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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FADF07 it is the complementary color #0520F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FADF07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FADF07 shade: #FFDF02, #FFF115, #FFFF28, #FFFF3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FADF07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FADF07 shade: #FADF07, #E9CD00, #D8BB00, #C7A900 and #B69700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FADF07 shade: #FADF05, #FA9D05, #FA5B05, #FA1905 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FADF07 shade: #FADF05, #D3FA05, #91FA05, #4FFA05 and #0DFA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FADF07 shade matches the following richer shades: #FADF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FADF07 shade: #FADF05, #E5CF1A, #D1BF2E, #BCAF43 and #A79F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FADF07 shade: #FA5B05, #FA9C05, #FADD05, #D5FA05 and #94FA05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FADF07 shade: #A99703, #D1BB04, #FADF05, #FBE42E and #FCE956

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FADF07 shade: #FADF07, #05FA1A and #7B05FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FADF07 shade: #FADF07, #05FADD and #DD05FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FADF07 shade: #FADF07, #05FA1A, #0522FA and #FA05E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FADF07 shade: #FADF07, #05FA63, #0522FA and #FA059C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 97 / 2

HEX #FADF07

RGB 250 223 7

HSL 53.33, 0.96%, 0.5%

LAB 88.5, -8.01, 87.47

 

Complementary color

CMYK 98 / 87 / 0 / 3

HEX #0520F8

RGB 5 32 248

HSL 233.33, 0.96%, 0.5%

LAB 33.65, 70.55, -101.67

 

CMYK 0 / 13 / 99 / 0

HEX #FFDF02

RGB 255 223 2

HSL 52.41, 1%, 0.5%

LAB 88.94, -5.94, 88.4

 

CMYK 0 / 5 / 92 / 0

HEX #FFF115

RGB 255 241 21

HSL 56.41, 1%, 0.54%

LAB 93.55, -14.65, 90.07

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF28

RGB 255 255 40

HSL 60, 1%, 0.58%

LAB 97.2, -21.05, 89.93

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 11 / 97 / 2

HEX #FADF07

RGB 250 223 7

HSL 53.33, 0.96%, 0.5%

LAB 88.5, -8.01, 87.47

 

CMYK 0 / 12 / 100 / 9

HEX #E9CD00

RGB 233 205 0

HSL 52.79, 1%, 0.46%

LAB 82.37, -6.26, 82.97

 

CMYK 0 / 13 / 100 / 15

HEX #D8BB00

RGB 216 187 0

HSL 51.94, 1%, 0.42%

LAB 76.15, -4.4, 77.83

 

CMYK 0 / 15 / 100 / 22

HEX #C7A900

RGB 199 169 0

HSL 50.95, 1%, 0.39%

LAB 69.84, -2.48, 72.61

 

CMYK 0 / 17 / 100 / 29

HEX #B69700

RGB 182 151 0

HSL 49.78, 1%, 0.36%

LAB 63.41, -0.49, 67.29

 

CMYK 0 / 11 / 98 / 2

HEX #FADF05

RGB 250 223 5

HSL 53.39, 0.96%, 0.5%

LAB 88.5, -8.03, 87.64

 

CMYK 0 / 37 / 98 / 2

HEX #FA9D05

RGB 250 157 5

HSL 37.22, 0.96%, 0.5%

LAB 72.53, 26.06, 76.49

 

CMYK 0 / 64 / 98 / 2

HEX #FA5B05

RGB 250 91 5

HSL 21.06, 0.96%, 0.5%

LAB 59.72, 58.02, 68.6

 

CMYK 0 / 90 / 98 / 2

HEX #FA1905

RGB 250 25 5

HSL 4.9, 0.96%, 0.5%

LAB 52.98, 76.73, 65.26

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 11 / 98 / 2

HEX #FADF05

RGB 250 223 5

HSL 53.39, 0.96%, 0.5%

LAB 88.5, -8.03, 87.64

 

CMYK 16 / 0 / 98 / 2

HEX #D3FA05

RGB 211 250 5

HSL 69.55, 0.96%, 0.5%

LAB 92.68, -36.97, 89.41

 

CMYK 42 / 0 / 98 / 2

HEX #91FA05

RGB 145 250 5

HSL 85.71, 0.96%, 0.5%

LAB 89.11, -60.82, 85.11

 

CMYK 68 / 0 / 98 / 2

HEX #4FFA05

RGB 79 250 5

HSL 101.88, 0.96%, 0.5%

LAB 87.02, -77.53, 82.56

 

CMYK 95 / 0 / 98 / 2

HEX #0DFA05

RGB 13 250 5

HSL 118.04, 0.96%, 0.5%

LAB 86.24, -84.44, 81.61

 

CMYK 0 / 11 / 98 / 2

HEX #FADF05

RGB 250 223 5

HSL 53.39, 0.96%, 0.5%

LAB 88.5, -8.03, 87.64

 

CMYK 0 / 11 / 98 / 2

HEX #FADF05

RGB 250 223 5

HSL 53.39, 0.96%, 0.5%

LAB 88.5, -8.03, 87.64

 

CMYK 0 / 10 / 89 / 10

HEX #E5CF1A

RGB 229 207 26

HSL 53.5, 0.8%, 0.5%

LAB 82.57, -8.69, 79.92

 

CMYK 0 / 9 / 78 / 18

HEX #D1BF2E

RGB 209 191 46

HSL 53.37, 0.64%, 0.5%

LAB 76.69, -8.61, 69.46

 

CMYK 0 / 7 / 64 / 26

HEX #BCAF43

RGB 188 175 67

HSL 53.55, 0.47%, 0.5%

LAB 70.7, -8.37, 55.18

 

CMYK 0 / 5 / 47 / 35

HEX #A79F58

RGB 167 159 88

HSL 53.92, 0.31%, 0.5%

LAB 64.74, -7.21, 37.89

 

CMYK 0 / 64 / 98 / 2

HEX #FA5B05

RGB 250 91 5

HSL 21.06, 0.96%, 0.5%

LAB 59.72, 58.02, 68.6

 

CMYK 0 / 38 / 98 / 2

HEX #FA9C05

RGB 250 156 5

HSL 36.98, 0.96%, 0.5%

LAB 72.3, 26.58, 76.34

 

CMYK 0 / 12 / 98 / 2

HEX #FADD05

RGB 250 221 5

HSL 52.9, 0.96%, 0.5%

LAB 87.99, -7.03, 87.27

 

CMYK 15 / 0 / 98 / 2

HEX #D5FA05

RGB 213 250 5

HSL 69.06, 0.96%, 0.5%

LAB 92.81, -36.18, 89.56

 

CMYK 41 / 0 / 98 / 2

HEX #94FA05

RGB 148 250 5

HSL 84.98, 0.96%, 0.5%

LAB 89.24, -59.86, 85.27

 

CMYK 0 / 11 / 98 / 34

HEX #A99703

RGB 169 151 3

HSL 53.49, 0.97%, 0.34%

LAB 62.15, -6.36, 65.38

 

CMYK 0 / 11 / 98 / 18

HEX #D1BB04

RGB 209 187 4

HSL 53.56, 0.96%, 0.42%

LAB 75.52, -7.42, 76.65

 

CMYK 0 / 11 / 98 / 2

HEX #FADF05

RGB 250 223 5

HSL 53.39, 0.96%, 0.5%

LAB 88.5, -8.03, 87.64

 

CMYK 0 / 9 / 82 / 2

HEX #FBE42E

RGB 251 228 46

HSL 53.27, 0.96%, 0.58%

LAB 89.95, -9.44, 82.44

 

CMYK 0 / 8 / 66 / 1

HEX #FCE956

RGB 252 233 86

HSL 53.13, 0.97%, 0.66%

LAB 91.53, -9.88, 70.88

 

CMYK 0 / 11 / 97 / 2

HEX #FADF07

RGB 250 223 7

HSL 53.33, 0.96%, 0.5%

LAB 88.5, -8.01, 87.47

 

CMYK 98 / 0 / 90 / 2

HEX #05FA1A

RGB 5 250 26

HSL 125.14, 0.96%, 0.5%

LAB 86.24, -84.27, 79.39

 

CMYK 51 / 98 / 0 / 2

HEX #7B05FA

RGB 123 5 250

HSL 268.9, 0.96%, 0.5%

LAB 39.95, 81.22, -92.11

 

CMYK 0 / 11 / 97 / 2

HEX #FADF07

RGB 250 223 7

HSL 53.33, 0.96%, 0.5%

LAB 88.5, -8.01, 87.47

 

CMYK 98 / 0 / 12 / 2

HEX #05FADD

RGB 5 250 221

HSL 172.9, 0.96%, 0.5%

LAB 88.74, -55.26, 0.03

 

CMYK 12 / 98 / 0 / 2

HEX #DD05FA

RGB 221 5 250

HSL 292.9, 0.96%, 0.5%

LAB 54.43, 92.17, -67.84

 

CMYK 0 / 11 / 97 / 2

HEX #FADF07

RGB 250 223 7

HSL 53.33, 0.96%, 0.5%

LAB 88.5, -8.01, 87.47

 

CMYK 98 / 0 / 90 / 2

HEX #05FA1A

RGB 5 250 26

HSL 125.14, 0.96%, 0.5%

LAB 86.24, -84.27, 79.39

 

CMYK 98 / 86 / 0 / 2

HEX #0522FA

RGB 5 34 250

HSL 232.9, 0.96%, 0.5%

LAB 34.15, 70.4, -101.97

 

CMYK 0 / 98 / 8 / 2

HEX #FA05E6

RGB 250 5 230

HSL 304.9, 0.96%, 0.5%

LAB 58.18, 93.79, -50.36

 

CMYK 0 / 11 / 97 / 2

HEX #FADF07

RGB 250 223 7

HSL 53.33, 0.96%, 0.5%

LAB 88.5, -8.01, 87.47

 

CMYK 98 / 0 / 60 / 2

HEX #05FA63

RGB 5 250 99

HSL 143.02, 0.96%, 0.5%

LAB 86.65, -79.04, 57.44

 

CMYK 98 / 86 / 0 / 2

HEX #0522FA

RGB 5 34 250

HSL 232.9, 0.96%, 0.5%

LAB 34.15, 70.4, -101.97

 

CMYK 0 / 98 / 38 / 2

HEX #FA059C

RGB 250 5 156

HSL 323.02, 0.96%, 0.5%

LAB 54.9, 85.47, -12.73

 

Description

Color code: HEX #FADF07 | qconv.com Color code: HEX #FADF07 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 223 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 223 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 97 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 97% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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