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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FABDF43F it is the complementary color #05420B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FABDF43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FABDF43F shade: #FFBDEF3F, #FFCFFF3F, #FFE1FF3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FABDF43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FABDF43F shade: #FABDF43F, #E9ABE13F, #D899CE3F, #C787BB3F and #B675A83F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FABDF43F shade: #FABDF4, #FABDE3, #FABDD3, #FABDC2 and #FABDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FABDF43F shade: #FABDF4, #EFBDFA, #DFBDFA, #CEBDFA and #BEBDFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FABDF43F shade matches the following richer shades: #FABDF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FABDF43F shade: #FABDF4, #F4C2EF, #EEC8EB, #E9CEE6 and #E3D4E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FABDF43F shade: #DEBDFA, #EFBDFA, #FABDF5, #FABDE5 and #FABDD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FABDF43F shade: #F470E7, #F796EE, #FABDF4, #FDE3FA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FABDF43F shade: #FABDF4, #FACEBD and #BDFAE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FABDF43F shade: #FABDF4, #F5FABD and #BDF5FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FABDF43F shade: #FABDF4, #FACEBD, #BDFAC2 and #BDE9FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FABDF43F shade: #FABDF4, #FAE0BD, #BDFAC2 and #BDD6FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 1 / 0

HEX #FABDF43F

RGBA 250 189 244 0.25

HSLA 305.9, 0.86%, 0.86%, 0.25

LABA 83.57, 30.67, -18.69, 0.25

 

Complementary color

CMYK 23 / 0 / 21 / 19

HEX #05420B3F

RGBA 5 66 11 0.25

HSLA 125.9, 0.86%, 0.14%, 0.25

LABA 23.51, -30.67, 26.66, 0.25

 

CMYK 0 / 6 / 2 / 0

HEX #FFBDEF3F

RGBA 255 189 239 0.25

HSLA 314.55, 1%, 0.87%, 0.25

LABA 83.91, 31.44, -15.47, 0.25

 

CMYK 0 / 5 / 0 / 0

HEX #FFCFFF3F

RGBA 255 207 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 88.5, 24.79, -17.06, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE1FF3F

RGBA 255 225 255 0.25

HSLA 300, 1%, 0.94%, 0.25

LABA 92.72, 15.38, -10.74, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 6 / 1 / 0

HEX #FABDF43F

RGBA 250 189 244 0.25

HSLA 305.9, 0.86%, 0.86%, 0.25

LABA 83.57, 30.67, -18.69, 0.25

 

CMYK 0 / 7 / 1 / 2

HEX #E9ABE13F

RGBA 233 171 225 0.25

HSLA 307.74, 0.58%, 0.79%, 0.25

LABA 77.21, 31.29, -18.24, 0.25

 

CMYK 0 / 7 / 1 / 4

HEX #D899CE3F

RGBA 216 153 206 0.25

HSLA 309.52, 0.45%, 0.72%, 0.25

LABA 70.76, 31.94, -17.76, 0.25

 

CMYK 0 / 8 / 2 / 5

HEX #C787BB3F

RGBA 199 135 187 0.25

HSLA 311.25, 0.36%, 0.65%, 0.25

LABA 64.21, 32.64, -17.26, 0.25

 

CMYK 0 / 9 / 2 / 7

HEX #B675A83F

RGBA 182 117 168 0.25

HSLA 312.92, 0.31%, 0.59%, 0.25

LABA 57.55, 33.38, -16.71, 0.25

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 24 / 9 / 2

HEX #FABDE3

RGB 250 189 227

HSL 322.62, 0.86%, 0.86%

LAB 83.05, 27.75, -10.38

 

CMYK 0 / 24 / 16 / 2

HEX #FABDD3

RGB 250 189 211

HSL 338.36, 0.86%, 0.86%

LAB 82.61, 25.17, -2.46

 

CMYK 0 / 24 / 22 / 2

HEX #FABDC2

RGB 250 189 194

HSL 355.08, 0.86%, 0.86%

LAB 82.17, 22.63, 6.03

 

CMYK 0 / 24 / 24 / 2

HEX #FABDBD

RGB 250 189 189

HSL 0, 0.86%, 0.86%

LAB 82.05, 21.93, 8.55

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 4 / 24 / 0 / 2

HEX #EFBDFA

RGB 239 189 250

HSL 289.18, 0.86%, 0.86%

LAB 82.73, 28.24, -23.28

 

CMYK 11 / 24 / 0 / 2

HEX #DFBDFA

RGB 223 189 250

HSL 273.44, 0.86%, 0.86%

LAB 81.28, 23.18, -25.6

 

CMYK 18 / 24 / 0 / 2

HEX #CEBDFA

RGB 206 189 250

HSL 256.72, 0.86%, 0.86%

LAB 79.85, 17.91, -27.92

 

CMYK 24 / 24 / 0 / 2

HEX #BEBDFA

RGB 190 189 250

HSL 240.98, 0.86%, 0.86%

LAB 78.6, 13.1, -29.94

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 20 / 2 / 4

HEX #F4C2EF

RGB 244 194 239

HSL 306, 0.69%, 0.86%

LAB 83.99, 25.18, -15.45

 

CMYK 0 / 16 / 1 / 7

HEX #EEC8EB

RGB 238 200 235

HSL 304.74, 0.53%, 0.86%

LAB 84.73, 19.29, -12.27

 

CMYK 0 / 12 / 1 / 9

HEX #E9CEE6

RGB 233 206 230

HSL 306.67, 0.38%, 0.86%

LAB 85.59, 13.54, -8.37

 

CMYK 0 / 7 / 1 / 11

HEX #E3D4E1

RGB 227 212 225

HSL 308, 0.21%, 0.86%

LAB 86.43, 7.45, -4.54

 

CMYK 11 / 24 / 0 / 2

HEX #DEBDFA

RGB 222 189 250

HSL 272.46, 0.86%, 0.86%

LAB 81.2, 22.87, -25.75

 

CMYK 4 / 24 / 0 / 2

HEX #EFBDFA

RGB 239 189 250

HSL 289.18, 0.86%, 0.86%

LAB 82.73, 28.24, -23.28

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF5

RGB 250 189 245

HSL 304.92, 0.86%, 0.86%

LAB 83.61, 30.85, -19.17

 

CMYK 0 / 24 / 8 / 2

HEX #FABDE5

RGB 250 189 229

HSL 320.66, 0.86%, 0.86%

LAB 83.11, 28.08, -11.36

 

CMYK 0 / 24 / 15 / 2

HEX #FABDD4

RGB 250 189 212

HSL 337.38, 0.86%, 0.86%

LAB 82.63, 25.33, -2.96

 

CMYK 0 / 54 / 5 / 4

HEX #F470E7

RGB 244 112 231

HSL 305.91, 0.86%, 0.7%

LAB 66.97, 65.32, -37.14

 

CMYK 0 / 39 / 4 / 3

HEX #F796EE

RGB 247 150 238

HSL 305.57, 0.86%, 0.78%

LAB 74.67, 49, -29.04

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 10 / 1 / 1

HEX #FDE3FA

RGB 253 227 250

HSL 306.92, 0.87%, 0.94%

LAB 92.89, 12.79, -7.89

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 18 / 24 / 2

HEX #FACEBD

RGB 250 206 189

HSL 16.72, 0.86%, 0.86%

LAB 86.08, 13.01, 14.27

 

CMYK 24 / 0 / 8 / 2

HEX #BDFAE7

RGB 189 250 231

HSL 161.31, 0.86%, 0.86%

LAB 93.87, -22.9, 2.89

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 2 / 0 / 24 / 2

HEX #F5FABD

RGB 245 250 189

HSL 64.92, 0.86%, 0.86%

LAB 96.6, -11.24, 28.79

 

CMYK 24 / 2 / 0 / 2

HEX #BDF5FA

RGB 189 245 250

HSL 184.92, 0.86%, 0.86%

LAB 93.03, -16.49, -8.18

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 18 / 24 / 2

HEX #FACEBD

RGB 250 206 189

HSL 16.72, 0.86%, 0.86%

LAB 86.08, 13.01, 14.27

 

CMYK 24 / 0 / 22 / 2

HEX #BDFAC2

RGB 189 250 194

HSL 124.92, 0.86%, 0.86%

LAB 93.05, -29.74, 20.79

 

CMYK 24 / 7 / 0 / 2

HEX #BDE9FA

RGB 189 233 250

HSL 196.72, 0.86%, 0.86%

LAB 89.86, -10.46, -12.9

 

CMYK 0 / 24 / 2 / 2

HEX #FABDF4

RGB 250 189 244

HSL 305.9, 0.86%, 0.86%

LAB 83.57, 30.67, -18.69

 

CMYK 0 / 10 / 24 / 2

HEX #FAE0BD

RGB 250 224 189

HSL 34.43, 0.86%, 0.86%

LAB 90.46, 3.69, 20.41

 

CMYK 24 / 0 / 22 / 2

HEX #BDFAC2

RGB 189 250 194

HSL 124.92, 0.86%, 0.86%

LAB 93.05, -29.74, 20.79

 

CMYK 24 / 14 / 0 / 2

HEX #BDD6FA

RGB 189 214 250

HSL 215.41, 0.86%, 0.86%

LAB 84.9, -0.62, -20.35

 

Description

Color code: HEX #FABDF43F | qconv.com Color code: HEX #FABDF43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 189 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 189 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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