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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FACAF0CE it is the complementary color #05350FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FACAF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FACAF0CE shade: #FFCAEBCE, #FFDCFECE, #FFEEFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FACAF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FACAF0CE shade: #FACAF0CE, #E9B8DDCE, #D8A6CACE, #C794B7CE and #B682A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FACAF0CE shade: #FACCF1, #FACCE4, #FACCD7 and #FACCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FACAF0CE shade: #FACCF1, #F7CCFA, #EBCCFA, #DECCFA and #D2CCFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FACAF0CE shade matches the following richer shades: #FACCF1 and #FFC7F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FACAF0CE shade: #FACCF1, #F6D0EE, #F1D5EB, #EDD9E9 and #E8DEE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FACAF0CE shade: #EBCCFA, #F7CCFA, #FACCF1, #FACCE5 and #FACCD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FACAF0CE shade: #F380DB, #F7A6E6, #FACCF1, #FEF1FB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FACAF0CE shade: #FACAF0, #FADECC and #CCFAF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FACAF0CE shade: #FACAF0, #F1FACC and #CCF1FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FACAF0CE shade: #FACAF0, #FADECC, #CCFAD5 and #CCE8FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FACAF0CE shade: #FACAF0, #FAECCC, #CCFAD5 and #CCDAFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 3 / 2

HEX #FACAF0CE

RGBA 250 202 240 0.81

HSLA 312.5, 0.83%, 0.89%, 0.81

LABA 86.43, 23.12, -12.27, 0.81

 

Complementary color

CMYK 73 / 0 / 58 / 64

HEX #05350FCE

RGBA 5 53 15 0.81

HSLA 132.5, 0.83%, 0.11%, 0.81

LABA 18.42, -25.17, 19.16, 0.81

 

CMYK 0 / 17 / 6 / 0

HEX #FFCAEBCE

RGBA 255 202 235 0.81

HSLA 322.64, 1%, 0.9%, 0.81

LABA 86.75, 23.94, -9.09, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDCFECE

RGBA 255 220 254 0.81

HSLA 301.71, 1%, 0.93%, 0.81

LABA 91.51, 17.81, -12.03, 0.81

 

CMYK 0 / 5 / 0 / 0

HEX #FFEEFFCE

RGBA 255 238 255 0.81

HSLA 300, 1%, 0.97%, 0.81

LABA 95.84, 8.66, -6.11, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 16 / 3 / 2

HEX #FACAF0CE

RGBA 250 202 240 0.81

HSLA 312.5, 0.83%, 0.89%, 0.81

LABA 86.43, 23.12, -12.27, 0.81

 

CMYK 0 / 17 / 4 / 7

HEX #E9B8DDCE

RGBA 233 184 221 0.81

HSLA 314.69, 0.53%, 0.82%, 0.81

LABA 80.08, 23.64, -11.76, 0.81

 

CMYK 0 / 19 / 5 / 12

HEX #D8A6CACE

RGBA 216 166 202 0.81

HSLA 316.8, 0.39%, 0.75%, 0.81

LABA 73.63, 24.2, -11.24, 0.81

 

CMYK 0 / 21 / 7 / 18

HEX #C794B7CE

RGBA 199 148 183 0.81

HSLA 318.82, 0.31%, 0.68%, 0.81

LABA 67.08, 24.8, -10.69, 0.81

 

CMYK 0 / 23 / 8 / 23

HEX #B682A4CE

RGBA 182 130 164 0.81

HSLA 320.77, 0.26%, 0.61%, 0.81

LABA 60.42, 25.46, -10.1, 0.81

 

CMYK 0 / 18 / 4 / 2

HEX #FACCF1

RGB 250 204 241

HSL 311.74, 0.82%, 0.89%

LAB 86.93, 22.24, -12.06

 

CMYK 0 / 18 / 9 / 2

HEX #FACCE4

RGB 250 204 228

HSL 328.7, 0.82%, 0.89%

LAB 86.56, 20.02, -5.71

 

CMYK 0 / 18 / 14 / 2

HEX #FACCD7

RGB 250 204 215

HSL 345.65, 0.82%, 0.89%

LAB 86.21, 17.91, 0.68

 

CMYK 0 / 18 / 18 / 2

HEX #FACCCC

RGB 250 204 204

HSL 0, 0.82%, 0.89%

LAB 85.94, 16.22, 6.13

 

CMYK 0 / 18 / 4 / 2

HEX #FACCF1

RGB 250 204 241

HSL 311.74, 0.82%, 0.89%

LAB 86.93, 22.24, -12.06

 

CMYK 1 / 18 / 0 / 2

HEX #F7CCFA

RGB 247 204 250

HSL 296.09, 0.82%, 0.89%

LAB 86.93, 22.86, -16.85

 

CMYK 6 / 18 / 0 / 2

HEX #EBCCFA

RGB 235 204 250

HSL 280.43, 0.82%, 0.89%

LAB 85.88, 18.98, -18.53

 

CMYK 11 / 18 / 0 / 2

HEX #DECCFA

RGB 222 204 250

HSL 263.48, 0.82%, 0.89%

LAB 84.8, 14.83, -20.27

 

CMYK 16 / 18 / 0 / 2

HEX #D2CCFA

RGB 210 204 250

HSL 247.83, 0.82%, 0.89%

LAB 83.86, 11.06, -21.79

 

CMYK 0 / 18 / 4 / 2

HEX #FACCF1

RGB 250 204 241

HSL 311.74, 0.82%, 0.89%

LAB 86.93, 22.24, -12.06

 

CMYK 0 / 22 / 5 / 0

HEX #FFC7F3

RGB 255 199 243

HSL 312.86, 1%, 0.89%

LAB 86.29, 26.87, -14.02

 

CMYK 0 / 18 / 4 / 2

HEX #FACCF1

RGB 250 204 241

HSL 311.74, 0.82%, 0.89%

LAB 86.93, 22.24, -12.06

 

CMYK 0 / 15 / 3 / 4

HEX #F6D0EE

RGB 246 208 238

HSL 312.63, 0.68%, 0.89%

LAB 87.43, 18.27, -9.77

 

CMYK 0 / 12 / 2 / 5

HEX #F1D5EB

RGB 241 213 235

HSL 312.86, 0.5%, 0.89%

LAB 88.11, 13.44, -7.22

 

CMYK 0 / 8 / 2 / 7

HEX #EDD9E9

RGB 237 217 233

HSL 312, 0.36%, 0.89%

LAB 88.69, 9.64, -5.34

 

CMYK 0 / 4 / 1 / 9

HEX #E8DEE6

RGB 232 222 230

HSL 312, 0.18%, 0.89%

LAB 89.45, 4.81, -2.7

 

CMYK 6 / 18 / 0 / 2

HEX #EBCCFA

RGB 235 204 250

HSL 280.43, 0.82%, 0.89%

LAB 85.88, 18.98, -18.53

 

CMYK 1 / 18 / 0 / 2

HEX #F7CCFA

RGB 247 204 250

HSL 296.09, 0.82%, 0.89%

LAB 86.93, 22.86, -16.85

 

CMYK 0 / 18 / 4 / 2

HEX #FACCF1

RGB 250 204 241

HSL 311.74, 0.82%, 0.89%

LAB 86.93, 22.24, -12.06

 

CMYK 0 / 18 / 8 / 2

HEX #FACCE5

RGB 250 204 229

HSL 327.39, 0.82%, 0.89%

LAB 86.59, 20.18, -6.2

 

CMYK 0 / 18 / 14 / 2

HEX #FACCD8

RGB 250 204 216

HSL 344.35, 0.82%, 0.89%

LAB 86.24, 18.06, 0.19

 

CMYK 0 / 47 / 10 / 5

HEX #F380DB

RGB 243 128 219

HSL 312.52, 0.83%, 0.73%

LAB 69.19, 55.6, -27.07

 

CMYK 0 / 33 / 7 / 3

HEX #F7A6E6

RGB 247 166 230

HSL 312.59, 0.84%, 0.81%

LAB 77.73, 39.36, -20.02

 

CMYK 0 / 18 / 4 / 2

HEX #FACCF1

RGB 250 204 241

HSL 311.74, 0.82%, 0.89%

LAB 86.93, 22.24, -12.06

 

CMYK 0 / 5 / 1 / 0

HEX #FEF1FB

RGB 254 241 251

HSL 313.85, 0.87%, 0.97%

LAB 96.39, 6.09, -3.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 19 / 4 / 2

HEX #FACAF0

RGB 250 202 240

HSL 312.5, 0.83%, 0.89%

LAB 86.43, 23.12, -12.27

 

CMYK 0 / 11 / 18 / 2

HEX #FADECC

RGB 250 222 204

HSL 23.48, 0.82%, 0.89%

LAB 90.29, 6.85, 12.35

 

CMYK 18 / 0 / 4 / 2

HEX #CCFAF1

RGB 204 250 241

HSL 168.26, 0.82%, 0.89%

LAB 94.98, -16.38, -0.55

 

CMYK 0 / 19 / 4 / 2

HEX #FACAF0

RGB 250 202 240

HSL 312.5, 0.83%, 0.89%

LAB 86.43, 23.12, -12.27

 

CMYK 4 / 0 / 18 / 2

HEX #F1FACC

RGB 241 250 204

HSL 71.74, 0.82%, 0.89%

LAB 96.59, -10.54, 21.1

 

CMYK 18 / 4 / 0 / 2

HEX #CCF1FA

RGB 204 241 250

HSL 191.74, 0.82%, 0.89%

LAB 92.86, -10.06, -8.33

 

CMYK 0 / 19 / 4 / 2

HEX #FACAF0

RGB 250 202 240

HSL 312.5, 0.83%, 0.89%

LAB 86.43, 23.12, -12.27

 

CMYK 0 / 11 / 18 / 2

HEX #FADECC

RGB 250 222 204

HSL 23.48, 0.82%, 0.89%

LAB 90.29, 6.85, 12.35

 

CMYK 18 / 0 / 15 / 2

HEX #CCFAD5

RGB 204 250 213

HSL 131.74, 0.82%, 0.89%

LAB 94.32, -21.63, 12.94

 

CMYK 18 / 7 / 0 / 2

HEX #CCE8FA

RGB 204 232 250

HSL 203.48, 0.82%, 0.89%

LAB 90.53, -5.48, -11.8

 

CMYK 0 / 19 / 4 / 2

HEX #FACAF0

RGB 250 202 240

HSL 312.5, 0.83%, 0.89%

LAB 86.43, 23.12, -12.27

 

CMYK 0 / 6 / 18 / 2

HEX #FAECCC

RGB 250 236 204

HSL 41.74, 0.82%, 0.89%

LAB 93.74, -0.32, 17.23

 

CMYK 18 / 0 / 15 / 2

HEX #CCFAD5

RGB 204 250 213

HSL 131.74, 0.82%, 0.89%

LAB 94.32, -21.63, 12.94

 

CMYK 18 / 13 / 0 / 2

HEX #CCDAFA

RGB 204 218 250

HSL 221.74, 0.82%, 0.89%

LAB 86.94, 1.79, -17.18

 

Description

Color code: HEX #FACAF0CE | qconv.com Color code: HEX #FACAF0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 202 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 202 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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