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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAD604 it is the complementary color #0529FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAD604. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAD604 shade: #FFD600, #FFE812, #FFFA25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAD604. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAD604 shade: #FAD604, #E9C400, #D8B200, #C7A000 and #B68E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAD604 shade: #FBD704, #FB9404, #FB5204, #FB0F04 and #FB0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAD604 shade: #FBD704, #DDFB04, #9AFB04, #57FB04 and #15FB04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAD604 shade matches the following richer shades: #FBD704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAD604 shade: #FBD704, #E7C818, #D2BA2D, #BDAB42 and #A99D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAD604 shade: #FB5204, #FB9404, #FBD604, #DEFB04 and #9CFB04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAD604 shade: #AA9103, #D3B403, #FBD704, #FCDD2C and #FCE455

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAD604 shade: #FAD604, #04FB10 and #7304FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAD604 shade: #FAD604, #04FBD6 and #D604FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAD604 shade: #FAD604, #04FB10, #0429FB and #FB04EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAD604 shade: #FAD604, #04FB5A, #0429FB and #FB04A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 98 / 2

HEX #FAD604

RGB 250 214 4

HSL 51.22, 0.97%, 0.5%

LAB 86.22, -3.51, 86.08

 

Complementary color

CMYK 98 / 84 / 0 / 2

HEX #0529FB

RGB 5 41 251

HSL 231.22, 0.97%, 0.5%

LAB 35.17, 67.99, -100.83

 

CMYK 0 / 16 / 100 / 0

HEX #FFD600

RGB 255 214 0

HSL 50.35, 1%, 0.5%

LAB 86.68, -1.42, 86.96

 

CMYK 0 / 9 / 93 / 0

HEX #FFE812

RGB 255 232 18

HSL 54.18, 1%, 0.54%

LAB 91.24, -10.27, 88.68

 

CMYK 0 / 2 / 85 / 0

HEX #FFFA25

RGB 255 250 37

HSL 58.62, 1%, 0.57%

LAB 95.9, -18.73, 89.44

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 14 / 98 / 2

HEX #FAD604

RGB 250 214 4

HSL 51.22, 0.97%, 0.5%

LAB 86.22, -3.51, 86.08

 

CMYK 0 / 16 / 100 / 9

HEX #E9C400

RGB 233 196 0

HSL 50.47, 1%, 0.46%

LAB 80.07, -1.66, 81.34

 

CMYK 0 / 18 / 100 / 15

HEX #D8B200

RGB 216 178 0

HSL 49.44, 1%, 0.42%

LAB 73.83, 0.29, 76.19

 

CMYK 0 / 20 / 100 / 22

HEX #C7A000

RGB 199 160 0

HSL 48.24, 1%, 0.39%

LAB 67.49, 2.31, 70.96

 

CMYK 0 / 22 / 100 / 29

HEX #B68E00

RGB 182 142 0

HSL 46.81, 1%, 0.36%

LAB 61.04, 4.41, 65.64

 

CMYK 0 / 14 / 98 / 2

HEX #FBD704

RGB 251 215 4

HSL 51.26, 0.97%, 0.5%

LAB 86.56, -3.59, 86.37

 

CMYK 0 / 41 / 98 / 2

HEX #FB9404

RGB 251 148 4

HSL 34.98, 0.97%, 0.5%

LAB 70.66, 31.15, 75.45

 

CMYK 0 / 67 / 98 / 2

HEX #FB5204

RGB 251 82 4

HSL 18.95, 0.97%, 0.5%

LAB 58.56, 61.94, 68.26

 

CMYK 0 / 94 / 98 / 2

HEX #FB0F04

RGB 251 15 4

HSL 2.67, 0.97%, 0.5%

LAB 52.8, 78.09, 65.54

 

CMYK 0 / 98 / 98 / 2

HEX #FB0404

RGB 251 4 4

HSL 0, 0.97%, 0.5%

LAB 52.51, 78.9, 65.43

 

CMYK 0 / 14 / 98 / 2

HEX #FBD704

RGB 251 215 4

HSL 51.26, 0.97%, 0.5%

LAB 86.56, -3.59, 86.37

 

CMYK 12 / 0 / 98 / 2

HEX #DDFB04

RGB 221 251 4

HSL 67.29, 0.97%, 0.5%

LAB 93.61, -33.46, 90.48

 

CMYK 39 / 0 / 98 / 2

HEX #9AFB04

RGB 154 251 4

HSL 83.56, 0.97%, 0.5%

LAB 89.8, -58.29, 85.9

 

CMYK 65 / 0 / 98 / 2

HEX #57FB04

RGB 87 251 4

HSL 99.84, 0.97%, 0.5%

LAB 87.5, -76.33, 83.1

 

CMYK 92 / 0 / 98 / 2

HEX #15FB04

RGB 21 251 4

HSL 115.87, 0.97%, 0.5%

LAB 86.58, -84.38, 81.98

 

CMYK 0 / 14 / 98 / 2

HEX #FBD704

RGB 251 215 4

HSL 51.26, 0.97%, 0.5%

LAB 86.56, -3.59, 86.37

 

CMYK 0 / 14 / 98 / 2

HEX #FBD704

RGB 251 215 4

HSL 51.26, 0.97%, 0.5%

LAB 86.56, -3.59, 86.37

 

CMYK 0 / 13 / 90 / 9

HEX #E7C818

RGB 231 200 24

HSL 51.01, 0.81%, 0.5%

LAB 80.94, -4.31, 79.08

 

CMYK 0 / 11 / 79 / 18

HEX #D2BA2D

RGB 210 186 45

HSL 51.27, 0.65%, 0.5%

LAB 75.46, -5.64, 68.7

 

CMYK 0 / 10 / 65 / 26

HEX #BDAB42

RGB 189 171 66

HSL 51.22, 0.48%, 0.5%

LAB 69.71, -5.9, 54.59

 

CMYK 0 / 7 / 49 / 34

HEX #A99D56

RGB 169 157 86

HSL 51.33, 0.33%, 0.5%

LAB 64.34, -5.48, 38.47

 

CMYK 0 / 67 / 98 / 2

HEX #FB5204

RGB 251 82 4

HSL 18.95, 0.97%, 0.5%

LAB 58.56, 61.94, 68.26

 

CMYK 0 / 41 / 98 / 2

HEX #FB9404

RGB 251 148 4

HSL 34.98, 0.97%, 0.5%

LAB 70.66, 31.15, 75.45

 

CMYK 0 / 15 / 98 / 2

HEX #FBD604

RGB 251 214 4

HSL 51.01, 0.97%, 0.5%

LAB 86.31, -3.09, 86.18

 

CMYK 12 / 0 / 98 / 2

HEX #DEFB04

RGB 222 251 4

HSL 67.04, 0.97%, 0.5%

LAB 93.68, -33.06, 90.56

 

CMYK 38 / 0 / 98 / 2

HEX #9CFB04

RGB 156 251 4

HSL 83.08, 0.97%, 0.5%

LAB 89.89, -57.63, 86.01

 

CMYK 0 / 15 / 98 / 33

HEX #AA9103

RGB 170 145 3

HSL 51.02, 0.97%, 0.34%

LAB 60.61, -2.66, 64.31

 

CMYK 0 / 15 / 99 / 17

HEX #D3B403

RGB 211 180 3

HSL 51.06, 0.97%, 0.42%

LAB 73.87, -2.92, 75.66

 

CMYK 0 / 14 / 98 / 2

HEX #FBD704

RGB 251 215 4

HSL 51.26, 0.97%, 0.5%

LAB 86.56, -3.59, 86.37

 

CMYK 0 / 12 / 83 / 1

HEX #FCDD2C

RGB 252 221 44

HSL 51.06, 0.97%, 0.58%

LAB 88.25, -5.58, 81.54

 

CMYK 0 / 10 / 66 / 1

HEX #FCE455

RGB 252 228 85

HSL 51.38, 0.97%, 0.66%

LAB 90.25, -7.45, 69.95

 

CMYK 0 / 14 / 98 / 2

HEX #FAD604

RGB 250 214 4

HSL 51.22, 0.97%, 0.5%

LAB 86.22, -3.51, 86.08

 

CMYK 98 / 0 / 94 / 2

HEX #04FB10

RGB 4 251 16

HSL 122.91, 0.97%, 0.5%

LAB 86.53, -84.8, 80.91

 

CMYK 54 / 98 / 0 / 2

HEX #7304FB

RGB 115 4 251

HSL 266.96, 0.97%, 0.5%

LAB 39.06, 80.97, -94.16

 

CMYK 0 / 14 / 98 / 2

HEX #FAD604

RGB 250 214 4

HSL 51.22, 0.97%, 0.5%

LAB 86.22, -3.51, 86.08

 

CMYK 98 / 0 / 15 / 2

HEX #04FBD6

RGB 4 251 214

HSL 171.01, 0.97%, 0.5%

LAB 88.86, -57.5, 3.84

 

CMYK 15 / 98 / 0 / 2

HEX #D604FB

RGB 214 4 251

HSL 291.01, 0.97%, 0.5%

LAB 53.33, 91.41, -70.23

 

CMYK 0 / 14 / 98 / 2

HEX #FAD604

RGB 250 214 4

HSL 51.22, 0.97%, 0.5%

LAB 86.22, -3.51, 86.08

 

CMYK 98 / 0 / 94 / 2

HEX #04FB10

RGB 4 251 16

HSL 122.91, 0.97%, 0.5%

LAB 86.53, -84.8, 80.91

 

CMYK 98 / 84 / 0 / 2

HEX #0429FB

RGB 4 41 251

HSL 231.01, 0.97%, 0.5%

LAB 35.16, 67.98, -100.85

 

CMYK 0 / 98 / 5 / 2

HEX #FB04EF

RGB 251 4 239

HSL 302.91, 0.97%, 0.5%

LAB 58.81, 95.2, -54.38

 

CMYK 0 / 14 / 98 / 2

HEX #FAD604

RGB 250 214 4

HSL 51.22, 0.97%, 0.5%

LAB 86.22, -3.51, 86.08

 

CMYK 98 / 0 / 64 / 2

HEX #04FB5A

RGB 4 251 90

HSL 140.89, 0.97%, 0.5%

LAB 86.88, -80.37, 61.42

 

CMYK 98 / 84 / 0 / 2

HEX #0429FB

RGB 4 41 251

HSL 231.01, 0.97%, 0.5%

LAB 35.16, 67.98, -100.85

 

CMYK 0 / 98 / 34 / 2

HEX #FB04A5

RGB 251 4 165

HSL 320.89, 0.97%, 0.5%

LAB 55.39, 86.59, -17.27

 

Description

Color code: HEX #FAD604 | qconv.com Color code: HEX #FAD604 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 214 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 214 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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