32%, 0.89%

LAB 92.96, -3.08, 8.72

 

CMYK 0 / 0 / 4 / 9

HEX #E8E7DE

RGB 232 231 222

HSL 54, 0.18%, 0.89%

LAB 91.5, -1.23, 4.48

 

CMYK 0 / 11 / 18 / 2

HEX #FADFCC

RGB 250 223 204

HSL 24.78, 0.82%, 0.89%

LAB 90.53, 6.33, 12.69

 

CMYK 0 / 6 / 18 / 2

HEX #FAEBCC

RGB 250 235 204

HSL 40.43, 0.82%, 0.89%

LAB 93.49, 0.19, 16.88

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 4 / 0 / 18 / 2

HEX #F0FACC

RGB 240 250 204

HSL 73.04, 0.82%, 0.89%

LAB 96.52, -10.9, 20.99

 

CMYK 9 / 0 / 18 / 2

HEX #E4FACC

RGB 228 250 204

HSL 88.7, 0.82%, 0.89%

LAB 95.67, -15.09, 19.69

 

CMYK 0 / 2 / 47 / 5

HEX #F3EE81

RGB 243 238 129

HSL 57.37, 0.83%, 0.73%

LAB 92.48, -12.86, 52.98

 

CMYK 0 / 1 / 33 / 4

HEX #F6F3A6

RGB 246 243 166

HSL 57.75, 0.82%, 0.81%

LAB 94.5, -10.32, 37.56

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 0 / 0 / 5 / 0

HEX #FEFDF1

RGB 254 253 241

HSL 55.38, 0.87%, 0.97%

LAB 99.09, -1.71, 5.84

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 18 / 0 / 16 / 2

HEX #CCFAD3

RGB 204 250 211

HSL 129.13, 0.82%, 0.89%

LAB 94.27, -21.98, 13.91

 

CMYK 8 / 18 / 0 / 2

HEX #E5CCFA

RGB 229 204 250

HSL 272.61, 0.82%, 0.89%

LAB 85.38, 17.05, -19.35

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 18 / 0 / 1 / 2

HEX #CCFAF8

RGB 204 250 248

HSL 177.39, 0.82%, 0.89%

LAB 95.16, -14.97, -3.91

 

CMYK 1 / 18 / 0 / 2

HEX #F8CCFA

RGB 248 204 250

HSL 297.39, 0.82%, 0.89%

LAB 87.02, 23.19, -16.71

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 18 / 0 / 16 / 2

HEX #CCFAD3

RGB 204 250 211

HSL 129.13, 0.82%, 0.89%

LAB 94.27, -21.98, 13.91

 

CMYK 18 / 18 / 0 / 2

HEX #CCCEFA

RGB 204 206 250

HSL 237.39, 0.82%, 0.89%

LAB 83.9, 8.14, -21.76

 

CMYK 0 / 18 / 3 / 2

HEX #FACCF3

RGB 250 204 243

HSL 309.13, 0.82%, 0.89%

LAB 86.99, 22.59, -13.03

 

CMYK 0 / 1 / 18 / 2

HEX #FAF8CC

RGB 250 248 204

HSL 57.39, 0.82%, 0.89%

LAB 96.75, -6.36, 21.42

 

CMYK 18 / 0 / 10 / 2

HEX #CCFAE1

RGB 204 250 225

HSL 147.39, 0.82%, 0.89%

LAB 94.59, -19.45, 7.15

 

CMYK 18 / 18 / 0 / 2

HEX #CCCEFA

RGB 204 206 250

HSL 237.39, 0.82%, 0.89%

LAB 83.9, 8.14, -21.76

 

CMYK 0 / 18 / 8 / 2

HEX #FACCE5

RGB 250 204 229

HSL 327.39, 0.82%, 0.89%

LAB 86.59, 20.18, -6.2

 

Description

Color code: HEX #FAF8CC | qconv.com Color code: HEX #FAF8CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 248 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 248 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 18 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 18% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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