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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAF457 it is the complementary color #050BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAF457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAF457 shade: #FFF452, #FFFF65, #FFFF78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAF457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAF457 shade: #FAF457, #E9E244, #D8D031, #C7BE1E and #B6AC0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAF457 shade: #FAF457, #FAC857, #FA9C57, #FA7057 and #FA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAF457 shade: #FAF457, #D4FA57, #A8FA57, #7CFA57 and #57FA5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAF457 shade matches the following richer shades: #FAF457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAF457 shade: #FAF457, #ECE765, #DEDA73, #D0CD81 and #C2C08F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAF457 shade: #FA9B57, #FAC657, #FAF257, #D6FA57 and #ABFA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAF457 shade: #F6EE08, #F9F12F, #FAF457, #FBF67F and #FCF9A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAF457 shade: #FAF457, #57FA6F and #B057FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAF457 shade: #FAF457, #57FAF2 and #F257FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAF457 shade: #FAF457, #57FA6F, #575FFA and #FA57E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAF457 shade: #FAF457, #57FAA0, #575FFA and #FA57B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

Complementary color

CMYK 97 / 93 / 0 / 34

HEX #050BA8

RGB 5 11 168

HSL 237.79, 0.94%, 0.34%

LAB 20.44, 55, -77.07

 

CMYK 0 / 4 / 68 / 0

HEX #FFF452

RGB 255 244 82

HSL 56.18, 1%, 0.66%

LAB 94.56, -14.26, 75.55

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 0 / 3 / 71 / 9

HEX #E9E244

RGB 233 226 68

HSL 57.45, 0.79%, 0.59%

LAB 88.03, -15.15, 73.54

 

CMYK 0 / 4 / 77 / 15

HEX #D8D031

RGB 216 208 49

HSL 57.13, 0.68%, 0.52%

LAB 81.8, -14.12, 73.37

 

CMYK 0 / 5 / 85 / 22

HEX #C7BE1E

RGB 199 190 30

HSL 56.8, 0.74%, 0.45%

LAB 75.49, -12.91, 72.35

 

CMYK 0 / 5 / 94 / 29

HEX #B6AC0B

RGB 182 172 11

HSL 56.49, 0.89%, 0.38%

LAB 69.09, -11.48, 70.02

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 0 / 20 / 65 / 2

HEX #FAC857

RGB 250 200 87

HSL 41.6, 0.94%, 0.66%

LAB 83.08, 6.08, 61.5

 

CMYK 0 / 38 / 65 / 2

HEX #FA9C57

RGB 250 156 87

HSL 25.4, 0.94%, 0.66%

LAB 72.75, 29.07, 50.03

 

CMYK 0 / 55 / 65 / 2

HEX #FA7057

RGB 250 112 87

HSL 9.2, 0.94%, 0.66%

LAB 63.84, 51.1, 39.58

 

CMYK 0 / 65 / 65 / 2

HEX #FA5757

RGB 250 87 87

HSL 0, 0.94%, 0.66%

LAB 59.73, 61.97, 34.58

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 15 / 0 / 65 / 2

HEX #D4FA57

RGB 212 250 87

HSL 73.99, 0.94%, 0.66%

LAB 93.04, -33.91, 71.13

 

CMYK 33 / 0 / 65 / 2

HEX #A8FA57

RGB 168 250 87

HSL 90.18, 0.94%, 0.66%

LAB 90.5, -49.96, 67.68

 

CMYK 50 / 0 / 65 / 2

HEX #7CFA57

RGB 124 250 87

HSL 106.38, 0.94%, 0.66%

LAB 88.61, -63.49, 65.1

 

CMYK 65 / 0 / 62 / 2

HEX #57FA5E

RGB 87 250 94

HSL 122.58, 0.94%, 0.66%

LAB 87.58, -71.37, 60.85

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 0 / 2 / 57 / 7

HEX #ECE765

RGB 236 231 101

HSL 57.78, 0.78%, 0.66%

LAB 89.82, -14.46, 62.46

 

CMYK 0 / 2 / 48 / 13

HEX #DEDA73

RGB 222 218 115

HSL 57.76, 0.62%, 0.66%

LAB 85.46, -12.52, 50.75

 

CMYK 0 / 1 / 38 / 18

HEX #D0CD81

RGB 208 205 129

HSL 57.72, 0.46%, 0.66%

LAB 81.1, -10.12, 38.21

 

CMYK 0 / 1 / 26 / 24

HEX #C2C08F

RGB 194 192 143

HSL 57.65, 0.29%, 0.66%

LAB 76.77, -7.15, 25.02

 

CMYK 0 / 38 / 65 / 2

HEX #FA9B57

RGB 250 155 87

HSL 25.03, 0.94%, 0.66%

LAB 72.53, 29.6, 49.78

 

CMYK 0 / 21 / 65 / 2

HEX #FAC657

RGB 250 198 87

HSL 40.86, 0.94%, 0.66%

LAB 82.59, 7.11, 60.97

 

CMYK 0 / 3 / 65 / 2

HEX #FAF257

RGB 250 242 87

HSL 57.06, 0.94%, 0.66%

LAB 93.67, -15.06, 72.65

 

CMYK 14 / 0 / 65 / 2

HEX #D6FA57

RGB 214 250 87

HSL 73.25, 0.94%, 0.66%

LAB 93.17, -33.14, 71.31

 

CMYK 32 / 0 / 65 / 2

HEX #ABFA57

RGB 171 250 87

HSL 89.08, 0.94%, 0.66%

LAB 90.65, -48.93, 67.89

 

CMYK 0 / 3 / 97 / 4

HEX #F6EE08

RGB 246 238 8

HSL 57.98, 0.94%, 0.5%

LAB 92.02, -17.07, 89.83

 

CMYK 0 / 3 / 81 / 2

HEX #F9F12F

RGB 249 241 47

HSL 57.62, 0.94%, 0.58%

LAB 93.13, -16.62, 84.82

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 0 / 2 / 49 / 2

HEX #FBF67F

RGB 251 246 127

HSL 57.58, 0.94%, 0.74%

LAB 95.14, -13.82, 57.25

 

CMYK 0 / 1 / 34 / 1

HEX #FCF9A7

RGB 252 249 167

HSL 57.88, 0.93%, 0.82%

LAB 96.51, -10.91, 39.78

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 65 / 0 / 56 / 2

HEX #57FA6F

RGB 87 250 111

HSL 128.83, 0.94%, 0.66%

LAB 87.75, -69.45, 53.71

 

CMYK 30 / 65 / 0 / 2

HEX #B057FA

RGB 176 87 250

HSL 272.76, 0.94%, 0.66%

LAB 55.02, 64.05, -67.2

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 65 / 0 / 3 / 2

HEX #57FAF2

RGB 87 250 242

HSL 177.06, 0.94%, 0.66%

LAB 90.23, -43.42, -8.6

 

CMYK 3 / 65 / 0 / 2

HEX #F257FA

RGB 242 87 250

HSL 297.06, 0.94%, 0.66%

LAB 63.83, 78.24, -52.6

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 65 / 0 / 56 / 2

HEX #57FA6F

RGB 87 250 111

HSL 128.83, 0.94%, 0.66%

LAB 87.75, -69.45, 53.71

 

CMYK 65 / 62 / 0 / 2

HEX #575FFA

RGB 87 95 250

HSL 237.06, 0.94%, 0.66%

LAB 48.4, 43.95, -78.32

 

CMYK 0 / 65 / 10 / 2

HEX #FA57E1

RGB 250 87 225

HSL 309.2, 0.94%, 0.66%

LAB 63.82, 76.18, -38.66

 

CMYK 0 / 2 / 65 / 2

HEX #FAF457

RGB 250 244 87

HSL 57.79, 0.94%, 0.66%

LAB 94.19, -16.03, 73.18

 

CMYK 65 / 0 / 36 / 2

HEX #57FAA0

RGB 87 250 160

HSL 146.87, 0.94%, 0.66%

LAB 88.42, -61.94, 31.06

 

CMYK 65 / 62 / 0 / 2

HEX #575FFA

RGB 87 95 250

HSL 237.06, 0.94%, 0.66%

LAB 48.4, 43.95, -78.32

 

CMYK 0 / 65 / 30 / 2

HEX #FA57B0

RGB 250 87 176

HSL 327.24, 0.94%, 0.66%

LAB 61.89, 69.68, -13.85

 

Description

Color code: HEX #FAF457 | qconv.com Color code: HEX #FAF457 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 244 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 244 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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