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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAEE64 it is the complementary color #05119B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAEE64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAEE64 shade: #FFEE5F, #FFFF72, #FFFF85, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAEE64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAEE64 shade: #FAEE64, #E9DC51, #D8CA3E, #C7B82B and #B6A618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAEE64 shade: #FAEE66, #FAC666, #FA9E66, #FA7666 and #FA6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAEE64 shade: #FAEE66, #DEFA66, #B6FA66, #8EFA66 and #66FA66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAEE64 shade matches the following richer shades: #FAEE66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAEE64 shade: #FAEE66, #EDE472, #E1D97F, #D4CE8C and #C7C399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAEE64 shade: #FA9F66, #FAC666, #FAEE66, #DFFA66 and #B7FA66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAEE64 shade: #F8E616, #F9EA3E, #FAEE66, #FBF38E and #FDF7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAEE64 shade: #FAEE64, #66FA77 and #B266FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAEE64 shade: #FAEE64, #66FAEE and #EE66FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAEE64 shade: #FAEE64, #66FA77, #6672FA and #FA66E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAEE64 shade: #FAEE64, #66FAA4, #6672FA and #FA66BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 60 / 2

HEX #FAEE64

RGB 250 238 100

HSL 55.2, 0.94%, 0.69%

LAB 92.75, -12.32, 66.43

 

Complementary color

CMYK 97 / 89 / 0 / 39

HEX #05119B

RGB 5 17 155

HSL 235.2, 0.94%, 0.31%

LAB 19.22, 49.23, -71.16

 

CMYK 0 / 7 / 63 / 0

HEX #FFEE5F

RGB 255 238 95

HSL 53.63, 1%, 0.69%

LAB 93.12, -10.61, 69.02

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 5 / 60 / 2

HEX #FAEE64

RGB 250 238 100

HSL 55.2, 0.94%, 0.69%

LAB 92.75, -12.32, 66.43

 

CMYK 0 / 6 / 65 / 9

HEX #E9DC51

RGB 233 220 81

HSL 54.87, 0.78%, 0.62%

LAB 86.56, -11.51, 67.21

 

CMYK 0 / 6 / 71 / 15

HEX #D8CA3E

RGB 216 202 62

HSL 54.55, 0.66%, 0.55%

LAB 80.29, -10.57, 67.67

 

CMYK 0 / 8 / 78 / 22

HEX #C7B82B

RGB 199 184 43

HSL 54.23, 0.64%, 0.47%

LAB 73.93, -9.45, 67.57

 

CMYK 0 / 9 / 87 / 29

HEX #B6A618

RGB 182 166 24

HSL 53.92, 0.77%, 0.4%

LAB 67.49, -8.12, 66.52

 

CMYK 0 / 5 / 59 / 2

HEX #FAEE66

RGB 250 238 102

HSL 55.14, 0.94%, 0.69%

LAB 92.77, -12.19, 65.61

 

CMYK 0 / 21 / 59 / 2

HEX #FAC666

RGB 250 198 102

HSL 38.92, 0.94%, 0.69%

LAB 82.74, 8.07, 54.31

 

CMYK 0 / 37 / 59 / 2

HEX #FA9E66

RGB 250 158 102

HSL 22.7, 0.94%, 0.69%

LAB 73.37, 29.01, 43.22

 

CMYK 0 / 53 / 59 / 2

HEX #FA7666

RGB 250 118 102

HSL 6.49, 0.94%, 0.69%

LAB 65.15, 49.21, 33

 

CMYK 0 / 59 / 59 / 2

HEX #FA6666

RGB 250 102 102

HSL 0, 0.94%, 0.69%

LAB 62.33, 56.57, 29.38

 

CMYK 0 / 5 / 59 / 2

HEX #FAEE66

RGB 250 238 102

HSL 55.14, 0.94%, 0.69%

LAB 92.77, -12.19, 65.61

 

CMYK 11 / 0 / 59 / 2

HEX #DEFA66

RGB 222 250 102

HSL 71.35, 0.94%, 0.69%

LAB 93.82, -29.03, 66.18

 

CMYK 27 / 0 / 59 / 2

HEX #B6FA66

RGB 182 250 102

HSL 87.57, 0.94%, 0.69%

LAB 91.36, -43.9, 62.75

 

CMYK 43 / 0 / 59 / 2

HEX #8EFA66

RGB 142 250 102

HSL 103.78, 0.94%, 0.69%

LAB 89.43, -56.99, 60.05

 

CMYK 59 / 0 / 59 / 2

HEX #66FA66

RGB 102 250 102

HSL 120, 0.94%, 0.69%

LAB 88.04, -67.43, 58.1

 

CMYK 0 / 5 / 59 / 2

HEX #FAEE66

RGB 250 238 102

HSL 55.14, 0.94%, 0.69%

LAB 92.77, -12.19, 65.61

 

CMYK 0 / 5 / 59 / 2

HEX #FAEE66

RGB 250 238 102

HSL 55.14, 0.94%, 0.69%

LAB 92.77, -12.19, 65.61

 

CMYK 0 / 4 / 52 / 7

HEX #EDE472

RGB 237 228 114

HSL 55.61, 0.77%, 0.69%

LAB 89.26, -11.58, 56.02

 

CMYK 0 / 4 / 44 / 12

HEX #E1D97F

RGB 225 217 127

HSL 55.1, 0.62%, 0.69%

LAB 85.59, -9.69, 45.16

 

CMYK 0 / 3 / 34 / 17

HEX #D4CE8C

RGB 212 206 140

HSL 55, 0.46%, 0.69%

LAB 81.86, -7.79, 33.63

 

CMYK 0 / 2 / 23 / 22

HEX #C7C399

RGB 199 195 153

HSL 54.78, 0.29%, 0.69%

LAB 78.15, -5.41, 21.66

 

CMYK 0 / 36 / 59 / 2

HEX #FA9F66

RGB 250 159 102

HSL 23.11, 0.94%, 0.69%

LAB 73.6, 28.48, 43.49

 

CMYK 0 / 21 / 59 / 2

HEX #FAC666

RGB 250 198 102

HSL 38.92, 0.94%, 0.69%

LAB 82.74, 8.07, 54.31

 

CMYK 0 / 5 / 59 / 2

HEX #FAEE66

RGB 250 238 102

HSL 55.14, 0.94%, 0.69%

LAB 92.77, -12.19, 65.61

 

CMYK 11 / 0 / 59 / 2

HEX #DFFA66

RGB 223 250 102

HSL 70.95, 0.94%, 0.69%

LAB 93.89, -28.65, 66.27

 

CMYK 27 / 0 / 59 / 2

HEX #B7FA66

RGB 183 250 102

HSL 87.16, 0.94%, 0.69%

LAB 91.41, -43.54, 62.83

 

CMYK 0 / 7 / 91 / 3

HEX #F8E616

RGB 248 230 22

HSL 55.22, 0.94%, 0.53%

LAB 90.14, -12.18, 87.09

 

CMYK 0 / 6 / 75 / 2

HEX #F9EA3E

RGB 249 234 62

HSL 55.19, 0.94%, 0.61%

LAB 91.38, -12.71, 79.14

 

CMYK 0 / 5 / 59 / 2

HEX #FAEE66

RGB 250 238 102

HSL 55.14, 0.94%, 0.69%

LAB 92.77, -12.19, 65.61

 

CMYK 0 / 3 / 43 / 2

HEX #FBF38E

RGB 251 243 142

HSL 55.6, 0.93%, 0.77%

LAB 94.55, -10.98, 49.48

 

CMYK 0 / 2 / 28 / 1

HEX #FDF7B6

RGB 253 247 182

HSL 54.93, 0.95%, 0.85%

LAB 96.32, -7.74, 32.05

 

CMYK 0 / 5 / 60 / 2

HEX #FAEE64

RGB 250 238 100

HSL 55.2, 0.94%, 0.69%

LAB 92.75, -12.32, 66.43

 

CMYK 59 / 0 / 52 / 2

HEX #66FA77

RGB 102 250 119

HSL 126.89, 0.94%, 0.69%

LAB 88.22, -65.41, 50.74

 

CMYK 29 / 59 / 0 / 2

HEX #B266FA

RGB 178 102 250

HSL 270.81, 0.94%, 0.69%

LAB 57.91, 57.24, -62.53

 

CMYK 0 / 5 / 60 / 2

HEX #FAEE64

RGB 250 238 100

HSL 55.2, 0.94%, 0.69%

LAB 92.75, -12.32, 66.43

 

CMYK 59 / 0 / 5 / 2

HEX #66FAEE

RGB 102 250 238

HSL 175.14, 0.94%, 0.69%

LAB 90.49, -42.11, -6.1

 

CMYK 5 / 59 / 0 / 2

HEX #EE66FA

RGB 238 102 250

HSL 295.14, 0.94%, 0.69%

LAB 65.42, 71.35, -50.12

 

CMYK 0 / 5 / 60 / 2

HEX #FAEE64

RGB 250 238 100

HSL 55.2, 0.94%, 0.69%

LAB 92.75, -12.32, 66.43

 

CMYK 59 / 0 / 52 / 2

HEX #66FA77

RGB 102 250 119

HSL 126.89, 0.94%, 0.69%

LAB 88.22, -65.41, 50.74

 

CMYK 59 / 54 / 0 / 2

HEX #6672FA

RGB 102 114 250

HSL 235.14, 0.94%, 0.69%

LAB 53.77, 34.9, -69.55

 

CMYK 0 / 59 / 7 / 2

HEX #FA66E9

RGB 250 102 233

HSL 306.89, 0.94%, 0.69%

LAB 66.3, 71.51, -39.24

 

CMYK 0 / 5 / 60 / 2

HEX #FAEE64

RGB 250 238 100

HSL 55.2, 0.94%, 0.69%

LAB 92.75, -12.32, 66.43

 

CMYK 59 / 0 / 34 / 2

HEX #66FAA4

RGB 102 250 164

HSL 145.14, 0.94%, 0.69%

LAB 88.86, -58.4, 29.72

 

CMYK 59 / 54 / 0 / 2

HEX #6672FA

RGB 102 114 250

HSL 235.14, 0.94%, 0.69%

LAB 53.77, 34.9, -69.55

 

CMYK 0 / 59 / 25 / 2

HEX #FA66BC

RGB 250 102 188

HSL 325.14, 0.94%, 0.69%

LAB 64.53, 65.09, -16.71

 

Description

Color code: HEX #FAEE64 | qconv.com Color code: HEX #FAEE64 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 238 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 238 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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