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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAB8DF it is the complementary color #054720. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAB8DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAB8DF shade: #FFB8DA, #FFCAED, #FFDCFF, #FFEEFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAB8DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAB8DF shade: #FAB8DF, #E9A6CC, #D894B9, #C782A6 and #B67093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAB8DF shade: #FAB7DF, #FAB7CD, #FAB7BB and #FAB7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAB8DF shade: #FAB7DF, #FAB7F1, #F1B7FA, #DFB7FA and #CDB7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAB8DF shade matches the following richer shades: #FAB7DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAB8DF shade: #FAB7DF, #F4BEDE, #EEC4DD, #E7CADB and #E1D0DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAB8DF shade: #F1B7FA, #FAB7F1, #FAB7DF, #FAB7CE and #FAB7BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAB8DF shade: #F56ABC, #F791CD, #FAB7DF, #FDDEF0 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAB8DF shade: #FAB8DF, #FADFB7 and #B7FAFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAB8DF shade: #FAB8DF, #DFFAB7 and #B7DFFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAB8DF shade: #FAB8DF, #FADFB7, #B7FAD2 and #B7D2FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAB8DF shade: #FAB8DF, #FAF3B7, #B7FAD2 and #B7BEFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 11 / 2

HEX #FAB8DF

RGB 250 184 223

HSL 324.55, 0.87%, 0.85%

LAB 81.8, 29.73, -10.1

 

Complementary color

CMYK 93 / 0 / 55 / 72

HEX #054720

RGB 5 71 32

HSL 144.55, 0.87%, 0.15%

LAB 25.69, -29.51, 18.02

 

CMYK 0 / 28 / 15 / 0

HEX #FFB8DA

RGB 255 184 218

HSL 331.27, 1%, 0.86%

LAB 82.16, 30.62, -6.82

 

CMYK 0 / 21 / 7 / 0

HEX #FFCAED

RGB 255 202 237

HSL 320.38, 1%, 0.9%

LAB 86.81, 24.27, -10.07

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 26 / 11 / 2

HEX #FAB8DF

RGB 250 184 223

HSL 324.55, 0.87%, 0.85%

LAB 81.8, 29.73, -10.1

 

CMYK 0 / 29 / 12 / 9

HEX #E9A6CC

RGB 233 166 204

HSL 325.97, 0.6%, 0.78%

LAB 75.42, 30.37, -9.48

 

CMYK 0 / 31 / 14 / 15

HEX #D894B9

RGB 216 148 185

HSL 327.35, 0.47%, 0.71%

LAB 68.95, 31.06, -8.82

 

CMYK 0 / 35 / 17 / 22

HEX #C782A6

RGB 199 130 166

HSL 328.7, 0.38%, 0.65%

LAB 62.39, 31.8, -8.09

 

CMYK 0 / 38 / 19 / 29

HEX #B67093

RGB 182 112 147

HSL 330, 0.32%, 0.58%

LAB 55.73, 32.6, -7.29

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 0 / 27 / 18 / 2

HEX #FAB7CD

RGB 250 183 205

HSL 340.3, 0.87%, 0.85%

LAB 81.07, 27.41, -1.48

 

CMYK 0 / 27 / 25 / 2

HEX #FAB7BB

RGB 250 183 187

HSL 356.42, 0.87%, 0.85%

LAB 80.62, 24.81, 7.57

 

CMYK 0 / 27 / 27 / 2

HEX #FAB7B7

RGB 250 183 183

HSL 0, 0.87%, 0.85%

LAB 80.52, 24.26, 9.59

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 0 / 27 / 4 / 2

HEX #FAB7F1

RGB 250 183 241

HSL 308.06, 0.87%, 0.85%

LAB 82.13, 33.31, -19.26

 

CMYK 4 / 27 / 0 / 2

HEX #F1B7FA

RGB 241 183 250

HSL 291.94, 0.87%, 0.85%

LAB 81.55, 32.06, -25.05

 

CMYK 11 / 27 / 0 / 2

HEX #DFB7FA

RGB 223 183 250

HSL 275.82, 0.87%, 0.85%

LAB 79.87, 26.41, -27.76

 

CMYK 18 / 27 / 0 / 2

HEX #CDB7FA

RGB 205 183 250

HSL 259.7, 0.87%, 0.85%

LAB 78.31, 20.87, -30.28

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 0 / 22 / 9 / 4

HEX #F4BEDE

RGB 244 190 222

HSL 324.44, 0.71%, 0.85%

LAB 82.56, 24.35, -8.5

 

CMYK 0 / 18 / 7 / 7

HEX #EEC4DD

RGB 238 196 221

HSL 324.29, 0.55%, 0.85%

LAB 83.38, 18.95, -6.81

 

CMYK 0 / 13 / 5 / 9

HEX #E7CADB

RGB 231 202 219

HSL 324.83, 0.38%, 0.85%

LAB 84.14, 13.02, -4.68

 

CMYK 0 / 8 / 3 / 12

HEX #E1D0DA

RGB 225 208 218

HSL 324.71, 0.22%, 0.85%

LAB 85.09, 7.62, -2.82

 

CMYK 4 / 27 / 0 / 2

HEX #F1B7FA

RGB 241 183 250

HSL 291.94, 0.87%, 0.85%

LAB 81.55, 32.06, -25.05

 

CMYK 0 / 27 / 4 / 2

HEX #FAB7F1

RGB 250 183 241

HSL 308.06, 0.87%, 0.85%

LAB 82.13, 33.31, -19.26

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 0 / 27 / 18 / 2

HEX #FAB7CE

RGB 250 183 206

HSL 339.4, 0.87%, 0.85%

LAB 81.1, 27.57, -1.98

 

CMYK 0 / 27 / 25 / 2

HEX #FAB7BC

RGB 250 183 188

HSL 355.52, 0.87%, 0.85%

LAB 80.64, 24.95, 7.06

 

CMYK 0 / 57 / 23 / 4

HEX #F56ABC

RGB 245 106 188

HSL 324.6, 0.87%, 0.69%

LAB 64.44, 61.9, -16.91

 

CMYK 0 / 41 / 17 / 3

HEX #F791CD

RGB 247 145 205

HSL 324.71, 0.86%, 0.77%

LAB 72.52, 46.19, -14.22

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 0 / 12 / 5 / 1

HEX #FDDEF0

RGB 253 222 240

HSL 325.16, 0.89%, 0.93%

LAB 91.42, 13.65, -4.84

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 26 / 11 / 2

HEX #FAB8DF

RGB 250 184 223

HSL 324.55, 0.87%, 0.85%

LAB 81.8, 29.73, -10.1

 

CMYK 0 / 11 / 27 / 2

HEX #FADFB7

RGB 250 223 183

HSL 35.82, 0.87%, 0.85%

LAB 90.1, 3.39, 23.02

 

CMYK 27 / 0 / 0 / 2

HEX #B7FAFA

RGB 183 250 250

HSL 180, 0.87%, 0.85%

LAB 94.03, -20.66, -6.74

 

CMYK 0 / 26 / 11 / 2

HEX #FAB8DF

RGB 250 184 223

HSL 324.55, 0.87%, 0.85%

LAB 81.8, 29.73, -10.1

 

CMYK 11 / 0 / 27 / 2

HEX #DFFAB7

RGB 223 250 183

HSL 84.18, 0.87%, 0.85%

LAB 94.94, -19.96, 29.31

 

CMYK 27 / 11 / 0 / 2

HEX #B7DFFA

RGB 183 223 250

HSL 204.18, 0.87%, 0.85%

LAB 86.87, -7.07, -17.41

 

CMYK 0 / 26 / 11 / 2

HEX #FAB8DF

RGB 250 184 223

HSL 324.55, 0.87%, 0.85%

LAB 81.8, 29.73, -10.1

 

CMYK 0 / 11 / 27 / 2

HEX #FADFB7

RGB 250 223 183

HSL 35.82, 0.87%, 0.85%

LAB 90.1, 3.39, 23.02

 

CMYK 27 / 0 / 16 / 2

HEX #B7FAD2

RGB 183 250 210

HSL 144.18, 0.87%, 0.85%

LAB 93.05, -28.76, 12.53

 

CMYK 27 / 16 / 0 / 2

HEX #B7D2FA

RGB 183 210 250

HSL 215.82, 0.87%, 0.85%

LAB 83.48, -0.26, -22.55

 

CMYK 0 / 26 / 11 / 2

HEX #FAB8DF

RGB 250 184 223

HSL 324.55, 0.87%, 0.85%

LAB 81.8, 29.73, -10.1

 

CMYK 0 / 3 / 27 / 2

HEX #FAF3B7

RGB 250 243 183

HSL 53.73, 0.87%, 0.85%

LAB 95.1, -6.73, 29.85

 

CMYK 27 / 0 / 16 / 2

HEX #B7FAD2

RGB 183 250 210

HSL 144.18, 0.87%, 0.85%

LAB 93.05, -28.76, 12.53

 

CMYK 27 / 24 / 0 / 2

HEX #B7BEFA

RGB 183 190 250

HSL 233.73, 0.87%, 0.85%

LAB 78.34, 10.5, -30.39

 

Description

Color code: HEX #FAB8DF | qconv.com Color code: HEX #FAB8DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 184 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 184 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 11 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 11% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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