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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FABA06 it is the complementary color #0545F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FABA06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FABA06 shade: #FFBA01, #FFCC14, #FFDE27, #FFF03A and #FFFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FABA06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FABA06 shade: #FABA06, #E9A800, #D89600, #C78400 and #B67200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FABA06 shade: #FABA05, #FA7805, #FA3605 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FABA06 shade: #FABA05, #F8FA05, #B6FA05, #74FA05 and #32FA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FABA06 shade matches the following richer shades: #FABA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FABA06 shade: #FABA05, #E5B01A, #D1A62E, #BC9C43 and #A79258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FABA06 shade: #FA3605, #FA7705, #FAB905, #FAFA05 and #B9FA05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FABA06 shade: #A97E03, #D19C04, #FABA05, #FBC52E and #FCD056

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FABA06 shade: #FABA06, #15FA05 and #5705FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FABA06 shade: #FABA06, #05FAB9 and #B905FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FABA06 shade: #FABA06, #15FA05, #0546FA and #EA05FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FABA06 shade: #FABA06, #05FA3E, #0546FA and #FA05C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 98 / 2

HEX #FABA06

RGB 250 186 6

HSL 44.26, 0.96%, 0.5%

LAB 79.3, 10.9, 81

 

Complementary color

CMYK 98 / 72 / 0 / 2

HEX #0545F9

RGB 5 69 249

HSL 224.26, 0.96%, 0.5%

LAB 39.8, 53.33, -92.02

 

CMYK 0 / 27 / 100 / 0

HEX #FFBA01

RGB 255 186 1

HSL 43.7, 1%, 0.5%

LAB 79.83, 12.99, 82.12

 

CMYK 0 / 20 / 92 / 0

HEX #FFCC14

RGB 255 204 20

HSL 46.98, 1%, 0.54%

LAB 84.22, 3.86, 83.19

 

CMYK 0 / 13 / 85 / 0

HEX #FFDE27

RGB 255 222 39

HSL 50.83, 1%, 0.58%

LAB 88.76, -4.94, 83.24

 

CMYK 0 / 6 / 77 / 0

HEX #FFF03A

RGB 255 240 58

HSL 55.43, 1%, 0.61%

LAB 93.4, -13.32, 82.34

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 26 / 98 / 2

HEX #FABA06

RGB 250 186 6

HSL 44.26, 0.96%, 0.5%

LAB 79.3, 10.9, 81

 

CMYK 0 / 28 / 100 / 9

HEX #E9A800

RGB 233 168 0

HSL 43.26, 1%, 0.46%

LAB 73.11, 13, 76.52

 

CMYK 0 / 31 / 100 / 15

HEX #D89600

RGB 216 150 0

HSL 41.67, 1%, 0.42%

LAB 66.83, 15.22, 71.38

 

CMYK 0 / 34 / 100 / 22

HEX #C78400

RGB 199 132 0

HSL 39.8, 1%, 0.39%

LAB 60.47, 17.53, 66.18

 

CMYK 0 / 37 / 100 / 29

HEX #B67200

RGB 182 114 0

HSL 37.58, 1%, 0.36%

LAB 54.01, 19.92, 60.91

 

CMYK 0 / 26 / 98 / 2

HEX #FABA05

RGB 250 186 5

HSL 44.33, 0.96%, 0.5%

LAB 79.3, 10.89, 81.1

 

CMYK 0 / 52 / 98 / 2

HEX #FA7805

RGB 250 120 5

HSL 28.16, 0.96%, 0.5%

LAB 64.78, 44.86, 71.55

 

CMYK 0 / 78 / 98 / 2

HEX #FA3605

RGB 250 54 5

HSL 12, 0.96%, 0.5%

LAB 55.04, 70.86, 66.19

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 26 / 98 / 2

HEX #FABA05

RGB 250 186 5

HSL 44.33, 0.96%, 0.5%

LAB 79.3, 10.89, 81.1

 

CMYK 1 / 0 / 98 / 2

HEX #F8FA05

RGB 248 250 5

HSL 60.49, 0.96%, 0.5%

LAB 95.3, -22.02, 92.54

 

CMYK 27 / 0 / 98 / 2

HEX #B6FA05

RGB 182 250 5

HSL 76.65, 0.96%, 0.5%

LAB 90.93, -48.06, 87.31

 

CMYK 54 / 0 / 98 / 2

HEX #74FA05

RGB 116 250 5

HSL 92.82, 0.96%, 0.5%

LAB 88.01, -69.27, 83.78

 

CMYK 80 / 0 / 98 / 2

HEX #32FA05

RGB 50 250 5

HSL 108.98, 0.96%, 0.5%

LAB 86.53, -81.78, 81.97

 

CMYK 0 / 26 / 98 / 2

HEX #FABA05

RGB 250 186 5

HSL 44.33, 0.96%, 0.5%

LAB 79.3, 10.89, 81.1

 

CMYK 0 / 26 / 98 / 2

HEX #FABA05

RGB 250 186 5

HSL 44.33, 0.96%, 0.5%

LAB 79.3, 10.89, 81.1

 

CMYK 0 / 23 / 89 / 10

HEX #E5B01A

RGB 229 176 26

HSL 44.33, 0.8%, 0.5%

LAB 74.69, 7.34, 73.76

 

CMYK 0 / 21 / 78 / 18

HEX #D1A62E

RGB 209 166 46

HSL 44.17, 0.64%, 0.5%

LAB 70.19, 4.49, 63.56

 

CMYK 0 / 17 / 64 / 26

HEX #BC9C43

RGB 188 156 67

HSL 44.13, 0.47%, 0.5%

LAB 65.65, 1.74, 49.74

 

CMYK 0 / 13 / 47 / 35

HEX #A79258

RGB 167 146 88

HSL 44.05, 0.31%, 0.5%

LAB 61.2, -0.16, 33.51

 

CMYK 0 / 78 / 98 / 2

HEX #FA3605

RGB 250 54 5

HSL 12, 0.96%, 0.5%

LAB 55.04, 70.86, 66.19

 

CMYK 0 / 52 / 98 / 2

HEX #FA7705

RGB 250 119 5

HSL 27.92, 0.96%, 0.5%

LAB 64.59, 45.35, 71.43

 

CMYK 0 / 26 / 98 / 2

HEX #FAB905

RGB 250 185 5

HSL 44.08, 0.96%, 0.5%

LAB 79.06, 11.41, 80.93

 

CMYK 0 / 0 / 98 / 2

HEX #FAFA05

RGB 250 250 5

HSL 60, 0.96%, 0.5%

LAB 95.46, -21.2, 92.72

 

CMYK 26 / 0 / 98 / 2

HEX #B9FA05

RGB 185 250 5

HSL 75.92, 0.96%, 0.5%

LAB 91.1, -46.95, 87.51

 

CMYK 0 / 25 / 98 / 34

HEX #A97E03

RGB 169 126 3

HSL 44.46, 0.97%, 0.34%

LAB 55.44, 7.37, 60.58

 

CMYK 0 / 25 / 98 / 18

HEX #D19C04

RGB 209 156 4

HSL 44.49, 0.96%, 0.42%

LAB 67.53, 8.95, 70.96

 

CMYK 0 / 26 / 98 / 2

HEX #FABA05

RGB 250 186 5

HSL 44.33, 0.96%, 0.5%

LAB 79.3, 10.89, 81.1

 

CMYK 0 / 22 / 82 / 2

HEX #FBC52E

RGB 251 197 46

HSL 44.2, 0.96%, 0.58%

LAB 82.18, 6.29, 75.81

 

CMYK 0 / 17 / 66 / 1

HEX #FCD056

RGB 252 208 86

HSL 44.1, 0.97%, 0.66%

LAB 85.24, 2.73, 64.3

 

CMYK 0 / 26 / 98 / 2

HEX #FABA06

RGB 250 186 6

HSL 44.26, 0.96%, 0.5%

LAB 79.3, 10.9, 81

 

CMYK 92 / 0 / 98 / 2

HEX #15FA05

RGB 21 250 5

HSL 116.08, 0.96%, 0.5%

LAB 86.28, -84.1, 81.65

 

CMYK 65 / 98 / 0 / 2

HEX #5705FA

RGB 87 5 250

HSL 260.08, 0.96%, 0.5%

LAB 36.06, 79.04, -98.69

 

CMYK 0 / 26 / 98 / 2

HEX #FABA06

RGB 250 186 6

HSL 44.26, 0.96%, 0.5%

LAB 79.3, 10.9, 81

 

CMYK 98 / 0 / 26 / 2

HEX #05FAB9

RGB 5 250 185

HSL 164.08, 0.96%, 0.5%

LAB 87.92, -64.09, 17.51

 

CMYK 26 / 98 / 0 / 2

HEX #B905FA

RGB 185 5 250

HSL 284.08, 0.96%, 0.5%

LAB 48.67, 87.39, -77.46

 

CMYK 0 / 26 / 98 / 2

HEX #FABA06

RGB 250 186 6

HSL 44.26, 0.96%, 0.5%

LAB 79.3, 10.9, 81

 

CMYK 92 / 0 / 98 / 2

HEX #15FA05

RGB 21 250 5

HSL 116.08, 0.96%, 0.5%

LAB 86.28, -84.1, 81.65

 

CMYK 98 / 72 / 0 / 2

HEX #0546FA

RGB 5 70 250

HSL 224.08, 0.96%, 0.5%

LAB 40.11, 53.1, -92.07

 

CMYK 6 / 98 / 0 / 2

HEX #EA05FA

RGB 234 5 250

HSL 296.08, 0.96%, 0.5%

LAB 56.59, 94.06, -64.25

 

CMYK 0 / 26 / 98 / 2

HEX #FABA06

RGB 250 186 6

HSL 44.26, 0.96%, 0.5%

LAB 79.3, 10.9, 81

 

CMYK 98 / 0 / 75 / 2

HEX #05FA3E

RGB 5 250 62

HSL 133.96, 0.96%, 0.5%

LAB 86.38, -82.51, 71.03

 

CMYK 98 / 72 / 0 / 2

HEX #0546FA

RGB 5 70 250

HSL 224.08, 0.96%, 0.5%

LAB 40.11, 53.1, -92.07

 

CMYK 0 / 98 / 23 / 2

HEX #FA05C1

RGB 250 5 193

HSL 313.96, 0.96%, 0.5%

LAB 56.37, 89.26, -32.11

 

Description

Color code: HEX #FABA06 | qconv.com Color code: HEX #FABA06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 186 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 186 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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