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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACFF83F it is the complementary color #0530073F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACFF83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACFF83F shade: #FFCFF33F, #FFE1FF3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACFF83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACFF83F shade: #FACFF83F, #E9BDE53F, #D8ABD23F, #C799BF3F and #B687AC3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACFF83F shade: #FAD1F8, #FAD1ED, #FAD1E2, #FAD1D7 and #FAD1D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACFF83F shade: #FAD1F8, #F1D1FA, #E6D1FA, #DBD1FA and #D1D1FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACFF83F shade matches the following richer shades: #FAD1F8 and #FECDFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACFF83F shade: #FAD1F8, #F6D5F4, #F2D9F1, #EEDDED and #EAE1E9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACFF83F shade: #E6D1FA, #F1D1FA, #FAD1F9, #FAD1EE and #FAD1E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACFF83F shade: #F286ED, #F6ACF3, #FAD1F8, #FEF6FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACFF83F shade: #FACFF8, #FADAD1 and #D1FAEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACFF83F shade: #FACFF8, #F9FAD1 and #D1F9FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACFF83F shade: #FACFF8, #FADAD1, #D1FAD2 and #D1F1FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACFF83F shade: #FACFF8, #FAE7D1, #D1FAD2 and #D1E4FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 0 / 0

HEX #FACFF83F

RGBA 250 207 248 0.25

HSLA 302.79, 0.81%, 0.9%, 0.25

LABA 87.84, 21.9, -14.4, 0.25

 

Complementary color

CMYK 22 / 0 / 21 / 20

HEX #0530073F

RGBA 5 48 7 0.25

HSLA 122.79, 0.81%, 0.1%, 0.25

LABA 16.31, -24.23, 20.16, 0.25

 

CMYK 0 / 5 / 1 / 0

HEX #FFCFF33F

RGBA 255 207 243 0.25

HSLA 315, 1%, 0.91%, 0.25

LABA 88.14, 22.68, -11.26, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE1FF3F

RGBA 255 225 255 0.25

HSLA 300, 1%, 0.94%, 0.25

LABA 92.72, 15.38, -10.74, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FACFF83F

RGBA 250 207 248 0.25

HSLA 302.79, 0.81%, 0.9%, 0.25

LABA 87.84, 21.9, -14.4, 0.25

 

CMYK 0 / 5 / 0 / 2

HEX #E9BDE53F

RGBA 233 189 229 0.25

HSLA 305.45, 0.5%, 0.83%, 0.25

LABA 81.5, 22.39, -13.95, 0.25

 

CMYK 0 / 5 / 1 / 4

HEX #D8ABD23F

RGBA 216 171 210 0.25

HSLA 308, 0.37%, 0.76%, 0.25

LABA 75.06, 22.92, -13.48, 0.25

 

CMYK 0 / 6 / 1 / 5

HEX #C799BF3F

RGBA 199 153 191 0.25

HSLA 310.43, 0.29%, 0.69%, 0.25

LABA 68.52, 23.48, -12.99, 0.25

 

CMYK 0 / 6 / 1 / 7

HEX #B687AC3F

RGBA 182 135 172 0.25

HSLA 312.77, 0.24%, 0.62%, 0.25

LABA 61.87, 24.1, -12.48, 0.25

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F8

RGB 250 209 248

HSL 302.93, 0.8%, 0.9%

LAB 88.31, 20.85, -13.7

 

CMYK 0 / 16 / 5 / 2

HEX #FAD1ED

RGB 250 209 237

HSL 319.02, 0.8%, 0.9%

LAB 87.99, 18.92, -8.37

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E2

RGB 250 209 226

HSL 335.12, 0.8%, 0.9%

LAB 87.69, 17.06, -2.99

 

CMYK 0 / 16 / 14 / 2

HEX #FAD1D7

RGB 250 209 215

HSL 351.22, 0.8%, 0.9%

LAB 87.4, 15.29, 2.41

 

CMYK 0 / 16 / 16 / 2

HEX #FAD1D1

RGB 250 209 209

HSL 0, 0.8%, 0.9%

LAB 87.26, 14.36, 5.37

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F8

RGB 250 209 248

HSL 302.93, 0.8%, 0.9%

LAB 88.31, 20.85, -13.7

 

CMYK 4 / 16 / 0 / 2

HEX #F1D1FA

RGB 241 209 250

HSL 286.83, 0.8%, 0.9%

LAB 87.58, 18.27, -15.92

 

CMYK 8 / 16 / 0 / 2

HEX #E6D1FA

RGB 230 209 250

HSL 270.73, 0.8%, 0.9%

LAB 86.67, 14.72, -17.39

 

CMYK 12 / 16 / 0 / 2

HEX #DBD1FA

RGB 219 209 250

HSL 254.63, 0.8%, 0.9%

LAB 85.79, 11.22, -18.8

 

CMYK 16 / 16 / 0 / 2

HEX #D1D1FA

RGB 209 209 250

HSL 240, 0.8%, 0.9%

LAB 85.03, 8.09, -20.03

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F8

RGB 250 209 248

HSL 302.93, 0.8%, 0.9%

LAB 88.31, 20.85, -13.7

 

CMYK 0 / 19 / 1 / 0

HEX #FECDFC

RGB 254 205 252

HSL 302.45, 0.96%, 0.9%

LAB 87.85, 24.98, -16.45

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F8

RGB 250 209 248

HSL 302.93, 0.8%, 0.9%

LAB 88.31, 20.85, -13.7

 

CMYK 0 / 13 / 1 / 4

HEX #F6D5F4

RGB 246 213 244

HSL 303.64, 0.65%, 0.9%

LAB 88.79, 16.71, -10.91

 

CMYK 0 / 10 / 0 / 5

HEX #F2D9F1

RGB 242 217 241

HSL 302.4, 0.49%, 0.9%

LAB 89.32, 12.74, -8.57

 

CMYK 0 / 7 / 0 / 7

HEX #EEDDED

RGB 238 221 237

HSL 303.53, 0.33%, 0.9%

LAB 89.86, 8.6, -5.71

 

CMYK 0 / 4 / 0 / 8

HEX #EAE1E9

RGB 234 225 233

HSL 306.67, 0.18%, 0.9%

LAB 90.43, 4.46, -2.81

 

CMYK 8 / 16 / 0 / 2

HEX #E6D1FA

RGB 230 209 250

HSL 270.73, 0.8%, 0.9%

LAB 86.67, 14.72, -17.39

 

CMYK 4 / 16 / 0 / 2

HEX #F1D1FA

RGB 241 209 250

HSL 286.83, 0.8%, 0.9%

LAB 87.58, 18.27, -15.92

 

CMYK 0 / 16 / 0 / 2

HEX #FAD1F9

RGB 250 209 249

HSL 301.46, 0.8%, 0.9%

LAB 88.34, 21.03, -14.18

 

CMYK 0 / 16 / 5 / 2

HEX #FAD1EE

RGB 250 209 238

HSL 317.56, 0.8%, 0.9%

LAB 88.02, 19.09, -8.85

 

CMYK 0 / 16 / 9 / 2

HEX #FAD1E3

RGB 250 209 227

HSL 333.66, 0.8%, 0.9%

LAB 87.71, 17.23, -3.48

 

CMYK 0 / 45 / 2 / 5

HEX #F286ED

RGB 242 134 237

HSL 302.78, 0.81%, 0.74%

LAB 70.9, 55.37, -34.36

 

CMYK 0 / 30 / 1 / 4

HEX #F6ACF3

RGB 246 172 243

HSL 302.43, 0.8%, 0.82%

LAB 79.37, 38.17, -24.57

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F8

RGB 250 209 248

HSL 302.93, 0.8%, 0.9%

LAB 88.31, 20.85, -13.7

 

CMYK 0 / 3 / 0 / 0

HEX #FEF6FE

RGB 254 246 254

HSL 300, 0.8%, 0.98%

LAB 97.69, 4.06, -2.89

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 1 / 2

HEX #FACFF8

RGB 250 207 248

HSL 302.79, 0.81%, 0.9%

LAB 87.84, 21.9, -14.4

 

CMYK 0 / 13 / 16 / 2

HEX #FADAD1

RGB 250 218 209

HSL 13.17, 0.8%, 0.9%

LAB 89.43, 9.67, 8.5

 

CMYK 16 / 0 / 6 / 2

HEX #D1FAEB

RGB 209 250 235

HSL 158.05, 0.8%, 0.9%

LAB 95.13, -15.99, 2.81

 

CMYK 0 / 17 / 1 / 2

HEX #FACFF8

RGB 250 207 248

HSL 302.79, 0.81%, 0.9%

LAB 87.84, 21.9, -14.4

 

CMYK 0 / 0 / 16 / 2

HEX #F9FAD1

RGB 249 250 209

HSL 61.46, 0.8%, 0.9%

LAB 97.27, -6.98, 19.6

 

CMYK 16 / 0 / 0 / 2

HEX #D1F9FA

RGB 209 249 250

HSL 181.46, 0.8%, 0.9%

LAB 95.25, -12.55, -4.77

 

CMYK 0 / 17 / 1 / 2

HEX #FACFF8

RGB 250 207 248

HSL 302.79, 0.81%, 0.9%

LAB 87.84, 21.9, -14.4

 

CMYK 0 / 13 / 16 / 2

HEX #FADAD1

RGB 250 218 209

HSL 13.17, 0.8%, 0.9%

LAB 89.43, 9.67, 8.5

 

CMYK 16 / 0 / 16 / 2

HEX #D1FAD2

RGB 209 250 210

HSL 121.46, 0.8%, 0.9%

LAB 94.56, -20.52, 14.87

 

CMYK 16 / 4 / 0 / 2

HEX #D1F1FA

RGB 209 241 250

HSL 193.17, 0.8%, 0.9%

LAB 93.18, -8.53, -7.83

 

CMYK 0 / 17 / 1 / 2

HEX #FACFF8

RGB 250 207 248

HSL 302.79, 0.81%, 0.9%

LAB 87.84, 21.9, -14.4

 

CMYK 0 / 8 / 16 / 2

HEX #FAE7D1

RGB 250 231 209

HSL 32.2, 0.8%, 0.9%

LAB 92.61, 2.97, 13.04

 

CMYK 16 / 0 / 16 / 2

HEX #D1FAD2

RGB 209 250 210

HSL 121.46, 0.8%, 0.9%

LAB 94.56, -20.52, 14.87

 

CMYK 16 / 9 / 0 / 2

HEX #D1E4FA

RGB 209 228 250

HSL 212.2, 0.8%, 0.9%

LAB 89.83, -1.88, -12.8

 

Description

Color code: HEX #FACFF83F | qconv.com Color code: HEX #FACFF83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 207 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 207 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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