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Color name
HEX #FADE9D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FADE9D it is the complementary color #052162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FADE9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FADE9D shade: #FFDE98, #FFF0AB, #FFFFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FADE9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FADE9D shade: #FADE9D, #E9CC8A, #D8BA77, #C7A864 and #B69651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FADE9D shade: #FADE9E, #FAC69E, #FAAD9E and #FA9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FADE9D shade: #FADE9E, #FAF79E, #E4FA9E, #CBFA9E and #B3FA9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FADE9D shade matches the following richer shades: #FADE9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FADE9D shade: #FADE9E, #F2DBA6, #E9D8AF, #E1D4B7 and #D9D1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FADE9D shade: #FAAC9E, #FAC49E, #FADD9E, #FAF59E and #E6FA9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FADE9D shade: #F6C450, #F8D177, #FADE9E, #FCECC5 and #FEF9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FADE9D shade: #FADE9D, #A9FA9E and #B89EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FADE9D shade: #FADE9D, #9EFADD and #DD9EFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FADE9D shade: #FADE9D, #A9FA9E, #9EBBFA and #EF9EFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FADE9D shade: #FADE9D, #9EFAAF, #9EBBFA and #FA9EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 37 / 2

HEX #FADE9D

RGB 250 222 157

HSL 41.94, 0.9%, 0.8%

LAB 89.39, 0.73, 35.44

 

Complementary color

CMYK 95 / 66 / 0 / 62

HEX #052162

RGB 5 33 98

HSL 221.94, 0.9%, 0.2%

LAB 15.5, 18.86, -41.03

 

CMYK 0 / 13 / 40 / 0

HEX #FFDE98

RGB 255 222 152

HSL 40.78, 1%, 0.8%

LAB 89.75, 2.13, 38.52

 

CMYK 0 / 6 / 33 / 0

HEX #FFF0AB

RGB 255 240 171

HSL 49.29, 1%, 0.84%

LAB 94.53, -4.85, 35.23

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9D

RGB 250 222 157

HSL 41.94, 0.9%, 0.8%

LAB 89.39, 0.73, 35.44

 

CMYK 0 / 12 / 41 / 9

HEX #E9CC8A

RGB 233 204 138

HSL 41.68, 0.68%, 0.73%

LAB 83.1, 1.27, 36.61

 

CMYK 0 / 14 / 45 / 15

HEX #D8BA77

RGB 216 186 119

HSL 41.44, 0.55%, 0.66%

LAB 76.71, 1.88, 37.85

 

CMYK 0 / 16 / 50 / 22

HEX #C7A864

RGB 199 168 100

HSL 41.21, 0.47%, 0.59%

LAB 70.22, 2.59, 39.13

 

CMYK 0 / 18 / 55 / 29

HEX #B69651

RGB 182 150 81

HSL 40.99, 0.41%, 0.52%

LAB 63.63, 3.44, 40.46

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9E

RGB 250 222 158

HSL 41.74, 0.9%, 0.8%

LAB 89.41, 0.84, 34.95

 

CMYK 0 / 21 / 37 / 2

HEX #FAC69E

RGB 250 198 158

HSL 26.09, 0.9%, 0.8%

LAB 83.54, 13.25, 27.1

 

CMYK 0 / 31 / 37 / 2

HEX #FAAD9E

RGB 250 173 158

HSL 9.78, 0.9%, 0.8%

LAB 77.69, 26.38, 19.1

 

CMYK 0 / 37 / 37 / 2

HEX #FA9E9E

RGB 250 158 158

HSL 0, 0.9%, 0.8%

LAB 74.35, 34.24, 14.44

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9E

RGB 250 222 158

HSL 41.74, 0.9%, 0.8%

LAB 89.41, 0.84, 34.95

 

CMYK 0 / 1 / 37 / 2

HEX #FAF79E

RGB 250 247 158

HSL 58.04, 0.9%, 0.8%

LAB 95.71, -11.69, 43.16

 

CMYK 9 / 0 / 37 / 2

HEX #E4FA9E

RGB 228 250 158

HSL 74.35, 0.9%, 0.8%

LAB 94.88, -21.39, 41.77

 

CMYK 19 / 0 / 37 / 2

HEX #CBFA9E

RGB 203 250 158

HSL 90.65, 0.9%, 0.8%

LAB 93.25, -30.42, 39.33

 

CMYK 28 / 0 / 37 / 2

HEX #B3FA9E

RGB 179 250 158

HSL 106.3, 0.9%, 0.8%

LAB 91.87, -38.58, 37.28

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9E

RGB 250 222 158

HSL 41.74, 0.9%, 0.8%

LAB 89.41, 0.84, 34.95

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9E

RGB 250 222 158

HSL 41.74, 0.9%, 0.8%

LAB 89.41, 0.84, 34.95

 

CMYK 0 / 10 / 31 / 5

HEX #F2DBA6

RGB 242 219 166

HSL 41.84, 0.75%, 0.8%

LAB 88.11, 0.26, 28.99

 

CMYK 0 / 7 / 25 / 9

HEX #E9D8AF

RGB 233 216 175

HSL 42.41, 0.57%, 0.8%

LAB 86.77, -0.42, 22.36

 

CMYK 0 / 6 / 19 / 12

HEX #E1D4B7

RGB 225 212 183

HSL 41.43, 0.41%, 0.8%

LAB 85.26, -0.18, 15.97

 

CMYK 0 / 4 / 12 / 15

HEX #D9D1BF

RGB 217 209 191

HSL 41.54, 0.25%, 0.8%

LAB 84.03, -0.28, 9.9

 

CMYK 0 / 31 / 37 / 2

HEX #FAAC9E

RGB 250 172 158

HSL 9.13, 0.9%, 0.8%

LAB 77.46, 26.91, 18.78

 

CMYK 0 / 22 / 37 / 2

HEX #FAC49E

RGB 250 196 158

HSL 24.78, 0.9%, 0.8%

LAB 83.06, 14.3, 26.46

 

CMYK 0 / 12 / 37 / 2

HEX #FADD9E

RGB 250 221 158

HSL 41.09, 0.9%, 0.8%

LAB 89.16, 1.36, 34.62

 

CMYK 0 / 2 / 37 / 2

HEX #FAF59E

RGB 250 245 158

HSL 56.74, 0.9%, 0.8%

LAB 95.2, -10.7, 42.5

 

CMYK 8 / 0 / 37 / 2

HEX #E6FA9E

RGB 230 250 158

HSL 73.04, 0.9%, 0.8%

LAB 95.02, -20.66, 41.97

 

CMYK 0 / 20 / 67 / 4

HEX #F6C450

RGB 246 196 80

HSL 41.93, 0.9%, 0.64%

LAB 81.65, 6.09, 62.86

 

CMYK 0 / 16 / 52 / 3

HEX #F8D177

RGB 248 209 119

HSL 41.86, 0.9%, 0.72%

LAB 85.45, 2.88, 49.34

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9E

RGB 250 222 158

HSL 41.74, 0.9%, 0.8%

LAB 89.41, 0.84, 34.95

 

CMYK 0 / 6 / 22 / 1

HEX #FCECC5

RGB 252 236 197

HSL 42.55, 0.9%, 0.88%

LAB 93.76, -0.59, 20.89

 

CMYK 0 / 2 / 7 / 0

HEX #FEF9EC

RGB 254 249 236

HSL 43.33, 0.9%, 0.96%

LAB 97.98, -0.53, 6.81

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9D

RGB 250 222 157

HSL 41.94, 0.9%, 0.8%

LAB 89.39, 0.73, 35.44

 

CMYK 32 / 0 / 37 / 2

HEX #A9FA9E

RGB 169 250 158

HSL 112.83, 0.9%, 0.8%

LAB 91.36, -41.8, 36.5

 

CMYK 26 / 37 / 0 / 2

HEX #B89EFA

RGB 184 158 250

HSL 256.96, 0.9%, 0.8%

LAB 70.56, 28.51, -42.45

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9D

RGB 250 222 157

HSL 41.94, 0.9%, 0.8%

LAB 89.39, 0.73, 35.44

 

CMYK 37 / 0 / 12 / 2

HEX #9EFADD

RGB 158 250 221

HSL 161.09, 0.9%, 0.8%

LAB 92.07, -33.74, 5.27

 

CMYK 12 / 37 / 0 / 2

HEX #DD9EFA

RGB 221 158 250

HSL 281.09, 0.9%, 0.8%

LAB 74.02, 39.25, -36.8

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9D

RGB 250 222 157

HSL 41.94, 0.9%, 0.8%

LAB 89.39, 0.73, 35.44

 

CMYK 32 / 0 / 37 / 2

HEX #A9FA9E

RGB 169 250 158

HSL 112.83, 0.9%, 0.8%

LAB 91.36, -41.8, 36.5

 

CMYK 37 / 25 / 0 / 2

HEX #9EBBFA

RGB 158 187 250

HSL 221.09, 0.9%, 0.8%

LAB 75.89, 5.18, -34.3

 

CMYK 4 / 37 / 0 / 2

HEX #EF9EFA

RGB 239 158 250

HSL 292.83, 0.9%, 0.8%

LAB 75.89, 44.62, -33.75

 

CMYK 0 / 11 / 37 / 2

HEX #FADE9D

RGB 250 222 157

HSL 41.94, 0.9%, 0.8%

LAB 89.39, 0.73, 35.44

 

CMYK 37 / 0 / 30 / 2

HEX #9EFAAF

RGB 158 250 175

HSL 131.09, 0.9%, 0.8%

LAB 91.11, -42.47, 27.55

 

CMYK 37 / 25 / 0 / 2

HEX #9EBBFA

RGB 158 187 250

HSL 221.09, 0.9%, 0.8%

LAB 75.89, 5.18, -34.3

 

CMYK 0 / 37 / 7 / 2

HEX #FA9EE9

RGB 250 158 233

HSL 311.09, 0.9%, 0.8%

LAB 76.47, 44.97, -23.53

 

Description

Color code: HEX #FADE9D | qconv.com Color code: HEX #FADE9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 222 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 222 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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