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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAC021 it is the complementary color #053FDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAC021. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAC021 shade: #FFC01C, #FFD22F, #FFE442, #FFF655 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAC021. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAC021 shade: #FAC021, #E9AE0E, #D89C00, #C78A00 and #B67800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAC021 shade: #FAC01E, #FA841E, #FA491E and #FA1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAC021 shade: #FAC01E, #FAFA1E, #BEFA1E, #83FA1E and #48FA1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAC021 shade matches the following richer shades: #FAC01E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAC021 shade: #FAC01E, #E8B731, #D5AE43, #C3A656 and #B09D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAC021 shade: #FA461E, #FA811E, #FABC1E, #FAF71E and #C3FA1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAC021 shade: #C28F04, #EAAD05, #FAC01E, #FBCB47 and #FCD66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAC021 shade: #FAC021, #30FA1E and #641EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAC021 shade: #FAC021, #1EFABC and #BC1EFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAC021 shade: #FAC021, #30FA1E, #1E5DFA and #E81EFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAC021 shade: #FAC021, #1EFA4E, #1E5DFA and #FA1ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 87 / 2

HEX #FAC021

RGB 250 192 33

HSL 43.96, 0.96%, 0.55%

LAB 80.81, 8.13, 77.98

 

Complementary color

CMYK 98 / 72 / 0 / 13

HEX #053FDE

RGB 5 63 222

HSL 223.96, 0.96%, 0.45%

LAB 35.72, 47.44, -83.47

 

CMYK 0 / 25 / 89 / 0

HEX #FFC01C

RGB 255 192 28

HSL 43.35, 1%, 0.55%

LAB 81.32, 10.17, 79.65

 

CMYK 0 / 18 / 82 / 0

HEX #FFD22F

RGB 255 210 47

HSL 47.02, 1%, 0.59%

LAB 85.79, 1.33, 78.77

 

CMYK 0 / 11 / 74 / 0

HEX #FFE442

RGB 255 228 66

HSL 51.43, 1%, 0.63%

LAB 90.39, -7.1, 77.11

 

CMYK 0 / 4 / 67 / 0

HEX #FFF655

RGB 255 246 85

HSL 56.82, 1%, 0.67%

LAB 95.09, -15.08, 74.98

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 23 / 87 / 2

HEX #FAC021

RGB 250 192 33

HSL 43.96, 0.96%, 0.55%

LAB 80.81, 8.13, 77.98

 

CMYK 0 / 25 / 94 / 9

HEX #E9AE0E

RGB 233 174 14

HSL 43.84, 0.89%, 0.48%

LAB 74.59, 9.95, 75.93

 

CMYK 0 / 28 / 100 / 15

HEX #D89C00

RGB 216 156 0

HSL 43.33, 1%, 0.42%

LAB 68.3, 11.99, 72.37

 

CMYK 0 / 31 / 100 / 22

HEX #C78A00

RGB 199 138 0

HSL 41.61, 1%, 0.39%

LAB 61.93, 14.25, 67.15

 

CMYK 0 / 34 / 100 / 29

HEX #B67800

RGB 182 120 0

HSL 39.56, 1%, 0.36%

LAB 55.46, 16.59, 61.86

 

CMYK 0 / 23 / 88 / 2

HEX #FAC01E

RGB 250 192 30

HSL 44.18, 0.96%, 0.55%

LAB 80.8, 8.08, 78.63

 

CMYK 0 / 47 / 88 / 2

HEX #FA841E

RGB 250 132 30

HSL 27.82, 0.96%, 0.55%

LAB 67.22, 39.23, 68.1

 

CMYK 0 / 71 / 88 / 2

HEX #FA491E

RGB 250 73 30

HSL 11.73, 0.96%, 0.55%

LAB 57.25, 65.22, 60.52

 

CMYK 0 / 88 / 88 / 2

HEX #FA1E1E

RGB 250 30 30

HSL 0, 0.96%, 0.55%

LAB 53.33, 76.26, 57.59

 

CMYK 0 / 23 / 88 / 2

HEX #FAC01E

RGB 250 192 30

HSL 44.18, 0.96%, 0.55%

LAB 80.8, 8.08, 78.63

 

CMYK 0 / 0 / 88 / 2

HEX #FAFA1E

RGB 250 250 30

HSL 60, 0.96%, 0.55%

LAB 95.49, -20.92, 90.16

 

CMYK 24 / 0 / 88 / 2

HEX #BEFA1E

RGB 190 250 30

HSL 76.36, 0.96%, 0.55%

LAB 91.42, -44.71, 85.18

 

CMYK 48 / 0 / 88 / 2

HEX #83FA1E

RGB 131 250 30

HSL 92.45, 0.96%, 0.55%

LAB 88.59, -64.66, 81.67

 

CMYK 71 / 0 / 88 / 2

HEX #48FA1E

RGB 72 250 30

HSL 108.55, 0.96%, 0.55%

LAB 86.92, -78.23, 79.59

 

CMYK 0 / 23 / 88 / 2

HEX #FAC01E

RGB 250 192 30

HSL 44.18, 0.96%, 0.55%

LAB 80.8, 8.08, 78.63

 

CMYK 0 / 23 / 88 / 2

HEX #FAC01E

RGB 250 192 30

HSL 44.18, 0.96%, 0.55%

LAB 80.8, 8.08, 78.63

 

CMYK 0 / 21 / 79 / 9

HEX #E8B731

RGB 232 183 49

HSL 43.93, 0.8%, 0.55%

LAB 76.83, 5.56, 69.45

 

CMYK 0 / 18 / 69 / 16

HEX #D5AE43

RGB 213 174 67

HSL 43.97, 0.63%, 0.55%

LAB 72.78, 2.93, 58.07

 

CMYK 0 / 15 / 56 / 24

HEX #C3A656

RGB 195 166 86

HSL 44.04, 0.48%, 0.55%

LAB 69.15, 0.76, 44.8

 

CMYK 0 / 11 / 41 / 31

HEX #B09D68

RGB 176 157 104

HSL 44.17, 0.31%, 0.55%

LAB 65.23, -0.65, 30.26

 

CMYK 0 / 72 / 88 / 2

HEX #FA461E

RGB 250 70 30

HSL 10.91, 0.96%, 0.55%

LAB 56.88, 66.25, 60.24

 

CMYK 0 / 48 / 88 / 2

HEX #FA811E

RGB 250 129 30

HSL 27, 0.96%, 0.55%

LAB 66.61, 40.73, 67.63

 

CMYK 0 / 25 / 88 / 2

HEX #FABC1E

RGB 250 188 30

HSL 43.09, 0.96%, 0.55%

LAB 79.83, 10.15, 77.87

 

CMYK 0 / 1 / 88 / 2

HEX #FAF71E

RGB 250 247 30

HSL 59.18, 0.96%, 0.55%

LAB 94.71, -19.48, 89.54

 

CMYK 22 / 0 / 88 / 2

HEX #C3FA1E

RGB 195 250 30

HSL 75, 0.96%, 0.55%

LAB 91.71, -42.83, 85.54

 

CMYK 0 / 26 / 98 / 24

HEX #C28F04

RGB 194 143 4

HSL 43.89, 0.96%, 0.39%

LAB 62.61, 9.33, 66.75

 

CMYK 0 / 26 / 98 / 8

HEX #EAAD05

RGB 234 173 5

HSL 44.02, 0.96%, 0.47%

LAB 74.44, 10.83, 76.92

 

CMYK 0 / 23 / 88 / 2

HEX #FAC01E

RGB 250 192 30

HSL 44.18, 0.96%, 0.55%

LAB 80.8, 8.08, 78.63

 

CMYK 0 / 19 / 72 / 2

HEX #FBCB47

RGB 251 203 71

HSL 44, 0.96%, 0.63%

LAB 83.8, 4.12, 68.84

 

CMYK 0 / 15 / 56 / 1

HEX #FCD66F

RGB 252 214 111

HSL 43.83, 0.96%, 0.71%

LAB 86.97, 1.31, 55.05

 

CMYK 0 / 23 / 87 / 2

HEX #FAC021

RGB 250 192 33

HSL 43.96, 0.96%, 0.55%

LAB 80.81, 8.13, 77.98

 

CMYK 81 / 0 / 88 / 2

HEX #30FA1E

RGB 48 250 30

HSL 115.09, 0.96%, 0.55%

LAB 86.55, -81.48, 79.13

 

CMYK 60 / 88 / 0 / 2

HEX #641EFA

RGB 100 30 250

HSL 259.09, 0.96%, 0.55%

LAB 38.79, 75.28, -94.1

 

CMYK 0 / 23 / 87 / 2

HEX #FAC021

RGB 250 192 33

HSL 43.96, 0.96%, 0.55%

LAB 80.81, 8.13, 77.98

 

CMYK 88 / 0 / 25 / 2

HEX #1EFABC

RGB 30 250 188

HSL 163.09, 0.96%, 0.55%

LAB 88.1, -62.52, 16.23

 

CMYK 25 / 88 / 0 / 2

HEX #BC1EFA

RGB 188 30 250

HSL 283.09, 0.96%, 0.55%

LAB 50.12, 84.8, -75.07

 

CMYK 0 / 23 / 87 / 2

HEX #FAC021

RGB 250 192 33

HSL 43.96, 0.96%, 0.55%

LAB 80.81, 8.13, 77.98

 

CMYK 81 / 0 / 88 / 2

HEX #30FA1E

RGB 48 250 30

HSL 115.09, 0.96%, 0.55%

LAB 86.55, -81.48, 79.13

 

CMYK 88 / 63 / 0 / 2

HEX #1E5DFA

RGB 30 93 250

HSL 222.82, 0.96%, 0.55%

LAB 45.64, 39.91, -82.93

 

CMYK 7 / 88 / 0 / 2

HEX #E81EFA

RGB 232 30 250

HSL 295.09, 0.96%, 0.55%

LAB 57.06, 91.37, -63.5

 

CMYK 0 / 23 / 87 / 2

HEX #FAC021

RGB 250 192 33

HSL 43.96, 0.96%, 0.55%

LAB 80.81, 8.13, 77.98

 

CMYK 88 / 0 / 69 / 2

HEX #1EFA4E

RGB 30 250 78

HSL 133.09, 0.96%, 0.55%

LAB 86.6, -80.16, 65.8

 

CMYK 88 / 63 / 0 / 2

HEX #1E5DFA

RGB 30 93 250

HSL 222.82, 0.96%, 0.55%

LAB 45.64, 39.91, -82.93

 

CMYK 0 / 88 / 19 / 2

HEX #FA1ECB

RGB 250 30 203

HSL 312.82, 0.96%, 0.55%

LAB 57.62, 88.08, -35.9

 

Description

Color code: HEX #FAC021 | qconv.com Color code: HEX #FAC021 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 192 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 192 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 87 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 87% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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