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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACE63 it is the complementary color #05319C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACE63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACE63 shade: #FFCE5E, #FFE071, #FFF284, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACE63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACE63 shade: #FACE63, #E9BC50, #D8AA3D, #C7982A and #B68617

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACE63 shade: #FACD61, #FAA461, #FA7B61 and #FA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACE63 shade: #FACD61, #FAF761, #D4FA61, #ABFA61 and #81FA61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACE63 shade matches the following richer shades: #FACD61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACE63 shade: #FACD61, #EDC86E, #E0C27B, #D2BD88 and #C5B796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACE63 shade: #FA7A61, #FAA361, #FACC61, #FAF561 and #D6FA61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACE63 shade: #F8B411, #F9C139, #FACD61, #FBDA89 and #FDE6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACE63 shade: #FACE63, #70FA61 and #8F61FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACE63 shade: #FACE63, #61FACC and #CC61FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACE63 shade: #FACE63, #70FA61, #618FFA and #EB61FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACE63 shade: #FACE63, #61FA7F, #618FFA and #FA61DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 60 / 2

HEX #FACE63

RGB 250 206 99

HSL 42.52, 0.94%, 0.68%

LAB 84.67, 3.73, 57.91

 

Complementary color

CMYK 97 / 69 / 0 / 39

HEX #05319C

RGB 5 49 156

HSL 222.52, 0.94%, 0.32%

LAB 25.65, 31.65, -61.12

 

CMYK 0 / 19 / 63 / 0

HEX #FFCE5E

RGB 255 206 94

HSL 41.74, 1%, 0.68%

LAB 85.1, 5.47, 60.77

 

CMYK 0 / 12 / 56 / 0

HEX #FFE071

RGB 255 224 113

HSL 46.9, 1%, 0.72%

LAB 89.75, -2.41, 57.44

 

CMYK 0 / 5 / 48 / 0

HEX #FFF284

RGB 255 242 132

HSL 53.66, 1%, 0.76%

LAB 94.5, -9.85, 54.23

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 18 / 60 / 2

HEX #FACE63

RGB 250 206 99

HSL 42.52, 0.94%, 0.68%

LAB 84.67, 3.73, 57.91

 

CMYK 0 / 19 / 66 / 9

HEX #E9BC50

RGB 233 188 80

HSL 42.35, 0.78%, 0.61%

LAB 78.39, 4.8, 59

 

CMYK 0 / 21 / 72 / 15

HEX #D8AA3D

RGB 216 170 61

HSL 42.19, 0.67%, 0.54%

LAB 72.02, 6.04, 59.89

 

CMYK 0 / 24 / 79 / 22

HEX #C7982A

RGB 199 152 42

HSL 42.04, 0.65%, 0.47%

LAB 65.57, 7.48, 60.34

 

CMYK 0 / 26 / 87 / 29

HEX #B68617

RGB 182 134 23

HSL 41.89, 0.78%, 0.4%

LAB 59.03, 9.19, 59.91

 

CMYK 0 / 18 / 61 / 2

HEX #FACD61

RGB 250 205 97

HSL 42.35, 0.94%, 0.68%

LAB 84.41, 4.12, 58.51

 

CMYK 0 / 34 / 61 / 2

HEX #FAA461

RGB 250 164 97

HSL 26.27, 0.94%, 0.68%

LAB 74.66, 25.52, 47.3

 

CMYK 0 / 51 / 61 / 2

HEX #FA7B61

RGB 250 123 97

HSL 10.2, 0.94%, 0.68%

LAB 66.02, 46.46, 36.84

 

CMYK 0 / 61 / 61 / 2

HEX #FA6161

RGB 250 97 97

HSL 0, 0.94%, 0.68%

LAB 61.43, 58.42, 31.05

 

CMYK 0 / 18 / 61 / 2

HEX #FACD61

RGB 250 205 97

HSL 42.35, 0.94%, 0.68%

LAB 84.41, 4.12, 58.51

 

CMYK 0 / 1 / 61 / 2

HEX #FAF761

RGB 250 247 97

HSL 58.82, 0.94%, 0.68%

LAB 95.04, -16.9, 70.14

 

CMYK 15 / 0 / 61 / 2

HEX #D4FA61

RGB 212 250 97

HSL 74.9, 0.94%, 0.68%

LAB 93.12, -33.24, 67.27

 

CMYK 32 / 0 / 61 / 2

HEX #ABFA61

RGB 171 250 97

HSL 90.98, 0.94%, 0.68%

LAB 90.73, -48.15, 63.98

 

CMYK 48 / 0 / 61 / 2

HEX #81FA61

RGB 129 250 97

HSL 107.45, 0.94%, 0.68%

LAB 88.88, -61.21, 61.4

 

CMYK 0 / 18 / 61 / 2

HEX #FACD61

RGB 250 205 97

HSL 42.35, 0.94%, 0.68%

LAB 84.41, 4.12, 58.51

 

CMYK 0 / 18 / 61 / 2

HEX #FACD61

RGB 250 205 97

HSL 42.35, 0.94%, 0.68%

LAB 84.41, 4.12, 58.51

 

CMYK 0 / 16 / 54 / 7

HEX #EDC86E

RGB 237 200 110

HSL 42.52, 0.78%, 0.68%

LAB 82.08, 2.31, 49.4

 

CMYK 0 / 13 / 45 / 12

HEX #E0C27B

RGB 224 194 123

HSL 42.18, 0.62%, 0.68%

LAB 79.53, 1.32, 39.54

 

CMYK 0 / 10 / 35 / 18

HEX #D2BD88

RGB 210 189 136

HSL 42.97, 0.45%, 0.68%

LAB 77.21, -0.23, 29.54

 

CMYK 0 / 7 / 24 / 23

HEX #C5B796

RGB 197 183 150

HSL 42.13, 0.29%, 0.68%

LAB 74.79, -0.29, 18.6

 

CMYK 0 / 51 / 61 / 2

HEX #FA7A61

RGB 250 122 97

HSL 9.8, 0.94%, 0.68%

LAB 65.83, 46.94, 36.6

 

CMYK 0 / 35 / 61 / 2

HEX #FAA361

RGB 250 163 97

HSL 25.88, 0.94%, 0.68%

LAB 74.43, 26.05, 47.03

 

CMYK 0 / 18 / 61 / 2

HEX #FACC61

RGB 250 204 97

HSL 41.96, 0.94%, 0.68%

LAB 84.16, 4.63, 58.24

 

CMYK 0 / 2 / 61 / 2

HEX #FAF561

RGB 250 245 97

HSL 58.04, 0.94%, 0.68%

LAB 94.52, -15.93, 69.59

 

CMYK 14 / 0 / 61 / 2

HEX #D6FA61

RGB 214 250 97

HSL 74.12, 0.94%, 0.68%

LAB 93.25, -32.47, 67.45

 

CMYK 0 / 27 / 93 / 3

HEX #F8B411

RGB 248 180 17

HSL 42.34, 0.94%, 0.52%

LAB 77.66, 13.28, 78.48

 

CMYK 0 / 22 / 77 / 2

HEX #F9C139

RGB 249 193 57

HSL 42.5, 0.94%, 0.6%

LAB 81.06, 7.87, 71.25

 

CMYK 0 / 18 / 61 / 2

HEX #FACD61

RGB 250 205 97

HSL 42.35, 0.94%, 0.68%

LAB 84.41, 4.12, 58.51

 

CMYK 0 / 13 / 45 / 2

HEX #FBDA89

RGB 251 218 137

HSL 42.63, 0.93%, 0.76%

LAB 88.19, 1.09, 43.95

 

CMYK 0 / 9 / 30 / 1

HEX #FDE6B1

RGB 253 230 177

HSL 41.84, 0.95%, 0.84%

LAB 91.98, 0.17, 28.72

 

CMYK 0 / 18 / 60 / 2

HEX #FACE63

RGB 250 206 99

HSL 42.52, 0.94%, 0.68%

LAB 84.67, 3.73, 57.91

 

CMYK 55 / 0 / 61 / 2

HEX #70FA61

RGB 112 250 97

HSL 114.12, 0.94%, 0.68%

LAB 88.29, -65.63, 60.59

 

CMYK 43 / 61 / 0 / 2

HEX #8F61FA

RGB 143 97 250

HSL 258.04, 0.94%, 0.68%

LAB 53.27, 52.35, -70.21

 

CMYK 0 / 18 / 60 / 2

HEX #FACE63

RGB 250 206 99

HSL 42.52, 0.94%, 0.68%

LAB 84.67, 3.73, 57.91

 

CMYK 61 / 0 / 18 / 2

HEX #61FACC

RGB 97 250 204

HSL 161.96, 0.94%, 0.68%

LAB 89.52, -51.16, 10.13

 

CMYK 18 / 61 / 0 / 2

HEX #CC61FA

RGB 204 97 250

HSL 281.96, 0.94%, 0.68%

LAB 60.15, 65.56, -58.78

 

CMYK 0 / 18 / 60 / 2

HEX #FACE63

RGB 250 206 99

HSL 42.52, 0.94%, 0.68%

LAB 84.67, 3.73, 57.91

 

CMYK 55 / 0 / 61 / 2

HEX #70FA61

RGB 112 250 97

HSL 114.12, 0.94%, 0.68%

LAB 88.29, -65.63, 60.59

 

CMYK 61 / 43 / 0 / 2

HEX #618FFA

RGB 97 143 250

HSL 221.96, 0.94%, 0.68%

LAB 60.86, 16.57, -58.17

 

CMYK 6 / 61 / 0 / 2

HEX #EB61FA

RGB 235 97 250

HSL 294.12, 0.94%, 0.68%

LAB 64.25, 72.73, -52

 

CMYK 0 / 18 / 60 / 2

HEX #FACE63

RGB 250 206 99

HSL 42.52, 0.94%, 0.68%

LAB 84.67, 3.73, 57.91

 

CMYK 61 / 0 / 49 / 2

HEX #61FA7F

RGB 97 250 127

HSL 131.76, 0.94%, 0.68%

LAB 88.18, -65.39, 46.93

 

CMYK 61 / 43 / 0 / 2

HEX #618FFA

RGB 97 143 250

HSL 221.96, 0.94%, 0.68%

LAB 60.86, 16.57, -58.17

 

CMYK 0 / 61 / 12 / 2

HEX #FA61DB

RGB 250 97 219

HSL 312.16, 0.94%, 0.68%

LAB 64.95, 71.44, -33.53

 

Description

Color code: HEX #FACE63 | qconv.com Color code: HEX #FACE63 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 206 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 206 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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