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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAF125 it is the complementary color #050EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAF125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAF125 shade: #FFF120, #FFFF33, #FFFF46, #FFFF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAF125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAF125 shade: #FAF125, #E9DF12, #D8CD00, #C7BB00 and #B6A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAF125 shade: #FBF123, #FBB723, #FB7D23, #FB4323 and #FB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAF125 shade: #FBF123, #CAFB23, #8FFB23, #55FB23 and #23FB2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAF125 shade matches the following richer shades: #FBF123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAF125 shade: #FBF123, #E8E135, #D6D047, #C4C05A and #B2AF6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAF125 shade: #FB7D23, #FBB623, #FBF023, #CCFB23 and #92FB23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAF125 shade: #C7BF04, #EFE605, #FBF123, #FBF44C and #FCF674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAF125 shade: #FAF125, #23FB43 and #9A23FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAF125 shade: #FAF125, #23FBF0 and #F023FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAF125 shade: #FAF125, #23FB43, #232EFB and #FB23DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAF125 shade: #FAF125, #23FB84, #232EFB and #FB239A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 85 / 2

HEX #FAF125

RGB 250 241 37

HSL 57.46, 0.96%, 0.56%

LAB 93.18, -16.46, 87.08

 

Complementary color

CMYK 98 / 94 / 0 / 15

HEX #050EDA

RGB 5 14 218

HSL 237.46, 0.96%, 0.44%

LAB 27.87, 67.7, -94.22

 

CMYK 0 / 5 / 87 / 0

HEX #FFF120

RGB 255 241 32

HSL 56.23, 1%, 0.56%

LAB 93.57, -14.48, 88.48

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF33

RGB 255 255 51

HSL 60, 1%, 0.6%

LAB 97.24, -20.77, 87.55

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF46

RGB 255 255 70

HSL 60, 1%, 0.64%

LAB 97.32, -20.11, 82.31

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 4 / 85 / 2

HEX #FAF125

RGB 250 241 37

HSL 57.46, 0.96%, 0.56%

LAB 93.18, -16.46, 87.08

 

CMYK 0 / 4 / 92 / 9

HEX #E9DF12

RGB 233 223 18

HSL 57.21, 0.86%, 0.49%

LAB 87.07, -15.09, 84.71

 

CMYK 0 / 5 / 100 / 15

HEX #D8CD00

RGB 216 205 0

HSL 56.94, 1%, 0.42%

LAB 80.88, -13.57, 81.22

 

CMYK 0 / 6 / 100 / 22

HEX #C7BB00

RGB 199 187 0

HSL 56.38, 1%, 0.39%

LAB 74.62, -11.84, 76.03

 

CMYK 0 / 7 / 100 / 29

HEX #B6A900

RGB 182 169 0

HSL 55.71, 1%, 0.36%

LAB 68.26, -10.06, 70.75

 

CMYK 0 / 4 / 86 / 2

HEX #FBF123

RGB 251 241 35

HSL 57.22, 0.96%, 0.56%

LAB 93.25, -16.08, 87.55

 

CMYK 0 / 27 / 86 / 2

HEX #FBB723

RGB 251 183 35

HSL 41.11, 0.96%, 0.56%

LAB 78.75, 13.29, 75.91

 

CMYK 0 / 50 / 86 / 2

HEX #FB7D23

RGB 251 125 35

HSL 25, 0.96%, 0.56%

LAB 65.98, 43.2, 65.65

 

CMYK 0 / 73 / 86 / 2

HEX #FB4323

RGB 251 67 35

HSL 8.89, 0.96%, 0.56%

LAB 56.73, 67.64, 58.2

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 4 / 86 / 2

HEX #FBF123

RGB 251 241 35

HSL 57.22, 0.96%, 0.56%

LAB 93.25, -16.08, 87.55

 

CMYK 20 / 0 / 86 / 2

HEX #CAFB23

RGB 202 251 35

HSL 73.61, 0.96%, 0.56%

LAB 92.43, -40.47, 85.44

 

CMYK 43 / 0 / 86 / 2

HEX #8FFB23

RGB 143 251 35

HSL 90, 0.96%, 0.56%

LAB 89.37, -61.26, 81.64

 

CMYK 66 / 0 / 86 / 2

HEX #55FB23

RGB 85 251 35

HSL 106.11, 0.96%, 0.56%

LAB 87.51, -76.05, 79.3

 

CMYK 86 / 0 / 83 / 2

HEX #23FB2B

RGB 35 251 43

HSL 122.22, 0.96%, 0.56%

LAB 86.76, -82.44, 76.65

 

CMYK 0 / 4 / 86 / 2

HEX #FBF123

RGB 251 241 35

HSL 57.22, 0.96%, 0.56%

LAB 93.25, -16.08, 87.55

 

CMYK 0 / 4 / 86 / 2

HEX #FBF123

RGB 251 241 35

HSL 57.22, 0.96%, 0.56%

LAB 93.25, -16.08, 87.55

 

CMYK 0 / 3 / 77 / 9

HEX #E8E135

RGB 232 225 53

HSL 57.65, 0.8%, 0.56%

LAB 87.61, -15.68, 77.9

 

CMYK 0 / 3 / 67 / 16

HEX #D6D047

RGB 214 208 71

HSL 57.48, 0.64%, 0.56%

LAB 81.76, -13.97, 65.71

 

CMYK 0 / 2 / 54 / 23

HEX #C4C05A

RGB 196 192 90

HSL 57.74, 0.47%, 0.56%

LAB 76.18, -12.11, 51.09

 

CMYK 0 / 2 / 39 / 30

HEX #B2AF6C

RGB 178 175 108

HSL 57.43, 0.31%, 0.56%

LAB 70.32, -8.99, 34.72

 

CMYK 0 / 50 / 86 / 2

HEX #FB7D23

RGB 251 125 35

HSL 25, 0.96%, 0.56%

LAB 65.98, 43.2, 65.65

 

CMYK 0 / 27 / 86 / 2

HEX #FBB623

RGB 251 182 35

HSL 40.83, 0.96%, 0.56%

LAB 78.51, 13.81, 75.72

 

CMYK 0 / 4 / 86 / 2

HEX #FBF023

RGB 251 240 35

HSL 56.94, 0.96%, 0.56%

LAB 92.99, -15.6, 87.34

 

CMYK 19 / 0 / 86 / 2

HEX #CCFB23

RGB 204 251 35

HSL 73.06, 0.96%, 0.56%

LAB 92.55, -39.7, 85.59

 

CMYK 42 / 0 / 86 / 2

HEX #92FB23

RGB 146 251 35

HSL 89.17, 0.96%, 0.56%

LAB 89.5, -60.32, 81.79

 

CMYK 0 / 4 / 98 / 22

HEX #C7BF04

RGB 199 191 4

HSL 57.54, 0.96%, 0.4%

LAB 75.71, -13.83, 76.4

 

CMYK 0 / 4 / 98 / 6

HEX #EFE605

RGB 239 230 5

HSL 57.69, 0.96%, 0.48%

LAB 89.37, -16.13, 87.85

 

CMYK 0 / 4 / 86 / 2

HEX #FBF123

RGB 251 241 35

HSL 57.22, 0.96%, 0.56%

LAB 93.25, -16.08, 87.55

 

CMYK 0 / 3 / 70 / 2

HEX #FBF44C

RGB 251 244 76

HSL 57.6, 0.96%, 0.64%

LAB 94.2, -16.18, 77.23

 

CMYK 0 / 2 / 54 / 1

HEX #FCF674

RGB 252 246 116

HSL 57.35, 0.96%, 0.72%

LAB 95.11, -14.31, 62.2

 

CMYK 0 / 4 / 85 / 2

HEX #FAF125

RGB 250 241 37

HSL 57.46, 0.96%, 0.56%

LAB 93.18, -16.46, 87.08

 

CMYK 86 / 0 / 73 / 2

HEX #23FB43

RGB 35 251 67

HSL 128.89, 0.96%, 0.56%

LAB 86.88, -80.99, 69.96

 

CMYK 39 / 86 / 0 / 2

HEX #9A23FB

RGB 154 35 251

HSL 273.06, 0.96%, 0.56%

LAB 45.69, 79.54, -83.08

 

CMYK 0 / 4 / 85 / 2

HEX #FAF125

RGB 250 241 37

HSL 57.46, 0.96%, 0.56%

LAB 93.18, -16.46, 87.08

 

CMYK 86 / 0 / 4 / 2

HEX #23FBF0

RGB 35 251 240

HSL 176.94, 0.96%, 0.56%

LAB 89.69, -49.49, -8.45

 

CMYK 4 / 86 / 0 / 2

HEX #F023FB

RGB 240 35 251

HSL 296.94, 0.96%, 0.56%

LAB 58.69, 92.05, -61.38

 

CMYK 0 / 4 / 85 / 2

HEX #FAF125

RGB 250 241 37

HSL 57.46, 0.96%, 0.56%

LAB 93.18, -16.46, 87.08

 

CMYK 86 / 0 / 73 / 2

HEX #23FB43

RGB 35 251 67

HSL 128.89, 0.96%, 0.56%

LAB 86.88, -80.99, 69.96

 

CMYK 86 / 82 / 0 / 2

HEX #232EFB

RGB 35 46 251

HSL 236.94, 0.96%, 0.56%

LAB 36.51, 66.44, -98.58

 

CMYK 0 / 86 / 13 / 2

HEX #FB23DA

RGB 251 35 218

HSL 309.17, 0.96%, 0.56%

LAB 58.76, 89.39, -42.64

 

CMYK 0 / 4 / 85 / 2

HEX #FAF125

RGB 250 241 37

HSL 57.46, 0.96%, 0.56%

LAB 93.18, -16.46, 87.08

 

CMYK 86 / 0 / 47 / 2

HEX #23FB84

RGB 35 251 132

HSL 146.94, 0.96%, 0.56%

LAB 87.49, -73.42, 43.47

 

CMYK 86 / 82 / 0 / 2

HEX #232EFB

RGB 35 46 251

HSL 236.94, 0.96%, 0.56%

LAB 36.51, 66.44, -98.58

 

CMYK 0 / 86 / 39 / 2

HEX #FB239A

RGB 251 35 154

HSL 326.94, 0.96%, 0.56%

LAB 56.13, 82.27, -9.67

 

Description

Color code: HEX #FAF125 | qconv.com Color code: HEX #FAF125 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 241 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 241 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 85 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 85% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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