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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FABC90 it is the complementary color #05436F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FABC90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FABC90 shade: #FFBC8B, #FFCE9E, #FFE0B1, #FFF2C4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FABC90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FABC90 shade: #FABC90, #E9AA7D, #D8986A, #C78657 and #B67444

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FABC90 shade: #FABB8F, #FA9F8F and #FA8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FABC90 shade: #FABB8F, #FAD88F, #FAF58F, #E2FA8F and #C5FA8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FABC90 shade matches the following richer shades: #FABB8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FABC90 shade: #FABB8F, #F0BD98, #E7BFA2, #DDC0AB and #D4C2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FABC90 shade: #FA8F9D, #FA9D8F, #FABA8F, #FAD68F and #FAF38F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FABC90 shade: #F68C40, #F8A368, #FABB8F, #FCD3B6 and #FDEBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FABC90 shade: #FABC90, #BAFA8F and #8F8FFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FABC90 shade: #FABC90, #8FFABA and #BA8FFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FABC90 shade: #FABC90, #BAFA8F, #8FCFFA and #CF8FFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FABC90 shade: #FABC90, #9AFA8F, #8FCFFA and #EF8FFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 42 / 2

HEX #FABC90

RGB 250 188 144

HSL 24.91, 0.91%, 0.77%

LAB 80.91, 16.95, 30.93

 

Complementary color

CMYK 95 / 40 / 0 / 56

HEX #05436F

RGB 5 67 111

HSL 204.91, 0.91%, 0.23%

LAB 27.28, 0.03, -30.43

 

CMYK 0 / 26 / 45 / 0

HEX #FFBC8B

RGB 255 188 139

HSL 25.34, 1%, 0.77%

LAB 81.34, 18.4, 34.22

 

CMYK 0 / 19 / 38 / 0

HEX #FFCE9E

RGB 255 206 158

HSL 29.69, 1%, 0.81%

LAB 85.94, 11.01, 30.42

 

CMYK 0 / 12 / 31 / 0

HEX #FFE0B1

RGB 255 224 177

HSL 36.15, 1%, 0.85%

LAB 90.66, 3.98, 26.97

 

CMYK 0 / 5 / 23 / 0

HEX #FFF2C4

RGB 255 242 196

HSL 46.78, 1%, 0.88%

LAB 95.48, -2.67, 23.81

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 25 / 42 / 2

HEX #FABC90

RGB 250 188 144

HSL 24.91, 0.91%, 0.77%

LAB 80.91, 16.95, 30.93

 

CMYK 0 / 27 / 46 / 9

HEX #E9AA7D

RGB 233 170 125

HSL 25, 0.71%, 0.7%

LAB 74.54, 17.83, 32.26

 

CMYK 0 / 30 / 51 / 15

HEX #D8986A

RGB 216 152 106

HSL 25.09, 0.59%, 0.63%

LAB 68.09, 18.82, 33.68

 

CMYK 0 / 33 / 56 / 22

HEX #C78657

RGB 199 134 87

HSL 25.18, 0.5%, 0.56%

LAB 61.55, 19.96, 35.22

 

CMYK 0 / 36 / 63 / 29

HEX #B67444

RGB 182 116 68

HSL 25.26, 0.46%, 0.49%

LAB 54.92, 21.28, 36.87

 

CMYK 0 / 25 / 43 / 2

HEX #FABB8F

RGB 250 187 143

HSL 24.67, 0.91%, 0.77%

LAB 80.65, 17.37, 31.12

 

CMYK 0 / 36 / 43 / 2

HEX #FA9F8F

RGB 250 159 143

HSL 8.97, 0.91%, 0.77%

LAB 74.26, 32.07, 22.52

 

CMYK 0 / 43 / 43 / 2

HEX #FA8F8F

RGB 250 143 143

HSL 0, 0.91%, 0.77%

LAB 70.84, 40.34, 17.83

 

CMYK 0 / 25 / 43 / 2

HEX #FABB8F

RGB 250 187 143

HSL 24.67, 0.91%, 0.77%

LAB 80.65, 17.37, 31.12

 

CMYK 0 / 14 / 43 / 2

HEX #FAD88F

RGB 250 216 143

HSL 40.93, 0.91%, 0.77%

LAB 87.69, 2.31, 40.3

 

CMYK 0 / 2 / 43 / 2

HEX #FAF58F

RGB 250 245 143

HSL 57.2, 0.91%, 0.77%

LAB 95, -12.26, 49.54

 

CMYK 10 / 0 / 43 / 2

HEX #E2FA8F

RGB 226 250 143

HSL 73.46, 0.91%, 0.77%

LAB 94.54, -23.82, 48.58

 

CMYK 21 / 0 / 43 / 2

HEX #C5FA8F

RGB 197 250 143

HSL 89.72, 0.91%, 0.77%

LAB 92.67, -34.4, 45.84

 

CMYK 0 / 25 / 43 / 2

HEX #FABB8F

RGB 250 187 143

HSL 24.67, 0.91%, 0.77%

LAB 80.65, 17.37, 31.12

 

CMYK 0 / 25 / 43 / 2

HEX #FABB8F

RGB 250 187 143

HSL 24.67, 0.91%, 0.77%

LAB 80.65, 17.37, 31.12

 

CMYK 0 / 21 / 37 / 6

HEX #F0BD98

RGB 240 189 152

HSL 25.23, 0.75%, 0.77%

LAB 80.28, 13.42, 25.7

 

CMYK 0 / 17 / 30 / 9

HEX #E7BFA2

RGB 231 191 162

HSL 25.22, 0.59%, 0.77%

LAB 80.1, 10.13, 19.99

 

CMYK 0 / 13 / 23 / 13

HEX #DDC0AB

RGB 221 192 171

HSL 25.2, 0.42%, 0.77%

LAB 79.62, 7.06, 14.37

 

CMYK 0 / 8 / 15 / 17

HEX #D4C2B5

RGB 212 194 181

HSL 25.16, 0.26%, 0.77%

LAB 79.57, 4.19, 8.82

 

CMYK 0 / 43 / 37 / 2

HEX #FA8F9D

RGB 250 143 157

HSL 352.15, 0.91%, 0.77%

LAB 71.15, 41.86, 10.48

 

CMYK 0 / 37 / 43 / 2

HEX #FA9D8F

RGB 250 157 143

HSL 7.85, 0.91%, 0.77%

LAB 73.82, 33.11, 21.93

 

CMYK 0 / 26 / 43 / 2

HEX #FABA8F

RGB 250 186 143

HSL 24.11, 0.91%, 0.77%

LAB 80.42, 17.9, 30.81

 

CMYK 0 / 14 / 43 / 2

HEX #FAD68F

RGB 250 214 143

HSL 39.81, 0.91%, 0.77%

LAB 87.19, 3.33, 39.66

 

CMYK 0 / 3 / 43 / 2

HEX #FAF38F

RGB 250 243 143

HSL 56.07, 0.91%, 0.77%

LAB 94.49, -11.27, 48.9

 

CMYK 0 / 43 / 74 / 4

HEX #F68C40

RGB 246 140 64

HSL 25.05, 0.91%, 0.61%

LAB 68.55, 34.6, 56.21

 

CMYK 0 / 34 / 58 / 3

HEX #F8A368

RGB 248 163 104

HSL 24.58, 0.91%, 0.69%

LAB 74.29, 25.74, 43.25

 

CMYK 0 / 25 / 43 / 2

HEX #FABB8F

RGB 250 187 143

HSL 24.67, 0.91%, 0.77%

LAB 80.65, 17.37, 31.12

 

CMYK 0 / 16 / 28 / 1

HEX #FCD3B6

RGB 252 211 182

HSL 24.86, 0.92%, 0.85%

LAB 87.32, 10.2, 19.72

 

CMYK 0 / 7 / 12 / 1

HEX #FDEBDE

RGB 253 235 222

HSL 25.16, 0.89%, 0.93%

LAB 94.13, 3.99, 8.49

 

CMYK 0 / 25 / 42 / 2

HEX #FABC90

RGB 250 188 144

HSL 24.91, 0.91%, 0.77%

LAB 80.91, 16.95, 30.93

 

CMYK 26 / 0 / 43 / 2

HEX #BAFA8F

RGB 186 250 143

HSL 95.89, 0.91%, 0.77%

LAB 92.04, -38.22, 44.91

 

CMYK 43 / 43 / 0 / 2

HEX #8F8FFA

RGB 143 143 250

HSL 240, 0.91%, 0.77%

LAB 63.66, 26.28, -53.54

 

CMYK 0 / 25 / 42 / 2

HEX #FABC90

RGB 250 188 144

HSL 24.91, 0.91%, 0.77%

LAB 80.91, 16.95, 30.93

 

CMYK 43 / 0 / 26 / 2

HEX #8FFABA

RGB 143 250 186

HSL 144.11, 0.91%, 0.77%

LAB 90.67, -44.7, 21.23

 

CMYK 26 / 43 / 0 / 2

HEX #BA8FFA

RGB 186 143 250

HSL 264.11, 0.91%, 0.77%

LAB 67.27, 37.4, -47.61

 

CMYK 0 / 25 / 42 / 2

HEX #FABC90

RGB 250 188 144

HSL 24.91, 0.91%, 0.77%

LAB 80.91, 16.95, 30.93

 

CMYK 26 / 0 / 43 / 2

HEX #BAFA8F

RGB 186 250 143

HSL 95.89, 0.91%, 0.77%

LAB 92.04, -38.22, 44.91

 

CMYK 43 / 17 / 0 / 2

HEX #8FCFFA

RGB 143 207 250

HSL 204.11, 0.91%, 0.77%

LAB 80.39, -9.43, -27.46

 

CMYK 17 / 43 / 0 / 2

HEX #CF8FFA

RGB 207 143 250

HSL 275.89, 0.91%, 0.77%

LAB 69.34, 43.22, -44.21

 

CMYK 0 / 25 / 42 / 2

HEX #FABC90

RGB 250 188 144

HSL 24.91, 0.91%, 0.77%

LAB 80.91, 16.95, 30.93

 

CMYK 38 / 0 / 43 / 2

HEX #9AFA8F

RGB 154 250 143

HSL 113.83, 0.91%, 0.77%

LAB 90.42, -48.56, 42.52

 

CMYK 43 / 17 / 0 / 2

HEX #8FCFFA

RGB 143 207 250

HSL 204.11, 0.91%, 0.77%

LAB 80.39, -9.43, -27.46

 

CMYK 4 / 43 / 0 / 2

HEX #EF8FFA

RGB 239 143 250

HSL 293.83, 0.91%, 0.77%

LAB 72.82, 52.33, -38.5

 

Description

Color code: HEX #FABC90 | qconv.com Color code: HEX #FABC90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 188 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 188 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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