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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACE64 it is the complementary color #05319B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACE64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACE64 shade: #FFCE5F, #FFE072, #FFF285, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACE64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACE64 shade: #FACE64, #E9BC51, #D8AA3E, #C7982B and #B68618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACE64 shade: #FACF66, #FAA766, #FA7F66 and #FA6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACE64 shade: #FACF66, #FAF766, #D6FA66, #AEFA66 and #86FA66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACE64 shade matches the following richer shades: #FACF66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACE64 shade: #FACF66, #EDC972, #E1C47F, #D4BF8C and #C7BA99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACE64 shade: #FA7E66, #FAA666, #FACE66, #FAF566 and #D8FA66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACE64 shade: #F8B516, #F9C23E, #FACF66, #FBDB8E and #FDE8B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACE64 shade: #FACE64, #75FA66 and #9266FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACE64 shade: #FACE64, #66FACE and #CE66FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACE64 shade: #FACE64, #75FA66, #6692FA and #EB66FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACE64 shade: #FACE64, #66FA83, #6692FA and #FA66DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 60 / 2

HEX #FACE64

RGB 250 206 100

HSL 42.4, 0.94%, 0.69%

LAB 84.68, 3.8, 57.46

 

Complementary color

CMYK 97 / 68 / 0 / 39

HEX #05319B

RGB 5 49 155

HSL 222.4, 0.94%, 0.31%

LAB 25.55, 31.26, -60.67

 

CMYK 0 / 19 / 63 / 0

HEX #FFCE5F

RGB 255 206 95

HSL 41.63, 1%, 0.69%

LAB 85.11, 5.53, 60.33

 

CMYK 0 / 12 / 55 / 0

HEX #FFE072

RGB 255 224 114

HSL 46.81, 1%, 0.72%

LAB 89.76, -2.33, 56.99

 

CMYK 0 / 5 / 48 / 0

HEX #FFF285

RGB 255 242 133

HSL 53.61, 1%, 0.76%

LAB 94.51, -9.76, 53.78

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 18 / 60 / 2

HEX #FACE64

RGB 250 206 100

HSL 42.4, 0.94%, 0.69%

LAB 84.68, 3.8, 57.46

 

CMYK 0 / 19 / 65 / 9

HEX #E9BC51

RGB 233 188 81

HSL 42.24, 0.78%, 0.62%

LAB 78.39, 4.86, 58.57

 

CMYK 0 / 21 / 71 / 15

HEX #D8AA3E

RGB 216 170 62

HSL 42.08, 0.66%, 0.55%

LAB 72.02, 6.09, 59.49

 

CMYK 0 / 24 / 78 / 22

HEX #C7982B

RGB 199 152 43

HSL 41.92, 0.64%, 0.47%

LAB 65.57, 7.52, 59.99

 

CMYK 0 / 26 / 87 / 29

HEX #B68618

RGB 182 134 24

HSL 41.77, 0.77%, 0.4%

LAB 59.03, 9.21, 59.64

 

CMYK 0 / 17 / 59 / 2

HEX #FACF66

RGB 250 207 102

HSL 42.57, 0.94%, 0.69%

LAB 84.95, 3.43, 56.85

 

CMYK 0 / 33 / 59 / 2

HEX #FAA766

RGB 250 167 102

HSL 26.35, 0.94%, 0.69%

LAB 75.4, 24.3, 45.67

 

CMYK 0 / 49 / 59 / 2

HEX #FA7F66

RGB 250 127 102

HSL 10.14, 0.94%, 0.69%

LAB 66.87, 44.83, 35.18

 

CMYK 0 / 59 / 59 / 2

HEX #FA6666

RGB 250 102 102

HSL 0, 0.94%, 0.69%

LAB 62.33, 56.57, 29.38

 

CMYK 0 / 17 / 59 / 2

HEX #FACF66

RGB 250 207 102

HSL 42.57, 0.94%, 0.69%

LAB 84.95, 3.43, 56.85

 

CMYK 0 / 1 / 59 / 2

HEX #FAF766

RGB 250 247 102

HSL 58.78, 0.94%, 0.69%

LAB 95.08, -16.58, 68.14

 

CMYK 14 / 0 / 59 / 2

HEX #D6FA66

RGB 214 250 102

HSL 74.59, 0.94%, 0.69%

LAB 93.29, -32.11, 65.44

 

CMYK 30 / 0 / 59 / 2

HEX #AEFA66

RGB 174 250 102

HSL 90.81, 0.94%, 0.69%

LAB 90.93, -46.69, 62.15

 

CMYK 46 / 0 / 59 / 2

HEX #86FA66

RGB 134 250 102

HSL 107.03, 0.94%, 0.69%

LAB 89.11, -59.32, 59.6

 

CMYK 0 / 17 / 59 / 2

HEX #FACF66

RGB 250 207 102

HSL 42.57, 0.94%, 0.69%

LAB 84.95, 3.43, 56.85

 

CMYK 0 / 17 / 59 / 2

HEX #FACF66

RGB 250 207 102

HSL 42.57, 0.94%, 0.69%

LAB 84.95, 3.43, 56.85

 

CMYK 0 / 15 / 52 / 7

HEX #EDC972

RGB 237 201 114

HSL 42.44, 0.77%, 0.69%

LAB 82.37, 2.13, 47.82

 

CMYK 0 / 13 / 44 / 12

HEX #E1C47F

RGB 225 196 127

HSL 42.24, 0.62%, 0.69%

LAB 80.19, 1.08, 38.35

 

CMYK 0 / 10 / 34 / 17

HEX #D4BF8C

RGB 212 191 140

HSL 42.5, 0.46%, 0.69%

LAB 77.96, -0.01, 28.47

 

CMYK 0 / 7 / 23 / 22

HEX #C7BA99

RGB 199 186 153

HSL 43.04, 0.29%, 0.69%

LAB 75.8, -0.68, 18.42

 

CMYK 0 / 50 / 59 / 2

HEX #FA7E66

RGB 250 126 102

HSL 9.73, 0.94%, 0.69%

LAB 66.68, 45.33, 34.93

 

CMYK 0 / 34 / 59 / 2

HEX #FAA666

RGB 250 166 102

HSL 25.95, 0.94%, 0.69%

LAB 75.17, 24.82, 45.4

 

CMYK 0 / 18 / 59 / 2

HEX #FACE66

RGB 250 206 102

HSL 42.16, 0.94%, 0.69%

LAB 84.7, 3.94, 56.57

 

CMYK 0 / 2 / 59 / 2

HEX #FAF566

RGB 250 245 102

HSL 57.97, 0.94%, 0.69%

LAB 94.56, -15.61, 67.58

 

CMYK 14 / 0 / 59 / 2

HEX #D8FA66

RGB 216 250 102

HSL 73.78, 0.94%, 0.69%

LAB 93.42, -31.34, 65.62

 

CMYK 0 / 27 / 91 / 3

HEX #F8B516

RGB 248 181 22

HSL 42.21, 0.94%, 0.53%

LAB 77.91, 12.82, 77.86

 

CMYK 0 / 22 / 75 / 2

HEX #F9C23E

RGB 249 194 62

HSL 42.35, 0.94%, 0.61%

LAB 81.33, 7.54, 69.74

 

CMYK 0 / 17 / 59 / 2

HEX #FACF66

RGB 250 207 102

HSL 42.57, 0.94%, 0.69%

LAB 84.95, 3.43, 56.85

 

CMYK 0 / 13 / 43 / 2

HEX #FBDB8E

RGB 251 219 142

HSL 42.39, 0.93%, 0.77%

LAB 88.51, 1.07, 41.87

 

CMYK 0 / 8 / 28 / 1

HEX #FDE8B6

RGB 253 232 182

HSL 42.25, 0.95%, 0.85%

LAB 92.56, -0.21, 26.96

 

CMYK 0 / 18 / 60 / 2

HEX #FACE64

RGB 250 206 100

HSL 42.4, 0.94%, 0.69%

LAB 84.68, 3.8, 57.46

 

CMYK 53 / 0 / 59 / 2

HEX #75FA66

RGB 117 250 102

HSL 113.92, 0.94%, 0.69%

LAB 88.5, -63.88, 58.75

 

CMYK 42 / 59 / 0 / 2

HEX #9266FA

RGB 146 102 250

HSL 257.84, 0.94%, 0.69%

LAB 54.57, 50.27, -68.09

 

CMYK 0 / 18 / 60 / 2

HEX #FACE64

RGB 250 206 100

HSL 42.4, 0.94%, 0.69%

LAB 84.68, 3.8, 57.46

 

CMYK 59 / 0 / 18 / 2

HEX #66FACE

RGB 102 250 206

HSL 162.16, 0.94%, 0.69%

LAB 89.7, -49.81, 9.36

 

CMYK 18 / 59 / 0 / 2

HEX #CE66FA

RGB 206 102 250

HSL 282.16, 0.94%, 0.69%

LAB 61.24, 63.73, -57.02

 

CMYK 0 / 18 / 60 / 2

HEX #FACE64

RGB 250 206 100

HSL 42.4, 0.94%, 0.69%

LAB 84.68, 3.8, 57.46

 

CMYK 53 / 0 / 59 / 2

HEX #75FA66

RGB 117 250 102

HSL 113.92, 0.94%, 0.69%

LAB 88.5, -63.88, 58.75

 

CMYK 59 / 42 / 0 / 2

HEX #6692FA

RGB 102 146 250

HSL 222.16, 0.94%, 0.69%

LAB 61.9, 15.7, -56.5

 

CMYK 6 / 59 / 0 / 2

HEX #EB66FA

RGB 235 102 250

HSL 293.92, 0.94%, 0.69%

LAB 65.02, 70.63, -50.79

 

CMYK 0 / 18 / 60 / 2

HEX #FACE64

RGB 250 206 100

HSL 42.4, 0.94%, 0.69%

LAB 84.68, 3.8, 57.46

 

CMYK 59 / 0 / 48 / 2

HEX #66FA83

RGB 102 250 131

HSL 131.76, 0.94%, 0.69%

LAB 88.37, -63.78, 45.3

 

CMYK 59 / 42 / 0 / 2

HEX #6692FA

RGB 102 146 250

HSL 222.16, 0.94%, 0.69%

LAB 61.9, 15.7, -56.5

 

CMYK 0 / 59 / 12 / 2

HEX #FA66DD

RGB 250 102 221

HSL 311.76, 0.94%, 0.69%

LAB 65.79, 69.68, -33.36

 

Description

Color code: HEX #FACE64 | qconv.com Color code: HEX #FACE64 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 206 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 206 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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