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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAC6DB00 it is the complementary color #05392400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAC6DB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAC6DB00 shade: #FFC6D600, #FFD8E900, #FFEAFC00, #FFFCFF00 and #FFFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAC6DB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAC6DB00 shade: #FAC6DB00, #E9B4C800, #D8A2B500, #C790A200 and #B67E8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAC6DB00 shade: #FAC7DB, #FAC7CE and #FAC7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAC6DB00 shade: #FAC7DB, #FAC7E9, #FAC7F7, #EFC7FA and #E1C7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAC6DB00 shade matches the following richer shades: #FAC7DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAC6DB00 shade: #FAC7DB, #F5CCDC, #F0D1DD, #EBD6DE and #E6DBDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAC6DB00 shade: #FAC7F8, #FAC7EA, #FAC7DC, #FAC7CE and #FACDC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAC6DB00 shade: #F47BAC, #F7A1C3, #FAC7DB, #FDEDF3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAC6DB00 shade: #FAC6DB, #FAEFC7 and #C7F1FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAC6DB00 shade: #FAC6DB, #DCFAC7 and #C7DCFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAC6DB00 shade: #FAC6DB, #FAEFC7, #C7FAE5 and #C7D2FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAC6DB00 shade: #FAC6DB, #F6FAC7, #C7FAE5 and #CBC7FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FAC6DB00

RGBA 250 198 219 0

HSLA 335.77, 0.84%, 0.88%, 0

LABA 84.91, 21.7, -3.36, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #05392400

RGBA 5 57 36 0

HSLA 155.77, 0.84%, 0.12%, 0

LABA 20.38, -22.47, 8.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6D600

RGBA 255 198 214 0

HSLA 343.16, 1%, 0.89%, 0

LABA 85.25, 22.65, -0.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8E900

RGBA 255 216 233 0

HSLA 333.85, 1%, 0.92%, 0

LABA 89.98, 16.27, -3.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEAFC00

RGBA 255 234 252 0

HSLA 308.57, 1%, 0.96%, 0

LABA 94.8, 10.19, -6.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFF00

RGBA 255 252 255 0

HSLA 300, 1%, 0.99%, 0

LABA 99.26, 1.52, -1.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF00

RGBA 255 255 255 0

HSLA 0, 0%, 1%, 0

LABA 100, 0.01, -0.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FAC6DB00

RGBA 250 198 219 0

HSLA 335.77, 0.84%, 0.88%, 0

LABA 84.91, 21.7, -3.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E9B4C800

RGBA 233 180 200 0

HSLA 337.36, 0.55%, 0.81%, 0

LABA 78.54, 22.25, -2.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D8A2B500

RGBA 216 162 181 0

HSLA 338.89, 0.41%, 0.74%, 0

LABA 72.08, 22.85, -1.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C790A200

RGBA 199 144 162 0

HSLA 340.36, 0.33%, 0.67%, 0

LABA 65.51, 23.5, -1.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B67E8F00

RGBA 182 126 143 0

HSLA 341.79, 0.28%, 0.6%, 0

LABA 58.84, 24.22, -0.39, 0

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DB

RGB 250 199 219

HSL 336.47, 0.84%, 0.88%

LAB 85.14, 21.17, -3.02

 

CMYK 0 / 20 / 18 / 2

HEX #FAC7CE

RGB 250 199 206

HSL 351.76, 0.84%, 0.88%

LAB 84.81, 19.14, 3.42

 

CMYK 0 / 20 / 20 / 2

HEX #FAC7C7

RGB 250 199 199

HSL 0, 0.84%, 0.88%

LAB 84.64, 18.1, 6.91

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DB

RGB 250 199 219

HSL 336.47, 0.84%, 0.88%

LAB 85.14, 21.17, -3.02

 

CMYK 0 / 20 / 7 / 2

HEX #FAC7E9

RGB 250 199 233

HSL 320, 0.84%, 0.88%

LAB 85.53, 23.49, -9.89

 

CMYK 0 / 20 / 1 / 2

HEX #FAC7F7

RGB 250 199 247

HSL 303.53, 0.84%, 0.88%

LAB 85.95, 25.94, -16.71

 

CMYK 4 / 20 / 0 / 2

HEX #EFC7FA

RGB 239 199 250

HSL 287.06, 0.84%, 0.88%

LAB 85.05, 22.92, -19.76

 

CMYK 10 / 20 / 0 / 2

HEX #E1C7FA

RGB 225 199 250

HSL 270.59, 0.84%, 0.88%

LAB 83.84, 18.45, -21.7

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DB

RGB 250 199 219

HSL 336.47, 0.84%, 0.88%

LAB 85.14, 21.17, -3.02

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DB

RGB 250 199 219

HSL 336.47, 0.84%, 0.88%

LAB 85.14, 21.17, -3.02

 

CMYK 0 / 17 / 10 / 4

HEX #F5CCDC

RGB 245 204 220

HSL 336.59, 0.67%, 0.88%

LAB 85.89, 16.97, -2.5

 

CMYK 0 / 13 / 8 / 6

HEX #F0D1DD

RGB 240 209 221

HSL 336.77, 0.51%, 0.88%

LAB 86.68, 12.78, -1.93

 

CMYK 0 / 9 / 6 / 8

HEX #EBD6DE

RGB 235 214 222

HSL 337.14, 0.34%, 0.88%

LAB 87.5, 8.6, -1.31

 

CMYK 0 / 5 / 3 / 10

HEX #E6DBDF

RGB 230 219 223

HSL 338.18, 0.18%, 0.88%

LAB 88.36, 4.45, -0.62

 

CMYK 0 / 20 / 1 / 2

HEX #FAC7F8

RGB 250 199 248

HSL 302.35, 0.84%, 0.88%

LAB 85.98, 26.12, -17.19

 

CMYK 0 / 20 / 6 / 2

HEX #FAC7EA

RGB 250 199 234

HSL 318.82, 0.84%, 0.88%

LAB 85.56, 23.66, -10.38

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DC

RGB 250 199 220

HSL 335.29, 0.84%, 0.88%

LAB 85.17, 21.33, -3.51

 

CMYK 0 / 20 / 18 / 2

HEX #FAC7CE

RGB 250 199 206

HSL 351.76, 0.84%, 0.88%

LAB 84.81, 19.14, 3.42

 

CMYK 0 / 18 / 20 / 2

HEX #FACDC7

RGB 250 205 199

HSL 7.06, 0.84%, 0.88%

LAB 86.06, 14.95, 8.95

 

CMYK 0 / 50 / 30 / 4

HEX #F47BAC

RGB 244 123 172

HSL 335.7, 0.85%, 0.72%

LAB 66.81, 51.58, -4.33

 

CMYK 0 / 35 / 21 / 3

HEX #F7A1C3

RGB 247 161 195

HSL 336.28, 0.84%, 0.8%

LAB 75.58, 36.44, -4.15

 

CMYK 0 / 20 / 12 / 2

HEX #FAC7DB

RGB 250 199 219

HSL 336.47, 0.84%, 0.88%

LAB 85.14, 21.17, -3.02

 

CMYK 0 / 6 / 4 / 1

HEX #FDEDF3

RGB 253 237 243

HSL 337.5, 0.8%, 0.96%

LAB 95.13, 6.41, -0.96

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 21 / 12 / 2

HEX #FAC6DB

RGB 250 198 219

HSL 335.77, 0.84%, 0.88%

LAB 84.91, 21.7, -3.36

 

CMYK 0 / 4 / 20 / 2

HEX #FAEFC7

RGB 250 239 199

HSL 47.06, 0.84%, 0.88%

LAB 94.39, -2.55, 20.71

 

CMYK 20 / 4 / 0 / 2

HEX #C7F1FA

RGB 199 241 250

HSL 190.59, 0.84%, 0.88%

LAB 92.55, -11.56, -8.82

 

CMYK 0 / 21 / 12 / 2

HEX #FAC6DB

RGB 250 198 219

HSL 335.77, 0.84%, 0.88%

LAB 84.91, 21.7, -3.36

 

CMYK 12 / 0 / 20 / 2

HEX #DCFAC7

RGB 220 250 199

HSL 95.29, 0.84%, 0.88%

LAB 95.04, -18.62, 21.28

 

CMYK 20 / 12 / 0 / 2

HEX #C7DCFA

RGB 199 220 250

HSL 215.29, 0.84%, 0.88%

LAB 87.11, -0.78, -16.95

 

CMYK 0 / 21 / 12 / 2

HEX #FAC6DB

RGB 250 198 219

HSL 335.77, 0.84%, 0.88%

LAB 84.91, 21.7, -3.36

 

CMYK 0 / 4 / 20 / 2

HEX #FAEFC7

RGB 250 239 199

HSL 47.06, 0.84%, 0.88%

LAB 94.39, -2.55, 20.71

 

CMYK 20 / 0 / 8 / 2

HEX #C7FAE5

RGB 199 250 229

HSL 155.29, 0.84%, 0.88%

LAB 94.39, -20.25, 4.75

 

CMYK 20 / 16 / 0 / 2

HEX #C7D2FA

RGB 199 210 250

HSL 227.06, 0.84%, 0.88%

LAB 84.55, 4.49, -20.81

 

CMYK 0 / 21 / 12 / 2

HEX #FAC6DB

RGB 250 198 219

HSL 335.77, 0.84%, 0.88%

LAB 84.91, 21.7, -3.36

 

CMYK 2 / 0 / 20 / 2

HEX #F6FAC7

RGB 246 250 199

HSL 64.71, 0.84%, 0.88%

LAB 96.86, -9.5, 24.08

 

CMYK 20 / 0 / 8 / 2

HEX #C7FAE5

RGB 199 250 229

HSL 155.29, 0.84%, 0.88%

LAB 94.39, -20.25, 4.75

 

CMYK 19 / 20 / 0 / 2

HEX #CBC7FA

RGB 203 199 250

HSL 244.71, 0.84%, 0.88%

LAB 82.08, 11.59, -24.54

 

Description

Color code: HEX #FAC6DB00 | qconv.com Color code: HEX #FAC6DB00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 198 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 198 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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