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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACFC63F it is the complementary color #0530393F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACFC63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACFC63F shade: #FFCFC13F, #FFE1D43F, #FFF3E73F, #FFFFFA3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACFC63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACFC63F shade: #FACFC63F, #E9BDB33F, #D8ABA03F, #C7998D3F and #B6877A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACFC63F shade: #FAD0C7 and #FAC7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACFC63F shade: #FAD0C7, #FADDC7, #FAEBC7, #FAF9C7 and #EDFAC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACFC63F shade matches the following richer shades: #FAD0C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACFC63F shade: #FAD0C7, #F5D3CC, #F0D6D1, #EBD9D6 and #E6DDDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACFC63F shade: #FAC7DA, #FAC7CC, #FACFC7, #FADDC7 and #FAEBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACFC63F shade: #F4907B, #F7B0A1, #FAD0C7, #FDF0ED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACFC63F shade: #FACFC6, #E7FAC7 and #C7D3FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACFC63F shade: #FACFC6, #C7FACF and #CFC7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACFC63F shade: #FACFC6, #E7FAC7, #C7F2FA and #DAC7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACFC63F shade: #FACFC6, #D8FAC7, #C7F2FA and #E9C7FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 5 / 0

HEX #FACFC63F

RGBA 250 207 198 0.25

HSLA 10.38, 0.84%, 0.88%, 0.25

LABA 86.52, 13.76, 10.13, 0.25

 

Complementary color

CMYK 23 / 4 / 0 / 19

HEX #0530393F

RGBA 5 48 57 0.25

HSLA 190.38, 0.84%, 0.12%, 0.25

LABA 17.65, -10.36, -9.79, 0.25

 

CMYK 0 / 5 / 6 / 0

HEX #FFCFC13F

RGBA 255 207 193 0.25

HSLA 13.55, 1%, 0.88%, 0.25

LABA 86.87, 14.87, 13.34, 0.25

 

CMYK 0 / 3 / 4 / 0

HEX #FFE1D43F

RGBA 255 225 212 0.25

HSLA 18.14, 1%, 0.92%, 0.25

LABA 91.62, 8.29, 10.13, 0.25

 

CMYK 0 / 1 / 2 / 0

HEX #FFF3E73F

RGBA 255 243 231 0.25

HSLA 30, 1%, 0.95%, 0.25

LABA 96.46, 2.04, 7.21, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFA3F

RGBA 255 255 250 0.25

HSLA 60, 1%, 0.99%, 0.25

LABA 99.88, -0.86, 2.37, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 4 / 5 / 0

HEX #FACFC63F

RGBA 250 207 198 0.25

HSLA 10.38, 0.84%, 0.88%, 0.25

LABA 86.52, 13.76, 10.13, 0.25

 

CMYK 0 / 5 / 6 / 2

HEX #E9BDB33F

RGBA 233 189 179 0.25

HSLA 11.11, 0.55%, 0.81%, 0.25

LABA 80.16, 14.27, 11, 0.25

 

CMYK 0 / 5 / 6 / 4

HEX #D8ABA03F

RGBA 216 171 160 0.25

HSLA 11.79, 0.42%, 0.74%, 0.25

LABA 73.72, 14.83, 11.93, 0.25

 

CMYK 0 / 6 / 7 / 5

HEX #C7998D3F

RGBA 199 153 141 0.25

HSLA 12.41, 0.34%, 0.67%, 0.25

LABA 67.16, 15.46, 12.93, 0.25

 

CMYK 0 / 6 / 8 / 7

HEX #B6877A3F

RGBA 182 135 122 0.25

HSLA 13, 0.29%, 0.6%, 0.25

LABA 60.5, 16.17, 14.02, 0.25

 

CMYK 0 / 17 / 20 / 2

HEX #FAD0C7

RGB 250 208 199

HSL 10.59, 0.84%, 0.88%

LAB 86.78, 13.38, 9.98

 

CMYK 0 / 20 / 20 / 2

HEX #FAC7C7

RGB 250 199 199

HSL 0, 0.84%, 0.88%

LAB 84.64, 18.1, 6.91

 

CMYK 0 / 17 / 20 / 2

HEX #FAD0C7

RGB 250 208 199

HSL 10.59, 0.84%, 0.88%

LAB 86.78, 13.38, 9.98

 

CMYK 0 / 12 / 20 / 2

HEX #FADDC7

RGB 250 221 199

HSL 25.88, 0.84%, 0.88%

LAB 89.93, 6.63, 14.46

 

CMYK 0 / 6 / 20 / 2

HEX #FAEBC7

RGB 250 235 199

HSL 42.35, 0.84%, 0.88%

LAB 93.39, -0.53, 19.32

 

CMYK 0 / 0 / 20 / 2

HEX #FAF9C7

RGB 250 249 199

HSL 58.82, 0.84%, 0.88%

LAB 96.9, -7.56, 24.19

 

CMYK 5 / 0 / 20 / 2

HEX #EDFAC7

RGB 237 250 199

HSL 75.29, 0.84%, 0.88%

LAB 96.2, -12.7, 23.08

 

CMYK 0 / 17 / 20 / 2

HEX #FAD0C7

RGB 250 208 199

HSL 10.59, 0.84%, 0.88%

LAB 86.78, 13.38, 9.98

 

CMYK 0 / 17 / 20 / 2

HEX #FAD0C7

RGB 250 208 199

HSL 10.59, 0.84%, 0.88%

LAB 86.78, 13.38, 9.98

 

CMYK 0 / 14 / 17 / 4

HEX #F5D3CC

RGB 245 211 204

HSL 10.24, 0.67%, 0.88%

LAB 87.17, 10.76, 7.84

 

CMYK 0 / 11 / 13 / 6

HEX #F0D6D1

RGB 240 214 209

HSL 9.68, 0.51%, 0.88%

LAB 87.59, 8.2, 5.75

 

CMYK 0 / 8 / 9 / 8

HEX #EBD9D6

RGB 235 217 214

HSL 8.57, 0.34%, 0.88%

LAB 88.04, 5.69, 3.7

 

CMYK 0 / 4 / 5 / 10

HEX #E6DDDB

RGB 230 221 219

HSL 10.91, 0.18%, 0.88%

LAB 88.76, 2.72, 2.06

 

CMYK 0 / 20 / 13 / 2

HEX #FAC7DA

RGB 250 199 218

HSL 337.65, 0.84%, 0.88%

LAB 85.12, 21.01, -2.52

 

CMYK 0 / 20 / 18 / 2

HEX #FAC7CC

RGB 250 199 204

HSL 354.12, 0.84%, 0.88%

LAB 84.76, 18.84, 4.42

 

CMYK 0 / 17 / 20 / 2

HEX #FACFC7

RGB 250 207 199

HSL 9.41, 0.84%, 0.88%

LAB 86.54, 13.91, 9.64

 

CMYK 0 / 12 / 20 / 2

HEX #FADDC7

RGB 250 221 199

HSL 25.88, 0.84%, 0.88%

LAB 89.93, 6.63, 14.46

 

CMYK 0 / 6 / 20 / 2

HEX #FAEBC7

RGB 250 235 199

HSL 42.35, 0.84%, 0.88%

LAB 93.39, -0.53, 19.32

 

CMYK 0 / 41 / 50 / 4

HEX #F4907B

RGB 244 144 123

HSL 10.41, 0.85%, 0.72%

LAB 69.9, 35.65, 27.47

 

CMYK 0 / 29 / 35 / 3

HEX #F7B0A1

RGB 247 176 161

HSL 10.47, 0.84%, 0.8%

LAB 78.11, 24.03, 18.02

 

CMYK 0 / 17 / 20 / 2

HEX #FAD0C7

RGB 250 208 199

HSL 10.59, 0.84%, 0.88%

LAB 86.78, 13.38, 9.98

 

CMYK 0 / 5 / 6 / 1

HEX #FDF0ED

RGB 253 240 237

HSL 11.25, 0.8%, 0.96%

LAB 95.71, 3.87, 3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 21 / 2

HEX #FACFC6

RGB 250 207 198

HSL 10.38, 0.84%, 0.88%

LAB 86.52, 13.76, 10.13

 

CMYK 8 / 0 / 20 / 2

HEX #E7FAC7

RGB 231 250 199

HSL 82.35, 0.84%, 0.88%

LAB 95.78, -14.81, 22.43

 

CMYK 20 / 16 / 0 / 2

HEX #C7D3FA

RGB 199 211 250

HSL 225.88, 0.84%, 0.88%

LAB 84.81, 3.96, -20.42

 

CMYK 0 / 17 / 21 / 2

HEX #FACFC6

RGB 250 207 198

HSL 10.38, 0.84%, 0.88%

LAB 86.52, 13.76, 10.13

 

CMYK 20 / 0 / 17 / 2

HEX #C7FACF

RGB 199 250 207

HSL 129.41, 0.84%, 0.88%

LAB 93.89, -24.29, 15.38

 

CMYK 17 / 20 / 0 / 2

HEX #CFC7FA

RGB 207 199 250

HSL 249.41, 0.84%, 0.88%

LAB 82.39, 12.82, -24.04

 

CMYK 0 / 17 / 21 / 2

HEX #FACFC6

RGB 250 207 198

HSL 10.38, 0.84%, 0.88%

LAB 86.52, 13.76, 10.13

 

CMYK 8 / 0 / 20 / 2

HEX #E7FAC7

RGB 231 250 199

HSL 82.35, 0.84%, 0.88%

LAB 95.78, -14.81, 22.43

 

CMYK 20 / 3 / 0 / 2

HEX #C7F2FA

RGB 199 242 250

HSL 189.41, 0.84%, 0.88%

LAB 92.82, -12.06, -8.43

 

CMYK 13 / 20 / 0 / 2

HEX #DAC7FA

RGB 218 199 250

HSL 262.35, 0.84%, 0.88%

LAB 83.26, 16.24, -22.63

 

CMYK 0 / 17 / 21 / 2

HEX #FACFC6

RGB 250 207 198

HSL 10.38, 0.84%, 0.88%

LAB 86.52, 13.76, 10.13

 

CMYK 14 / 0 / 20 / 2

HEX #D8FAC7

RGB 216 250 199

HSL 100, 0.84%, 0.88%

LAB 94.78, -19.99, 20.88

 

CMYK 20 / 3 / 0 / 2

HEX #C7F2FA

RGB 199 242 250

HSL 189.41, 0.84%, 0.88%

LAB 92.82, -12.06, -8.43

 

CMYK 7 / 20 / 0 / 2

HEX #E9C7FA

RGB 233 199 250

HSL 280, 0.84%, 0.88%

LAB 84.52, 20.99, -20.6

 

Description

Color code: HEX #FACFC63F | qconv.com Color code: HEX #FACFC63F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 207 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 207 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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