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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACBA0 it is the complementary color #05345F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACBA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACBA0 shade: #FFCB9B, #FFDDAE, #FFEFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACBA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACBA0 shade: #FACBA0, #E9B98D, #D8A77A, #C79567 and #B68354

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACBA0 shade: #FACA9E, #FAB19E and #FA9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACBA0 shade: #FACA9E, #FAE39E, #F8FA9E, #E0FA9E and #C7FA9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACBA0 shade matches the following richer shades: #FACA9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACBA0 shade: #FACA9E, #F2CAA6, #E9CBAF, #E1CBB7 and #D9CBBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACBA0 shade: #FA9EA4, #FAB09E, #FAC99E, #FAE19E and #FAFA9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACBA0 shade: #F69F50, #F8B577, #FACA9E, #FCDFC5 and #FEF5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACBA0 shade: #FACBA0, #BDFA9E and #A49EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACBA0 shade: #FACBA0, #9EFAC9 and #C99EFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACBA0 shade: #FACBA0, #BDFA9E, #9ECFFA and #DB9EFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACBA0 shade: #FACBA0, #A1FA9E, #9ECFFA and #F79EFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 36 / 2

HEX #FACBA0

RGB 250 203 160

HSL 28.67, 0.9%, 0.8%

LAB 84.78, 10.88, 27.73

 

Complementary color

CMYK 95 / 45 / 0 / 63

HEX #05345F

RGB 5 52 95

HSL 208.67, 0.9%, 0.2%

LAB 21.26, 3.42, -29.71

 

CMYK 0 / 20 / 39 / 0

HEX #FFCB9B

RGB 255 203 155

HSL 28.8, 1%, 0.8%

LAB 85.17, 12.24, 30.95

 

CMYK 0 / 13 / 32 / 0

HEX #FFDDAE

RGB 255 221 174

HSL 34.81, 1%, 0.84%

LAB 89.87, 5.15, 27.44

 

CMYK 0 / 6 / 24 / 0

HEX #FFEFC1

RGB 255 239 193

HSL 44.52, 1%, 0.88%

LAB 94.67, -1.57, 24.24

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 19 / 36 / 2

HEX #FACBA0

RGB 250 203 160

HSL 28.67, 0.9%, 0.8%

LAB 84.78, 10.88, 27.73

 

CMYK 0 / 21 / 39 / 9

HEX #E9B98D

RGB 233 185 141

HSL 28.7, 0.68%, 0.73%

LAB 78.43, 11.55, 28.91

 

CMYK 0 / 23 / 44 / 15

HEX #D8A77A

RGB 216 167 122

HSL 28.72, 0.55%, 0.66%

LAB 71.99, 12.31, 30.17

 

CMYK 0 / 25 / 48 / 22

HEX #C79567

RGB 199 149 103

HSL 28.75, 0.46%, 0.59%

LAB 65.45, 13.18, 31.53

 

CMYK 0 / 28 / 54 / 29

HEX #B68354

RGB 182 131 84

HSL 28.78, 0.4%, 0.52%

LAB 58.81, 14.2, 32.99

 

CMYK 0 / 19 / 37 / 2

HEX #FACA9E

RGB 250 202 158

HSL 28.7, 0.9%, 0.8%

LAB 84.5, 11.17, 28.4

 

CMYK 0 / 29 / 37 / 2

HEX #FAB19E

RGB 250 177 158

HSL 12.39, 0.9%, 0.8%

LAB 78.6, 24.28, 20.36

 

CMYK 0 / 37 / 37 / 2

HEX #FA9E9E

RGB 250 158 158

HSL 0, 0.9%, 0.8%

LAB 74.35, 34.24, 14.44

 

CMYK 0 / 19 / 37 / 2

HEX #FACA9E

RGB 250 202 158

HSL 28.7, 0.9%, 0.8%

LAB 84.5, 11.17, 28.4

 

CMYK 0 / 9 / 37 / 2

HEX #FAE39E

RGB 250 227 158

HSL 45, 0.9%, 0.8%

LAB 90.66, -1.7, 36.59

 

CMYK 1 / 0 / 37 / 2

HEX #F8FA9E

RGB 248 250 158

HSL 61.3, 0.9%, 0.8%

LAB 96.33, -13.92, 43.92

 

CMYK 10 / 0 / 37 / 2

HEX #E0FA9E

RGB 224 250 158

HSL 76.96, 0.9%, 0.8%

LAB 94.61, -22.87, 41.36

 

CMYK 20 / 0 / 37 / 2

HEX #C7FA9E

RGB 199 250 158

HSL 93.26, 0.9%, 0.8%

LAB 93.01, -31.82, 38.97

 

CMYK 0 / 19 / 37 / 2

HEX #FACA9E

RGB 250 202 158

HSL 28.7, 0.9%, 0.8%

LAB 84.5, 11.17, 28.4

 

CMYK 0 / 19 / 37 / 2

HEX #FACA9E

RGB 250 202 158

HSL 28.7, 0.9%, 0.8%

LAB 84.5, 11.17, 28.4

 

CMYK 0 / 17 / 31 / 5

HEX #F2CAA6

RGB 242 202 166

HSL 28.42, 0.75%, 0.8%

LAB 83.9, 9.06, 23.27

 

CMYK 0 / 13 / 25 / 9

HEX #E9CBAF

RGB 233 203 175

HSL 28.97, 0.57%, 0.8%

LAB 83.51, 6.33, 17.85

 

CMYK 0 / 10 / 19 / 12

HEX #E1CBB7

RGB 225 203 183

HSL 28.57, 0.41%, 0.8%

LAB 82.99, 4.51, 12.77

 

CMYK 0 / 6 / 12 / 15

HEX #D9CBBF

RGB 217 203 191

HSL 27.69, 0.25%, 0.8%

LAB 82.5, 2.86, 7.72

 

CMYK 0 / 37 / 34 / 2

HEX #FA9EA4

RGB 250 158 164

HSL 356.09, 0.9%, 0.8%

LAB 74.48, 34.95, 11.34

 

CMYK 0 / 30 / 37 / 2

HEX #FAB09E

RGB 250 176 158

HSL 11.74, 0.9%, 0.8%

LAB 78.37, 24.8, 20.04

 

CMYK 0 / 20 / 37 / 2

HEX #FAC99E

RGB 250 201 158

HSL 28.04, 0.9%, 0.8%

LAB 84.26, 11.69, 28.08

 

CMYK 0 / 10 / 37 / 2

HEX #FAE19E

RGB 250 225 158

HSL 43.7, 0.9%, 0.8%

LAB 90.16, -0.68, 35.93

 

CMYK 0 / 0 / 37 / 2

HEX #FAFA9E

RGB 250 250 158

HSL 60, 0.9%, 0.8%

LAB 96.48, -13.16, 44.14

 

CMYK 0 / 35 / 67 / 4

HEX #F69F50

RGB 246 159 80

HSL 28.55, 0.9%, 0.64%

LAB 72.87, 25.49, 53.41

 

CMYK 0 / 27 / 52 / 3

HEX #F8B577

RGB 248 181 119

HSL 28.84, 0.9%, 0.72%

LAB 78.66, 17.47, 40.97

 

CMYK 0 / 19 / 37 / 2

HEX #FACA9E

RGB 250 202 158

HSL 28.7, 0.9%, 0.8%

LAB 84.5, 11.17, 28.4

 

CMYK 0 / 12 / 22 / 1

HEX #FCDFC5

RGB 252 223 197

HSL 28.36, 0.9%, 0.88%

LAB 90.55, 6.05, 16.4

 

CMYK 0 / 4 / 7 / 0

HEX #FEF5EC

RGB 254 245 236

HSL 30, 0.9%, 0.96%

LAB 97, 1.5, 5.39

 

CMYK 0 / 19 / 36 / 2

HEX #FACBA0

RGB 250 203 160

HSL 28.67, 0.9%, 0.8%

LAB 84.78, 10.88, 27.73

 

CMYK 24 / 0 / 37 / 2

HEX #BDFA9E

RGB 189 250 158

HSL 99.78, 0.9%, 0.8%

LAB 92.42, -35.25, 38.1

 

CMYK 34 / 37 / 0 / 2

HEX #A49EFA

RGB 164 158 250

HSL 243.91, 0.9%, 0.8%

LAB 68.93, 23.02, -45.12

 

CMYK 0 / 19 / 36 / 2

HEX #FACBA0

RGB 250 203 160

HSL 28.67, 0.9%, 0.8%

LAB 84.78, 10.88, 27.73

 

CMYK 37 / 0 / 20 / 2

HEX #9EFAC9

RGB 158 250 201

HSL 148.04, 0.9%, 0.8%

LAB 91.62, -37.77, 14.96

 

CMYK 20 / 37 / 0 / 2

HEX #C99EFA

RGB 201 158 250

HSL 268.04, 0.9%, 0.8%

LAB 72.08, 33.37, -39.97

 

CMYK 0 / 19 / 36 / 2

HEX #FACBA0

RGB 250 203 160

HSL 28.67, 0.9%, 0.8%

LAB 84.78, 10.88, 27.73

 

CMYK 24 / 0 / 37 / 2

HEX #BDFA9E

RGB 189 250 158

HSL 99.78, 0.9%, 0.8%

LAB 92.42, -35.25, 38.1

 

CMYK 37 / 17 / 0 / 2

HEX #9ECFFA

RGB 158 207 250

HSL 208.04, 0.9%, 0.8%

LAB 81.18, -5.61, -26.18

 

CMYK 12 / 37 / 0 / 2

HEX #DB9EFA

RGB 219 158 250

HSL 279.78, 0.9%, 0.8%

LAB 73.81, 38.66, -37.13

 

CMYK 0 / 19 / 36 / 2

HEX #FACBA0

RGB 250 203 160

HSL 28.67, 0.9%, 0.8%

LAB 84.78, 10.88, 27.73

 

CMYK 36 / 0 / 37 / 2

HEX #A1FA9E

RGB 161 250 158

HSL 118.04, 0.9%, 0.8%

LAB 90.97, -44.28, 35.92

 

CMYK 37 / 17 / 0 / 2

HEX #9ECFFA

RGB 158 207 250

HSL 208.04, 0.9%, 0.8%

LAB 81.18, -5.61, -26.18

 

CMYK 1 / 37 / 0 / 2

HEX #F79EFA

RGB 247 158 250

HSL 298.04, 0.9%, 0.8%

LAB 76.76, 47.02, -32.34

 

Description

Color code: HEX #FACBA0 | qconv.com Color code: HEX #FACBA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 203 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 203 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 36 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 36% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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