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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACFE03F it is the complementary color #05301F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACFE03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACFE03F shade: #FFCFDB3F, #FFE1EE3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACFE03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACFE03F shade: #FACFE03F, #E9BDCD3F, #D8ABBA3F, #C799A73F and #B687943F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACFE03F shade: #FAD1E1, #FAD1D6 and #FAD1D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACFE03F shade: #FAD1E1, #FAD1EC, #FAD1F7, #F2D1FA and #E7D1FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACFE03F shade matches the following richer shades: #FAD1E1 and #FECDE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACFE03F shade: #FAD1E1, #F6D5E2, #F2D9E3, #EEDDE4 and #EAE1E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACFE03F shade: #FAD1F7, #FAD1EC, #FAD1E1, #FAD1D6 and #FAD6D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACFE03F shade: #F286B1, #F6ACC9, #FAD1E1, #FEF6F9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACFE03F shade: #FACFE0, #FAF2D1 and #D1F2FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACFE03F shade: #FACFE0, #E1FAD1 and #D1E1FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACFE03F shade: #FACFE0, #FAF2D1, #D1FAEA and #D1D9FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACFE03F shade: #FACFE0, #F6FAD1, #D1FAEA and #D5D1FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 3 / 0

HEX #FACFE03F

RGBA 250 207 224 0.25

HSLA 336.28, 0.81%, 0.9%, 0.25

LABA 87.16, 17.78, -2.71, 0.25

 

Complementary color

CMYK 22 / 0 / 9 / 20

HEX #05301F3F

RGBA 5 48 31 0.25

HSLA 156.28, 0.81%, 0.1%, 0.25

LABA 16.72, -19.46, 6.85, 0.25

 

CMYK 0 / 5 / 4 / 0

HEX #FFCFDB3F

RGBA 255 207 219 0.25

HSLA 345, 1%, 0.91%, 0.25

LABA 87.49, 18.72, 0.47, 0.25

 

CMYK 0 / 3 / 2 / 0

HEX #FFE1EE3F

RGBA 255 225 238 0.25

HSLA 334, 1%, 0.94%, 0.25

LABA 92.26, 12.43, -2.54, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 4 / 3 / 0

HEX #FACFE03F

RGBA 250 207 224 0.25

HSLA 336.28, 0.81%, 0.9%, 0.25

LABA 87.16, 17.78, -2.71, 0.25

 

CMYK 0 / 5 / 3 / 2

HEX #E9BDCD3F

RGBA 233 189 205 0.25

HSLA 338.18, 0.5%, 0.83%, 0.25

LABA 80.81, 18.26, -2.06, 0.25

 

CMYK 0 / 5 / 3 / 4

HEX #D8ABBA3F

RGBA 216 171 186 0.25

HSLA 340, 0.37%, 0.76%, 0.25

LABA 74.36, 18.78, -1.38, 0.25

 

CMYK 0 / 6 / 4 / 5

HEX #C799A73F

RGBA 199 153 167 0.25

HSLA 341.74, 0.29%, 0.69%, 0.25

LABA 67.81, 19.35, -0.66, 0.25

 

CMYK 0 / 6 / 5 / 7

HEX #B687943F

RGBA 182 135 148 0.25

HSLA 343.4, 0.24%, 0.62%, 0.25

LABA 61.14, 19.97, 0.12, 0.25

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E1

RGB 250 209 225

HSL 336.59, 0.8%, 0.9%

LAB 87.66, 16.9, -2.5

 

CMYK 0 / 16 / 14 / 2

HEX #FAD1D6

RGB 250 209 214

HSL 352.68, 0.8%, 0.9%

LAB 87.38, 15.13, 2.9

 

CMYK 0 / 16 / 16 / 2

HEX #FAD1D1

RGB 250 209 209

HSL 0, 0.8%, 0.9%

LAB 87.26, 14.36, 5.37

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E1

RGB 250 209 225

HSL 336.59, 0.8%, 0.9%

LAB 87.66, 16.9, -2.5

 

CMYK 0 / 16 / 6 / 2

HEX #FAD1EC

RGB 250 209 236

HSL 320.49, 0.8%, 0.9%

LAB 87.96, 18.74, -7.88

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F7

RGB 250 209 247

HSL 304.39, 0.8%, 0.9%

LAB 88.28, 20.67, -13.22

 

CMYK 3 / 16 / 0 / 2

HEX #F2D1FA

RGB 242 209 250

HSL 288.29, 0.8%, 0.9%

LAB 87.67, 18.6, -15.78

 

CMYK 8 / 16 / 0 / 2

HEX #E7D1FA

RGB 231 209 250

HSL 272.2, 0.8%, 0.9%

LAB 86.75, 15.04, -17.26

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E1

RGB 250 209 225

HSL 336.59, 0.8%, 0.9%

LAB 87.66, 16.9, -2.5

 

CMYK 0 / 19 / 12 / 0

HEX #FECDE0

RGB 254 205 224

HSL 336.73, 0.96%, 0.9%

LAB 87.05, 20.21, -2.82

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E1

RGB 250 209 225

HSL 336.59, 0.8%, 0.9%

LAB 87.66, 16.9, -2.5

 

CMYK 0 / 13 / 8 / 4

HEX #F6D5E2

RGB 246 213 226

HSL 336.36, 0.65%, 0.9%

LAB 88.29, 13.59, -2.15

 

CMYK 0 / 10 / 6 / 5

HEX #F2D9E3

RGB 242 217 227

HSL 336, 0.49%, 0.9%

LAB 88.95, 10.29, -1.76

 

CMYK 0 / 7 / 4 / 7

HEX #EEDDE4

RGB 238 221 228

HSL 335.29, 0.33%, 0.9%

LAB 89.62, 7.01, -1.33

 

CMYK 0 / 4 / 2 / 8

HEX #EAE1E5

RGB 234 225 229

HSL 333.33, 0.18%, 0.9%

LAB 90.32, 3.75, -0.87

 

CMYK 0 / 16 / 1 / 2

HEX #FAD1F7

RGB 250 209 247

HSL 304.39, 0.8%, 0.9%

LAB 88.28, 20.67, -13.22

 

CMYK 0 / 16 / 6 / 2

HEX #FAD1EC

RGB 250 209 236

HSL 320.49, 0.8%, 0.9%

LAB 87.96, 18.74, -7.88

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E1

RGB 250 209 225

HSL 336.59, 0.8%, 0.9%

LAB 87.66, 16.9, -2.5

 

CMYK 0 / 16 / 14 / 2

HEX #FAD1D6

RGB 250 209 214

HSL 352.68, 0.8%, 0.9%

LAB 87.38, 15.13, 2.9

 

CMYK 0 / 14 / 16 / 2

HEX #FAD6D1

RGB 250 214 209

HSL 7.32, 0.8%, 0.9%

LAB 88.46, 11.75, 7.1

 

CMYK 0 / 45 / 27 / 5

HEX #F286B1

RGB 242 134 177

HSL 336.11, 0.81%, 0.74%

LAB 68.82, 46.12, -4.19

 

CMYK 0 / 30 / 18 / 4

HEX #F6ACC9

RGB 246 172 201

HSL 336.49, 0.8%, 0.82%

LAB 78.06, 31.21, -3.79

 

CMYK 0 / 16 / 10 / 2

HEX #FAD1E1

RGB 250 209 225

HSL 336.59, 0.8%, 0.9%

LAB 87.66, 16.9, -2.5

 

CMYK 0 / 3 / 2 / 0

HEX #FEF6F9

RGB 254 246 249

HSL 337.5, 0.8%, 0.98%

LAB 97.56, 3.19, -0.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 10 / 2

HEX #FACFE0

RGB 250 207 224

HSL 336.28, 0.81%, 0.9%

LAB 87.16, 17.78, -2.71

 

CMYK 0 / 3 / 16 / 2

HEX #FAF2D1

RGB 250 242 209

HSL 48.29, 0.8%, 0.9%

LAB 95.34, -2.62, 16.9

 

CMYK 16 / 3 / 0 / 2

HEX #D1F2FA

RGB 209 242 250

HSL 191.71, 0.8%, 0.9%

LAB 93.43, -9.04, -7.45

 

CMYK 0 / 17 / 10 / 2

HEX #FACFE0

RGB 250 207 224

HSL 336.28, 0.81%, 0.9%

LAB 87.16, 17.78, -2.71

 

CMYK 10 / 0 / 16 / 2

HEX #E1FAD1

RGB 225 250 209

HSL 96.59, 0.8%, 0.9%

LAB 95.57, -15.32, 16.96

 

CMYK 16 / 10 / 0 / 2

HEX #D1E1FA

RGB 209 225 250

HSL 216.59, 0.8%, 0.9%

LAB 89.07, -0.33, -13.95

 

CMYK 0 / 17 / 10 / 2

HEX #FACFE0

RGB 250 207 224

HSL 336.28, 0.81%, 0.9%

LAB 87.16, 17.78, -2.71

 

CMYK 0 / 3 / 16 / 2

HEX #FAF2D1

RGB 250 242 209

HSL 48.29, 0.8%, 0.9%

LAB 95.34, -2.62, 16.9

 

CMYK 16 / 0 / 6 / 2

HEX #D1FAEA

RGB 209 250 234

HSL 156.59, 0.8%, 0.9%

LAB 95.1, -16.18, 3.29

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9FA

RGB 209 217 250

HSL 228.29, 0.8%, 0.9%

LAB 87.04, 3.86, -16.99

 

CMYK 0 / 17 / 10 / 2

HEX #FACFE0

RGB 250 207 224

HSL 336.28, 0.81%, 0.9%

LAB 87.16, 17.78, -2.71

 

CMYK 2 / 0 / 16 / 2

HEX #F6FAD1

RGB 246 250 209

HSL 65.85, 0.8%, 0.9%

LAB 97.05, -8.04, 19.25

 

CMYK 16 / 0 / 6 / 2

HEX #D1FAEA

RGB 209 250 234

HSL 156.59, 0.8%, 0.9%

LAB 95.1, -16.18, 3.29

 

CMYK 15 / 16 / 0 / 2

HEX #D5D1FA

RGB 213 209 250

HSL 245.85, 0.8%, 0.9%

LAB 85.33, 9.33, -19.54

 

Description

Color code: HEX #FACFE03F | qconv.com Color code: HEX #FACFE03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 207 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 207 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 3 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 3% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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